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Ideology and Classic American Literature by Sacvan Bercovitch,Myra Jehlen Pdf
For more than a decade, Americanists have been concerned with the problem of ideology, and have undertaken a broad reassessment of American literature and culture. This volume brings together some of the best work in this area.
American Literature’s Aesthetic Dimensions by Cindy Weinstein,Christopher Looby Pdf
Rethinking the category of aesthetics in light of recent developments in literary theory and social criticism, the contributors to this volume showcase the interpretive possibilities available to those who bring politics, culture, ideology, and conceptions of identity into their critiques. Essays combine close readings of individual works and authors with more theoretical discussions of aesthetic theory and its relation to American literature. In their introduction, Weinstein and Looby argue that aesthetics never left American literary critique. Instead, the essay casts the current "return to aesthetics" as the natural consequence of shortcomings in deconstruction and new historicism, which led to a reconfiguration of aesthetics. Subsequent essays demonstrate the value and versatility of aesthetic considerations in literature, from eighteenth-century poetry to twentieth-century popular music. Organized into four groups—politics, form, gender, and theory—contributors revisit the canonical works of Henry James, Nathaniel Hawthorne, and Stephen Crane, introduce the overlooked texts of Constance Fenimore Woolson and Earl Lind, and unpack the complexities of the music of The Carpenters. Deeply rooted in an American context, these essays explore literature's aesthetic dimensions in connection to American liberty and the formation of political selfhood. Contributors include Edward Cahill, Ivy G. Wilson, June Ellison, Dorri Beam, Christopher Castiglia, Christopher Looby, Wendy Steiner, Cindy Weinstein, Trish Loughran, Jonathan Freedman, Elisa New, Dorothy Hale, Mary Esteve, Eric Lott, Sianne Ngai
This Volume Will Interest All Students Of English And American Studies; Colonialism And Nationalism; Culture And Gender Issues; The Complex Relation Between Literture And Society; And The Even More Complex Relationship Between Western Texts And Indian Leaders.
Practices of Surprise in American Literature after Emerson by Kate Stanley Pdf
This book establishes surprise as a key Emersonian affect, and demonstrates its significance for transatlantic modernism and the philosophy of pragmatism.
Grief Taboo in American Literature by Pamela A. Boker Pdf
"A compelling, massively researched psychoanalytic study of the inability to mourn in Melville, Twain and Hemingway, and its roots in maternal loss".--Ann Douglas, author of TERRIBLE HONESTY: MONGREL MANHATTAN IN THE 1920S. "This insightful text is recommended for all students of American culture and literature".--CHOICE.
Author : Henry Nash Smith,Beverly Rose Voloshin Publisher : New York : P. Lang Page : 380 pages File Size : 47,6 Mb Release : 1990 Category : Literary Criticism ISBN : STANFORD:36105034247937
American Literature, Culture, and Ideology by Henry Nash Smith,Beverly Rose Voloshin Pdf
This collection of essays in memory of Henry Nash Smith considers American literature as both a product and an agent of culture and ideology. Included are a biographical essay on Henry Nash Smith by historian Henry F. May and «Mark Twain, Ritual Clown, » an important late essay by Smith, published here for the first time. Other distinguished contributors are Thomas F. Gossett, Eric J. Sundquist, Leo Marx, David Leverenz, Beverly R. Voloshin, Daniel Aaron, R.W.B. Lewis, Annette Kolodny, Sybil Weir, Larzer Ziff, Lorne Fienberg, Susan Gillman, Kermit Vanderbilt, and John S. Wright.
Herman Melville and the American Calling by William V. Spanos Pdf
Argues that Herman Melville’s later work anticipates the resurgence of an American exceptionalist ethos underpinning the U.S.-led global “war on terror.”
The American Novel After Ideology, 19612000 by Laurie Rodrigues Pdf
Claims of ideology's end are, on the one hand, performative denials of ideology's inability to end; while, on the other hand, paradoxically, they also reiterate an idea that 'ending' is simply what all ideologies eventually do. Situating her work around the intersecting publications of Daniel Bell's The End of Ideology (1960) and J.D. Salinger's Franny and Zooey (1961), Laurie Rodrigues argues that American novels express this paradox through nuanced applications of non-realist strategies, distorting realism in manners similar to ideology's distortions of reality, history, and belief. Reflecting the astonishing cultural variety of this period, The American Novel After Ideology, 1961 - 2000 examines Franny and Zooey, Carlene Hatcher Polite's The Flagellants (1967), Leslie Marmon Silko's Almanac of the Dead (1991), and Philip Roth's The Human Stain (2001) alongside the various discussions around ideology with which they intersect. Each novel's plotless narratives, dissolving subjectivities, and cultural codes organize the texts' peculiar relations to the post-ideological age, suggesting an aesthetic return of the repressed.
