Images Idolatry And Iconoclasm In Late Medieval England

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Images, Idolatry, and Iconoclasm in Late Medieval England

Jeremy Dimmick,James Simpson,Nicolette Zeeman
Images Idolatry and Iconoclasm in Late Medieval England Book PDF

Author : Jeremy Dimmick,James Simpson,Nicolette Zeeman
Publisher : OUP Oxford
Page : 264 pages
File Size : 40,8 Mb
Release : 2002-02-14
Category : Literary Criticism
ISBN : 9780191541964

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Images, Idolatry, and Iconoclasm in Late Medieval England by Jeremy Dimmick,James Simpson,Nicolette Zeeman Pdf

This book capitalizes on brilliant recent work on sixteenth-century iconoclasm to extend the study of images, both their making and their breaking, into an earlier period and wider discursive territories. Pressures towards iconoclasm are powerfully registered in fourteenth and fifteenth-century writings, both heterodox and orthodox, just as the use of images is central to the practice of both politics and religion. The governance of images turns out, indeed, to be central to governance itself. It is also of critical concern in any moment of historical change, when new cultural forms must incorporate or destroy the images of the old order. The iconoclast redescribes images as pure matter, objects of idolatry worthy only of the hammer. Issues of historical memory, no less than of social ethics, are, then, inherent to the making, love, and destruction of images. These issues are the consistent concern of the essays of this volume, essays commissioned from a range of outstanding late medievalists in a variety of disciplines: literature, art history, Biblical studies, and intellectual history.

Popular Piety and Art In The Late Middle Ages

Kathleen Kamerick
Popular Piety and Art In The Late Middle Ages Book PDF

Author : Kathleen Kamerick
Publisher : Palgrave Macmillan
Page : 304 pages
File Size : 48,6 Mb
Release : 2002-06-29
Category : History
ISBN : 0312293127

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Popular Piety and Art In The Late Middle Ages by Kathleen Kamerick Pdf

Medieval churchmen typically defended religious art as a form of "book" to teach the unlettered laity their faith, but in late medieval England, Lollard accusations of idolatry stimulated renewed debate over image worship. Popular Piety and Art in the Late Middle Ages places this dispute within the context of the religious beliefs and devotional practices of lay people, showing how they used and responded to holy images in their parish churches, at shrines, and in prayer books. Far more than substitutes for texts, holy images presented a junction of the material and spiritual, offering an increasingly literate laity access to the supernatural through the visual power of "beholding."

The Idolatrous Eye

Michael O'Connell
The Idolatrous Eye Book PDF

Author : Michael O'Connell
Publisher : Oxford University Press
Page : 209 pages
File Size : 49,9 Mb
Release : 2000-01-13
Category : Literary Criticism
ISBN : 9780195344028

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The Idolatrous Eye by Michael O'Connell Pdf

This study argues that the century after the Reformation saw a crisis in the way that Europeans expressed their religious experience. Focusing specifically on how this crisis affected the drama of England, O'Connell shows that Reformation culture was preoccupied with idolatry and that the theater was frequently attacked as idolatrous. This anti-theatricalism notably targeted the traditional cycles of mystery plays--a type of vernacular, popular biblical theater that from a modern perspective would seem ideally suited to advance the Reformation project. The Idolatrous Eye provides a wide perspective on iconoclasm in the sixteenth century, and in so doing, helps us to understand why this biblical theater was found transgressive and what this meant for the secular theater that followed.

