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Illusions: The Art of Magic by Christian Vachon,Suzanne Sauvage Pdf
In 2015 the McCord Museum in Montreal, Canada, was gifted with the Allan Slaight Collection, one of the largest treasuries of posters and documents on magic in the world. Published in conjunction with the exhibition Illusions. The Art of Magic at the McCord Museum, this volume presents 250 exceptional posters from this collection, dating from the 1880s to the 1940s. During this period, known as the Golden Age of Magic, droves of traveling magicians and prestidigitators fought a veritable advertising war. All over the United States and Europe, city walls and billboards were plastered with posters offering tantalizing previews of their most spectacular tricks, giving poster designers and printers of the era a golden opportunity to flex their imaginations and load their work with devils and demons, skeletons and skulls, bodies and decapitated heads, playing-cards and rabbits, alluring assistants, phantasmagoria and esoteric symbols. Seven authors recognized as experts in their respective fields introduce this dazzling array of color and fantastic imagery, providing insights to explain the full historic, social and artistic value of these magnificent posters.
Optical illusions, a magical melding of science and art, appeal to all ages. This lavish full-color book looks at both the science (the peculiarities of human vision that make illusions possible) and the art (famous deceptive images and their creators). Included are a wide variety of eye-fooling tricks, including those practiced by Mother Nature herself.
Books like this contain what may be called the raw material of the art, the processes which the magician can employ at will in building up his larger experiments in magic, each of which should be a complete play in itself. Then, when the student has found out how tricks can be done, he would do well to turn his attention to Our Magic, by Mr. Maskelyne and his associate, Mr. David Devant. And from this logical treatise he can learn how experiments in magic ought to be composed. It is from this admirable discussion of the basic principles of modern magic that more than one of the points made in this paper have been borrowed. Mr. Devant calls attention to the fact that new tricks are common, new manipulative devices, new examples of dexterity and new applications of science, whereas new plots, new ideas for effective presentation, are rare. He describes a series of experiments of his own, some of which utilize again but in a novel manner devices long familiar, while others are new both in idea and in many of the subsidiary methods of execution. One of the most hackneyed and yet one of the most effective illusions in the repertory of the conjurer is that known as the Rising Cards. The performer brings forward a pack of cards, several of which are drawn by members of the audience and returned to the pack, whereupon at the command of the magician they rise out of the pack one after the other in the order in which they were drawn. In the oldest form in which this illusion is described in the books on the art, the pack is placed in a case supported by a rod standing on a base, and the secret of the trick lies on this rod and its base. The rod is really a hollow tube and the base is really an empty box. The tube is filled with sand, on the top of which rests a leaden weight, to which is attached a thread so arranged over and under certain cards as to cause the chosen cards to rise when it descends down the tube; and in putting the cards into the case the conjurer released a valve at the bottom of the tube, so that the sand might escape into the box, whereby the weight was lowered, the thread then doing its allotted work, and the cards ascending into view, no matter how far distant the performer might then be standing. It seems likely that the invention of this primitive apparatus may have been due to the fact that some eighteenth century conjurer happened to observe the sand running out of an hour-glass and set about to find some means whereby this escape of sand could be utilized in his art. The hollow rod, the escaping sand, and the descending weight have long since been discarded; but the illusion of the Rising Cards survives and is now performed in an unending variety of ways. The pack may be held in the hand of the performer, without the use of any case, or it may be placed in a glass goblet, or it may be tied together with a ribbon and thus suspended from cords that swing to and from almost over the heads of the spectators; and however they may be isolated the chosen cards rise obediently when they are bidden. The original effect subsists, even though the devices differ.... The Bookman: A Review of Books and Life, Volume 40
John Mulholland's Story of Magic by John Mulholland Pdf
Magic has entranced public forums for hundreds of years, predating many other forms of entertainment that we enjoy today. This ancient art, with its captivating illusions and seemingly impossible sleight of hand, is still as relevant today as ever. Originally published in 1935, master magician John Mulholland’s Story of Magic is a delightful tour through the progression of magic, from its origin to the book’s contemporary period. It offers insights and reflections on famous routines and tricks, black-and-white photographs and illustrations to give readers visual reference, as well as informative facts that weave together a timeline of events for those interested in the history of magic. With a brand-new foreword written by renowned master magician and historian Ben Robinson, this timeless classic will enchant readers and educate them on the art of magic.
