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Hitchcock and Contemporary Art by C. Sprengler Pdf
Hitchcock and Contemporary Art introduces readers to the fascinating and diverse range of artistic practices devoted to Alfred Hitchcock's films. His works have the capacity to activate sophisticated engagements with Hitchcock's films and cinema more generally, tackling issues of time and space, memory and history, and sound and image.
Hitchcock and Contemporary Art by C. Sprengler Pdf
Hitchcock and Contemporary Art introduces readers to the fascinating and diverse range of artistic practices devoted to Alfred Hitchcock's films. His works have the capacity to activate sophisticated engagements with Hitchcock's films and cinema more generally, tackling issues of time and space, memory and history, and sound and image.
Hitchcock and Contemporary Art by C. Sprengler Pdf
Hitchcock and Contemporary Art introduces readers to the fascinating and diverse range of artistic practices devoted to Alfred Hitchcock's films. His works have the capacity to activate sophisticated engagements with Hitchcock's films and cinema more generally, tackling issues of time and space, memory and history, and sound and image.
Author : Bernard McCarron Publisher : Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften Page : 0 pages File Size : 44,7 Mb Release : 2015 Category : Art and motion pictures ISBN : 3034317808
With the migration of cinema into the art gallery, artists have been increasingly turning to Alfred Hitchcock's classic films for inspiration. Focusing on the work of five artist-filmmakers, this book considers how Hitchcockian images, sequences and iconography are reconfigured and reimagined for the art gallery.
A veteran art critic helps us make sense of modern and contemporary art The landscape of contemporary art has changed dramatically during the last hundred years: from Malevich's 1915 painting of a single black square and Duchamp's 1917 signed porcelain urinal to Jackson Pollock's midcentury "drip" paintings; Chris Burden's "Shoot" (1971), in which the artist was voluntarily shot in the arm with a rifle; Urs Fischer's "You" (2007), a giant hole dug in the floor of a New York gallery; and the conceptual and performance art of today's Ai Weiwei and Marina Abramovic. The shifts have left the art-viewing public (understandably) perplexed. In The Art of Looking, renowned art critic Lance Esplund demonstrates that works of modern and contemporary art are not as indecipherable as they might seem. With patience, insight, and wit, Esplund guides us through the last century of art and empowers us to approach and appreciate it with new eyes. Eager to democratize genres that can feel inaccessible, Esplund encourages viewers to trust their own taste, guts, and common sense. The Art of Looking will open the eyes of viewers who think that recent art is obtuse, nonsensical, and irrelevant, as well as the eyes of those who believe that the art of the past has nothing to say to our present.
Author : Montreal Museum of Fine Arts Publisher : Mazzotta Page : 498 pages File Size : 51,6 Mb Release : 2000 Category : Art ISBN : UOM:39015050804007
Hitchcock and Art by Montreal Museum of Fine Arts Pdf
Movies are unquestionably one of the cutting-edge media in 20th-century artistic production, a discipline that has contributed more than any other to fashioning the visual culture of our contemporaries and of the artists of our day and age. The Center Pompidou continues its policy of publicizing trail-blazing references to cinematographic culture by presenting the exhibition Hitchcock and Art which first went on show in the Montreal Museum of Fine Arts and whose Paris debut is marked by an adaptation and some significant additions, primarily by the arrival of works from the collections held in the Musee' National d'Art Moderne. Keeping faith with the Centre's multidisciplinary vocation of exploring and valorizing relationships between the different fields of modern and contemporary artistic creation, the exhibition aims at establishing a dialogue and revealing correlations between a leading, complex and universally known opus of cinematography work on the one hand and artistic movements on the other, from Romanticism to Surrealism, as well as architecture or graphic design, which left such a profound mark as they nourished Alfred Hitchcock's imagery and aesthetic. Hitchcock and Art provides the Centre with a chance to offer the public not only the exhibition, but also Hitchcock's complete repertoire of films.
After the Avant-garde by Randall Halle,Reinhild Steingröver Pdf
Filmmaking in Germany and Austria has changed dramatically with digitalization and the use of video and the Internet. Introducing the work of filmmakers, this volume offers an assessments of the intent and effect of their productions, and describes overall trends.
David Reed Paintings by David Reed,Elizabeth Armstrong,Museum of Contemporary Art, San Diego Pdf
This book documents the work of contemporary artist David Reed (b. 1946), who from his earliest paintings in the 1970s to his more recent work has continually challenged notions of modern and postmodern art. Reed's choice of long horizontal and vertical formats for some of his work was an influence of film and photography, and his recent integration of mediums has furthered his resourceful aesthetic. As David Reed noted in his interview in Between Artists, "Painting can reflect our current environment, it has to be radically reinvented to be relevant to the present. I want my paintings not to be nostalgic or sentimental-that means they have to be about this moment. A corollary of that is that they should be an integral part of life, not separated in museums or galleries".
Framing Hitchcock by Sidney Gottlieb,Christopher Brookhouse Pdf
In its ten-year history, the Hitchcock Annual has established itself as a key source of historical information and critical commentary on one of the central figures in film history and arguably one of the most important artists of the twentieth century. Fans of Alfred Hitchcock-both scholars and general readers alike-will be entertained and informed by this selection of writings, which offers an overview of the current thinking on the filmmaker and his work. The articles span his career and cover a wide range of topics from archeological investigations uncovering new details about his working methods and conditions to incisive analyses of the films themselves. The collection begins with rare insights into Hitchcock's early years, including his work in Germany and his silent film Easy Virtue, which, with its metaphoric play on the concept of "being framed," dramatizes aspects of the human condition to which Hitchcock returned repeatedly. Commentators explore a variety of themes, including the centrality of kissing shots and sequences in nearly all the films, and images of women's handbags as elements of suspense and sexual tension in such films as Dial M for Murder and Psycho. Other essays examine the influence of Vertigo, The Birds, and Frenzy on Fran'ois Truffaut, the remaking of Psycho, and feminist interpretations of Shadow of a Doubt. Interviews with Jay Presson Allen and Evan Hunter illuminate Hitchcock's working relationship with screenwriters, actors, and actresses. Written by established as well as emerging critics of Hitchcock, this fascinating collection will help shape future appreciation and interpretation of an enormously important and influential filmmaker.
Author : Robert E. Kapsis Publisher : University of Chicago Press Page : 370 pages File Size : 46,9 Mb Release : 2022-02-21 Category : Performing Arts ISBN : 9780226824659
From the beginning of his career, Alfred Hitchcock wanted to be considered an artist. Although his thrillers were immensely popular, and Hitchcock himself courted reviewers, he was, for many years, regarded as no more than a master craftsman. By the 1960s, though, critics began calling him an artist of unique vision and gifts. What happened to make Hitchcock's reputation as a true innovator and singular talent? Through a close examination of Hitchcock's personal papers, scripts, production notes, publicity files, correspondence, and hundreds of British and American reviews, Robert Kapsis here traces Hitchcock's changing critical fortunes. Vertigo, for instance, was considered a flawed film when first released; today it is viewed by many as the signal achievement of a great director. According to Kapsis, this dramatic change occurred because the making of the Hitchcock legend was not solely dependent on the quality of his films. Rather, his elevation to artist was caused by a successful blending of self-promotion, sponsorship by prominent members of the film community, and, most important, changes in critical theory which for the first time allowed for the idea of director as auteur. Kapsis also examines the careers of several other filmmakers who, like Hitchcock, have managed to cross the line that separates craftsman from artist, and shows how Hitchcock's legacy and reputation shed light on the way contemporary reputations are made. In a chapter about Brian De Palma, the most reknowned thriller director since Hitchcock, Kapsis explores how Hitchcock's legacy has affected contemporary work in—and criticism of—the thriller genre. Filled with fascinating anecdotes and intriguing excerpts, and augmented by interviews with Hitchcock's associates, this thoroughly documented and engagingly written book will appeal to scholars and film enthusiasts alike. "Required reading for Hitchcock scholars...scrupulously researched, invaluable material for those who continue to ask: what made the master tick?"—Anthony Perkins
Hitchcock and the Making of Marnie by Tony Lee Moral Pdf
After a decade of successful films that included Rear Window, Vertigo, North by Northwest, and Psycho, Alfred Hitchcock produced Marnie, an apparent artistic failure and an unquestionable commercial disappointment. Over the decades, however, the film’s reputation has undergone a reevaluation, and both critics and fans alike have come to appreciate Marnie’s many qualities. In Hitchcock and the Making of Marnie, Tony Lee Moral investigates the cultural and political factors governing the 1964 film’s production, the causes of its critical and commercial failure, and Marnie’s relevance for today’s artists and filmmakers. Hitchcock’s style, motivation, and fears regarding the film are well-documented in this examination of one of his most undervalued efforts. Moral uses extensive research, including personal interviews with Tippi Hedren and Psycho screenwriter Joseph Stefano—as well as unpublished excerpts from interviews with Hitchcock himself—to delve into the issues surrounding the film’s production and release. This revised edition features four new chapters that provide even more fascinating insights into the film’s production and Hitchcock’s working methods. Biographies of Winston Graham—the author of the novel on which the film is based—and screenwriter Jay Presson Allen provide clues into how they brought a feminist viewpoint to Marnie. Additional material addresses Hitchcock’s unrealized project Mary Rose and his efforts to bring it to the screen, the director’s visual style and subjective approach to Marnie, and an exploration of the “real” Alfred Hitchcock. The book also addresses criticisms of the director following the HBO television movie The Girl, which depicted the filming of Marnie. With newly obtained access to the Hitchcock Collection Production Archives at the Margaret Herrick Library, the files of Jay and Lewis Allen, and the memoirs of Winston Graham—as well as interviews in 2012 with the Hitchcock crew—this new edition of Hitchcock and the Making of Marnie provides an invaluable look behind the scenes of a film that has finally been recognized for its influence and vision. It contains more than thirty photos, including a storyboard sequence for the film.
Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts.
The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense by Edward White Pdf
Winner of the 2022 Edgar Award for Best Biography An Economist Best Book of 2021 A fresh, innovative biography of the twentieth century’s most iconic filmmaker. In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. From Hitchcock’s early work in England to his most celebrated films, White astutely analyzes Hitchcock’s oeuvre and provides new interpretations. He also delves into Hitchcock’s ideas about gender; his complicated relationships with “his women”—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock’s devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon. Ultimately, White’s portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema.
