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Hugo von Hofmannsthal, 'The Incorruptible Servant' by Anonim Pdf
This is the first translation into English of Hugo von Hofmannsthal’s acclaimed comedy Der Unbestechliche. The Incorruptible Servant is a true comedy of action, a well-constructed, fast moving stage play cast in a traditional mould. The action is controlled by a dominant central figure of a complex make-up, somewhat reminiscent of Tartuffe but closer in portraiture to Dostoevsky’s Foma Fomich in The Village of Stepanchikovo. Theodor is cast as the masterful servant in an aristocratic Austrian country estate in the year 1912. He acquires full control of the household and cunningly manipulates his philandering young master and his mistresses in a plot set out to restore order and morality. The comedy shows the mature Hofmannsthal at the height of his achievement as a dramatist.
Hugo Von Hofmannsthal Studies in Comparison by Alexander Stillmark Pdf
Studies by notable literary critic and translator Alexander Stillmark comparing Hofmannsthal's best works with Novalis, Yeats, Chekhov, and Oscar Wilde. The book takes up Hofmannsthal's views of German romanticism, lyrical dram, and how these various discussed texts ushered in the age of modern literature.
Hugo von Hofmannsthal, 'An Impossible Man' by Hugo von Hofmannsthal Pdf
Hofmannsthal’s comedy An Impossible Man is by common consent considered his stage masterpiece and has assumed the status of a classic in German-speaking countries. It is a play both about the passing historical moment which marked the end of the Habsburg era, together with its culture and class structure, whilst it is also a finely gauged critique of language as the badge of that culture. The highly polished, crafted diction the playwright employs shows up language as the awed but indispensable vehicle of social communication. Hofmannsthal’s dramatic technique is comparable to Chekhov’s, since he uses conversation mainly for expository purposes with largely static effect, and by his choice of an essentially passive hero who is a problem to himself and to others. The problematic nature of language (a constant theme in Hofmannsthal’s work and most consummately expressed in A Letter of 1902) is identified with and given voice through the complicated character of the hero Hans Karl. Moral seriousness is so finely interfused with a lightness of ironic texture in this comedy that no trace of gravity remains.
A Companion to the Works of Hugo Von Hofmannsthal by Thomas A. Kovach Pdf
The Viennese poet, dramatist, and prose writer Hugo von Hofmannsthal (1874-1929) was among the most celebrated men of letters in the German language at the turn of the 19th to the 20th century. His early poems established his reputation as the `child prodigy' of German letters, and a few remain among the most anthologized in the German language. His early lyric dramas prompted no less a judge than T. S. Eliot to pronounce him, along with Yeats and Claudel, one of the three European writers who had done the most to revive verse drama in modern times. His critical essays attest to the subtle powers of discrimination that marked him as one of the most discerning literary critics of the day. And yet he underwent a crisis of cognition and language around 1900, and from then on turned away from poetry and lyric drama almost entirely, concentrating instead on more public forms of drama such as the libretti for Richard Strauss's operas, the plays written for the Salzburg Festival (of which he was a co-founder), and on discursive and narrative prose. The body of work that Hofmannsthal left behind at his premature death is matched in its variety, breadth, and quality by that of only a handful of German writers. And yet posterity has not been kind to his reputation: those who admired the early work for its aesthetic refinement disdained his turn to more popular forms, whereas many of those who might have been receptive to the more committed and public stance of his later work were put off by his conservative politics. This volume of new essays by top Hofmannsthal scholars re-examines his extraordinarily rich and complex body of work, assessing his stature in German and world literature in the new century. Contributors: Katherine Arens, Judith Beniston, Benjamin Bennett, Nina Berman, Joanna Bottenberg, Douglas A. Joyce, Thomas A. Kovach, Ellen Ritter, Hinrich C. Seeba, Andreas Thomasberger, W. Edgar Yates. Professor Thomas Kovach is Head of the Department of German Studies at the University of Arizona.
Author : Modern Humanities Research Association Publisher : Routledge Page : 414 pages File Size : 45,5 Mb Release : 2006 Category : Foreign Language Study ISBN : STANFORD:36105132138780
Culture and Politics in Red Vienna by Modern Humanities Research Association Pdf
An annual journal reflecting sustained interest in the distinctive cultural traditions of the Habsburg Empire and the Austrian Republic. It publishes a wide range of articles in English, together with a selection of book reviews. It aims to make research accessible to a broadly based international readership.
Richard Strauss in Context by Morten Kristiansen,Joseph E. Jones Pdf
Richard Strauss in Context offers a distinctive approach to the study of a composer in that it places the emphasis on contextualizing topics rather than on biography and artistic output. One might say that it inverts the relationship between composer and context. Rather than studies of Strauss's librettists that discuss the texts themselves and his musical settings, for instance, this book offers essays on the writers themselves: their biographical circumstances, styles, landmark works, and broader positions in literary history. Likewise, Strauss's contributions to the concert hall are positioned within the broader development of the orchestra and trends in programmatic music. In short, readers will benefit from an elaboration of material that is either absent from or treated only briefly in existing publications. Through this supplemental and broader contextual approach, this book serves as a valuable and unique resource for students, scholars, and a general readership.
Amy Sargeant's illuminating study of Joseph Losey's The Servant (1963) provides a detailed discussion of the film's production and reception history, as well as a textual analysis that focuses on Harold Pinter's adaptation of Maugham's novella; the film's use of architecture and interior design to establish character and relationships.
Twentieth-century German Dramatists, 1889-1918 by Wolfgang Elfe,James N. Hardin Pdf
Profiles nearly thirty German playwrights from the period 1889-1918, presenting primary and secondary bibliographies and illustrated biographical essays that chronicle each writer's career in detail.
