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Author : Richard Marks
Publisher : Unknown
Page : 344 pages
File Size : 40,9 Mb
Release : 2004
Category : Art, Medieval
ISBN : 0750914661
This neglected but hugely important aspect of the visual culture of medieval England will appeal to anyone interested in the Middle Ages.
Author : Jessica Brantley
Publisher : University of Chicago Press
Page : 491 pages
File Size : 43,8 Mb
Release : 2008-09-15
Category : Religion
ISBN : 9780226071343
Just as twenty-first-century technologies like blogs and wikis have transformed the once private act of reading into a public enterprise, devotional reading experiences in the Middle Ages were dependent upon an oscillation between the solitary and the communal. In Reading in the Wilderness, Jessica Brantley uses tools from both literary criticism and art history to illuminate Additional MS 37049, an illustrated Carthusian miscellany housed in the British Library. This revealing artifact, Brantley argues, closes the gap between group spectatorship and private study in late medieval England. Drawing on the work of W. J. T. Mitchell, Michael Camille, and others working at the image-text crossroads, Reading in the Wilderness addresses the manuscript’s texts and illustrations to examine connections between reading and performance within the solitary monk’s cell and also outside. Brantley reimagines the medieval codex as a site where the meanings of images and words are performed, both publicly and privately, in the act of reading.
Author : Alexa Sand
Publisher : Cambridge University Press
Page : 436 pages
File Size : 43,6 Mb
Release : 2014-03-31
Category : History
ISBN : 9781107729377
This book investigates the 'owner portrait' in the context of late medieval devotional books primarily from France and England. These mirror-like pictures of praying book owners respond to and help develop a growing concern with visibility and self-scrutiny that characterized the religious life of the laity after the Fourth Lateran Council in 1215. The image of the praying book owner translated pre-existing representational strategies concerned with the authority and spiritual efficacy of pictures and books, such as the Holy Face and the donor image, into a more intimate and reflexive mode of address in Psalters and Books of Hours created for lay users. Alexa Sand demonstrates how this transformation had profound implications for devotional practices and for the performance of gender and class identity in the striving, aristocratic world of late medieval France and England.
Author : Anonim
Publisher : BRILL
Page : 429 pages
File Size : 47,9 Mb
Release : 2018-06-05
Category : History
ISBN : 9789004365834
The interdisciplinary volume Devotional Interaction in Medieval England and its Afterlives examines the interaction between medieval English worshippers and the material objects of their devotion, with chapters that extend the temporality of objects and buildings beyond the Middle Ages.
Author : Jeremy Dimmick,James Simpson,Nicolette Zeeman
Publisher : OUP Oxford
Page : 264 pages
File Size : 48,8 Mb
Release : 2002-02-14
Category : Literary Criticism
ISBN : 9780191541964
This book capitalizes on brilliant recent work on sixteenth-century iconoclasm to extend the study of images, both their making and their breaking, into an earlier period and wider discursive territories. Pressures towards iconoclasm are powerfully registered in fourteenth and fifteenth-century writings, both heterodox and orthodox, just as the use of images is central to the practice of both politics and religion. The governance of images turns out, indeed, to be central to governance itself. It is also of critical concern in any moment of historical change, when new cultural forms must incorporate or destroy the images of the old order. The iconoclast redescribes images as pure matter, objects of idolatry worthy only of the hammer. Issues of historical memory, no less than of social ethics, are, then, inherent to the making, love, and destruction of images. These issues are the consistent concern of the essays of this volume, essays commissioned from a range of outstanding late medievalists in a variety of disciplines: literature, art history, Biblical studies, and intellectual history.
Author : Kathleen Kamerick
Publisher : Palgrave Macmillan
Page : 304 pages
File Size : 53,5 Mb
Release : 2002-06-29
Category : History
ISBN : 0312293127
Medieval churchmen typically defended religious art as a form of "book" to teach the unlettered laity their faith, but in late medieval England, Lollard accusations of idolatry stimulated renewed debate over image worship. Popular Piety and Art in the Late Middle Ages places this dispute within the context of the religious beliefs and devotional practices of lay people, showing how they used and responded to holy images in their parish churches, at shrines, and in prayer books. Far more than substitutes for texts, holy images presented a junction of the material and spiritual, offering an increasingly literate laity access to the supernatural through the visual power of "beholding."
