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SELECTED AS A BOOK OF THE YEAR 2019 BY THE TIMES, DAILY TELEGRAPH, LONDON EVENING STANDARD, DAILY MAIL AND BBC HISTORY MAGAZINE 'Magisterial ... If anyone wants to know what has been happening to Britain since the 1950s, it is difficult to imagine a more informative, or better-humoured guide ... a Thucydidean coolness, balance and wisdom that is superb.' - AN Wilson, The Times 'Who Dares Wins captures the period with clairvoyant vividness. Compulsively readable, the book will be indispensable to anyone who wants to understand these pivotal years.' - John Gray, New Statesman 'Immaculately well-researched, breathtakingly broad and beautifully written ... Sandbrook leaves the reader impatient for the next volume.' - Simon Heffer, Daily Telegraph The acclaimed historian of modern Britain, Dominic Sandbrook, tells the story of the early 1980s: the most dramatic, colourful and controversial years in our recent history. Margaret Thatcher had come to power in 1979 with a daring plan to reverse Britain's decline into shabbiness and chaos. But as factories closed their doors, dole queues lengthened and the inner cities exploded in flames, would her radical medicine rescue the Sick Man of Europe - or kill it off? Vivid, surprising and gloriously entertaining, Dominic Sandbrook's new book recreates the decisive turning point in Britain's recent story. For some people this was an age of unparalleled opportunity, the heyday of computers and credit cards, snooker, Sloane Rangers and Spandau Ballet. Yet for others it was an era of shocking bitterness, as industries collapsed, working-class communities buckled and the Labour Party tore itself apart. And when Argentine forces seized the Falkland Islands, it seemed the final humiliation for a wounded, unhappy country, its fortunes now standing on a knife-edge. Here are the early 1980s in all their gaudy glory. This is the story of Tony Benn, Ian Botham and Princess Diana; Joy Division, Chariots of Fire, the Austin Metro and Juliet Bravo; wine bars, Cruise missiles, the ZX Spectrum and the battle for the Falklands. And towering above them all, the most divisive Prime Minister of modern times - the Iron Lady.
A comprehensive exploration of the final four decades of David Bowie’s musical career—covering every song he wrote, performed, or produced In Ashes to Ashes, the ultimate David Bowie expert offers a song-by-song retrospective of the legendary pop star's musical career from 1976 to 2016. Starting with Low, the first of Bowie's Berlin albums, and finishing with Blackstar—his final masterpiece released just days before his death in 2016—each song is annotated in depth and explored in essays that touch upon the song's creation, production, influences and impact.
Welcome to the world of the sharp-suited ‘faces’. The Italianistas. The scooter-riding, all-night-dancing instigators of what became, from its myriad sources, a very British phenomenon. Mod began life as the quintessential working-class movement of a newly affluent nation – a uniquely British amalgam of American music and European fashions that mixed modern jazz with modernist design in an attempt to escape the drab conformity, snobbery and prudery of life in 1950s Britain. But what started as a popular cult became a mainstream culture, and a style became a revolution. In Mod, Richard Weight tells the story of Britain’s biggest and most influential youth cult. He charts the origins of Mod in the Soho jazz scene of the 1950s, set to the cool sounds of Charlie Parker and Miles Davis. He explores Mod’s heyday in Swinging London in the mid-60s – to a new soundtrack courtesy of the Small Faces, the Who and the Kinks. He takes us to the Mod–Rocker riots at Margate and Brighton, and into the world of fashion and design dominated by Twiggy, Mary Quant and Terence Conran. But Mod did not end in the 1960s. Richard Weight not only brings us up to the cult’s revival in the late 70s – played out against its own soundtrack of Quadrophenia and the Jam – but reveals Mod to be the DNA of British youth culture, leaving its mark on glam and Northern Soul, punk and Two Tone, Britpop and rave. This is the story of Britain’s biggest and brassiest youth movement – and of its legacy. Music, film, fashion, art, architecture and design – nothing was untouched by the eclectic, frenetic, irresistible energy of Mod.
