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'Cries', artistic representations of the various denizens of London's streets including prostitutes, beggars and tinkers, were produced between 1580 and 1900. This study analyses the representation behind the art of the 'Cries' in a social, cultural and historical context.
This lavishly illustrated volume, featuring 170 images, offers a comprehensive and original survey of a fascinating collection of images of the lower orders of London. The London Cries is a body of graphic art produced between the sixteenth and nineteenth centuries that provided continually changing representations of the tradesmen and street hawkers that roamed London from its beginnings right up to the present. Analyzing prints, drawings, lithographs, and paintings done during this time period, Sean Shesgreen traces portraits of ordinary men and women who made their living on the streets of this bustling city; characters include milkmaids, cheapjacks, beggars, prostitutes, Merry Andrews, religious fanatics, and other colorful figures of their stripe. Images of the Outcast examines the Cries in relationship to the historical actualities of street trading, bourgeois attitudes toward the poor, and other forms of art. Through a lively discussion of the prints, drawings, sketches and oils of artists, from the anonymous craftsmen of the sixteenth century to Theodore Gericault and others, Shesgreen provides an important overview of this significant genre. Many of the riveting images the author discusses have never been published or analyzed before.
Continually occupied by its indigenous peoples, as well as a siren to waves of pioneers, the Northwest has long fostered a sense of isolation and opportunity. Alice Wheeler's subjects embody both. Internationally known for her photographs of Nirvana, Bikini Kill, and the punk-feminist bands of Riot Grrl, Wheeler is drawn to people and landscapes that possess unique strength and beauty. Hers are the lesser-seen realities of Seattle's history over the last three decades: not the incessant rain and coffeehouse earnestness represented in films and sitcoms, but the glory of the drag scene; the devastation of AIDS; the freedom of choice celebrated at Hempfest and protest rallies; brilliant sunsets and radiant clouds; and a music scene that for decades has captivated devotees internationally. This is her first monograph.
From Charles Dickens's Oliver Twist to George Sims's How the Poor Live, illustrated accounts of poverty were en vogue in Victorian Britain. Poverty was also a popular subject on the screen, whether in dramatic retellings of well-known stories or in 'documentary' photographs taken in the slums. London and its street life were the preferred setting for George Robert Sims's rousing ballads and the numerous magic lantern slide series and silent films based on them. Sims was a popular journalist and dramatist, whose articles, short stories, theatre plays and ballads discussed overcrowding, drunkenness, prostitution and child poverty in dramatic and heroic episodes from the lives and deaths of the poor. Richly illustrated and drawing from many previously unknown sources, Pictures of Poverty is a comprehensive account of the representation of poverty throughout the Victorian period, whether disseminated in newspapers, illustrated books and lectures, presented on the theatre stage or projected on the screen in magic lantern and film performances. Detailed case studies reveal the intermedial context of these popular pictures of poverty and their mobility across genres. With versatile author George R. Sims as the starting point, this study explores the influence of visual media in historical discourses about poverty and the highly controversial role of the Victorian state in poor relief.
Down and Out in Eighteenth-Century London by Tim Hitchcock Pdf
London in the 18th century was the greatest city in the world. It was a magnet that drew men and women from the rest of England in huge numbers. For a few the streets were paved with gold, but for the majority it was a harsh world with little guarantee of money or food. For the poor and destitute, London's streets offered little more than the barest living. Yet men, women and children found a great variety of ways to eke out their existence, sweeping roads, selling matches, singing ballads and performing all sorts of menial labor. Many of these activities, apart from the direct begging of the disabled, depended on an appeal to charity, but one often mixed with threats and promises. Down and Out in Eighteenth-Century London provides a remarkable insight into the lives of Londoners, for all of whom the demands of charity and begging were part of their everyday world.
