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Image Warfare in the War on Terror by N. Roger Pdf
Roger examines how developments in new media technologies, such as the internet, blogs, camera/video phones, have fundamentally altered the way in which governments, militaries, terrorists, NGOs, and citizens engage with images. He argues that there has been a paradigm shift from techno-war to image warfare, which emerged on 9/11.
Icons of War and Terror by John Tulloch,Richard Warwick Blood Pdf
This book explores the ideas of key thinkers and media practitioners who have examined images and icons of war and terror. Icons of War and Terror explores theories of iconic images of war and terror, not as received pieties but as challenging uncertainties; in doing so, it engages with both critical discourse and conventional image-making. The authors draw on these theories to re-investigate the media/global context of some of the most iconic representations of war and terror in the international ‘risk society’. Among these photojournalistic images are: Nick Ut’s Pulitzer Prize winning photograph of a naked girl, Kim Phuc, running burned from a napalm attack in Vietnam in June 1972; a quintessential ‘ethnic cleansing’ image of massacred Kosovar Albanian villagers at Racak on January 15, 1999, which finally propelled a hesitant Western alliance into the first of the ‘new humanitarian wars’; Luis Simco’s photograph of marine James Blake Miller, ‘the Marlboro Man’, at Fallujah, Iraq, 2004; the iconic toppling of the World Trade Centre towers in New York by planes on September 11, 2001; and the ‘Falling Man’ icon – one of the most controversial images of 9/11; the image of one of the authors of this book, as close-up victim of the 7/7 terrorist attack on London, which the media quickly labelled iconic. This book will be of great interest to students of media and war, sociology, communications studies, cultural studies, terrorism studies and security studies in general.
Fast-moving, self-perpetuating images of violence have radically changed the nature of insurgency in modern times, and the global media trafficking in these images have fundamentally transformed the act and speed of the exchange among populations. First satellite TV, then laptops and the Internet, and now cellphones and social media, new technologies have revolutionized the act of communication and have collapsed the impediments of time and distance. Rebels who hope to overthrow states and revolutionaries who aim to establish transnational, ideological communities have only to utilize these dynamic technologies to advance their goals. Yet trial and error has also taught a key lesson: in a visual world, the pull of the violent image is more powerful and resonant than the draw of the carefully-crafted word. Neville Bolt dives headfirst into the innovative strategies of today's revolutionaries and their fascinating appropriation of the nineteenth-century practice of "propaganda of the deed," or the political act of violence. No longer is the terrorist act simply a means to push governments to overreact, therefore shredding their legitimacy and credibility. The deed has instead become an efficient tool to initiate a campaign of shock and awe, exposing and exploiting the grievances that underlie communities' fragile ties. Images of 9/11, 7/7, Abu Ghraib, and "collateral damage" are the contemporary weapons of choice. The Violent Image explores the emotional and psychological components of this visual "moment of shock," or the binding of emotive pictures to messages causing popular uprisings. From terrorist groups such as the Fenians and the Taliban to the architects of the ongoing Arab Spring, this study follows insurgents and their manipulation of violent imagery to build narratives and bring social change. Taking advantage of the "war of ideas," new revolutionaries generate surges of support that spread virally through global networks, often so quickly that states are unable to respond in time and kind. This book ultimately asks whether the world has reached a point in which insurgents and populations are driving images and ideas so rapidly that we are already in the grip of a new era of revolutionary politics.
The summer of 2014–when the Islamic State seized Mosul, Iraq’s second city; captured vast swathes of eastern Syria; and declared itself a latter-day Caliphate–marked a turning point in the history of photography, one that pushed its already contested relationship with reality to its very limits. Uniquely obsessed with narrative, image management and branding, the Islamic State used cameras as weapons in its formative years as a Caliphate. The tens of thousands of propaganda photographs captured during this time were used to denote policy, to navigate through defeat and, perhaps most importantly, to construct an impossible reality: a totalising image-world of Salafi-Jihadist symbols and myths. Based on a deep examination of the 20,000 photographs Charlie Winter collected from the Islamic State’s covert networks online in 2017, this book explores the process by which the Caliphate shook the foundations of modern war photography. Focusing on the period in which it was at its strongest, Winter identifies the implicit value systems that underpinned the Caliphate’s ideological appeal, and evaluates its uniquely malign contribution to the history of the photographic image. The Terrorist Image travels to the heart of what made the Islamic State tick during its prime, providing unique insights into its global appeal and mobilisation successes.