And then there was David Bowie, the uber-freak with the mismatched pupils, the low-tech space face from the planet Sparkle. This was Bowie's third appearance on TOTP but this was the one that properly resonated with its audience, the one that would go on to cause a seismic shift in the Zeitgeist. This is the performance that turned Bowie into a star, embedding his Ziggy Stardust persona into the nation's consciousness. With a tall, flame-orange cockade quiff (stolen from a Kansai Yamamoto model on the cover of Honey), lavishly applied make-up, white nail polish, and wearing a multi-coloured jump-suit that looked as though it were made from fluorescent fish skin (chosen by Ziggy co-shaper, the designer Freddie Buretti), and carrying a brand spanking new, blue acoustic guitar, a bone-thin Bowie appeared not so much as a pop singer, but rather as some sort of benevolent alien, a concept helped along by the provocative appearance of his guitarist, the chicken-headed Mick Ronson, with both of them unapologetically sporting knee-length patent leather wrestler's boots (Bowie's were red). 'Most people are scared of colour,' Bowie said later. 'Their lives are built up in shades of grey. It doesn't matter how straight the style is, make it brightly coloured material and everyone starts acting weird.' Suddenly Bowie - a man called alias - had the world at his nail-varnished fingertips, and in no time at all he would be the biggest star in the world.
Are you curious to explore the transformative potential of your life’s stories and harness the captivating power of storytelling? Whether you’re a leader, speaker, blogger or author, storytelling is a vital business skill that forges a memorable connection with your audience and cultivates trust, loyalty and integrity. Crafting a personal story with a purposeful message can seem challenging. You may feel your stories aren’t worth telling, feel trapped in an outdated narrative or uncertain about which words will make an impact. Join Beverley Glick, a seasoned wordsmith, coach and former national newspaper journalist, on a life-enhancing journey. She introduces you to a unique method that will help you navigate your life stages and create a personal ‘life dictionary’, providing profound insights into your identity, motivations and passions. As you journey through the book, reflecting on Beverley’s own story, you'll discover: > A deep-dive process to support you as you look back on your life. > A list of significant words that will unlock your most meaningful experiences. > A treasury of inspiring stories to help you shape and convey your messages. > An empowering new narrative shedding light on your past while illuminating your future. Your life is anything but ordinary; it’s a treasure trove of extraordinary stories waiting to be shared. In Your Own Words is your key to unearthing, unlocking and sharing them in a way that will resonate deeply with you and, most importantly, your audience.
Crime of the Century: Classic Rock and True Crime by Angie Moon Pdf
Crime of the Century is a comprehensive book about classic rock’s connections to true crime cases with over twenty true stories of classic rock musicians and their encounters with murderers, and musicians who committed murders. Inside the book you’ll find the most famous stories like how The Beach Boys met Charles Manson and how Phil Spector went from legendary producer to convicted murderer. There are stories of how classic rockers encountered some of the most notorious serial killers like The Kinks meeting John Wayne Gacy on their 1965 American tour and Debbie Harry allegedly getting into Ted Bundy’s car in the early 70s. You’ll see how the Manson Family’s classic rock connections run deeper than you thought with their encounters with Neil Young, John Phillips, Tony Valentino, Phil Ochs, and Frank Zappa. You’ll also learn how classic rockers were only a few degrees of separation from presidential assassinations and attempted assassinations like The Band meeting Jack Ruby, Squeaky Fromme pursuing Jimmy Page, and John Hinckley’s encounter with DEVO and how they used the poem he wrote for Jodie Foster as song lyrics. It’s a wild and crazy ride through classic rock history. But believe it or not, these are all true stories.
The eighties was a golden era for British pop: Radio One served as the soundtrack of the nation; the chart run-down on Sunday evenings was compulsory listening - ditto watching Top of the Popsand reading Smash Hits. It also saw the launch of the Now That's What I Call Music series. In the States, the arrival of MTV helped usher in what became known as the 'Second British Invasion', echoing the success of the Beatles twenty years earlier. Wired For Soundtells the remarkable story of the great eighties British bands (and Kajagoogoo) and how their music captured the nation's imagination: the more radical beginnings in the early eighties (the new romanticisms of Duran and Spandau, the 'protest pop' of early Wham!); the full pomp of their mid-eighties success (the worldwide tours, the glamorous video shoots, the ubiquitous 'Choose Life' and 'Relax' T-shirts); and their fall from the top of pop's pedestal (the splitting up of Wham!, Boy George's drug problems). Wired for Soundwill describe the subsequent descent to Band Aid II (Bros, Wet Wet Wet, Stock, Aitken and Waterman), which bookended the low point of the pop music that followed. Wired For Sound will be the affectionate celebration of both a musical youth and the era when young guns went for it. This is a book for anyone who grew up reading Smash Hits, soundtracked their teenage years on C90 cassettes and remembers a time when it really mattered who was number one.