Author : Diana Denissen
Publisher : University of Wales Press
Page : 159 pages
File Size : 47,5 Mb
Release : 2019-10-15
Category : History
ISBN : 9781786834775
Middle English devotional compilations – consisting of a series of texts or extracts of texts that have intentionally been put together to constitute new and unified devotional texts – have often been approached as complex collections of source texts that need to be linked with their originals. This book argues that the study of compilations should move beyond the disentanglement of their sources. It approaches compiling as a literary activity and an active way of shaping the medieval text, with the aim to nuance scholarly discussion about compiling by putting greater emphasis on the literary instead of the technical aspects of compiling activity. In addition to describing the additions, omissions and other types of adaptations that compilers made to their source texts, Middle English Devotional Compilations highlights the nature and function of compiling activity in late medieval England, and examines three major but understudied Middle English devotional compilations in depth: The Pore Caitif, The Tretyse of Love and A Talkyng of the Love of God.
Author : Richard Marks
Publisher : Unknown
Page : 0 pages
File Size : 47,7 Mb
Release : 2012
Category : Art, Medieval
ISBN : 1904597386
Professor Marks has been a curator at the British Museum, Keeper of the Burrell Collection, Glasgow, and Director of the Royal Pavilion and Museums in Brighton. Subsequently he held a Personal Chair in the History of Art Department at the University of York, and is now Emeritus Professor; he also currently has an Honorary Professorship in the History of Art at Cambridge University. He has held honorary posts as Vice-President of The Society of Antiquaries of London and International President of the Corpus Vitrearum Medii Aevi project. He has worked on a number of major exhibitions, including Gothic. Art for England 1400-1547 (Victoria & Albert Museum, 2003-4), which he curated. Professor Marks' main interest is the religious imagery of medieval Europe, in all the visual arts. Much of his research has been on English stained glass, and, more recently, on the function and reception of devotional images. His works here include Stained Glass in England during the Middle Ages (1993), The Medieval Stained Glass of Northamptonshire (1998), The Golden Age of English Manuscript Painting 1200-1500 (1981) and Image and Devotion in Late Medieval England (2004). This volume brings together thirty-one of Professor Marks' studies, encompassing historiography, stained glass, manuscript illumination, screen and wall painting, sculpture and funerary monuments.
Author : Virginia Blanton
Publisher : Penn State Press
Page : 370 pages
File Size : 43,5 Mb
Release : 2010-11-01
Category : Religion
ISBN : 9780271047980
Author : Jeremy Dimmick,James Simpson,Nicolette Zeeman
Publisher : Oxford University Press on Demand
Page : 250 pages
File Size : 45,7 Mb
Release : 2002
Category : Art
ISBN : 0198187599
'`This collection of essays presents itself in a very promising way. Its topics are both currently fashionable and undeniably central to late medieval England. Its contributors include an impressive gathering of eminent medievalists. Its publisher has given the volume an elegant design...' -Joel Fredell, The Medieval ReviewThe pressure to destroy images was not an exclusively sixteenth-century phenomenon. The late medieval period witnessed both religious and secular conflicts over images. The essays in this book, each by an outstanding scholar, consider issues of central concern - literary, political, and art-historical - that arise from image making and breaking.