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
The Oxford Handbook of Disability History by Michael Rembis,Catherine J. Kudlick,Kim Nielsen Pdf
Disability history exists outside of the institutions, healers, and treatments it often brings to mind. It is a history where disabled people live not just as patients or cure-seekers, but rather as people living differently in the world--and it is also a history that helps define the fundamental concepts of identity, community, citizenship, and normality. The Oxford Handbook of Disability History is the first volume of its kind to represent this history and its global scale, from ancient Greece to British West Africa. The twenty-seven articles, written by thirty experts from across the field, capture the diversity and liveliness of this emerging scholarship. Whether discussing disability in modern Chinese cinema or on the American antebellum stage, this collection provides new and valuable insights into the rich and varied lives of disabled people across time and place.
Oliver is a happy little otter with strong hands and arms. Unfortunately, he has a big problem. His web feet are so small that he cannot move fast in the water like other otters his age. Because he is not a good swimmer, Oliver is always left behind. While his mother prays that Oliver will not be an outcast otter, he excitedly starts his first day of school. When he is quickly placed in the “oops, needs improvement” swimming class, it is not long before the other otters begin teasing and bullying him. But what no one knows is that Oliver is about to surprise everyone and transform into a hero. In this touching tale, a loveable sea otter who is being bullied at school teaches everyone around him about the importance of forgiveness, doing the right thing, and faith.
Merchants, Barons, Sellers and Suits by Christa Mahalik Pdf
Merchants, Barons, Sellers and Suits: The Changing Images of the Businessman through Literature originally began as a conversation about a hybrid course at Quinnipiac University. Its purpose was to take an online English course for non-traditional business majors and create a theme that would be relevant to the business world. Being given the task to create this course from the ground up was exciting and intriguing. There turned out to be a lot more material that could be used for this theme than previously thought. To gauge the temperature of the topic, a panel was set up with the theme of businessmen (or women) and their changing image through literature. At the 2009 NeMLA (Northeast Modern Language Association) conference in Boston, the panel was held and many ideas, such as some of the ones presented in this book, were discussed. A secondary theme evolved out of the construction of the first. Participants discussed the environment as a catalyst in the change of “what a person actually thinks a businessman (or woman) looks like.” Many of these images were formed based upon pop culture, such as the traveling salesman in the Looney Tunes cartoons who sells brushes door to door and hails from Walla Walla, Washington. Others were based on the images read about in books, such as Willy Loman from Death of a Salesman. The essays included in this volume, presented by doctoral candidates and scholars from across a range of geographical regions and disciplines, result in a collection that investigates the idea of the changing image of the businessman throughout literature both in America and in Europe. The arrangement of the collection is a comparative timeline allowing the changing images of business to evolve with each essay.
Literature and Photography in Transition, 1850-1915 by O. Clayton Pdf
Literature and Photography in Transition, 1850-1915 examines how British and American writers used early photography and film as illustrations and metaphors. It concentrates on five figures in particular: Henry Mayhew, Robert Louis Stevenson, Amy Levy, William Dean Howells, and Jack London.
Crosscurrents in Phenomenology by R. Bruzina,B. Wilshire Pdf
One of the greatest and oldest of images for expressing living change is that of the movement of waters. Rivers particularly, in their relentless motion, in the constant searching direction of their travel, in the confluence of tributaries and the division into channels by which identity is constituted and dispersed and once more reestablished, have stood as metaphors for movements in a variety of realms-politics, religion, literature, thought. Among philosophic movements, phenomenology and existential ism are discernible as one such movement of ideas analogous in configuration to the flow of a river in its channel or network of channels. The course taken by the stream of phenomenology and existential philosophy in North America is easily seen from the contents of the six volumes of collected papers from the annual meetings of the Society for Phenomenology and Existential Philo sophy that have preceded the present selection. What soon becomes clear in general, and is evident as well in the present volume, is that phenomenological and existential philosophies are far from being homogeneous, are far from showing an identity as to the sources from which they derive their energy, or the themes that they carry forward toward clarification. And yet there is a con fluence, a convergence of orientation, sympathy, and conceptuality, INTRODUCTION 4 SO that problematics harmonize and complement and mutually enrich.
Concise Dictionary of Women Artists by Delia Gaze Pdf
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
The third book in Gav Thorpe's Eldar seriesThe third of the Eldar Path series, which shows Aradryan as he lives as a Ranger. Alaitoc is attacked by the Sons of Orar Space Marines and he must do what he can to help save the craftworld