The Visual Object of Desire in Late Medieval England

Sarah Stanbury
The Visual Object of Desire in Late Medieval England Book PDF

Author : Sarah Stanbury
Publisher : University of Pennsylvania Press
Page : 300 pages
File Size : 48,9 Mb
Release : 2015-07-10
Category : Literary Criticism
ISBN : 9781512808292

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The Visual Object of Desire in Late Medieval England by Sarah Stanbury Pdf

Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, and paint of newly personalized saints, angels, and the Holy Family. But much of this fell victim to the Royal Injunctions of September 1538, when parish officials were ordered to remove images from their churches. In this highly insightful book Sarah Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists. For Chaucer, Nicholas Love, and Margery Kempe, the image debate provides an urgent language for exploring the demands of a material devotional culture—though these writers by no means agree on the ethics of those demands. The chronicler Henry Knighton invoked a statue of St. Katherine to illustrate a lurid story about image-breaking Lollards. Later John Capgrave wrote a long Katherine legend that comments, through the drama of a saint in action, on the powers and uses of religious images. As Stanbury contends, England in the late Middle Ages was keenly attuned to and troubled by its "culture of the spectacle," whether this spectacle took the form of a newly made queen in Chaucer's Clerk's Tale or of the animate Christ in Norwich Cathedral's Despenser Retable. In picturing images and icons, these texts were responding to reformist controversies as well as to the social and economic demands of things themselves, the provocative objects that made up the fabric of ritual life.

Artisans and Narrative Craft in Late Medieval England

Lisa H. Cooper
Artisans and Narrative Craft in Late Medieval England Book PDF

Author : Lisa H. Cooper
Publisher : Cambridge University Press
Page : 297 pages
File Size : 45,5 Mb
Release : 2011-03-10
Category : Literary Criticism
ISBN : 9780521768979

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Artisans and Narrative Craft in Late Medieval England by Lisa H. Cooper Pdf

The first book-length study to articulate the vital presence of artisans and craft labor in medieval English literature from c.1000-1483.

Under the Hammer

James Simpson
Under the Hammer Book PDF

Author : James Simpson
Publisher : Oxford University Press
Page : 237 pages
File Size : 50,9 Mb
Release : 2010-11-30
Category : Art
ISBN : 9780199591657

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Under the Hammer by James Simpson Pdf

Iconoclasm is not a barbaric act which takes place somewhere else but is instead a central strand of Anglo-American modernity. Our horror at the destruction of art derives in part from the fact that we did, and still do, that. This is most obviously true of England's iconoclastic century between 1538 and 1643, which stands at the core of this book.

Permanent Revolution

James Simpson
Permanent Revolution Book PDF

Author : James Simpson
Publisher : Harvard University Press
Page : 396 pages
File Size : 50,7 Mb
Release : 2019-02-18
Category : Literary Criticism
ISBN : 9780674240544

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Permanent Revolution by James Simpson Pdf

How did the English Reformation, with its illiberal, intolerant beginnings, lay the groundwork for the Enlightenment—free will, liberty of conscience, religious toleration, constitutionalism, and all the rest? In his provocative rewriting of the history of liberalism, James Simpson uncovers its unexpected debt to Protestant evangelicalism.

Angels and Anchoritic Culture in Late Medieval England

Joshua S. Easterling
Angels and Anchoritic Culture in Late Medieval England Book PDF

Author : Joshua S. Easterling
Publisher : Oxford University Press
Page : 243 pages
File Size : 54,8 Mb
Release : 2021
Category : Art
ISBN : 9780198865414

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Angels and Anchoritic Culture in Late Medieval England by Joshua S. Easterling Pdf

The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. This volume examines Latin and vernacular writings that formed part of a flourishing culture of mystical experience in the later Middle Ages (ca. 1150DS1400), including the ways in which visionaries within their literary milieu negotiated the tensions between personal, charismatic inspiration and their allegiance to church authority. It situates texts written in England within their wider geographical and intellectual context through comparative analyses with contemporary European writings. A recurrent theme across all of these works is the challenge that a largely masculine and clerical culture faced in the form of the various, and potentially unruly, spiritualities that emerged powerfully from the twelfth century onward. Representatives of these major spiritual developments, including the communities that fostered them, were often collaborative in their expression. For example, holy women, including nuns, recluses, and others, were recognized by their supporters within the church for their extraordinary spiritual graces, even as these individual expressions of piety were in many cases at variance with securely orthodox religious formations. These writings become eloquent witnesses to a confrontation between inner, revelatory experience and the needs of the church to set limitations upon charismatic spiritualities that, with few exceptions, carried the seeds of religious dissent. Moreover, while some of the most remarkable texts at the centre of this volume were authored (and/or primarily read) by women, the intellectual and religious concerns in play cut across the familiar and all-too-conventional boundaries of gender and social and institutional affiliation.

