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Author : Mark S MICALE,Mark S Micale Publisher : Harvard University Press Page : 383 pages File Size : 54,7 Mb Release : 2009-06-30 Category : History ISBN : 9780674040984
Over the course of several centuries, Western masculinity has successfully established itself as the voice of reason, knowledge, and sanity - he basis for patriarchal rule - in the face of massive testimony to the contrary. This book boldly challenges this triumphant vision of the stable and secure male by examining the central role played by modern science and medicine in constructing and sustaining it.
National Trust Complete Bird Spotter's Kit by Tracey Turner Pdf
This hysterical, historical joke book is full of hilarious jokes and illustrations based on characters that children will recognise throughout history. Featuring kings and queens, Romans, Victorians, and many more, this compilation of jokes will have children roaring with laughter!
Can history be funny? With this entertaining joke book it sure can be. This hilarious volume is brimming with jokes about the past that will have readers laughing with glee. Each silly joke will amuse readers of many ages and may also help some become more interested in history. An easy-to-follow layout and hysterical illustrations will draw in even reluctant readers. These high-interest, age-appropriate jokes are an excellent way to get young learners interested in reading.
San Diego's Hysterical History by Herbert Lockwood Pdf
Readers will enjoy theses tales of eccentric kooks and the many other oddball men and women whose antics made San Diego the superior attraction it is today.
The Hysterical History Joke Book by Sean Connolly Pdf
Q: When did early people start wearing uncreased clothes? A: In the Iron Age Take a time trip with this hilarious collection of 140 history-themed jokes. Young readers will be able to pun about this past - from Vikings, to Victorians - with this brilliant joke book, featuring wacky cartoon illustrations. ABOUT THE SERIES: Laugh Out Loud! is a vibrant and dynamic joke book series for kids. Featuring a variety of exciting themes, these titles build general knowledge and their playful jokes are great to share with family and friends. Perfect for kids aged 5+.
Hysteria as a neurosis seems to have disappeared altogether from the psychiatric manuals; but there are articles here and there, particularly in the United States and France, which advocate the existence of hysteria as a psychosis. Hysterical psychosis is the clinical combination of a hysterical personality with a seemingly psychotic state. Looking back to nineteenth-century psychiatry, Katrien Libbrecht attempts to answer the question: Is there such a thing as a hysterical psychosis or are we dealing with hysteria exhibiting psychotic features? Hysterical Psychosis is divided into three sections. The first part of the book carries the reader back to the second half of the nineteenth century, the heyday of the study of hysteria on the eve of the discovery of psychonanalysis. The second part of the book discusses the implications of the generalized impact of Bleuler's concept of schizophrenia during the interbellum period. The last section of the book deals with the current reemergence of hysterical psychosis from the 1960s to the 1990s. Libbrecht provides a historical survey of the most important psychiatric and psychoanalytic references on hysterical psychosis, as well as a review of current research on the matter. She sheds new light on reasons for the disappearance of the diagnosis of hysteria rn the 1950s and the emergence of the notion of hysterical psychosis during the 1960s. Hysterical Psychosis is a landmark study that is essential for psychoanalysts, psychiatrists, clinical psychologists, medical practitioners, and historians of psychology.
Paul Lerner traces the intertwined histories of trauma and male hysteria in German society and psychiatry and shows how these concepts were swept up into debates about Germany's national health, economic productivity, and military strength in the years surrounding World War I. From a growing concern with industrial accidents in the 1880s through the shell shock "epidemic" of the war, male hysteria seemed to bespeak the failings of German masculinity. In response, psychiatrists struggled to turn male-hysterical bodies into fit workers and loyal political subjects. Medical approaches to trauma valorized work and productivity as standards of male health, and psychiatric treatment--whether through hypnosis, electric current, or suggestion--concentrated on turning debilitated soldiers into symptom-free workers. These concerns endured through the Weimar period, as "nervous veterans" competed for disability compensation amid the republic's political crises and economic upheavals. Hysterical Men shows how wartime psychiatry furthered the process of medical rationalization. Lerner views this not as a precursor to the brutalities of Nazi-era psychiatry, but rather as characteristic of a more general medicalized modernity. The author asserts, however, that psychiatry's continual skepticism toward trauma resonated powerfully with the radical right's celebration of war and violence and its supposedly salutary effects on men and nations.