The terrorist attacks on September 11, 2001, were used by the Bush administration to usher in a war without borders, a war against many enemies in many different parts of the world, a war without end. This is America's War on Terror. Yet this War on Terror is in reality an imperialist war that seeks to make the world secure for global economic and strategic interests of the United States. This war seeks to reorder the world through imperialist expansion. The military occupation of Iraq in March 2003 signals only a stage in this ongoing war. It signals also the application of the new doctrines that the Bush administration has championed. Ninan Koshy makes a meticulous scrutiny of official documents and statements, and shows how the military might of the US is actually used to buttress globalization, that is, the sway of multinational capital. He also demonstrates how military occupation is intrinsic to the expansion of the American empire. Koshy makes the point that the main theatre of the War on Terror is Asia, from West to North East, and includes Central, South and South East Asia. He also puts forward a sharp critique of the policy followed by New Delhi, which involves the calculated dismantling of the entire rationale of non-alignment and the edifice of an independent foreign policy, as well as the subjugation of India's national interests to US war plans. What we are witnessing today is the demise of the world order that emerged after the Second World War. A new world order is taking its place. This lucidly argued book explains the architecture and nature of this new world order.
Images of War in Contemporary Art by Uroš Cvoro,Kit Messham-Muir Pdf
In Images of War in Contemporary Art, Uroš Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flow-art that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war art-offering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Nebojša Šeric Šoba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).
The book acts as a guide to the images of terrorism that we see daily in the mass media. The author believes that our perceptions of terrorism are formed by the interaction of bureaucratic agencies, academics and private experts. These images and stereotypes that we are offered do not necessarily reflect objective reality.
Terrorism, Retaliation, and Victory by Brian Ree Pdf
We could use some help. Whatever you think of the present situation in Iraq, about President Bush and our nations Global War on Terror, about all the political spin that is being put on current events, we can all agree: we could use some help. The threat of terrorist attack persists; the threat of chemical warfare and/or biological warfare may even have increased. Whether or not Saddam Hussein still had weapons of mass destruction (WMD), other regimes that support terrorism do have them, and we cannot be sure that they are not sharing them with terrorists determined to hurt us. Even a single completed attack with chemical, biological or nuclear weapons will be intolerable. While we can count on our military to prevail in a stand-up fight, military history and current events teach us that we cannot defeat this enemy by force of arms alone. Indeed, despite all our prowess and strength, we remain vulnerable; it seems just a matter of time before we are struck again. How can we prevail in the battle for the hearts and minds of the populations from whence tomorrows terrorists may come? Fortunately, there are things we can do. Field-tested, proven cutting edge research reveals that subtle psychological operations can disarm opponents, promote peace and inhibit attacks on our soldiers overseas and on our citizenry at home. The implementation of novel solutions will require that we abandon politics as usual, overcome our ignorance and apathy, and stop kowtowing to moneyed special interests and the agendas of corporate greed. We must demonstrate the will to be true to the most fundamental principles of America. What can you do? Read the excerpt. Get the book. Contact your representatives. Become knowledgeable. Be active. Hold people in business and government accountable. Lets move forward: do your part.
Author : Stephen Graham Publisher : John Wiley & Sons Page : 416 pages File Size : 46,8 Mb Release : 2008-04-15 Category : Social Science ISBN : 9780470753026
Cities, War and Terrorism is the first book to look critically at the ways in which warfare, terrorism and counter-terrorism policies intersect in cities in the post Cold-War period. A path-breaking exploration of the intersections of war, terrorism and cities Argues that contemporary cities are the key strategic sites of geopolitical conflict Written by the world’s leading analysts of the intersections of urban space and military and terrorist violence Draws on cutting-edge research from geography, history, architecture, planning, sociology, critical theory, politics, international relations and military studies Provides up-to-date empirical analyses of specific conflicts, including 9/11, the “War on Terrorism”, the Balkan wars, the Israeli-Palestinian conflict, and urban antiglobalization battles Offers lay readers a sophisticated perspective on the violence that is engulfing our increasingly urbanised world
Author : W. J. T. Mitchell Publisher : University of Chicago Press Page : 239 pages File Size : 50,8 Mb Release : 2011 Category : Art ISBN : 9780226532608
The phrase 'War on Terror' has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Exploring the role of verbal and visual images in the War on Terror, the author finds a conflict whose shaky metaphoric and imaginary conception has created its own reality.