Gentry Culture in Late-Medieval England

Raluca Radulescu,Alison Truelove
Gentry Culture in Late Medieval England Book PDF

Author : Raluca Radulescu,Alison Truelove
Publisher : Manchester University Press
Page : 238 pages
File Size : 47,5 Mb
Release : 2005
Category : History
ISBN : 0719068258

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Gentry Culture in Late-Medieval England by Raluca Radulescu,Alison Truelove Pdf

Essays in this collection examine the lifestyles and attitudes of the gentry in late-medieval England. Through surveys of the gentry's military background, administrative and political roles, social behavior, and education, the reader is provided with an overview of how the group's culture evolved and how it was disseminated.

Authorship and First-person Allegory in Late Medieval France and England

Stephanie A. V. G. Kamath
Authorship and First person Allegory in Late Medieval France and England Book PDF

Author : Stephanie A. V. G. Kamath
Publisher : DS Brewer
Page : 228 pages
File Size : 51,6 Mb
Release : 2012
Category : History
ISBN : 9781843843139

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Authorship and First-person Allegory in Late Medieval France and England by Stephanie A. V. G. Kamath Pdf

An examination of medieval vernacular allegories, across a number of languages, offers a new idea of what authorship meant in the late middle ages. The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author's role, since the protagonist who claims to compose thenarrative also directs the reader to interpret such claims. Moreover, the specific attributes of the narrator-protagonist bring greater attention to individual identity. But as the actual authors of the allegories also adapted elements found in each other's works, their shared literary tradition unites differing perspectives: the most celebrated French first-person allegory, the erotic Roman de la Rose, quickly inspired an allegorical trilogy of spiritual pilgrimage narratives by Guillaume de Deguileville. English authors sought recognition for their own literary activity through adaptation and translation from a tradition inspired by both allegories. This account examines Deguileville's underexplored allegory before tracing the tradition's importance to the English authors Geoffrey Chaucer, Thomas Hoccleve, and John Lydgate, with particular attention to the mediating influence of French authors, including Christine de Pizan and Laurent de Premierfait. Through comparative analysis of the late medieval authors who shaped French and English literary canons, it reveals the seminal, communal model of vernacular authorship established by the tradition of first-person allegory. Stephanie A. Viereck Gibbs Kamath is Assistant Professor at the University of Massachusetts, Boston.

Spaces for Reading in Later Medieval England

Mary C. Flannery
Spaces for Reading in Later Medieval England Book PDF

Author : Mary C. Flannery
Publisher : Springer
Page : 232 pages
File Size : 44,5 Mb
Release : 2016-04-08
Category : Literary Criticism
ISBN : 9781137428622

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Spaces for Reading in Later Medieval England by Mary C. Flannery Pdf

We are living in an age in which the relationship between reading and space is evolving swiftly. Cutting-edge technologies and developments in the publication and consumption of literature continue to uncover new physical, electronic, and virtual contexts in which reading can take place. In comparison with the accessibility that has accompanied these developments, the medieval reading experience may initially seem limited and restrictive, available only to a literate few or to their listeners; yet attention to the spaces in which medieval reading habits can be traced reveals a far more vibrant picture in which different kinds of spaces provided opportunities for a wide range of interactions with and contributions to the texts being read. Drawing on a rich variety of material, this collection of essays demonstrates that the spaces in which reading took place (or in which reading could take place) in later medieval England directly influenced how and why reading happened.