Author : Linda Clark
Publisher : Boydell Press
Page : 198 pages
File Size : 54,8 Mb
Release : 2005
Category : Business & Economics
ISBN : 1843831686
New contributions to the most important critical debates of the period. The themes of 'image' and 'representation' play a major part in the essays collected in this volume; subjects explored include the religious sympathies of townsfolk and gentry and their physical manifestations, the cultural setting for the activities of leading families of the period and the interaction of Crown and community of the realm. As the fruit of original archival research on the later Middle Ages, overall the contributions offer the most up-to-date scholarship on the period, and a snapshot of the most crucial issues in current research. Contributors: CLIVE BURGESS, PAUL CAVILL, JON DENTON, THOMAS S. FREEMAN, ALASDAIR HAWKYARD, STEPHEN MILESON, JENNI NUTTALL, COLIN RICHMOND, ANNE F. SUTTON
Author : G.W. Bernard
Publisher : Yale University Press
Page : 324 pages
File Size : 53,8 Mb
Release : 2012-06-26
Category : History
ISBN : 9780300179972
The later medieval English church is invariably viewed through the lens of the Reformation that transformed it. But in this bold and provocative book historian George Bernard examines it on its own terms, revealing a church with vibrant faith and great energy, but also with weaknesses that reforming bishops worked to overcome. Bernard emphasizes royal control over the church. He examines the challenges facing bishops and clergy, and assesses the depth of lay knowledge and understanding of the teachings of the church, highlighting the practice of pilgrimage. He reconsiders anti-clerical sentiment and the extent and significance of heresy. He shows that the Reformation was not inevitable: the late medieval church was much too full of vitality. But Bernard also argues that alongside that vitality, and often closely linked to it, were vulnerabilities that made the break with Rome and the dissolution of the monasteries possible. The result is a thought-provoking study of a church and society in transformation.
Author : Stephen Kelly,Ryan Perry
Publisher : Brepols Publishers
Page : 0 pages
File Size : 55,5 Mb
Release : 2014
Category : Christian life
ISBN : 2503549357
This collection of essays focuses on how the climactic episode of Christian scripture and apocrypha, the life of Christ, was repeatedly adapted for a variety of audiences and devotional uses in the Middle Ages. The collection represents an important milestone in terms of mapping the meditative modes of piety that characterize a number of Christological traditions, including the 'Meditationes vitae Christi' and the numerous versions it spawned in both Latin and the vernacular.
Author : Christopher M. Gerrard,Gutiérrez López Gutiérrez
Publisher : Oxford University Press
Page : 1105 pages
File Size : 40,8 Mb
Release : 2018
Category : History
ISBN : 9780198744719
The Middle Ages are all around us in Britain. The Tower of London and the castles of Scotland and Wales are mainstays of cultural tourism and an inspiring cross-section of later medieval finds can now be seen on display in museums across England, Scotland, and Wales. Medieval institutions fromParliament and monarchy to universities are familiar to us and we come into contact with the later Middle Ages every day when we drive through a village or town, look up at the castle on the hill, visit a local church or wonder about the earthworks in the fields we see from the window of a train.The Oxford Handbook of Later Medieval Archaeology in Britain provides an overview of the archaeology of the later Middle Ages in Britain between AD 1066 and 1550. 61 entries, divided into 10 thematic sections, cover topics ranging from later medieval objects, human remains, archaeological science,standing buildings, and sites such as castles and monasteries, to the well-preserved relict landscapes which still survive. This is a rich and exciting period of the past and most of what we have learnt about the material culture of our medieval past has been discovered in the past two generations.This volume provides comprehensive coverage of the latest research and describes the major projects and concepts that are changing our understanding of our medieval heritage.
Author : Sarah Stanbury
Publisher : University of Pennsylvania Press
Page : 300 pages
File Size : 45,8 Mb
Release : 2015-07-10
Category : Literary Criticism
ISBN : 9781512808292
Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, and paint of newly personalized saints, angels, and the Holy Family. But much of this fell victim to the Royal Injunctions of September 1538, when parish officials were ordered to remove images from their churches. In this highly insightful book Sarah Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists. For Chaucer, Nicholas Love, and Margery Kempe, the image debate provides an urgent language for exploring the demands of a material devotional culture—though these writers by no means agree on the ethics of those demands. The chronicler Henry Knighton invoked a statue of St. Katherine to illustrate a lurid story about image-breaking Lollards. Later John Capgrave wrote a long Katherine legend that comments, through the drama of a saint in action, on the powers and uses of religious images. As Stanbury contends, England in the late Middle Ages was keenly attuned to and troubled by its "culture of the spectacle," whether this spectacle took the form of a newly made queen in Chaucer's Clerk's Tale or of the animate Christ in Norwich Cathedral's Despenser Retable. In picturing images and icons, these texts were responding to reformist controversies as well as to the social and economic demands of things themselves, the provocative objects that made up the fabric of ritual life.