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Inspector Alan Grant of Scotland Yard, recuperating from a broken leg, becomes fascinated with a contemporary portrait of Richard III that bears no resemblance to the Wicked Uncle of history. Could such a sensitive, noble face actually belong to one of the world's most heinous villains, a venomous hunchback who may have killed his brother's children to make his crown secure? Or could Richard have been the victim, turned into a monster by the usurpers of England's throne? Grant determines to find out once and for all, with the help of the British Museum and an American scholar, what kind of man Richard Plantagenet really was and who killed the Princes in the Tower.
This is an account of the relationship between Italian scientist Galileo and his daughter, Marie Celeste. It contains letters sent from Marie Celeste to her father from a Florence convent.
'Why is there so much inequality?' Xenia asks her father, the world famous economist Yanis Varoufakis. Drawing on memories of her childhood and a variety of well-known tales - from Oedipus and Faust to Frankenstein and The Matrix - Varoufakis explains everything you need to know in order to understand why economics is the most important drama of our times. In answering his daughter's deceptively simple questions, Varoufakis disentangles our troubling world with remarkable clarity, while inspiring us to make it a better one.
Where She Came From: A Daughter’s Search for Her Mother’s History by Helen Epstein Pdf
A sequel to the groundbreaking Children of the Holocaust, Where She Came From is a daughter’s memoir of her mother’s family. Drawing on her journalistic training, Helen Epstein demonstrates how documentary research can unearth family history and bridge the historical chasm of the Shoah. This book is at once a memoir, a family history and a social history of Central European Jews of the 19th and 20th centuries. The three generations of women she portrays are dressmakers; the fashion salon, a refuge and a rare institution where women could speak. “What we so coldly call ‘acculturation’ is a major theme of Helen Epstein’s rich and absorbing new book, Where She Came From. In the guise of a family memoir, she brilliantly evokes Jewish life in the Czech lands... Epstein is unsparing in her examination of the trials of transplantation, and unlike many family biographers, who are in thrall to their characters, she steps out of the frame to observe herself.” —Ruth Gay, New York Times Book Review “In Epstein’s expert and sensitive hands, truth becomes not only stranger than fiction, but more magnetic, wise and powerful.” — Gloria Steinem “Helen Epstein’s literary pilgrimage to her past will enrich our quest for memory and understanding. Written with her superb talent of storytelling, her tale is profoundly human.” — Elie Wiesel
Stalin's Daughter is a work of narrative non-fiction on a grand scale, combining popular history and biography to tell the incredible story of a woman fated to live her life in the shadow of one of history's most monstrous dictators. Svetlana Stalina, who died on November 22, 2011, at the age of eighty-five, was the only daughter and the last surviving child of Josef Stalin. Beyond Stalina's controversial defection to the US in a cloak-and-dagger escape via India in 1967, her journey from life as the beloved daughter of a fierce autocrat to death in small-town Wisconsin is an astonishing saga. Publicly she was the young darling of her people; privately she was controlled by a tyrannical father who dictated her every move, even sentencing a man she loved to ten years' hard labour in Siberia. Svetlana burned her passport soon after her arrival in New York City and renounced both her father and the USSR. She married four times and had three children. Her last husband was William Wesley Peters, architect Frank Lloyd Wright's chief apprentice, with whom she lived at Taliesin West, Wright’s desert compound in Arizona. In 1984, she returned to the Soviet Union, this time renouncing the US, and then reappeared in America two years later, claiming she had been manipulated by her homeland. She spoke four languages and was politically shrewd, even warning in the late '90s of the consequences of the rise to power of former KGB officer Vladimir Putin. A woman shaped and torn apart by her father’s legacy, Svetlana Stalina spent her final years as a nomad, shuttling between England, France and the US. In her research for Stalin's Daughter, Rosemary Sullivan had the full co-operation of Svetlana’s American daughter, Olga. Rosemary interviewed dozens of people who knew Svetlana, including family and friends in Moscow and the CIA agent who was in charge of moving her from India when she defected. She also drew on family letters and on KGB, CIA, FBI, NARA and British Foreign Office files.