The Cambridge Companion to American Realism and Naturalism by Donald Pizer Pdf
This Companion examines a number of issues related to the terms realism and naturalism. The introduction seeks both to discuss the problems in the use of these two terms in relation to late nineteenth-century fiction and to describe the history of previous efforts to make the terms expressive of American writing of this period. The Companion includes ten essays which fall into four categories: essays on the historical context of realism and naturalism by Louis Budd and Richard Lehan; essays on critical approaches to the movements since the early 1970s by Michael Anesko, essays on the efforts to expand the canon of realism and naturalism by Elizabeth Ammons; and a full-scale discussion of ten major texts, from W. D. Howell's The Rise of Silas Lapham to Jack London's The Call of the Wild, by John W. Crowley, Tom Quirk, J. C. Levenson, Blanche Gelfant, Barbara Hochman, and Jacqueline Tavernier-Courbin.
Challenges the conventional critical reading of the American poetic project as an engagement with or reaction against Emersonian thought. Rowe demonstrates how ideals of individualism, intellectualism, and otherworldiness inevitably undermine any political effectiveness that a writer may seek to achieve.
English and American Studies by Martin Middeke Pdf
Das ganze Studium der Anglistik und Amerikanistik in einem Band. Ob englische und amerikanische Literatur, Sprachwissenschaft, Literatur- und Kulturtheorie, Fachdidaktik oder die Analyse von Filmen und kulturellen Phänomenen führende Fachvertreter geben in englischer Sprache einen ausführlichen Überblick über alle relevanten Teildisziplinen. BA- und MA-Studierende finden hier die wichtigsten Grundlagen und Wissensgebiete auf einen Blick. Durch die übersichtliche Darstellung und das Sachregister optimal für das systematische Lernen und zum Nachschlagen geeignet.
Author : David Harlan Publisher : University of Chicago Press Page : 329 pages File Size : 55,6 Mb Release : 2009-02-15 Category : History ISBN : 9780226316154
The Degradation of American History by David Harlan Pdf
American historical writing has traditionally been one of our primary forms of moral reflection. However, David Harlan argues that in the disillusionment following the 1960s, history abandoned its redemptive potential and took up the methodology of the social sciences. In this provocative new book, Harlan describes the reasons for this turn to objectivity and professionalism, explains why it failed, and examines the emergence of a New Traditionalism in American historical writing. Part One, "The Legacy of the Sixties," describes the impact of literary theory in the 1970s and beyond, the rise of women's history, the various forms of ideological analysis developed by historians on the left, and the crippling obsession with professionalism in the 1980s. Part Two, "The Renewal of American Historical Writing," focuses on the contributions of John Patrick Diggins, Hayden White, Richard Rorty, Elaine Showalter, Henry Louis Gates Jr., and others. Harlan argues that at the end of the twentieth century American historical writing is perfectly poised to become what it once was: not one of the social sciences in historical costume, but a form of moral reflection that speaks to all Americans. "[A] wholly admirable work. This book will be talked about for years."—Library Journal
Labour of Laziness in Twentieth-Century American Literature by Zuzanna Ladyga Pdf
This text argues that major twentieth-century American writers such as Gertrude Stein, Ernest Hemingway, John Barth, Donald Barthelme, and David Foster Wallace provocatively challenge the ethos of productivity by filtering their ethical interventions through culturally stigmatised imagery of laziness.
A Critical History of the New American Studies, 1970-1990 by Günter H. Lenz Pdf
Starting in 2005, Gunter H. Lenz began preparing a book-length exploration of the transformation of the field of American Studies in the crucial years between 1970 and 1990. As a commentator on, contributor to, and participant in the intellectual and institutional changes in his field, Lenz was well situated to offer a comprehensive and balanced interpretation of that seminal era. Building on essays he wrote while these changes were ongoing, he shows how the revolution in theory, the emergence of postmodern socioeconomic conditions, the increasing globalization of everyday life, and postcolonial responses to continuing and new forms of colonial domination had transformed American Studies as a discipline focused on the distinctive qualities of the United States to a field encompassing the many different "Americas" in the Western Hemisphere as well as how this complex region influenced and was interpreted by the rest of the world. In tracking the shift of American Studies from its exceptionalist bias to its unmanageable global responsibilities, Lenz shows the crucial roles played by the 1930s' Left in the U.S., the Frankfurt School in Germany and elsewhere between 1930 and 1960, Continental post-structuralism, neo-Marxism, and post-colonialism. Lenz's friends and colleagues, now his editors, present here his final backward glance at a critical period in American Studies and the birth of the Transnational.