The Blackstone Book of Magic & Illusion by Harry Blackstone,Charles R. Reynolds,Regina Reynolds Pdf
Finally back in print, the complete Blackstone story and the history of magic from the 1920s to today. This much in-demand classic gift book contains over 250 photos & drawings exploring the complete Blackstone story and a vivid and varied appreciation of the history, science, and art of illusion and magic from ancient Egypt to vaudeville to Broadway, Las Vegas, and television. It contains 20 classic magic routines in detailed execution. Traces the history of magic, describes the acts of prominent magicians, and demonstrates some basic cup, card, and coin tricks.
The Art of Magic and Sleight of Hand by Nicholas Einhorn Pdf
Magic is an age-old art form, which has the power to amaze and amuse both children and adults alike. This fully illustrated book includes over 120 amazing magic tricks to be used on a variety of different occasions. It offers simple tricks as well as some designed for the more advanced practitioner. History of Mystery: the book opens with an introduction to the most important events and names in magic's rich history, including comedy and close-up magicians, illusionists and television magicians. Card Magic: the scope for performing tricks with cards is enormous. This chapter explains how to grip, shuffle and control cards, how to force cards, do self-working tricks and peform advanced card flourishes. Dinner Table Magic: items found on the dinner table can be used to entertain and amaze your guests. The tricks in this chapter focus on glasses, napkins, cutlery, straws, cups and sugar cubes. Match Magic: the shape and size of matches make them ideal for creating optical illusions and simple magic tricks. With a box of matches in your pocket, you can perform an entire magic show. String, Cord and Rope Magic: the cut and restored rope effect is a staple of the magician's repertoire. This chapter shows how to do this and other illusions such as making a knot disappear at will. Mind Magic: your audiences will believe that you have psychic powers with the routines in this chapter. There are many ways of creating the impression of mind-reading and thought transference. Silk, Thimble and Paper Magic: tricks using handkerchiefs and small objects have always been popular. This chapter shows how to do a variety of sleights of hand with these everyday props. Money Magic: everyone enjoys watching money appear out of thin air! Once you have learnt basic techniques such as palming and vanishing, there are many tricks to perform with both coins and banknotes. This book reveals the secrets of a wide range of tricks, and explains how to achieve a polished performance, with tips and advice on planning patter, rehearsing, and creating your own performance style. Step-by-step instructions with over 1000 photographs make it an indispensable guide for anyone seeking to master this fascinating art.
Get ready to learn one of the most powerful illusion techniques in existence. This is a crash course in all things Black Art. You will learn everything from methods to lighting and the science behind it in great detail. This is 110 pages of amazing. Once you have learned the techniques and strategies, you get 10 illusion creations to put it all to work. What's more, the book includes the Audience Member Vanish, a closely guarded illusion with any audience member (no stooges!). Chris Stolz is one of the top magic consultants working today. He has used the knowledge and techniques in this book to astound audiences all over the world and now, you can too. HIDING IN THE SHADOWS is your Black Art playbook. It's excellent! Finally a book that addresses the subject of black art in illusion design in a practical, no nonsense way. This book belongs on every magician's bookshelf! "Chris Stolz has written an important treatise on the subject of black art illusions and methodology that should be studied by magicians & illusionists of all levels." JC SUM IllusionBooks.com Review What's Inside Methods & Concepts: In this section, I take you through a series of effective Black Art methods, from masking, to shadows on a prop, to tunnels and more. I also take you through dealing with common challenges like blue curtains and wood finish floors! Lighting Theory: Here, I take you through some of the basics of stage lighting along with many of the lighting concepts we use to hide black on stage. I cover everything from pupil constriction to volumetric beams of light used to hide your B.A. Interview With A Lighting Designer: We get some valuable insights from a Lighting Design who has done everything from corporate to Broadway. Lighting Setups: This section contains a series of simple lighting setups you can use to light any of the methods and illusions covered in the book. These are effective setups that I still use today and will give you a great base on which to build your lighting design. Illusions: There are 9 illusions in the bookids. Most of the illusions are workers that you can take from venue to venue along with a couple big crazy concepts for those looking to add a little more adventure to your lives! Which ones you build and perform is of course up to you, but I promise you that each illusion will educate you and inspire new ideas!
