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The Early Modern Child in Art and History by Matthew Knox Averett Pdf
Childhood is not only a biological age, it is also a social construct. The essays in this collection range chronologically from the fifteenth to the eighteenth century, and geographically across England, France, Germany, Italy and Spain. They chart the depictions of children in various media including painting, sculpture and the graphic arts.
The twelve monumental silver-gilt standing cups known as the Aldobrandini Tazze constitute perhaps the most enigmatic masterpiece of Renaissance European metalwork. Topped with statuettes of the Twelve Caesars, the tazze are decorated with marvelously detailed scenes illustrating the lives of those ancient Roman rulers. The work’s origin is unknown, and the ensemble was divided in the nineteenth century and widely dispersed, greatly hampering study. This volume, inspired by a groundbreaking symposium at The Metropolitan Museum of Art, examines topics ranging from the tazze’s representation of the ancient world to their fate in the hands of nineteenth-century collectors, and presents newly discovered archival material and advanced scientific findings. The distinguished essayists propose answers to critical questions that have long surrounded the set and shed light on the stature of Renaissance goldsmiths’ work as an art form, establishing a new standard for the study of Renaissance silver.
The Allied Bombing of Central Italy by Teresa Fava Thomas Pdf
The Allied Bombing of Central Italy examines the results of the Second World War Allied bombing campaign on Palestrina and Rome, Italy, and the long-term impact of the war on the mountainside town and on the Barberini family's art collection including the Nile Mosaic. It explores the history and cultural significance of Palestrina, its strategic setting, the recovery of the town, the restoration of the Nile Mosaic, which remains the largest Egyptian-style mosaic extant. A unique aspect of the destruction was that it uncovered a pagan temple, the Sanctuary of Fortuna. The bombing destroyed the homes built on its terraces but revealed the ancient structure buried beneath which had remained unseen for half a millennium. It took more than a decade for the mosaic to be restored and the Sanctuary of Fortuna established as a national archeological museum. The book explores the pressure by the Mussolini regime to control the Barberini family's art collection, the uses of cultural materials for propaganda purposes, the Allied use of airpower in the Italian theater of war, the postwar decision-making and recovery process. The book is one of the very few long-range studies of the war's impact on a single Italian town. It is suitable for academic seminars and an educated general audience.
Art, Patronage, and Nepotism in Early Modern Rome by Karen J. Lloyd Pdf
Drawing on rich archival research and focusing on works by leading artists including Guido Reni and Gian Lorenzo Bernini, Karen J. Lloyd demonstrates that cardinal nephews in seventeenth-century Rome – those nephews who were raised to the cardinalate as princes of the Church – used the arts to cultivate more than splendid social status. Through politically savvy frescos and emotionally evocative displays of paintings, sculptures, and curiosities, cardinal nephews aimed to define nepotism as good Catholic rule. Their commissions took advantage of their unique position close to the pope, embedding the defense of their role into the physical fabric of authority, from the storied vaults of the Vatican Palace to the sensuous garden villas that fused business and pleasure in the Eternal City. This book uncovers how cardinal nephews crafted a seductively potent dialogue on the nature of power, fuelling the development of innovative visual forms that championed themselves as the indispensable heart of papal politics. The book will be of interest to scholars working in art history, early modern studies, religious history, and political history.
This book presents case studies of collectors, patrons, and agents whose activities redefined collecting and the art market during a period when the status of the artist, rise of connoisseurship, and patterns of consumption established new models for collecting and display.
In early seventeenth-century Spain, the Castilian parliament voted to elevate the newly beatified Teresa of Avila to co-patron saint of Spain alongside the traditional patron, Santiago. Saint and Nation examines Spanish devotion to the cult of saints and the controversy over national patron sainthood to provide an original account of the diverse ways in which the early modern nation was expressed and experienced by monarch and town, center and periphery. By analyzing the dynamic interplay of local and extra-local, royal authority and nation, tradition and modernity, church and state, and masculine and feminine within the co-patronage debate, Erin Rowe reconstructs the sophisticated balance of plural identities that emerged in Castile during a central period of crisis and change in the Spanish world.
