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DigiCat Publishing presents to you this special edition of "Hollywood on the Moon" by Henry Kuttner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This collection of 23 new essays focuses on the lives of female screenwriters of Golden Age Hollywood, whose work helped create those unforgettable stories and characters beloved by audiences—but whose names have been left out of most film histories. The contributors trace the careers of such writers as Anita Loos, Adela Rogers St. Johns, Lillian Hellman, Gene Gauntier, Eve Unsell and Ida May Park, and explore themes of their writing in classics like Gentlemen Prefer Blondes, Ben Hur, and It’s a Wonderful Life.
The legendary Hollywood Hills are home to wealth, fame, and power -- passing through the neighborhood, it's hard not to get a little greedy. LAPD veteran "Hollywood Nate" Weiss could take or leave the opulence, but he wouldn't say no to onscreen fame. He may get his shot when he catches the appreciative eye of B-list director Rudy Ressler, and his troublemaking fiancée, Leona Brueger, the older-but-still-foxy widow of a processed-meat tycoon. Nate tries to elude her crafty seductions, but consents to keep an eye on their estate in the Hollywood Hills while they're away. Also minding the mansion is Raleigh Dibble, a hapless ex-con trying to put the past behind him. Raleigh is all too happy to be set up for the job -- as butler-cum-watchdog -- by Nigel Wickland, Leona's impeccably dressed art dealer. What Raleigh doesn't realize is that under the natty clothes and posh accent, Nigel has a nefarious plan: two paintings hanging on the mansion's walls will guarantee them more money than they've ever seen. Everyone's dreams are just within reach -- the only problem is, this is Hollywood. A circle of teenage burglars that the media has dubbed The Bling Ring has taken to pillaging the homes of Hollywood celebutants like Paris Hilton and Lindsay Lohan, and when a pair of drug-addled young copycats stumbles upon Nigel's heist, that's just the beginning of the disaster to come. Soon Hollywood Nate, surfer cops Flotsam and Jetsam, and the rest of the team at Hollywood Station have a deadly situation on their hands. Hollywood Hills is a raucous and dangerous roller coaster ride that showcases Joseph Wambaugh in vintage form.
Bestseller Wambaugh's entertaining third Hollywood Station novel (after Hollywood Crows) provides lots of laughs and gasps from all of your favorite characters. There's a saying at Hollywood station that the full moon brings out the beast -- rather than the best -- in the precinct's citizens. One moonlit night, LAPD veteran Dana Vaughn and "Hollywood" Nate Weiss, a struggling-actor-turned cop, get a call about a young man who's been attacking women. Meanwhile, two surfer cops known as Flotsam and Jetsam keep bumping into an odd, suspicious duo -- a smooth-talking player in dreads and a crazy-eyed, tattooed biker. No one suspects that all three dubious characters might be involved in something bigger, more high-tech, and much more illegal. After a dizzying series of twists, turns, and chases, the cops will find they've stumbled upon a complex web of crime where even the criminals can't be sure who's conning whom. Wambaugh once again masterfully gets inside the hearts and minds of the cops whose jobs have them constantly on the brink of danger. By turns heart-wrenching, exhilarating, and laugh-out-loud funny, Hollywood Moon is his most thrilling and deeply affecting ride yet through the singular streets of LA.
With so many control freaks in Hollywood with more status and ambition than Python Studios executive Blair Tierney, can she really guide her own destiny? While others in Los Angeles want to be a star, Blair reflects the light of others. When will it be her time to shine? After meeting a British rock star auditioning for a movie at the studio where she works, the relationship gets off to a rocky start when an earthquake hits Los Angeles. Then her best friend Carolyn becomes engaged and her ex-boyfriend Brogan pitches a project, which becomes a smash hit, making him obscenely rich. On the Hollywood "food chain" of success, each of her coworkers seems to surpass her, and Blair's quest for happiness begins to teeter when a Python starlet is murdered. DANIEL COX takes us on a wild romp from the studio back lot to the Pacific Coast Highway where stars and star makers battle for adoration, power, survival and success.
Jihad Honeymoon in Hollywood by Juliet Montague Pdf
Our heroine in Part One of the Muslim Romance Trilogy—The Year I Learned to Text; Why Am I Having Sex with a Muslim in My Basement?— actress/comedian/realtor Julie, returns and is now sixty-two. Her Marriage Islam-Style husband is forty. Her chemical addiction to the black-eyed, always-tardy Persian Prince remains insatiable, as her two loyal dogs and opinionated cat watch it all go down. When the honeymooners’ salacious pillow talk turns to Taliban training camps, dropping walls on homosexuals, and killing Republican presidents, conservative Julie must choose between love of country and the greatest physical and spiritual connection she’s ever known. “A truly out-of-the-box articulate storyteller, if Ms. Montague has not yet succeeded in having the Ayatollahs issue a fatwa against her, she surely will be successful this time. Juliet’s hysterically funny romantic satire will soon become a collector’s item when Jihad Honeymoon in Hollywood is banned along with the author, when she is placed in the informal witness program along with Salman Rushdie. Be sure to take home Book No. 2 in The Muslim Romance Trilogy today, so you can say you knew her when.”- Steven Emerson,author of American Jihad; the Terrorists Living Among Us. “The Fifty Shades of Grey Trilogy is an unintentionally humorous lap cat compared to the Bengal cougar of this long-awaited sequel to The Year I Learned to Text; Why Am I Having Sex with a Muslim in My Basement? Juliet Montague continues to weave more colorful erotic tales in this intentionally funny, heartbreaking saga of love gone wrong.”- C. Stephen Foster,author of Awakening the Actor Within
An “illuminating” look at how filmmakers have taken us around the world, under the sea, and to the center of the earth over the course of a century (Milwaukee Express). Even for those who have never read Jules Verne, the author’s very name conjures visions of the submarine in Twenty Thousand Leagues Under the Sea, the epic race in Around the World in Eighty Days, the spacecraft in From the Earth to the Moon, and the daring descent in Journey to the Center of the Earth. One of the most widely translated authors of all time, Verne has inspired filmmakers since the early silent period and continues to fascinate audiences more than a century after his works were first published. His riveting plots and vivid descriptions easily transform into compelling scripts and dramatic visual compositions. In Hollywood Presents Jules Verne, Brian Taves investigates the indelible mark that the author has left on English-language cinema. Adaptations of Verne’s tales have taken many forms—early movie shorts, serials, feature films, miniseries, and television shows—and have been produced as both animated and live-action films. Taves illuminates how, as these stories have been made and remade over the years, each new adaptation looks back not only to Verne’s words but also to previous screen incarnations. He also examines how generations of actors have portrayed iconic characters such as Phileas Fogg and Captain Nemo, and how these figures are treated in pastiches such as Journey 2: The Mysterious Island. Investigating the biggest box-office hits as well as lower-budget productions, this comprehensive study will appeal not only to fans of the writer's work but also to readers interested in the ever-changing relationship between literature, theater, and film.
For a cop, a night on the job means killing time and trying not to get killed. If you're a cop in Hollywood Division, it also means dealing with the most overwrought, desperate, and deluded criminals anywhere. When you're patrolling Sunset and Hollywood Boulevards, neither a good reputation nor the lessons of scandals past will help you keep your cool, your sanity, or your life when things heat up.The robbery of a Hollywood jewelry store, complete with masks and a hand grenade, quickly connects to a Russian nightclub, an undercover operation gone bloodily wrong, and a cluelessly ambitious pair of tweakers. Putting the pieces together are the sergeant they call the Oracle and his squad of street cops. There's Budgie Polk, a twenty-something firecracker with a four-month-old at home, and Wesley Drubb, a rich boy who joined the force seeking thrills. Fausto Gamboa is the tetchy veteran, and Hollywood Nate is the one who never shuts up about movies. They spend their days in patrol cars and their nights in the underbelly of a city that never sleeps. From their headquarters at Hollywood Station, they see the glamour city for what it is: a field of land mines, where the mundane is dangerous and the dangerous is mundane.
Hollywood's Frontier Captives by Barbara A. Mortimer Pdf
The captivity narrative, the earliest genre of American popular literature, continues to be of cultural significance in late 20th-century Hollywood. Many popular films of the last four decades incorporate the most common elements of the captivity narrative tradition, including a politically contested frontier setting and a plot involving innocent, family-oriented white Americans held captive by hostile, culturally alien natives. At the same time, these films offer something new to the narrative tradition: they focus on the captive who resists rescue and the challenge this resistance poses to American cultural self-confidence. By focusing on the lost captive, these films, beginning with The Searchers (1956), deal with questions about American identity raised by a white American's cultural and potentially political transformation. Films as diverse as Little Big Man, Taxi Driver, and The Deer Hunter adapted the captivity narrative's conventions to criticize aspects of contemporary American society and reject outworn models of male heroism; at the same time, however, they retained the genre's traditional assumption of white superiority and its fear of female sexuality. Bibliography. Index.
In a super follow-up to Hollywood Station, Wambaugh returns to the beat he knows best, taking readers on a darkly funny ride-along with a cast of flawed LAPD cops and eccentric lowlifes you won't forget. When LAPD cops Hollywood Nate and Bix Rumstead find themselves caught up with bombshell Margot Aziz, they think they're just having some fun. But in Hollywood, nothing is ever what it seems. To them, Margot is a harmless socialite, stuck in the middle of an ugly divorce from the nefarious nightclub-owner Ali Aziz. What Nate and Bix don't know is that Margot's no helpless victim: the femme fatale is setting them both up. But Ms. Aziz isn't the only one with a deadly plan.
Author : Marie Elisabeth Habicht,Michael E. Habicht Publisher : BoD – Books on Demand Page : 232 pages File Size : 51,8 Mb Release : 2022-11-22 Category : Social Science ISBN : 9783756834679
Hollywood's Egyptian Dreams. The Visual Language, Concepts and Costumes in Egyptian Monumental Films by Marie Elisabeth Habicht,Michael E. Habicht Pdf
Monumental films strongly shape our image of the ancient world today. Shortly after the emergence of cinematic art, Ancient Egypt also became the subject of cinematic works. As with the Roman film, the decisive story plots and motifs were still being developed in the silent film era and have had a significant influence on subsequent generations of films. The book examines the visual language, plot concepts and costumes of the most expensive film genre. An extensive list of films is analysed and related to contemporary findings on the dress and jewellery of Ancient Egypt.
Hollywood’s (m)Other Aperture by Jaime Bihlmeyer Pdf
This study explores how mainstream movies lend themselves to the portrayal of imagery that reflects the earliest stages of human development. Filmmakers take full advantage of this rich, body-centered source of human experience. Avatar, Minority Report, and Annihilation, among the other movies explored in this book, incorporate patterns of images that (re)present pre-Oedipal (m)Others, FEMININITY, and the originary maternal authority. The book explores how mainstream movies increasingly expose mass audiences to signs and resonances from our prelingual intrauterine and extrauterine psychological experiences. In addition, it compares and contrasts how the prelingual experience as depicted in these movies relates to themes of inclusivity that encompass diverse film inquiry, including queer theory, as well as human/nonhuman animal kinship and hybridity. In sum, the text analyses how Hollywood movies depict and integrate the prelingual experience into the commercial cinematic apparatus and how this inspires new understanding of plurality, FEMININITY and originary maternal authority in culture and society.
Richard Jaeckel, Hollywood's Man of Character by Gene Freese Pdf
Character actor Richard Jaeckel worked five decades in Hollywood alongside the industry's biggest names. Noted for tough-guy portrayals, he appeared in such classic westerns and war films as Sands of Iwo Jima (1949), The Gunfighter (1950), 3:10 to Yuma (1957), and The Dirty Dozen (1967). Bringing strength and integrity to his roles, he was nominated for a Best Supporting Actor Oscar for Sometimes a Great Notion (1970). A World War II veteran and Merchant Marine, he was respected in the surfing and fitness communities for his ageless athleticism. His performance as Turk in Come Back, Little Sheba (1952) was groundbreaking for iron-pumping actors wanting to be taken seriously for their dramatic abilities. This revealing portrait of the life of a working character actor covers Jaeckel's noteworthy career through each of his film and television appearances, from Guadalcanal Diary (1943) to Baywatch (1994). Recollections and behind the scenes stories from those he knew and worked with offer an in-depth look at the dedication and professionalism it takes to make it in Hollywood.
