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Ideology in Russian Literature by Richard Freeborn,Jane Grayson Pdf
The contributions in this volume, which is part of a series, examine the connection beween literature and ideas in important 19th-century instances. The editor contends that they demonstrate that Russian literature often subverts the ideology to suit its own autonomous needs.
Law, Rights and Ideology in Russia by Bill Bowring Pdf
Law, Rights and Ideology in Russia: Landmarks in the destiny of a great power brings into sharp focus several key episodes in Russia’s vividly ideological engagement with law and rights. Drawing on 30 years of experience of consultancy and teaching in many regions of Russia and on library research in Russian-language texts, Bill Bowring provides unique insights into people, events and ideas. The book starts with the surprising role of the Scottish Enlightenment in the origins of law as an academic discipline in Russia in the eighteenth century. The Great Reforms of Tsar Aleksandr II, abolishing serfdom in 1861 and introducing jury trial in 1864, are then examined and debated as genuine reforms or the response to a revolutionary situation. A new interpretation of the life and work of the Soviet legal theorist Yevgeniy Pashukanis leads to an analysis of the conflicted attitude of the USSR to international law and human rights, especially the right of peoples to self-determination. The complex history of autonomy in Tsarist and Soviet Russia is considered, alongside the collapse of the USSR in 1991. An examination of Russia’s plunge into the European human rights system under Yeltsin is followed by the history of the death penalty in Russia. Finally, the secrets of the ideology of ‘sovereignty’ in the Putin era and their impact on law and rights are revealed. Throughout, the constant theme is the centuries long hegemonic struggle between Westernisers and Slavophiles, against the backdrop of the Messianism that proclaimed Russia to be the Third Rome, was revived in the mission of Soviet Russia to change the world and which has echoes in contemporary Eurasianism and the ideology of sovereignty.
A History of Russian Literary Theory and Criticism by Evgeniĭ Aleksandrovich Dobrenko,Galin Tihanov Pdf
This volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas—political, intellectual, and institutional—the authors capture the progression and structure of Russian literary criticism and its changing function and discourse. For the first time anywhere, this collection analyzes all of the important theorists and major critical movements during a tumultuous ideological period in Russian history, including developments in émigré literary theory and criticism. Winner of the 2012 Efim Etkind Prize for the best book on Russian culture, awarded by the European University at St. Petersburg, Russia.
Is the concept of "race" applicable to Russia and the Soviet Union? Citing the idea of Russian exceptionalism, many would argue that in the nineteenth and twentieth centuries, while nationalities mattered, race did not. Others insist that race mattered no less in Russia than it did for European neighbours and countries overseas. These conflicting notions have made it difficult to understand rising racial tensions in Russian and Eurasian societies in recent years. A collection of new studies that reevaluate the meaning of race in Russia and the Soviet Union, Ideologies of Race brings together historians, literary scholars, and anthropologists of Russia, the Soviet Union, Western Europe, the United States, the Caribbean, and Latin America. The essays shift the principle question from whether race meant the same thing in the region as it did in the "classic" racialized regimes such as Nazi Germany and the United States, to how race worked in Russia and the Soviet Union during various periods in time. Approaching race as an ideology, this book illuminates the complicated and sometimes contradictory intersection between ideas about race and racializing practices. An essential reminder of the tensions and biases that have had a direct and lasting impact on Russia, Ideologies of Race yields crucial insights into the global history of race and its ongoing effects in the contemporary world. Contributors include Adrienne Edgar (University of California, Santa Barbara), Aisha Khan (New York University), Alaina Lemon (University of Michigan), Susanna Soojung Lim (University of Oregon), Marina Mogilner (University of Illinois, Chicago), Brigid O'Keeffe (Brooklyn College), David Rainbow (University of Houston), Gunja SenGupta (Brooklyn College), Vera Tolz (University of Manchester), Anika Walke (Washington University, St. Louis), Barbara Weinstein (New York University), and Eric Weitz (City University of New York).
