Hugo S Works Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Hugo S Works book. This book definitely worth reading, it is an incredibly well-written.
Victor Hugo is often regarded as one of the greatest French writers of all time. Best known today, for his classic novels "The Hunchback of Notre-Dame" and "Les Misérables," Hugo had several novels and stories regarded equally high, and they are collected here (along with all of his other classics). This collection includes: The History of a Crime The Hunchback of Notre Dame Les Miserables The Man Who Laughs The Memoirs of Victor Hugo Napoleon the Little
Victor Hugo S Works 22 Things Seen Essays by Victor Hugo Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
On December 1, 1851, Charras[1] shrugged his shoulder and unloaded his pistols. In truth, the belief in the possibility of a coup d'état had become humiliating. The supposition of such illegal violence on the part of M. Louis Bonaparte vanished upon serious consideration. The great question of the day was manifestly the Devincq election; it was clear that the Government was only thinking of that matter. As to a conspiracy against the Republic and against the People, how could any one premeditate such a plot? Where was the man capable of entertaining such a dream? For a tragedy there must be an actor, and here assuredly the actor was wanting. To outrage Right, to suppress the Assembly, to abolish the Constitution, to strangle the Republic, to overthrow the Nation, to sully the Flag, to dishonor the Army, to suborn the Clergy and the Magistracy, to succeed, to triumph, to govern, to administer, to exile, to banish, to transport, to ruin, to assassinate, to reign, with such complicities that the law at last resembles a foul bed of corruption. What! All these enormities were to be committed! And by whom? By a Colossus? No, by a dwarf. People laughed at the notion. They no longer said "What a crime!" but "What a farce!" For after all they reflected; heinous crimes require stature. Certain crimes are too lofty for certain hands. A man who would achieve an 18th Brumaire must have Arcola in his past and Austerlitz in his future. The art of becoming a great scoundrel is not accorded to the first comer. People said to themselves, Who is this son of Hortense? He has Strasbourg behind him instead of Arcola, and Boulogne in place of Austerlitz. He is a Frenchman, born a Dutchman, and naturalized a Swiss; he is a Bonaparte crossed with a Verhuell; he is only celebrated for the ludicrousness of his imperial attitude, and he who would pluck a feather from his eagle would risk finding a goose's quill in his hand. This Bonaparte does not pass currency in the array, he is a counterfeit image less of gold than of lead, and assuredly French soldiers will not give us the change for this false Napoleon in rebellion, in atrocities, in massacres, in outrages, in treason. If he should attempt roguery it would miscarry. Not a regiment would stir. Besides, why should he make such an attempt? Doubtless he has his suspicious side, but why suppose him an absolute villain? Such extreme outrages are beyond him; he is incapable of them physically, why judge him capable of them morally? Has he not pledged honor? Has he not said, "No one in Europe doubts my word?" Let us fear nothing. To this could be answered, Crimes are committed either on a grand or on a mean scale. In the first category there is Caesar; in the second there is Mandrin. Caesar passes the Rubicon, Mandrin bestrides the gutter. But wise men interposed, "Are we not prejudiced by offensive conjectures? This man has been exiled and unfortunate. Exile enlightens, misfortune corrects."
Victor Hugo's publication of 1899, The Memoirs of Victor Hugo presents a transactional view of his life and era. Covering the triumphs and failures, the literary achievements and political entanglements, and the feelings and emotions during and after exile, this is a comprehensive work. These memoirs are also reflective of the trends and events of the nineteenth century.
A Guide to the Life, Times, and Works of Victor Hugo by David Falkayn Pdf
Compiled from reports published in 1881 when France held special celebrations to honor Victor Hugo on his 80th birthday. The 27th of December, 1880, was a fête day at Besançon. The houses in the picturesque old town, which dates further back than the Roman conquest, were hung with flags, and the echoes of music came back from the surrounding hills. On the banks of the river, in the streets, and in the squares, a well-dressed crowd was awaiting a ceremonial of honor. One name was upon every lip -- that name was Victor Hugo. The object in the following pages, which are dedicated to Victor Hugo and his century (for the century must ever be associated with his name), to testify our admiration for a man whose every action commands our respect; for the writer who has infused new life into the antiquated diction of our language; for the poet whose verses purify while they fascinate the soul; for the dramatist whose plays exhibit his sympathy with the unrenowned classes; for the historian who has branded with ignominy the tyranny of oppressors; for the satirist who has avenged the outrages of conscience; for the orator who had defended every noble and righteous cause; for the exile who has stood up undaunted to vindicate justice; and finally for the master-mind whose genius has shed a halo of glory over France. Victor Hugo (1802-85) was a French poet, novelist, and playwright, whose voluminous works provided the single greatest impetus to the Romantic Movement. Hugo was France's favorite son, but more than that, for years he had been her champion, her conscience and her spirit. The most abiding picture of Hugo is that of the exile: the "Guernsey Tribunal" dispensing judgement and truth across Europe, his patriarchal image enhanced by the beard he grew to protect his weak throat. It is true that he had the vices of his virtues: he was proud, egocentric, sometimes mean, and often unfaithful. But he was a great man, recognized as such and loved as such by his countrymen.