The Oxford Handbook of Chaucer

Suzanne Conklin Akbari,James Simpson
The Oxford Handbook of Chaucer Book PDF

Author : Suzanne Conklin Akbari,James Simpson
Publisher : Oxford University Press
Page : 672 pages
File Size : 44,8 Mb
Release : 2020-05-07
Category : Literary Criticism
ISBN : 9780191649370

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The Oxford Handbook of Chaucer by Suzanne Conklin Akbari,James Simpson Pdf

As the 'father' of the English literary canon, one of a very few writers to appear in every 'great books' syllabus, Chaucer is seen as an author whose works are fundamentally timeless: an author who, like Shakespeare, exemplifies the almost magical power of poetry to appeal to each generation of readers. Every age remakes its own Chaucer, developing new understandings of how his poetry intersects with contemporary ways of seeing the world, and the place of the subject who lives in it. This Handbook comprises a series of essays by established scholars and emerging voices that address Chaucer's poetry in the context of several disciplines, including late medieval philosophy and science, Mediterranean Studies, comparative literature, vernacular theology, and popular devotion. The volume paints the field in broad strokes and sections include Biography and Circumstances of Daily Life; Chaucer in the European Frame; Philosophy and Science in the Universities; Christian Doctrine and Religious Heterodoxy; and the Chaucerian Afterlife. Taken as a whole, The Oxford Handbook of Chaucer offers a snapshot of the current state of the field, and a bold suggestion of the trajectories along which Chaucer studies are likely to develop in the future.

What is an Image in Medieval and Early Modern England?

Antoinina Bevan Zlatar,Olga Timofeeva
What is an Image in Medieval and Early Modern England Book PDF

Author : Antoinina Bevan Zlatar,Olga Timofeeva
Publisher : Narr Francke Attempto Verlag
Page : 302 pages
File Size : 47,8 Mb
Release : 2017-12-04
Category : Literary Criticism
ISBN : 9783823391500

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What is an Image in Medieval and Early Modern England? by Antoinina Bevan Zlatar,Olga Timofeeva Pdf

The premise that Western culture has undergone a pictorial turn (W.J.T. Mitchell) has prompted renewed interest in theorizing the visual image. In recent decades researchers in the humanities and social sciences have documented the function and status of the image relative to other media, and have traced the history of its power and the attempts to disempower it. What is an Image in Medieval and Early Modern England? engages in this debate in two interrelated ways: by focusing on the (visual) image during a period that witnessed the Reformation and the invention of the printing press, and by exploring its status in relation to an array of texts including Arthurian romance, saints lives, stage plays, printed sermons, biblical epic, pamphlets, and psalms. This interdisciplinary volume includes contributions by leading authorities as well as younger scholars from the fields of English literature, art history, and Reformation history. As with all previous collections of essays produced under the auspices of the Swiss Association of Medieval and Early Modern English Studies, it seeks to foster dialogue between the two periods.

Representing Righteous Heathens in Late Medieval England

F. Grady
Representing Righteous Heathens in Late Medieval England Book PDF

Author : F. Grady
Publisher : Springer
Page : 221 pages
File Size : 50,6 Mb
Release : 2016-04-30
Category : Literary Criticism
ISBN : 9781137123671

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Representing Righteous Heathens in Late Medieval England by F. Grady Pdf

This book surveys the appearances of righteous heathens or virtuous pagans in travel literature, chronicles, romances, and sermons, as well as in the work of Langland, Chaucer and Gower. Grady also illustrates the way these figures have been used to explore a variety of historical, cultural and formal literary issues.

Court Poetry in Late Medieval England and Scotland

Antony J. Hasler
Court Poetry in Late Medieval England and Scotland Book PDF

Author : Antony J. Hasler
Publisher : Cambridge University Press
Page : 269 pages
File Size : 51,9 Mb
Release : 2011-03-10
Category : Literary Criticism
ISBN : 9781139496728

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Court Poetry in Late Medieval England and Scotland by Antony J. Hasler Pdf

This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes.