Hitchcock As Philosopher Of The Erotic

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Hitchcock as Philosopher of the Erotic

Author : Richard Allen Gilmore
Publisher : Unknown
Page : 0 pages
File Size : 44,9 Mb
Release : 2024
Category : Performing Arts
ISBN : 1032451203

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Hitchcock as Philosopher of the Erotic by Richard Allen Gilmore Pdf

"This book reads Alfred Hitchcock as a philosopher of what constitutes the erotic. The author argues that Hitchcock is doing a post-Nietzschean, postmodern kind of philosophy in which he is exploring and creating possibilities of what the erotic can feel like and how the erotic can be expressed. The erotic is a pervasive phenomenon in Hitchcock's films. It involves irony, play, and sophistication, and there can be erotic failures as well as erotic successes. The erotic is most complexly explored by Hitchcock in his two masterpieces from the 1950's: Vertigo (1958), a story of the failure of the erotic, and North by Northwest (1959), in which the erotic is consummated in marriage. The author argues that Hitchcock has a philosophical theory about what makes the difference. It is a version of existential philosophy that understands what a person is to be based on what they make of themselves through their choices. The author argues that the erotic for Hitchcock is a process of mutual, reciprocal creation of the personality of the other person. This process is complicated by the fact that as one attempts to create the person one desires, one is simultaneously being created by that other person, and so what one desires is also in a process of being recreated in the mutual reciprocal dance of the erotic entanglement. There is a moral dimension to this because erotic failure is, in a way, a failure of the human, not in the sense of a human essence, but in the sense of realizing human possibilities that can make our lives more satisfying, complete, and full. Hitchcock as Philosopher of the Erotic will appeal to scholars and advanced students working on philosophy of film, film studies, and philosophy of love and sex"--

Hitchcock as Philosopher of the Erotic

Author : Richard Gilmore
Publisher : Taylor & Francis
Page : 175 pages
File Size : 50,5 Mb
Release : 2024-06-07
Category : Philosophy
ISBN : 9781040041352

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Hitchcock as Philosopher of the Erotic by Richard Gilmore Pdf

This book reads Alfred Hitchcock as a philosopher of what constitutes the erotic. The author argues that Hitchcock is doing a post-Nietzschean, postmodern kind of philosophy in which he is exploring and creating possibilities of what the erotic can feel like and how the erotic can be expressed. The erotic is a pervasive phenomenon in Hitchcock’s films. It involves irony, play, and sophistication, and there can be erotic failures as well as erotic successes. The erotic is most complexly explored by Hitchcock in his two masterpieces from the 1950s: Vertigo (1958), a story of the failure of the erotic, and North by Northwest (1959), in which the erotic is consummated in marriage. The author argues that Hitchcock has a philosophical theory about what makes the difference. It is a version of existential philosophy that understands what a person is to be based on what they make of themselves through their choices. The author argues that the erotic for Hitchcock is a process of mutual, reciprocal creation of the personality of the other person. This process is complicated by the fact that as one attempts to create the person one desires, one is simultaneously being created by that other person, and so what one desires is also in a process of being recreated in the mutual reciprocal dance of the erotic entanglement. There is a moral dimension to this because erotic failure is, in a way, a failure of the human, not in the sense of a human essence, but in the sense of realizing human possibilities that can make our lives more satisfying, complete, and full. Hitchcock as Philosopher of the Erotic will appeal to scholars and advanced students working on philosophy of film, film studies, and philosophy of love and sex.

Hitchcock as Philosopher

Author : Robert J. Yanal
Publisher : McFarland
Page : 217 pages
File Size : 53,7 Mb
Release : 2010-06-28
Category : Performing Arts
ISBN : 9780786482306

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Hitchcock as Philosopher by Robert J. Yanal Pdf

The films of Alfred Hitchcock deal heavily with psychological and philosophical themes, and one needn't look very far into the canon to find them. In Psycho, for example, the personality metamorphosis in Marion Crane that leads her into grand larceny is a pale double of the murderous oedipal divide in Norman Bates. In The Birds, overbearing natural mutations turn what might have been a "creature feature" into a film about fear of the unknowable. This book looks at 12 Hitchcock films and the positions they put forth on three problem areas of epistemology: deception, knowledge of mind, and problematic knowledge of the external world. These philosophical concepts are explained and woven into the author's thorough and thought-provoking discussion of each film. Descartes and Wittengenstein star; Plato, Locke, Hume, Kant and Kierkegaard also make appearances in this new "philosopher's cut" of the master's works.

The Share of Perspective

Author : Emmanuel Alloa
Publisher : Taylor & Francis
Page : 245 pages
File Size : 55,5 Mb
Release : 2024-08-02
Category : Philosophy
ISBN : 9781040102398

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The Share of Perspective by Emmanuel Alloa Pdf

This book is a defense of perspectivism in the age of post-truth. At the crossroads of science, art, and philosophy, it unearths a tradition that we must rediscover: the point of view is not only what divides, it is also what is shared. Today, perspective is associated with individualism and personal viewpoints. But in an age of post-truth, the only robust answer to relativism lies in fact in a reappraisal of perspectivism. In discussion with contemporary new realisms of various sorts, this book makes a case why perspectivism alone can avoid us falling back into epistemological naivetés. A journey into the history of optics, art, philosophy, and social psychology, this book unearths the forgotten tradition of perspectiva communis, which makes perspective the vector of a common horizon. This book argues that vision is never immediate. Rather, to see through is the key to understanding the perspectival operation. We never see by ourselves—all seeing must pass through something other than itself, through the mediation and the detour of an apparatus or the witness of a third party. Besides the theoretical framework for this new approach to perspective, this book presents a series of case studies ranging from innovative interpretations of classical authors and key moments in the history of art—from ancient painting, trompe l’oeil, and Brunelleschi’s experiment in Renaissance Florence—to the issue of perspective in the work of contemporary artists such as Robert Smithson. The Share of Perspective will be of interest to scholars and advanced students working in aesthetics, phenomenology, art history, and the history of sciences.

Hitchcock and Philosophy

Author : David Baggett,William A. Drumin
Publisher : Open Court Publishing
Page : 288 pages
File Size : 45,9 Mb
Release : 2007
Category : Performing Arts
ISBN : 9780812696165

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Hitchcock and Philosophy by David Baggett,William A. Drumin Pdf

The mystery of everyday life -- Horrors without end -- The reeling mind -- Hitchcock's ethical dilemmas -- What's it all about, Alfred?

Classical Myth in Alfred Hitchcock's Wrong Man and Grace Kelly Films

Author : Mark William Padilla
Publisher : Rowman & Littlefield
Page : 412 pages
File Size : 54,6 Mb
Release : 2018-12-12
Category : Philosophy
ISBN : 9781498563512

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Classical Myth in Alfred Hitchcock's Wrong Man and Grace Kelly Films by Mark William Padilla Pdf

This book treats six beloved films of Hitchcock: The 39 Steps, Saboteur, and North by Northwest, plus Dial M for Murder, Rear Window, and To Catch a Thief. Padilla reviews their production histories with an eye to classical influences, and then analyzes their links with Greek art, poetry, and philosophy.

Hitchcock's Moral Gaze

Author : R. Barton Palmer,Homer B. Pettey,Steven M. Sanders
Publisher : State University of New York Press
Page : 344 pages
File Size : 49,5 Mb
Release : 2017-01-30
Category : Performing Arts
ISBN : 9781438463865

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Hitchcock's Moral Gaze by R. Barton Palmer,Homer B. Pettey,Steven M. Sanders Pdf

Offers new and compelling perspectives on the deeply moral nature of Hitchcock’s films. In his essays and interviews, Alfred Hitchcock was guarded about substantive matters of morality, preferring instead to focus on discussions of technique. That has not, however, discouraged scholars and critics from trying to work out what his films imply about such moral matters as honesty, fidelity, jealousy, courage, love, and loyalty. Through discussions and analyses of such films as Strangers on a Train, Rear Window, Vertigo, North by Northwest, and Frenzy, the contributors to this book strive to throw light on the way Hitchcock depicts a moral—if not amoral or immoral—world. Drawing on perspectives from film studies, philosophy, literature, and other disciplines, they offer new and compelling interpretations of the filmmaker’s moral gaze and the inflection point it provides for modern cinema. R. Barton Palmer is Calhoun Lemon Professor of Literature at Clemson University. His previous books include Invented Lives, Imagined Communities: The Biopic and American National Identity (coedited with William H. Epstein) and Hitchcock at the Source: The Auteur as Adaptor (coedited with David Boyd), both also published by SUNY Press. Homer B. Pettey is Professor of Film and Literature at the University of Arizona. His previous books include Film Noir and International Noir, both coedited with R. Barton Palmer. Steven M. Sanders is Professor Emeritus of Philosophy at Bridgewater State University. He is the author or editor of many books, including The Philosophy of Michael Mann (coedited with Aeon J. Skoble and R. Barton Palmer) and The Philosophy of Steven Soderbergh (coedited with R. Barton Palmer).

Alfred Hitchcock

Author : Mark William Roche
Publisher : Bloomsbury Publishing
Page : 216 pages
File Size : 45,6 Mb
Release : 2022-05-19
Category : Philosophy
ISBN : 9781474221320

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Alfred Hitchcock by Mark William Roche Pdf

Hitchcock was a masterful director, popular with audiences of all ages and critically acclaimed both during and after his unusually long career. What may have been sensed by many viewers but not fully articulated until now is the extent to which his works subtly engage philosophical themes: What is evil, and how does it shield and reveal itself? Can we know what is inside the mind of another person? What is at stake when one knows the truth but cannot speak of it or cannot persuade others? How is Hitchcock's loving critique of humanity manifested in his films? Why are Hitchcock's works so often ambiguous? What is the hidden purpose and theory behind his use of humor? Hitchcock employs cinematic techniques–from camera angles and use of light to editing and sound–partly to convey suspense and drama but also to engage and advance philosophical issues, ranging from identity crises to moral ugliness. Roche unlocks Hitchcock's engagement with philosophical themes, and he does so in a way that appeals to both the novice and the seasoned philosopher, as well as enthusiastic admirers of Hitchcock's films.

Alfred Hitchcock

Author : Mark William Roche
Publisher : Bloomsbury Publishing
Page : 217 pages
File Size : 46,6 Mb
Release : 2022-05-19
Category : Performing Arts
ISBN : 9781474221337

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Alfred Hitchcock by Mark William Roche Pdf

Hitchcock was a masterful director, popular with audiences of all ages and critically acclaimed both during and after his unusually long career. What may have been sensed by many viewers but not fully articulated until now is the extent to which his works subtly engage philosophical themes: What is evil, and how does it shield and reveal itself? Can we know what is inside the mind of another person? What is at stake when one knows the truth but cannot speak of it or cannot persuade others? How is Hitchcock's loving critique of humanity manifested in his films? Why are Hitchcock's works so often ambiguous? What is the hidden purpose and theory behind his use of humor? Hitchcock employs cinematic techniques–from camera angles and use of light to editing and sound–partly to convey suspense and drama but also to engage and advance philosophical issues, ranging from identity crises to moral ugliness. Roche unlocks Hitchcock's engagement with philosophical themes, and he does so in a way that appeals to both the novice and the seasoned philosopher, as well as enthusiastic admirers of Hitchcock's films.

Psycho-Sexual

Author : David Greven
Publisher : University of Texas Press
Page : 312 pages
File Size : 46,5 Mb
Release : 2013-01-02
Category : Performing Arts
ISBN : 9780292742024

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Psycho-Sexual by David Greven Pdf

Argues that Alfred Hitchcock's themes of heterosexual male ambivalence and homoeroticism influence some of the films of directors Brian De Palma, Martin Scorcese and William Friedkin.

Everything You Always Wanted to Know About Lacan But Were Afraid to Ask Hitchcock

Author : Slavoj Zizek
Publisher : Verso Books
Page : 301 pages
File Size : 46,6 Mb
Release : 2010-08-03
Category : Performing Arts
ISBN : 9781844676217

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Everything You Always Wanted to Know About Lacan But Were Afraid to Ask Hitchcock by Slavoj Zizek Pdf

The contributors bring to bear an unrivaled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, analyzing movies such as Rear Window and Psycho. Starting from the premise that ‘everything has meaning,’ the authors examine the films’ ostensible narrative content and formal procedures to discover a rich proliferation of hidden ideological and psychic mechanisms. But Hitchcock is also a bait to lure the reader into a serious Marxist and Lacanian exploration of the construction of meaning. An extraordinary landmark in Hitchcock studies, this new edition features a brand-new essay by philosopher Slavoj Žižek, presenter of Sophie Fiennes’s three-part documentary The Pervert’s Guide to Cinema.

The Philosophical Hitchcock

Author : Robert B. Pippin
Publisher : University of Chicago Press
Page : 155 pages
File Size : 50,7 Mb
Release : 2017-12-21
Category : Philosophy
ISBN : 9780226503783

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The Philosophical Hitchcock by Robert B. Pippin Pdf

On the surface, The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness, is a close reading of Alfred Hitchcock’s 1958 masterpiece Vertigo. This, however, is a book by Robert B. Pippin, one of our most penetrating and creative philosophers, and so it is also much more. Even as he provides detailed readings of each scene in the film, and its story of obsession and fantasy, Pippin reflects more broadly on the modern world depicted in Hitchcock’s films. Hitchcock’s characters, Pippin shows us, repeatedly face problems and dangers rooted in our general failure to understand others—or even ourselves—very well, or to make effective use of what little we do understand. Vertigo, with its impersonations, deceptions, and fantasies, embodies a general, common struggle for mutual understanding in the late modern social world of ever more complex dependencies. By treating this problem through a filmed fictional narrative, rather than discursively, Pippin argues, Hitchcock is able to help us see the systematic and deep mutual misunderstanding and self-deceit that we are subject to when we try to establish the knowledge necessary for love, trust, and commitment, and what it might be to live in such a state of unknowingness. A bold, brilliant exploration of one of the most admired works of cinema, The Philosophical Hitchcock will lead philosophers and cinephiles alike to a new appreciation of Vertigo and its meanings.

Must We Kill the Thing We Love?

Author : William Rothman
Publisher : Unknown
Page : 0 pages
File Size : 50,5 Mb
Release : 2014
Category : Redemption in motion pictures
ISBN : 0231166028

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Must We Kill the Thing We Love? by William Rothman Pdf

A new view of the master's oeuvre, focusing on his ambivalence toward the Emersonian way of thinking he longed to embrace but resisted for the sake of his art.

Hitchcock and the Cinema of Sensations

Author : Paul Elliott
Publisher : Bloomsbury Publishing
Page : 248 pages
File Size : 47,9 Mb
Release : 2011-08-30
Category : Performing Arts
ISBN : 9780857730947

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Hitchcock and the Cinema of Sensations by Paul Elliott Pdf

When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understand what we see on screen, we rely as much on non-visual senses as we do on sight. This new book rethinks the body in the cinema seat, charting the emergence of embodied film theory and drawing on developments in philosophy, neuroscience, body politics and film theory. Through the prism of Alfred Hitchcock's films, we explore how our bodies and sensual memory enable us to quite literally 'flesh out' what we see on screen: the trope of nausea in "Frenzy", pollution and smell in "Shadow of a Doubt", physical sound reception in the "Psycho" shower scene and the importance of corporeality and closeness in "Rear Window". We see how the body's sensations have a vital place in cinematic reception and the study of film.

The Philosopher's Index

Author : Anonim
Publisher : Unknown
Page : 248 pages
File Size : 52,7 Mb
Release : 1995
Category : Philosophy
ISBN : UCSC:32106020961741

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The Philosopher's Index by Anonim Pdf

An international index to philosophical periodicals.