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If Picasso Had a Christmas Tree by Eric Gibbons Pdf
Paintings and artworks in other media featuring Christmas trees, created by art teachers in imitation of the styles and techniques of famous artists from the Renaissance to the present, and accompanied by rhyming text, introduce art history.
If Picasso Painted a Snowman (The Reimagined Masterpiece Series) by Amy Newbold Pdf
Maryland Blue Crab Honor Book 2018 A big, brightly colored, playful introduction to various important painters and art movements. If someone asked you to paint a snowman, you would probably start with three white circles stacked one upon another. Then you would add black dots for eyes, an orange triangle for a nose, and a black dotted smile. But if Picasso painted a snowman… From that simple premise flows this delightful, whimsical, educational picture book that shows how the artist’s imagination can summon magic from a prosaic subject. Greg Newbold’s chameleon-like artistry shows us Roy Lichtenstein’s snow hero saving the day, Georgia O’Keefe’s snowman blooming in the desert, Claude Monet’s snowmen among haystacks, Grant Wood’s American Gothic snowman, Jackson Pollock’s snowman in ten thousand splats, Salvador Dali’s snowmen dripping like melty cheese, and snowmen as they might have been rendered by J. M. W. Turner, Gustav Klimt, Paul Klee, Marc Chagall, Georges Seurat, Pablita Velarde, Piet Mondrian, Sonia Delaunay, Jacob Lawrence, and Vincent van Gogh. Our guide for this tour is a lively hamster who—also chameleon-like—sports a Dali mustache on one spread, a Van Gogh ear bandage on the next. “What would your snowman look like?” the book asks, and then offers a page with a picture frame for a child to fill in. Backmatter thumbnail biographies of the artists complete this highly original tour of the creative imagination that will delight adults as well as children. Fountas & Pinnell Level O
"Read this book if you want to understand me."—Pablo Picasso Conversations with Picasso offers a remarkable vision of both Picasso and the entire artistic and intellectual milieu of wartime Paris, a vision provided by the gifted photographer and prolific author who spent the early portion of the 1940s photographing Picasso's work. Brassaï carefully and affectionately records each of his meetings and appointments with the great artist, building along the way a work of remarkable depth, intimate perspective, and great importance to anyone who truly wishes to understand Picasso and his world.
When DaVinci's sister Kahlo visits the Bahamas with friends, Kahlo thinks her host Jules Khan is a grumpy misanthrope. But when he offers her the chance to visit her idol the painter Maxfield Parrish in the past, Kahlo jumps at the opportunity, despite threats from Jules’s murderously jealous girlfriend. Soon Jules and Kahlo are obliged to join forces on a trip gone awry, and Kahlo begins to see Jules as someone capable of helping her become her best self—as long as Jules’s girlfriend doesn’t get to her first.
A gallery of famous and eccentric figures animate this entertaining and informative autobiography. Not least is John Jesse who treats life as fun yet established himself as a respected specialist in his field of Art Nouveau and Art Deco. The book is richly illustrated with some of the works he has collected and sold.
In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Billy Klüver discovered that some previously unassociated photographs fell into significant groupings. One group in particular, showing Picasso, Max Jacob, Moïse Kisling, Modigliani, and others at the Café de la Rotonde and on Boulevard du Montparnasse, all seemed to have been taken on the same day. The people were wearing the same clothes in each shot and had the same accessories. Their ties were knotted the same way and their collars had the same wrinkles. A total of twenty-four photographs—four rolls of film with six photographs each—were eventually found. With the challenge of identifying the date, photographer, and circumstances, Klüver embarked on an inquiry that would illuminate the minute texture of that time and place. Biographical research into the subjects' lives led Klüver to focus on the summer of 1916 as the likely time the photos were taken. He then measured buildings and plotted angles and lengths of shadows in the photographs to narrow the time frame to a spread of three weeks. Further investigation eventually allowed Klüver to identify the photographer as Jean Cocteau and to determine the day that Cocteau had taken the photographs: August 12, 1916. A computer printout of the sun's positions on that date, obtained from the Bureau des Longitudes, together with the length of the shadows, enabled Klver to calculate the time of day of each photograph, and thus to put them in proper sequence. In a tour de force of art historical research, Klüver then reconstructed a scenario of the events of the four hours depicted in the photographs. With evocative attention to detail—noting when Picasso is no longer carrying an envelope or Max Jacob has acquired a decoration in his lapel—Klüver recreates a single afternoon in the lives of Picasso and friends, a group of remarkable people in early twentieth-century Paris. Besides the central "portfolio" of photographs by Cocteau, the book contains additional photographs and drawings, short biographies of all the subjects, and a historical section on the events and activities in the Paris art world at the time.
A tangled and vivid portrait of the women caught in Picasso’s charismatic orbit through the affairs, the scandals, and the art—only this time, they hold the brush. The women of Picasso’s life are glamorous and elusive, existing in the shadow of his fame—until 1950s aspiring journalist Alana Olson determines to bring one into the light. Unsure of what to expect but bent on uncovering what really lies beneath the canvas, Alana steps into Sara Murphy’s well-guarded home to discover a past complicated by secrets and intrigue. Sara paints a luxurious picture of the French Riviera in 1923, but also a tragic one. The more Sara reveals, the more cracks emerge in Picasso’s once-vibrant social circle—and the more Alana feels a disturbing convergence with her own life. Who are these other muses? What became of them? What will become of her? Desperate to trace the threads, Alana dives into the glittering lives of the past. But to do so she must contend with her own reality, including a strained engagement, the male-dominated world of art journalism, and the rising threat to civil rights in America. With hard truths peeling apart around her, it turns out that the most extraordinary portrait Alana encounters is her own.
