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The poems in this book are some of the earliest about Visnu, one of the Hindu Trinity, also known as Tirumal, the Dark One. Tradition recognizes twelve alvars, saint-poets devoted to Visnu, who lived between the sixth and ninth century in the Tamil-speaking region of south India. These devotees of Visnu and their counterparts, the devotees of Siva (nayanmar), changed and revitalized Hinduism and their devotional hymns addressed to Visnu are among the earliest bhakti (devotional) texts in any Indian language. In this selection from Nammalvar's works, the translations like the originals reflect the alternations of philosophic hymns and love poems, through recurring voices, roles and places. They also enact a progression"from wonder at the Lord's works, to the experience of loving him and watching others love him, to moods of questioning and despair and finally to the experience of being devoured and possessed by him.
Five years in the writing, Hymns For The Drowning is a cultural landmark. We are in the presence of a young talent that is developing beyond our wildest imaginings.
Singing the Body of God by Steven Paul Hopkins Pdf
This is the first full-length study of the devotional poetry and poetics of the fourteenth-century poet-philosopher Vedantadesika, one of the most outstanding and influential figures in the Hindu tradition of Sri-Vaishnavism (the cult of Lord Vishnu). Despite their intrinsic beauty and theological importance, the poetry and philosophy of Vedantadesika have received very little scholarly attention. But for the millions who belong to the Vaishnava tradition, those poems are not just classical literature; they are committed to memory, recited, sung, and enacted in ritual both in India and throughout the Hindu diaspora. Steven Hopkins here offers a comparative study of the Sanskrit, Prakrit, and Tamil poems composed by Vedantadesika in praise of important Vaishnava shrines and their icons--poems that are considered to be the apogee of South Indian devotional literature.
"... a significant contribution to the field... great insight, learning, and clarity." -- George Hart III, University of California, Berkeley "A master's hand is behind this volume." -- Religious Studies Review "... eminently readable... artfully explains the initial spirit and modern understanding of Tamil bhakti poetry... " -- Pacific Affairs "Norman Cutler's major achievement in Songs of Experience is the new critical perspective he provides on bhakti poetry." -- The Journal of Religion Cutler reveals the link between Tamil poetry and religion. His fluent translations make the poems -- songs of the experience of God -- live for us as they did for their first audience nearly fifteen centuries ago.
Transformative Aesthetics by Erika Fischer-Lichte,Benjamin Wihstutz Pdf
Aesthetic theory in the West has, until now, been dominated by ideas of effect, autonomy, and reception. Transformative Aesthetics uncovers these theories’ mutual concern with the transformation of those involved. From artists to spectators, readers, listeners, or audiences, the idea of transformation is one familiar to cultures across the globe. Transformation of the individual is only one part of this aesthetic phenomenon, as contemporary artists are increasingly called upon to have a transformative, sustainable impact on society at large. To this end, Erika Fischer Lichte and Benjamin Wihstutz present a series of fresh perspectives on the discussion of aesthetics, uniting Western theory with that of India, China, Australia, and beyond. Each chapter of Transformative Aesthetics focuses on a different approach to transformation, from the foundations of aesthetics to contemporary theories, breaking new ground to establish a network of thought that spans theatre, performance, art history, cultural studies, and philosophy.
How is it that this woman's breasts glimmer so clearly through her saree? Can't you guess, my friends? What are they but rays from the crescents left by the nails of her lover pressing her in his passion, rays now luminous as the moonlight of a summer night? These South Indian devotional poems show the dramatic use of erotic language to express a religious vision. Written by men during the fifteenth to eighteenth century, the poems adopt a female voice, the voice of a courtesan addressing her customer. That customer, it turns out, is the deity, whom the courtesan teases for his infidelities and cajoles into paying her more money. Brazen, autonomous, fully at home in her body, she merges her worldly knowledge with the deity's transcendent power in the act of making love. This volume is the first substantial collection in English of these Telugu writings, which are still part of the standard repertoire of songs used by classical South Indian dancers. A foreword provides context for the poems, investigating their religious, cultural, and historical significance. Explored, too, are the attempts to contain their explicit eroticism by various apologetic and rationalizing devices. The translators, who are poets as well as highly respected scholars, render the poems with intelligence and tenderness. Unusual for their combination of overt eroticism and devotion to God, these poems are a delight to read.
For A.K. Ramanujan, who infused his diverse knowledge of Indian literatures and traditions into his poetry, the idea of Soma, the mysterious plant used by Vedic priests to extract ambrosia, fed his creativity. Sifting through Ramanujan's archives, the editors discovered a series of unpublished 'Soma poems' whose style and theme set them apart from his earlier work. This volume includes these poems beside essays and an interview that contextualizes them. Krishna Ramanujan's essay 'Hummel's Miracle: The Search for Soma' explores the connections between the poems and the quest for the plant's identity from the 1960s to the present. 'The "Ordinary Mystery" Trip: Soma in A.K. Ramanujan's Poetry' by Guillermo Rodriguez dives deep into Ramanujan's layered perspective on Soma. 'The Post-Vedic History of the Soma Plant', by Wendy Doniger, which influenced Ramanujan's perception of Soma, originally published in 1968, is reprinted here with a special preface. The interview conducted in Chicago in 1982 between Malayali poet K. Ayyappa Paniker and Ramanujan offers a peek into Ramanujan's perspectives on poetry and translation. While Soma focuses on A.K. Ramanujan's experimental poems and his creative mindset as an expatriate in America in the 1970s and early 1980s, it also provides a glimpse into a fascinating period in Western Indology when Indian philosophies and traditions were debated, some of which became so ingrained that they influence contemporary culture to this day.