Painting as Business in Early Seventeenth-century Rome by Patrizia Cavazzini Pdf
Painting as Business in Early Seventeenth-Century Rome offers a new perspective on the world of painting in Rome at the beginning of the Baroque, from both an artistic and a socioeconomic point of view. Biased by the accounts of seventeenth-century biographers, who were often academic painters concerned about elevating the status of their profession, art historians have long believed that in Italy, and in Rome in particular, paintings were largely produced by major artists working on commission for the most important patrons of the time. Patrizia Cavazzini&’s extensive archival research reveals a substantially different situation. Cavazzini presents lively and colorful accounts of Roman artists&’ daily lives and apprenticeships and investigates the vast popular art market that served the aesthetic, devotional, and economic needs of artisans and professionals and of the laboring class. Painting as Business reconstructs the complex universe of painters, collectors, and merchants and irrevocably alters our understanding of the production, collecting, and merchandising of painting during a key period in Italian art history.
Author : Matteo a cura di Sanfilippo,Péter a cura di Tusor Publisher : Edizioni Sette Città Page : 316 pages File Size : 42,6 Mb Release : 2021-11-14 Category : History ISBN : 9788878538641
Gli agenti presso la Santa Sede delle comunità e degli Stati stranieri I. Secoli XV-XVIII by Matteo a cura di Sanfilippo,Péter a cura di Tusor Pdf
Questo volume contribuisce a dettagliare il quadro più generale degli studi sulla curia pontificia come uno dei principali centri della diplomazia europea durante i primi secoli dell’età moderna. Prosegue dunque la riflessione già avviata con Gli “angeli custodi” delle monarchie: i cardinali protettori delle nazioni (2018). Allo stesso tempo ribadisce l’incertezza riguardo a come incasellare attività, quali quelle degli agenti, soltanto in seguito formalizzate. Proprio per verificare tale sviluppo, al presente volume terrà dietro un secondo incentrato sulla evoluzione otto-novecentesca degli agenti presso la curia pontificia.
Thomas P. Campbell,Pascal-François Bertrand,Metropolitan Museum of Art (New York, N.Y.)
Author : Thomas P. Campbell,Pascal-François Bertrand,Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 575 pages File Size : 49,7 Mb Release : 2007 Category : Design ISBN : 9781588392305
Florentine Patricians and Their Networks by Elisa Goudriaan Pdf
A comprehensive overview of the cultural world and diplomatic strategies of Florentine patricians by revealing their contribution to the court culture of the Medici and the mechanisms behind their brokerage activities.
Author : Daniel Stolzenberg Publisher : University of Chicago Press Page : 320 pages File Size : 49,8 Mb Release : 2013-04 Category : Foreign Language Study ISBN : 9780226924144
Stolzenberg presents a new interpretation of Kircher's hieroglyphic studies, placing them in the context of seventeenth-century scholarship on paganism and Oriental languages. Situating Kircher in the social world of baroque Rome, with its scholars, artists, patrons, and censors, he shows how Kircher's study of ancient paganism depended on the circulation of texts, artifacts, and people between Christian and Islamic civilisations.
As early as the 1950s, Professor Irving Lavin was recognized as a major voice in American art history. His sustained production of seminal scholarly contributions have left their mark on an astonishingly wide range of -subjects and fields. Bringing these far-reaching publications together will not only provide a valuable resource to scholars and -students, but will also underscore fundamental themes in the history of art - historicism, the art of commemoration, the relationship between style and meaning, the -intelligence of artists - themes that define the role of the visual arts in human communication. Irving Lavin is best known for his array of fundamental publications on the Baroque artist Gian Lorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious childhood, his architecture and -portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the -theatre, his attitude toward death and the role of the artist in the creation of a modern sense of social responsibility. All of Professor Lavin's papers on Bernini are here brought together in three volumes. The studies have been reset and in many cases up-dated, and there is a comprehensive index.