The Search for Self-Definition in Russian Literature by Ewa M. Thompson Pdf
In Gorbachev's Russia and outside of it the strength and scope of Russian nationalism is currently a subject of strenuous scholarly debate. The many and varied forms national ideology takes in Russian literature are the subject of this collection of essays. Over the past two hundred years Russians have used their literature to express both conformist and nonconformist views on the relationship between the individual and society and on Russian national destiny. Pushkin, Dostoevsky, Grossman, Tvardovsky, Rasputin, Zinovyev and others have taken diverse stands in regard to Russian nationalism, and their points of view are explored in this book. Several chapters offer suggestive overviews of nationalism's role in literature. The influence of Stalinist mentality on nationalism is also explored, as are the overt expressions of nationalist sentiments in the conditions of Gorbachev's glasnost. This book offers a rare insight into the present Soviet Russian literary scene, and it will help refocus future studies of Russian literature.
The Positive Hero in Russian Literature by Rufus W. Mathewson Pdf
"The positive hero was defined by the Soviets as one who set an example for the reader's behavior. As early as 1860, the merits of this ideal model were a central issue in the war between literary imagination and ideological criticism that raged in Russia for a hundred years." "In The Positive Hero in Russian Literature, Rufus W. Mathewson, Jr., brings a period of Russian literature to life and demonstrates how the battles over the positive hero reappeared with dramatic clarity in the dissident literary movement that developed after Stalin's death. Mathewson argues that the true continuity between nineteenth- and twentieth-century Russian prose was to be found in this persistent conflict between contrary views of the real nature and proper uses of literature. This new edition of a widely acclaimed work, first published in 1958 and covering literary developments through 1946, includes chapters on Belinsky, Pasternak, Solzhenitsyn, and Sinyavsky." --Book Jacket.
Literature and Society in Imperial Russia, 1800-1914 by Anonim Pdf
Ranging in topic from general discussions of literary theory to close readings of well known literary works, these nine papers address nearly every literary movement in nineteenth- and early-twentieth-century Russia, and a number of major writers, including Pushkin, Gogol, Turgenev, and Dostoevsky. Four kinds of issues are addressed: theoretical problems in the relationship of literature and society, the reading public, the rhetoric and ideologies of writers and critics, and the relationship between fictional and social worlds. In confronting some of the ways in which the social and literary aspects of Russian culture have imposed themselves upon each other, this volume seeks an approach to Russian literature that neglects neither the dynamics of social interaction nor the forms and traditions of literature. The contributors are Robert L. Belknap, Jeffrey Brooks, Edward J. Brown, Donald Fanger, Jean Franco, Robert Louis Jackson, Hugh McLean, Victor Ripp, and William Mills Todd III.
Life in the modernist era not only moved, it sped. As automobiles, airplanes, and high-speed industrial machinery proliferated at the turn of the twentieth century, a fascination with speed influenced artists—from Moscow to Manhattan—working in a variety of media. Russian avant-garde literary, visual, and cinematic artists were among those striving to elevate the ordinary physical concept of speed into a source of inspiration and generate new possibilities for everyday existence. Although modernism arrived somewhat late in Russia, the increased tempo of life at the start of the twentieth century provided Russia’s avant-garde artists with an infusion of creative dynamism and crucial momentum for revolutionary experimentation. In Fast Forward Tim Harte presents a detailed examination of the images and concepts of speed that permeated Russian modernist poetry, visual arts, and cinema. His study illustrates how a wide variety of experimental artistic tendencies of the day—such as “rayism” in poetry and painting, the effort to create a “transrational” language (zaum’) in verse, and movements seemingly as divergent as neo-primitivism and constructivism—all relied on notions of speed or dynamism to create at least part of their effects. Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.