Cover -- Contents -- Introduction -- PART I. THE PRESTIGE COMBAT FILM -- 1. Movies and Memorials -- 2. Soundtracks and Scores -- PART II. DIALOGUE -- 3. Soldiers' Talk -- 4. Soldiers' Song -- 5. Disembodied Voices -- PART III. SOUND EFFECTS -- 6. Nothing Sounds Like an M-16 -- 7. Helicopter Music -- PART IV. MUSIC -- 8. Unmetered -- 9. Metered -- 10. Elegies -- 11. End Titles -- Acknowledgments -- Abbreviations -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z
Poetry as Prayer in the Sanskrit Hymns of Kashmir by Hamsa Stainton Pdf
Historically, Kashmir was one of the most dynamic and influential centers of Sanskrit learning and literary production in South Asia. In Poetry as Prayer in the Sanskrit Hymns of Kashmir, Hamsa Stainton investigates the close connection between poetry and prayer in South Asia by studying the history of Sanskrit hymns of praise (stotras) in Kashmir. The book provides a broad introduction to the history and general features of the stotra genre, and it charts the course of these literary hymns in Kashmir from the eighth century to the present. In particular, it offers the first major study in any European language of the Stutikusum=añjali, an important work of religious literature dedicated to the god 'Siva and one of the only extant witnesses to the trajectory of Sanskrit literary culture in fourteenth-century Kashmir. The book also contributes to the study of 'Saivism by examining the ways in which 'Saiva poets have integrated the traditions of Sanskrit literature and poetics, theology (especially non-dualism), and 'Saiva worship and devotion. It substantiates the diverse configurations of 'Saiva bhakti expressed and explored in these literary hymns and the challenges they present for standard interpretations of Hindu bhakti. More broadly, this study of stotras from Kashmir offers new perspectives on the history and vitality of prayer in South Asia and its complex relationships to poetry and poetics.
English Congregational Hymns in the Eighteenth Century by Madeleine Forrell Marshall,Janet M. Todd Pdf
Historians of the English congregational hymn, focusing on its literary or theological aspects, have usually found the genre out of step with the rationalist era that produced it. This book takes a more balanced approach to the work of four writers and concludes that only eighteenth-century Britain, with its understanding of public verse, common truth, and the utility of poetry, could have invented the English hymn as we know it. The early hymns sought to inspire, teach, stir, and entertain congregations. The essential purpose shifted slightly in line with each poet's setting and in accord with the poetic thought of his day. For Isaac Watts's Independents, powerful traditional imagery was appropriate. Charles Wesley's enthusiasm proceeded from and served the spirit of the revival. John Newton's prophetic vision particularly suited the impoverished community at Olney. William Cowper's masterful handling of formal conventions and his idiosyncratic personal hymns reflect his poetic, rather than clerical, vocation. Despite such temporal variations, the great poetry by each man displays themes of general Christian relevance, suggesting common experience, showing normative features of the genre, and bearing a complex and intriguing relationship to secular literature.
Author : C. T. Indra,R. Rajagopalan Publisher : Taylor & Francis Page : 249 pages File Size : 47,8 Mb Release : 2017-11-13 Category : Social Science ISBN : 9781351335942
Language, Culture and Power by C. T. Indra,R. Rajagopalan Pdf
This volume examines the relationship between language and power across cultural boundaries. It evaluates the vital role of translation in redefining culture and ethnic identity. During the first phase of colonialism, mid-18th to late-19th century, the English-speaking missionaries and East India Company functionaries in South India were impelled to master Tamil, the local language, in order to transact their business. Tamil also comprised ancient classical literary works, especially ethical and moral literature, which were found especially suited to the preferences of Christian missionaries. This interface between English and Tamil acted as a conduit for cultural transmission among different groups. The essays in this volume explore the symbiotic relation between English and Tamil during the late colonial and postcolonial as also the modernist and the postmodernist periods. The book showcases the modernity of contemporary Tamil culture as reflected in its literary and artistic productions — poetry, fiction, short fiction and drama — and outlines the aesthetics, philosophy and methodology of these translations. This volume and its companion (which looks at the period between 1750 to 1900 CE) cover the late colonial and postcolonial era and will be of interest to students, scholars and researchers of translation studies, literature, linguistics, sociology and social anthropology, South Asian studies, colonial and postcolonial studies, literary and critical theory as well as culture studies.
The poems in Passenger shift between the mythology of the Middle East and the bombed-out cities of the former Yugoslavia, the ancient Roman tale of Romulus and Remus, the choreography of murder, and the hawking of grisly war memorabilia on destroyed city streets. Influenced by Susan Maxwell’s experiences as a relief worker in a Croatian refugee camp at the height of the Bosnian War in the 1990s, these poems document a nameless, mythological war that has collapsed the boundaries between contemporary and ancient history and between personal memory and folklore. The poems’ tender voices wake to find themselves fused to objects or to the dead, and begin to speak those first precarious, childlike, and prophetic words that will allow them to reestablish contact with the outside world--a world that has become “one / sentence long repeating so the last chain / could sing while it murdered the first.”