Wall Street Journal’s Five Best Books on the Confederates’ Lost Cause Southern Association for Women Historians Julia Cherry Spruill Prize Even without the right to vote, members of the United Daughters of the Confederacy proved to have enormous social and political influence throughout the South—all in the name of preserving Confederate culture. Karen Cox traces the history of the UDC, an organization founded in 1894 to vindicate the Confederate generation and honor the Lost Cause. In this edition, with a new preface, Cox acknowledges the deadly riots in Charlottesville, Virginia, showing why myths surrounding the Confederacy continue to endure. The Daughters, as UDC members were popularly known, were daughters of the Confederate generation. While southern women had long been leaders in efforts to memorialize the Confederacy, UDC members made the Lost Cause a movement about vindication as well as memorialization. They erected monuments, monitored history for "truthfulness," and sought to educate coming generations of white southerners about an idyllic past and a just cause—states' rights. Soldiers' and widows' homes, perpetuation of the mythology of the antebellum South, and pro-southern textbooks in the region's white public schools were all integral to their mission of creating the New South in the image of the Old. UDC members aspired to transform military defeat into a political and cultural victory, in which states' rights and white supremacy remained intact. To the extent they were successful, the Daughters helped to preserve and perpetuate an agenda for the New South that included maintaining the social status quo. Placing the organization's activities in the context of the postwar and Progressive-Era South, Cox describes in detail the UDC's origins and early development, its efforts to collect and preserve manuscripts and artifacts and to build monuments, and its later role in the peace movement and World War I. This remarkable history of the organization presents a portrait of two generations of southern women whose efforts helped shape the social and political culture of the New South. It also offers a new historical perspective on the subject of Confederate memory and the role southern women played in its development.
An original look at history that profiles 30 children from different eras so that children of today can discover the lives of the cave people, Romans, Vikings, and beyond through the eyes of someone their own age. History books often focus on adults, but what was the past like for children? A Child Through Time is historically accurate and thoroughly researched, and brings the children of history to life-from the earliest civilizations to the Cold War, even imagining a child of the future. Packed with facts and including a specially commissioned illustration of each profiled child, this book examines the clothes children wore, the food they ate, the games they played, and the historic moments they witnessed-all through their own eyes. Maps, timelines, and collections of objects, as well as a perspective on the often ignored topic of family life through the ages, give wider historical background and present a unique side to history. Covering key curriculum topics in a new light, A Child Through Time is a perfect and visually stunning learning tool for children ages 7 and up.
Máire MacSwiney Brugha is the only child of Terence MacSwiney, one of the greatest figures in Ireland's history, who died after seventy-three days on hunger strike in Brixton Prison on 25 October 1920. His death became worldwide news. MacSwiney is reputed to have been quoted by Mahatma Gandhi as the main inspiration for his own life's work leading to the downfall of the British empire in India; Ho Chi Minh said of MacSwiney: 'A nation which has such citizens will never surrender.' At the time of his death Máire was a young child. Her mother, Muriel, a member of the wealthy Murphy distillery family, had made an extraordinary and controversial match in marrying MacSwiney. The young widow then abandoned Ireland for continental Europe, taking her little daughter with her. For nine years Máire was to live away from Ireland, mostly in Germany with occasional breaks in Paris with her mother. She grew up effectively as a German child, speaking the German language, skiing to school -- and forgetting all about her Irish background. This was truly an extraordinary upbringing for the daughter of one of Ireland's greatest heroes. In the early thirties, when she was fourteen, Máire made a dramatic escape with her aunt, Máire MacSwiney, the sister of Terence, home to Ireland, against her mother's wishes. This was widely reported and led to a court case claiming that her aunt had 'kidnapped' her -- but Máire strongly refutes this in her account here. Speaking no English or Irish, the young Máire now went to live in Scoil Íte, her aunt's school in Cork. For the young Máire this was a very strange world indeed. Now she had to learn both Irish and English, her Irish being perfected by long annual holidays in the west Kerry Gaeltacht near Dunquin. And then, in 1945, she married Ruairi Brugha, the son of another famous republican, Cathal Brugha, thus uniting two of Ireland's most prominent and revered nationalist families. Throughout her life, both before marriage and later with her husband, Máire has handled a complex inheritance and forged her own strong identity. She and her husband have reinterpreted their unique inheritance in keeping their own time and their own mindset while retaining strong links to their unusual history.