Russian Literature Since the Revolution by Edward James Brown Pdf
Introduction: Literature and the Political Problem 1. Since 1917: A Brief History Soviet Literature Persistence of the Past Fellow Travelers Proletarians The Stalinists Socialist Realism The Thaw The Sixties and Seventies 2. Mayakovsky and the Left Front of Art The Suicide Note Vladimir Mayakovsky, A Tragedy The Cloud "The Backbone Flute" The Commune and the Left Front The Bedbug and The Bath Mayakovsky as a Monument Poets of Different Camps 3. Prophets of a Brave New World The Machine and England Olesha's Critique of the Reason Envy and Rage 4. The Intellectuals, I Serapions Boris Pilnyak: Biology and History 5. The Intellectuals, II Isaac Babel: Horror in a Minor Key Konstantin Fedin: The Confrontation with Europe Leonov and Katayev Conclusion 6. The Proletarians, I The Proletcult The Blacksmith Poets Yury Libedinsky: Communists as Human Beings Tarasov-Rodionov: ,"Our Own Wives, Our Own Children" Dmitry Furmanov: An Earnest Commissar A. S. Serafimovich: A Popular Saga 7. The Proletarians, II Fyodor Gladkov: A Literary Autodidact Alexander Fadeyev: The Search for a New Leo Tolstoy Mikhail Sholokhov: The Don Cossacks A Scatter of Minor Deities Conclusion 8. The Critic Voronsky and the Pereval Group Criticism and the Study of Literature Voronsky Pereval 9. The Levers of Control under Stalin Resistance The Purge The Literary State 10. Zoshchenko and the Art of Satire 11. After Stalin: The First Two Thaws Pomerantsev, Panova, and The Guests Ilya Ehrenburg and Alexey Tolstoy The Second Thaw The Way of Pasternak 12. Into the Underground The Literary Parties The Trouble with Gosizdat End of a Thaw Buried Treasure: Platonov and Bulgakov The Exodus into Samizdat and Tamizdat Sinyavsky 13. Solzhenitsyn and the Epic of the Camps One Day The First Circle and The Cancer Ward The Gulag The Calf and the Oak: Dichtung and Wahrheit Other Contributions to the Epic 14. The Surface Channel, I: The Village 15. The Surface Channel, II: Variety of Theme and Style The City: Intelligentsia, Women, Workers The Backwoods: Ethical Problems Other New Voices of the Sixties and Seventies World War II Published Poets A Final Word on Socialist Realism 16. Exiles, Early and Late The Exile Experience "Young Prose" and What Became of It Religious Quest: Maximov and Ternovsky Truth through Obscenity: Yuz Aleshkovsky Transcendence and Tragedy: Erofeev's Trip Poetry of the Daft: Sasha Sokolov Perversion of Logic as Ideology: Alexander Zinoviev A Gathering of Writers Conclusion Notes Selected Bibliography Index
Discourse and Ideology in Nabokov's Prose by David H. J. Larmour Pdf
The prose writings of Vladimir Nabokov form one of the most intriguing oeuvres of the twentieth century. His novels, which include Despair, Lolita and Pale Fire, have been celebrated for their stylistic artistry, their formal complexity, and their unique treatment of themes of memory, exile, loss, and desire. This collection of essays offers readings of several novels as well as discussions of Nabokov's exchange of views about literature with Edmund Wilson, and his place in the 1960s and contemporary popular culture. The volume brings together a diverse group of Nabokovian readers, of widely divergent scholarly backgrounds, interests, and approaches. Together they shift the focus from the manipulative games of author and text to the restless and sometimes resistant reader, and suggest new ways of enjoying these endlessly fascinating texts.
Since the dissolution of the Soviet Union, Russia has been marginalized at the edge of a Western-dominated political and economic system. In recent years, however, leading Russian figures, including former president Vladimir Putin, have begun to stress a geopolitics that puts Russia at the center of a number of axes: European-Asian, Christian-Muslim-Buddhist, Mediterranean-Indian, Slavic-Turkic, and so on. This volume examines the political presuppositions and expanding intellectual impact of Eurasianism, a movement promoting an ideology of Russian-Asian greatness, which has begun to take hold throughout Russia, Kazakhstan, and Turkey. Eurasianism purports to tell Russians what is unalterably important about them and why it can only be expressed in an empire. Using a wide range of sources, Marlène Laruelle discusses the impact of the ideology of Eurasianism on geopolitics, interior policy, foreign policy, and culturalist philosophy.
A History of Russian Literature by Andrew Kahn,Mark Naumovich Lipovet︠s︡kiĭ,Irina Reyfman,Stephanie Sandler Pdf
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day.The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular bring out trans-historical features that contribute to the notion of a national literature. The volume's time-range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
