How Identity Is Reflected In British Working Class Films

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How Identity is Reflected in British Working Class Films

Author : Maxi Kirchner
Publisher : GRIN Verlag
Page : 38 pages
File Size : 41,5 Mb
Release : 2007-11
Category : Electronic
ISBN : 9783638765435

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How Identity is Reflected in British Working Class Films by Maxi Kirchner Pdf

Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, Dresden Technical University (Anglistik), 9 entries in the bibliography, language: English, abstract: This thesis compares several working class films such as "Brassed Off" and "Billy Elliot" with reference to the theoretical concept of national identity, ie. the British national identity. The analysis of such a diverse cultural term like "identity" and its treatment in British working class related films will be the topic of this research paper. After having defined the term on its several levels, I want to show how identity is treated differently in, firstly, a popular film called "Brassed Off" and, secondly, an independent film produced by Amber Films called "Like Father". Both films are set in the 1990′s and deal with the problem of pit closure and unemployment of miners. Both films deal with the consequences of unemployment and poverty of the working class than with work per se. Concerning class consciousness, both films show people who wish to escape the constrictions of their class. Since identity is not only a question of class, gender roles are considered in both films as well. The motif of identity is shown very differently in these films. This thesis analyzes how these films represent the construction, the maintenance and the loss of identity.

Films and British National Identity

Author : Jeffrey Richards
Publisher : Manchester University Press
Page : 404 pages
File Size : 41,7 Mb
Release : 1997-09-15
Category : History
ISBN : 0719047439

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Films and British National Identity by Jeffrey Richards Pdf

This book seeks to examine the ways in which the cinema has defined, mythified and disseminated British national identity during the course of the twentieth century. It takes the form of a series of linked essays which examine chronologically, thematically and by specific case studies of films, stars and genres the complexities and ambiguities in the process of evolution and definition of the national identity. It argues for the creation of a distinctive British national identity both in cinema and the wider culture. But it also assesses the creation of alternative identities both ethnic and regional and examines the interaction of cinema and other cultural forms (music, literature and television).

White Working-Class Voices

Author : Harris Beider
Publisher : Policy Press
Page : 208 pages
File Size : 55,9 Mb
Release : 2015-10-28
Category : Political Science
ISBN : 9781447313953

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White Working-Class Voices by Harris Beider Pdf

Perceptions of white working-class communities are commonly discussed, but the views held by these communities themselves are less often considered. This book provides the first substantial analysis of white working-class perspectives on issues of multiculturalism and change in the United Kingdom, giving a platform to these silent voices. Based on over two hundred interviews,White Working Class Voices presents startling results that challenge the preconceptions of politicians, policy makers, practitioners, and researchers. Exploring how white working-class communities came to be framed as racist, resistant to change, and disconnected from politics, Harris Beider suggests a new and progressive agenda for how this often misrepresented group can be fully included in a modern, diverse Britain.

British Cultural Identities

Author : Mike Storry,Peter Childs
Publisher : Routledge
Page : 209 pages
File Size : 41,5 Mb
Release : 2013-02-15
Category : History
ISBN : 9781136252211

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British Cultural Identities by Mike Storry,Peter Childs Pdf

In British Cultural Identities, Mike Storry and Peter Childs assess the degree to which being British impinges on the identity of the many people who live in Britain. They analyze contemporary British identity through the various and changing ways in which people who live in the UK position themselves and are positioned by their culture today. Using examples from contemporary and popular culture, each chapter covers one of seven intersecting themes: place and environment education, work and leisure gender, sex and the family youth culture and style class and politics ethnicity and language religion and heritage. This new edition is fully updated to include Britain's relationship with the wider world, changes in university education and testing in schools, the trend towards electronic entertainment and social networking, the new impact of 'class', and the culture of political leaking.

英国工人阶级银幕形象及其文化诠释:英文

Author : 石同云著
Publisher : BEIJING BOOK CO. INC.
Page : 315 pages
File Size : 42,6 Mb
Release : 2015-04-01
Category : Performing Arts
ISBN : 9787310047727

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英国工人阶级银幕形象及其文化诠释:英文 by 石同云著 Pdf

本书共8章,通过文本诠释和意识形态解析研究50年代至今的英国社会现实主义电影对工人阶级身份特性的展示,以此来审视英国工人阶级命运的变化。它探讨不同年代工人阶级题材电影的主要主题,比较和对比银幕展示的工人阶级身份特性的延续和变化,并从英国文化研究视角对变迁加以分析,探究工人阶级形象背后隐含的思想意识形态和文化抵抗。

Literature and Culture in Modern Britain

Author : Clive Bloom,Gary Day
Publisher : Routledge
Page : 303 pages
File Size : 44,5 Mb
Release : 2014-06-11
Category : Literary Criticism
ISBN : 9781317897538