Hysteria as a neurosis seems to have disappeared altogether from the psychiatric manuals; but there are articles here and there, particularly in the United States and France, which advocate the existence of hysteria as a psychosis. Hysterical psychosis is the clinical combination of a hysterical personality with a seemingly psychotic state. Looking back to nineteenth-century psychiatry, Katrien Libbrecht attempts to answer the question: Is there such a thing as a hysterical psychosis or are we dealing with hysteria exhibiting psychotic features? Hysterical Psychosis is divided into three sections. The first part of the book carries the reader back to the second half of the nineteenth century, the heyday of the study of hysteria on the eve of the discovery of psychonanalysis. The second part of the book discusses the implications of the generalized impact of Bleuler's concept of schizophrenia during the interbellum period. The last section of the book deals with the current reemergence of hysterical psychosis from the 1960s to the 1990s. Libbrecht provides a historical survey of the most important psychiatric and psychoanalytic references on hysterical psychosis, as well as a review of current research on the matter. She sheds new light on reasons for the disappearance of the diagnosis of hysteria rn the 1950s and the emergence of the notion of hysterical psychosis during the 1960s. Hysterical Psychosis is a landmark study that is essential for psychoanalysts, psychiatrists, clinical psychologists, medical practitioners, and historians of psychology.
What do we know about Hegel? What do we know about Marx? What do we know about democracy and totalitarianism? Communism and psychoanalysis? What do we know that isn't a platitude that we've heard a thousand times - or a self-satisfied certainty? Through his brilliant reading of Hegel, Slavoj Zizek - one of the most provocative and widely-read thinkers of our time - upends our traditional understanding, dynamites every cliché and undermines every conviction in order to clear the ground for new ways of answering these questions. When Lacan described Hegel as the ‘most sublime hysteric’, he was referring to the way that the hysteric asks questions because he experiences his own desire as if it were the Other's desire. In the dialectical process, the question asked of the Other is resolved through a reflexive turn in which the question begins to function as its own answer. We had made Hegel into the theorist of abstraction and reaction, but by reading Hegel with Lacan, Zizek unveils a Hegel of the concrete and of revolution - his own, and the one to come. This early and dazzlingly original work by Zizek offers a unique insight into the ideas which have since become hallmarks of his mature thought. It will be of great interest to anyone interested in critical theory, philosophy and contemporary social thought.
Invention of Hysteria by Georges Didi-Huberman Pdf
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
The nineteenth-century study of hysteria at the Salpêtrière hospital was a medical project, but also a theatrical one. The hysteric's public appearance was a continual ethical provocation, pointing not only to the vulnerability of her person but to the unstable position of her spectator. Hysteria in Performance sets out to uncover what kind of performance the hysterical attack is, as well as the nature of hysteria in and as performance as it occurred at Salpêtrière. The Salpêtrière documents undeniably show the gravity of the institutional violence committed against its female patients. Using the lenses of performance studies and performance theory, Jenn Cole expresses the overt and subtle damages done to hysterical women in Jean-Martin Charcot's hospital, drawing attention to the hysteric's resistance to these experiences: it is often simply by being herself that the hysteric points to the inherent weaknesses in these systemic modes of violence. In Hysteria in Performance, the hysteric becomes a figure who represents possibilities for ethical encounters within performance and everyday living. Revealing the fraught and exciting nature of theatrical representation, and continually drawing out the dilemmas and unexpected dynamics of witnessing the suffering of others, this groundbreaking study explores how Charcot's findings on hysteria produced a unique mixture of theatre and science that still has unexpected things to teach us.
Hysterical Methodologies in the Arts by Johanna Braun Pdf
Hysteria is alive and well in our present time and is apparently spreading contagiously: especially the second decade of the twenty-first century has displayed an ever-increasing interest in the term. A quick Google search opens the gates to sheer endless swathes of discussions on hysteria, covering almost every aspect of public discourses. The arts—as it is often in such cases—seem conspicuously involved in and engaged with this hysterical discourse. Surprisingly, while the strong academic interest in hysteria throughout the twentieth century and most prominently at the turn of the century is well known and much discussed, the study of how these discourses have continued well into twenty-first-century art practices, is largely pressing on a blind spot. It is the aim of this volume to illustrate how hysteria was already well established within the arts alongside and at times even separately from the much-covered medical studies, and reveal how those current artistic practices very much continue a century spanning cross-fertilization between hysteria and the arts.
Learn history while laughing at the fools who made it. There are no homework assignments besides this one: chuckle at the "famous" "leaders" who made such a mess of everything.