America in the British Imagination by J. Lyons Pdf
How was American culture disseminated into Britain? Why did many British citizens embrace American customs? And what picture did they form of American society and politics? This engaging and wide-ranging history explores these and other questions about the U.S.'s cultural and political influence on British society in the post-World War II period.
Writing his own story Martin Kemp talks frankly about his upbringing in working class Islington, stardom and success with Spandau Ballet and the break up of the band. He writes openly about his film career, the huge success of The Krays, his tremendous fight against brain cancer and on to today with fame again in EastEnders. This is a stunningly written account of a fascinating life written with candour and wit.
'A controversial and honest account of My Life On The Road With Rock Group, a potted history of pop from '79-'85, and a serious analysis of the whole mess... Dave Rimmer has one great weapon at his disposal. He was there.' David Quantick, NME 'As sharp a study of British pop as we'll get ... Rimmer's point is that if the new pop stars' success makes it seem 'like punk never happened', they emerged, in fact, as a direct result of punk attitudes... Rimmer tells this story in his raciest Smash Hits manner, with wit, insider info and scandal.' Simon Frith, City Limits 'Rimmer is among the most entertaining writers ever to pen a rock book.' Dave Marsh, Rock and Roll Confidential
If you think you know who Sadie Frost is, then think again. This fascinating autobiography follows Sadie's extraordinary life, from her humble roots in 1960s Camden to her middle-class adult life, via her two high-profile marriages and living out her life in the media spotlight. In this candid book, Sadie tells her whole life story in her own unique style. She discloses the details of her anarchic childhood and teenage years; she tells all the behind-the-scenes stories from the films she has worked on, including staying at Francis Ford Coppola's Hollywood home; she reveals the story of her marriage to Spandau Ballet's Gary Kemp and how she left her idyllic family life with him when she met Jude Law on the set of the film Shopping, later marrying him. This is the story of a woman finding herself again -- against all the odds -- and finally growing up.
Take It Like a Man by Boy George,Spencer Bright Pdf
With a flick of his locks and a lash of his tongue, Boy George waltzed into musical stardom in 1982 with his smash hit "Do You Really Want to Hurt Me?" As the quintessential pop star of the 1980s, Boy George was constantly in the public eye, with a string of platinum Culture Club hits, sensational personal appearances, camp behavior, and gender-bending dress fueling the media's infatuation. A Grammy Award for "Karma Chameleon" sealed Boy George's pop-icon status as the avant-garde star whose beguiling melodies and impertinent one-liners seduced an unsuspecting public. But after he reached the pinnacle of success, his life took a devastating turn. Culture Club went into eclipse, his hushed-up relationship with drummer Jon Moss fell apart, and Boy George found a new and dangerous obsession: drugs. In this electrifying memoir, Boy George tells the story of the crazy highs and desperate lows; the family struggles; the friends and lovers—gay, straight, and transvestite; the obsessive media infatuation; and the agony, shame, and despair of withdrawal. Filled with confession, revelation, and inspiration, Take It Like a Man is the mesmerizing account of how George achieved the nearly impossible—coming back from addiction and achieving health, sobriety, and a new horizon of musical success.
David Bowie. Culture Club. Wham!. Soft Cell. Duran Duran. Sade. Adam Ant. Spandau Ballet. The Eurythmics. ' Excellent' Guardian ' Hugely enjoyable' Irish Times ' Dazzling' LRB 'Fascinating' New Statesman 'An absolute must-read' GQ One of the most creative entrepreneurial periods since the Sixties, the era of the New Romantics grew out of the remnants of post-punk and developed quickly alongside club culture, ska, electronica, and goth. The scene had a huge influence on the growth of print and broadcast media, and was arguably one of the most bohemian environments of the late twentieth century. Not only did it visually define the decade, it was the catalyst for the Second British Invasion, when the US charts would be colonised by British pop music - making it one of the most powerful cultural exports since the Beatles. In Sweet Dreams, Dylan Jones charts the rise of the New Romantics through testimony from the people who lived it. For a while, Sweet Dreams were made of this.