In this second book of her trilogy, Children of the Holocaust, Where She Came From and The Long Half-Lives of Love and Trauma, Helen Epstein reconstructs the lives of three generations of Central-European women: her great-grandmother Theresa; her grandmother Pepi and her mother Franci - all dressmakers. As in Children of the Holocaust, she creates a hybrid narrative that braids techniques of journalism, biography, and memoir, and provides a new perspective on the social and cultural history of Jewish women of the 19th and 20th centuries. "With this family history, Epstein adds a vivid and telling chapter to the reconstruction of Jewish women's history, one life at a time. The settings range from the Bohemian town of Brtnice; to the Belle Epoque Vienna of assimilated Jews; to newly independent and cosmopolitan Prague in the 1920s, where Pepi ran a fashion salon; to Auschwitz, Bergen-Belsen, and finally New York. It is a compelling account, one that any woman trying to recover her history will value." - Kirkus Reviews "In Epstein's expert and sensitive hands, truth becomes not only stranger than fiction, but more magnetic, wise and powerful." - Gloria Steinem "Written with her superb talent for storytelling, her tale is profoundly human." - Elie Wiesel
“An engrossing, suspenseful family saga filled with unpredictable twists and turns.” —Chanel Cleeton, New York Times bestselling author of Next Year in Havana “With an equal mix of historical fiction, dramatic family conflict, and mystery, this tale should please fans of Christina Baker Kline, Lisa Wingate, and Kate Quinn.” —Booklist The Washington Post Books to Read Now | Ms. Magazine Reads for the Rest of Us | Bustle Most Anticipated Books | PopSugar Best Books | BiblioLifestyle Most Anticipated Historical Fiction Books | Book Riot Book Recommendations | Finer Things Book Lover Gifts They’ll Actually Love Perfect for fans of Julia Alvarez and Silvia Moreno-Garcia, this exhilarating novel transports you to the lush tropical landscape of 1920s Ecuador, blending family drama, dangerous mystery, and the real-life history of the coastal town known as the “birthplace of cacao.” As a child in Spain, Puri always knew her passion for chocolate was inherited from her father. But it’s not until his death that she learns of something else she’s inherited—a cocoa estate in Vinces, Ecuador, a town nicknamed “París Chiquito.” Eager to claim her birthright and filled with hope for a new life after the devastation of World War I, she and her husband Cristóbal set out across the Atlantic Ocean. But it soon becomes clear someone is angered by Puri’s claim to the estate… When a mercenary sent to murder her aboard the ship accidentally kills Cristóbal instead, Puri dons her husband’s clothes and assumes his identity, hoping to stay safe while she searches for the truth of her father’s legacy in Ecuador. Though freed from the rules that women are expected to follow, Puri confronts other challenges at the estate—newfound siblings, hidden affairs, and her father’s dark secrets. Then there are the dangers awakened by her attraction to an enigmatic man as she tries to learn the identity of an enemy who is still at large, threatening the future she is determined to claim… “A lush Ecuadoran cacao plantation is the setting for this imaginative historical drama filled with sibling rivalry and betrayals. Threaded throughout this dramatic family saga are descriptions of cocoa-making that will leave your mouth watering for chocolate.” – The Washington Post “A sweepingly elegant historical novel.” – Ms. Magazine “A lushly written story of bittersweet family secrets and betrayals.” —Andrea Penrose, author of Murder at the Royal Botanic Gardens “Passionate and suspenseful, The Spanish Daughter is a satisfying historical mystery set in a lush tropical land.” —Foreword Reviews STARRED REVIEW “Engrossing…As addictive as chocolate.” —Publishers Weekly “Richly captivating.” —Woman’s World “A fascinating historical.”—PopSugar
NATIONAL BESTSELLER In this haunting and groundbreaking historical novel, Danielle Daniel imagines the lives of women in the Algonquin territories of the 1600s, a story inspired by her family’s ancestral link to a young girl who was murdered by French settlers. 1657. Marie, a gifted healer of the Deer Clan, does not want to marry the green-eyed soldier from France who has asked for her hand. But her people are threatened by disease and starvation and need help against the Iroquois and their English allies if they are to survive. When her chief begs her to accept the white man’s proposal, she cannot refuse him, and sheds her deerskin tunic for a borrowed blue wedding dress to become Pierre’s bride. 1675. Jeanne, Marie’s oldest child, is seventeen, neither white nor Algonquin, caught between worlds. Caught by her own desires, too. Her heart belongs to a girl named Josephine, but soon her father will have to find her a husband or be forced to pay a hefty fine to the French crown. Among her mother’s people, Jeanne would have been considered blessed, her two-spirited nature a sign of special wisdom. To the settlers of New France, and even to her own father, Jeanne is unnatural, sinful—a woman to be shunned, beaten, and much worse. With the poignant, unforgettable story of Marie and Jeanne, Danielle Daniel reaches back through the centuries to touch the very origin of the long history of violence against Indigenous women and the deliberate, equally violent disruption of First Nations cultures.
A Critical History of French Children's Literature by Penelope E. Brown Pdf
This two-volume critical history of French children’s literature from 1600 to the present helps bring awareness of the range, quality, and importance of French children’s literature to a wider audience. The works of a number of French writers, notably La Fontaine, Charles Perrault, Jules Verne, and Saint-Exupéry were, and continue to be, widely translated and adapted, and have influenced the development of the genre in other countries.