Trees: For Shelter and Shade, For Memory and Magic by Charles Fenyvesi Pdf
Linking practical neighborly advice to the many cults of tree worship across the globe, Charles Fenyvesi offers an inspiring overview of planting, pruning, and enjoying trees. He pays homage to the immortalized oak and birch as well the controversial qualities of the paulownia (also known as Princess Tree), named after Czar Paul’s daughter, and the catalpa, planted by Frederick the Great in his Potsdam estate and favored by President Thomas Jefferson. For property owners who cry out for the drama of a solitary, singularly expressive specimen or have room for but one tree, this book lists categories such as elegance or informality, longevity or low maintenance, shape or color, character or foliage. “This book entertains, while teaching each of us how we can better connect with trees, using mind, hands and hearts.” — R. Neil Sampson, Executive Vice President,American Forestry Association “Will make all of us take a new look at the stories and pleasures of trees in our lives and landscapes... presented in a series of vignettes that compel you to read, use and plant trees.” — H. Marc Cathey, National Chair, Florist and Nursery Crops Review, US Department of Agriculture “Columnist Charles Fenyvesi... makes trees seem as familiar as the families who live on the block... He gives very good advice, and along the way he makes the trees memorable as he discusses them with evident pleasure and knowledge.” — Virginia Greiner, garden columnist, Washington Times
Montreal Noir by John McFetridge,Jacques Filippi Pdf
“American crime fiction fans will welcome the opportunity to sample the short fiction of some worthy Canadian authors.” —Publishers Weekly Following the success of Toronto Noir, the Noir Series explores new Canadian terrain, featuring both English and Francophone authors. Like the city it springs from, Montreal Noir is an intriguing mix of culture, identities, and neighborhoods with one thing in common: the dark side of human nature. This collection presents stories by Patrick Senécal, Tess Fragoulis, Howard Shrier, Michel Basilières, Robert Pobi, Samuel Archibald, Geneviève Lefebvre, Ian Truman, Johanne Seymour, Arjun Basu, Martin Michaud, Melissa Yi, Catherine McKenzie, Peter Kirby, and Brad Smith. “Montreal solidifies its reputation as the epicentre for Canadian noir in a strong new anthology.” —Quill & Quire “Brings together a bicultural roster of talent by some of the city’s best crime-fiction specialists, with tales from the city’s many neighbourhoods.” —Toronto Star “An impressive roster . . . Stories from across the many sub-genres of mystery: police procedural, thriller, private eye, psychological suspense, and hard-boiled crime.” —Montreal Review of Books “Whether it’s the quirkiness of the characters, the ingenuity of the puzzles, or the big hearts inside some of the darkest villains, noir’s different north of the border.” —Kirkus Reviews
Perhaps because of his being a teacher of mathematics and an avid student of cosmology, the author has acquired an expectancy of alternatives such as "not positive, then negative" or "not rational, then irrational" all the way to "not matter, then antimatter...not relativity, then quantum physics." This has led to the "what if factor" demonstrated in this novel. "What if' (to the power) "a man can hear distinctive sound emanating from paintings in a museum?' To what end you might ask; a hobby of cataloging masterpieces based on tones from one to three? But "what if' (to a higher power), in the presence of a foreign object the original painting becomes permanently silent, as silent as a print or a movie poster. What did the painting have that the poster didn't have? What, then, did it lose? Is this cause alarm? In Shell Tones, it is.
"The French Riviera, spring 1936. It's off-season in the lovely seaside village of Juan-les-Pins, where seventeen-year-old Ondine cooks with her mother in the kitchen of their family-owned Cafe Paradis. A mysterious new patron who's slipped out of Paris and is traveling under a different name has made an unusual request--to have his lunch served to him at the nearby villa he's secretly rented ... Pablo Picasso is at a momentous crossroads in his personal and professional life--and for him, art and women are always entwined ... New York, present day. Caeline, a Hollywood makeup artist who's come home for the holidays, learns from her mother Julie that Grandmother Ondine once cooked for Picasso"--
Poetic Retribution From Mars by Sylvester Abanteriba Pdf
The leadership of a country under an immense pressure from the world community to reform its atrocious political system, decided to send a spaceship loaded with world-renowned scientists to undertake a make believe research programme on the moon for a period of one year. This decoy did not go as planned and the spaceship, which was largely controlled by computers from Earth, could not land on the moon. Unfortunately, an attempt to bring it back to Earth failed when it bounced off the Earth’s atmosphere and proceeded to fly away at an ever-increasing speed. The marooned scientists developed various means of passing the time while they awaited the inevitable death. However, after nearly a year of wandering through the universe the spaceship landed on a planet, which turned out to be Mars but with conditions completely at variance with what is known on Earth about this planet. What the Martians learnt about the socio-political conditions on Earth displeased them enormously. They therefore sent the scientists back with an ultimatum for the world’s leadership, asking Earth to change its ways so that an acceptable interplanetary discourse could be established. The leadership of the world threw down the gauntlet and embarked upon a secret mission to bomb Mars out of existence. This was detected by the Martians and set the two planets on a collision course, with the winner of the encounter not much in doubt.