Author : W. J. T. Mitchell Publisher : University of Chicago Press Page : 240 pages File Size : 55,8 Mb Release : 2011-01-15 Category : Social Science ISBN : 9780226532615
The phrase “War on Terror” has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Nor will it be, W. J. T Mitchell argues, without a grasp of the images that it spawned, and that spawned it. Exploring the role of verbal and visual images in the War on Terror, Mitchell finds a conflict whose shaky metaphoric and imaginary conception has created its own reality. At the same time, Mitchell locates in the concept of clones and cloning an anxiety about new forms of image-making that has amplified the political effects of the War on Terror. Cloning and terror, he argues, share an uncanny structural resemblance, shuttling back and forth between imaginary and real, metaphoric and literal manifestations. In Mitchell’s startling analysis, cloning terror emerges as the inevitable metaphor for the way in which the War on Terror has not only helped recruit more fighters to the jihadist cause but undermined the American constitution with “faith-based” foreign and domestic policies. Bringing together the hooded prisoners of Abu Ghraib with the cloned stormtroopers of the Star Wars saga, Mitchell draws attention to the figures of faceless anonymity that stalk the ever-shifting and unlocatable “fronts” of the War on Terror. A striking new investigation of the role of images from our foremost scholar of iconology, Cloning Terror will expand our understanding of the visual legacy of a new kind of war and reframe our understanding of contemporary biopower and biopolitics.
At the Limits of Justice by Suvendrini Perera,Sherene Razack Pdf
The fear and violence that followed the events of September 11, 2001 touched lives all around the world, even in places that few would immediately associate with the global war on terror. In At the Limits of Justice, twenty-nine contributors from six countries explore the proximity of terror in their own lives and in places ranging from Canada and the United States to Jamaica, Palestine/Israel, Australia, Guyana, Chile, Pakistan, and across the African continent. In this collection, female scholars of colour – including leading theorists on issues of indigeneity, race, and feminism – examine the political, social, and personal repercussions of the war on terror through contributions that range from testimony and poetry to scholarly analysis. Inspired by both the personal and the global impact of this violence within the war on terror, they expose the way in which the war on terror is presented as a distant and foreign issue at the same time that it is deeply present in the lives of women and others all around the world. An impassioned but rigorous examination of issues of race and gender in contemporary politics, At the Limits of Justice is also a call to create moral communities which will find terror and violence unacceptable.
The Media and the War on Terrorism by Stephen Hess,Marvin Kalb Pdf
These candid conversations capture the difficulties of reporting during crisis and war, particularly the tension between government and the press. The participants include distinguished journalists—American and foreign, print and broadcast—and prominent public officials, past and present. They illuminate the struggle to balance free speech and the right to know with the need to protect sensitive information in the national interest. As the Information Age collides with the War on Terrorism, that challenge becomes even more critical and daunting. "We are very careful in what we talk about publicly. We do not want to paint a picture for the bad guys. So we don't talk very much at all about what we're going to do going forward."—Victoria Clarke, Department of Defense "This was a war that was very different. It was conducted primarily by about 200 to 250 special forces soldiers on the ground. There were no reporters with those soldiers until after the fall of Kandahar, until the war was essentially over. There were no eyes and ears, and that's the way the Pentagon wants it."—John McWethy, ABC News "I covered Capitol Hill for a very long time and was always astounded by the nonpolitical motivation of a lot of people that are up there who really do want to make the world better, want to make the U.S. better. So don't come away believing that because there are political implications that there are always political motivations."—Candy Crowley, CNN "There is a feeling among the community, Muslim Americans, and also overseas that we might become the new enemy. But so far nobody knows whether it is just because of the war or if it's going to last."—Hafez Al-Mirazi, Al-Jazeera Cosponsored with the Shorenstein Center on the Press, Politics and Public Policy at the Kennedy School, Harvard University.