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Literature and Culture in Modern Britain by Clive Bloom,Gary Day Pdf

British culture has changed almost beyond recognition since 1956. Angry young men have been displaced by Yuppies, Elvis by the Spice Girls, and meat and two veg by continental cuisine. What is more, as the death of Diana, Princess of Wales showed, the British are now more famous for a trembling lower lip than a stiff upper one. This volume, the last in the series, examines the transformations in literature and culture over the last forty years. An introductory essay provides a context for the following chapters by arguing that although there have been significant changes in British life, there are also profound continuities. It also discusses the rise of 'theory' and its impact on the humanities. Each essay in the volume concentrates on a facet of British culture over the last half century from painting to poetry, from the seriousness of the novel to the postmodern ironies of the computing age. What we get from this selection is not only an informed history of the relations between literature and culture but also a lively sense of cultural change, not least of which is the new found relationship between literature and other arts which ushers us into the new millennium.

The Projection of Britain

Author : James G. Mansell,Scott Anthony
Publisher : Bloomsbury Publishing
Page : 691 pages
File Size : 44,9 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781839020438

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The Projection of Britain by James G. Mansell,Scott Anthony Pdf

The General Post Office (GPO) Film Unit sat at the creative epicentre of Britain in the 1930s. It nurtured a vital crop of artistic talent, built a forum for a new kind of cinematic address and created Britain's first self-consciously national cinema. In 2011, UNESCO added its work to the UK Memory of the World Register, recognising its status as part of Britain's cultural heritage. Elements of the GPO Film Unit's story are well known: John Grierson's development of documentary cinema; the influence of Mass Observation and Surrealism on its cinematic vision; the Watt–Auden–Britten collaboration Night Mail. The Projection of Britain: A History of the GPO Film Unit brings together primary materials and critical appraisals to revisit, re-contextualise and revitalise these seminal moments in British cinema. Here, the insights of an archivist, a musicologist, a design historian, a sports historian, a geographer and a postman – among others – have been edited into a rich critical archaeology of a compelling moment in cinematic history. Interspersed with these essays are primary materials – memoirs, magazine articles, posters and government documents – that detail everything from Alberto Cavalcanti's vision for the documentary movement to a claim for the clothes Humphrey Jennings lost while shooting on location. In recent years there has been a resurgence of interest in the GPO Film Unit and its work, on the big screen, in DVD boxsets and on the web. The Projection of Britain ties together the Unit's diverse artistic, historical and cultural threads into an essential one-stop resource. Provocative, imaginative and ambitious, this expansive study is the definitive companion to an extraordinary episode in cinematic history.

Film and the Working Class

Author : Peter Stead
Publisher : Routledge
Page : 319 pages
File Size : 53,8 Mb
Release : 2013-12-13
Category : Performing Arts
ISBN : 9781317928423

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Film and the Working Class by Peter Stead Pdf

Taking the subject chronologically from the 1890s to when the book was initially published in 1989, this book analyses those films specifically concerned with working-class conditions and struggle, and discusses them within the context of the debate on the social significance of the feature film. It concentrates on films which depict labour organizations and political activists, as well as life in working-class communities and actors with working-class identities such as James Cagney. Reviews of the original edition: ‘...fills a gap in film studies...the study of social and labour history, and the development of popular culture in Britain and the United States.’

The British Working Class in Postwar Film

Author : Philip Gillett
Publisher : Manchester University Press
Page : 244 pages
File Size : 41,8 Mb
Release : 2003-06-28
Category : History
ISBN : 0719062586

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The British Working Class in Postwar Film by Philip Gillett Pdf

Using a sociological model, The British Working Class in Postwar Film looks at how working-class people are portrayed in British feature films from the decade after World War II. Original statistical data is used to assess the popularity of the films with audiences. With an interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Readers are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields.

British Cinema, Past and Present

Author : Justine Ashby,Andrew Higson
Publisher : Routledge
Page : 409 pages
File Size : 52,8 Mb
Release : 2013-05-13
Category : Performing Arts
ISBN : 9781135125080

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British Cinema, Past and Present by Justine Ashby,Andrew Higson Pdf

British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.

Entertainment, Leisure and Identities

Author : Alyson Brown
Publisher : Cambridge Scholars Publishing
Page : 150 pages
File Size : 50,8 Mb
Release : 2009-03-26
Category : Sports & Recreation
ISBN : 9781443807241

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Entertainment, Leisure and Identities by Alyson Brown Pdf

This wide-ranging collection of essays seeks to challenge the ‘common-sense’ assumption that entertainment activities have no function but to fill up otherwise empty moments. As such it builds on the term – coined by the Victorians – ‘Recreation’, and argues that in the entertainments people pursue they do not simply divert themselves, but actively create and re-create their identities. The collection shows this process can only take place for those who enjoy the benefits of leisure; hence, in the medieval period leisure and entertainments are largely confined to the wealthy minority. In periods of rapid social change, like 19th century Britain, the inter-linked question of identity and entertainment became an issue of great concern. Orderly and respectable activities were seen by many commentators as the key to containing the potential menace of the new urban population. In the 20th century the development of new forms of mass entertainment, such as cinema, radio and television, has generated new debates, in particular about the potential of these new media to manipulate their audiences. The essays, arranged in broadly chronological order, give fascinating and detailed ‘snapshots’ of these processes as they unfold from the middle ages to the present-day. As such the collection makes a very valuable contribution to the historical study of the social and, broadly defined, political role played by entertainments in shaping and reinforcing identities. 'In recent years the history of leisure and, more particularly, the history of leisure pursuits, amusements and "entertainments", has engaged the attention of social historians who, as well as highlighting their intrinsic interests, have demonstrated the contribution which such studies can make to an understanding on social identities and class relationships. This collection of essays explores a wide and eclectic range of "entertainments" - from medieval pet-keeping, Victorian chess tournaments and late 19th century museums of curiosities to French anarchist theatre and the career of Harry Belafonte - themes which until now received little or no scholarly analysis. As such it fills a significant gap in the historical literature.' G. R. Searle, Emeritus Prof. of History, University of East Anglia and Fellow of the British Academy

Britishness since 1870

Author : Paul Ward
Publisher : Routledge
Page : 262 pages
File Size : 41,6 Mb
Release : 2004-04-15
Category : History
ISBN : 9781134600427

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Britishness since 1870 by Paul Ward Pdf

What does it mean to be British? It is now recognized that being British is not innate, static or permanent, but that national identities within Britain are constantly constructed and reconstructed. Britishness since 1870 examines this definition and redefinition of the British national identity since the 1870s. Paul Ward argues that British national identity is a resilient force, and looks at how Britishness has adapted to changing circumstances. Taking a thematic approach, Britishness since 1870 examines the forces that have contributed to a sense of Britishness, and considers how Britishness has been mediated by other identities such as class, gender, region, ethnicity and the sense of belonging to England, Scotland, Wales and Ireland.

The Bloomsbury Companion to Religion and Film

Author : William L. Blizek
Publisher : Bloomsbury Publishing
Page : 487 pages
File Size : 54,5 Mb
Release : 2013-01-17
Category : Religion
ISBN : 9781441138781

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The Bloomsbury Companion to Religion and Film by William L. Blizek Pdf

Originally published as the The Continuum Companion to Religion and Film, this Companion offers the definitive guide to study in this growing area. Now available in paperback, the Bloomsbury Companion to Religion and Film covers all the most pressing and important themes and categories in the field - areas that have continued to attract interest historically as well as topics that have emerged more recently as active areas of research. Twenty-nine specifically commissioned essays from a team of experts reveal where important work continues to be done in the field and provide a map of this evolving research area. Featuring chapters on methodology, religions of the world, and popular religious themes, as well as an extensive bibliography and filmography, this is the essential tool for anyone with an interest in the intersection between religion and film.

This is England

Author : Neil Rattigan
Publisher : Fairleigh Dickinson Univ Press
Page : 372 pages
File Size : 48,6 Mb
Release : 2001
Category : History
ISBN : 0838638627

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This is England by Neil Rattigan Pdf

Third, that the condition of total war in which Britain found itself a short time after the commencement of hostilities would mean that films, and indeed, all mass/popular culture, would respond to the urgency of the situation by taking a special interest in representations of British society. And fourth, following on from this, that British films of the Second World War would, one way or another, be agents of propaganda. From these propositions, the book examines just what these films had to say about social class in the images of Britain they were promulgating, with the corollaries of just how were they saying it, and why were they saying it. Alongside this is a concern with what propaganda purposes were being met by these films."--Jacket.

Cultural Theory and Popular Culture

Author : John Storey
Publisher : University of Georgia Press
Page : 666 pages
File Size : 54,6 Mb
Release : 1998
Category : Social Science
ISBN : 0820322768

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Cultural Theory and Popular Culture by John Storey Pdf

This reader is intended as a theoretical, analytical and historical introduction to the study of popular culture within cultural studies. It is divided into seven representative sections. The first six sections each contain a selection of readings from a particular approach to popular culture: culture and civilisation tradition; culturalism; structuralism and post-structuralism; Marxism; feminism; and postmodernism, providing a comprehensive overview and examples of the main theoretical perspectives. The final section contains readings from recent debates within the study of popular culture. Together, these sections chart the theoretical development of the study of popular culture within cultural studies, and provide examples of the analysis of the texts and practices of popular culture within each specific tradition. Each section is introduced, edited and contextualised by John Storey.