From simple to advanced, and using household and inexpensive props, Knack Magic Tricks includes tricks using cards, coins, handkerchiefs, and fruit, as well as mental tricks, anytime tricks, standup tricks, and tricks especially for kids (to be performed both for them and by them).
Art is magic A great painting is not simply a matter of illustrating a scene as it is viewed by the eye. Artists go to great lengths to add effects of depth, focus, lighting and perspecive to their work to help draw the audience in. Not only that, but some artists, such as Escher, use optical illusions and other tricks to create works of unique fascination and to confound the visual senses. Contains a table of contents, index and glossary.
Magic, Stage Illusions and Scientific Diversions, Including Trick Photography by Albert A. Hopkins Pdf
DigiCat Publishing presents to you this special edition of "Magic, Stage Illusions and Scientific Diversions, Including Trick Photography" by Albert A. Hopkins. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Can you see it? In malls, bookstores, and living rooms all over America--indeed, all over the world--people are going eye-to-eye with remarkable 3D images and scarcely believing what they see! Is it magic? No, it's Magic Eye! Magic Eye has left amazed and enthralled millions craving more. Stare into these seemingly abstract fields of color (no funny glasses required) and an enchanting 3D image materializes. You will be astounded by the depth and clarity of the totally hidden image that develops like an instant photo.
The Secret History of Magic by Peter Lamont,Jim Steinmeyer Pdf
Pull back the curtain on the real history of magic – and discover why magic really matters If you read a standard history of magic, you learn that it begins in ancient Egypt, with the resurrection of a goose in front of the Pharaoh. You discover how magicians were tortured and killed during the age of witchcraft. You are told how conjuring tricks were used to quell rebellious colonial natives. The history of magic is full of such stories, which turn out not to be true. Behind the smoke and mirrors, however, lies the real story of magic. It is a history of people from humble roots, who made and lost fortunes, and who deceived kings and queens. In order to survive, they concealed many secrets, yet they revealed some and they stole others. They engaged in deception, exposure, and betrayal, in a quest to make the impossible happen. They managed to survive in a world in which a series of technological wonders appeared, which previous generations would have considered magical. Even today, when we now take the most sophisticated technology for granted, we can still be astonished by tricks that were performed hundreds of years ago. The Secret History of Magic reveals how this was done. It is about why magic matters in a world that no longer seems to have a place for it, but which desperately needs a sense of wonder.
In 'The Spectacle of Illusion', professional magician-turned experimental psychologist Dr. Matthew L. Tompkins investigates the arts of deception as practised and popularised by mesmerists, magicians and psychics since the early 18th century. Organised thematically within a broadly chronological trajectory, this compelling book explores how illusions perpetuated by magicians and fraudulent mystics can not only deceive our senses but also teach us about the inner workings of our minds. Indeed, modern scientists are increasingly turning to magic tricks to develop new techniques to examine human perception, memory and belief.0Beginning by discussing mesmerism and spiritualism, the book moves on to consider how professional magicians such as John Nevil Maskelyne and Harry Houdini engaged with these movements ? particularly how they set out to challenge and debunk paranormal claims. It also relates the interactions between magicians, mystics and scientists over the past 200 years, and reveals how the researchers who attempted to investigate magical and paranormal phenomena were themselves deceived, and what this can teach us about deception. 00Exhibition: Wellcome Collection, London, UK (11.04.-15.09.2019).