Improvisation And The Making Of American Literary Modernism

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Improvisation and the Making of American Literary Modernism

Rob Wallace

Author : Rob Wallace
Publisher : Bloomsbury Publishing USA
Page : 216 pages
File Size : 52,6 Mb
Release : 2010-10-14
Category : Literary Criticism
ISBN : 9781441122896

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Improvisation and the Making of American Literary Modernism by Rob Wallace Pdf

Improvisation, despite its almost ubiquitous presence in many art forms, is notoriously misunderstood and mysterious. Although earlier strands of American philosophy and art emphasized what might be called improvisational practices, it was during the modernist period that improvisational practice and theory began to make a significant impact on art and culture, specifically via the African American musical forms of jazz and blues. This musical development held important consequences for the larger artistic, cultural, and political life of America as a whole-and, eventually, the world. The historical convergence of jazz and philosophical currents like pragmatism in American culture provides the framework for Wallace's discussion of improvisation in literary modernism. Focusing on poets ranging from Gertrude Stein to Langston Hughes, Wallace's work provides a fresh perspective on the complex circuits of modernist culture. Improvisation and The Making of American Literary Modernism will be of interest to scholars of poetry, music, American and modernist studies, and race and ethnic studies.

Improvisation and the Making of American Literary Modernism

Robert Neil Andrew Wallace

Author : Robert Neil Andrew Wallace
Publisher : Unknown
Page : 644 pages
File Size : 49,9 Mb
Release : 2008
Category : Blues (Music) in literature
ISBN : 0549843469

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Improvisation and the Making of American Literary Modernism by Robert Neil Andrew Wallace Pdf

This dissertation focuses on the aesthetic, social, and philosophical dimensions of improvisation in the life and work of four modernist writers: Langston Hughes, Ezra Pound, Gertrude Stein, and Wallace Stevens. Although earlier strands of American philosophy and art put a premium on what might be called improvisational practices--such as Emerson's urge to create a new American literature, which Whitman later put into practice--it was during the first few decades of the 20th Century that improvisational practice and theory began to make a significant impact on art and culture. In the American context this focus on improvisation cannot be separated from the development of blues, jazz, and subsequent African American musical forms. Beyond demonstrating how jazz "influenced" the writers in this dissertation, however, I also analyze the ways in which the cultural interactions and conflicts that created jazz, as well as the aesthetic elements informing improvised practices in general, have been overlooked in the wider scholarship and historical accounts of literary modernism. To discuss improvisation in a literary context, I draw on theoretical tools developed by Philip Pastras, as well as the burgeoning field of critical improvisation studies. I locate improvisation not just in the strands of jazz and blues aesthetic in the air during the 20s and 30s, but also in the cognitive theories of William James, and the overall primitivist discourse that brings various improvisatory literary and musical traditions into contact and conflict with so-called High Modernist aesthetics.

The Oxford Handbook of Critical Improvisation Studies

George E. Lewis,Benjamin Piekut

Author : George E. Lewis,Benjamin Piekut
Publisher : Oxford University Press
Page : 640 pages
File Size : 41,6 Mb
Release : 2016-08-22
Category : Music
ISBN : 9780199892938

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The Oxford Handbook of Critical Improvisation Studies by George E. Lewis,Benjamin Piekut Pdf

Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.

The Oxford Handbook of Critical Improvisation Studies

George Lewis,Benjamin Piekut

Author : George Lewis,Benjamin Piekut
Publisher : Oxford University Press
Page : 601 pages
File Size : 48,7 Mb
Release : 2016
Category : Music
ISBN : 9780199892921

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The Oxford Handbook of Critical Improvisation Studies by George Lewis,Benjamin Piekut Pdf

V. 1. Cognitions -- v. 2. Critical theories

The Improvisation Studies Reader

Ajay Heble,Rebecca Caines

Author : Ajay Heble,Rebecca Caines
Publisher : Routledge
Page : 462 pages
File Size : 51,5 Mb
Release : 2014-08-07
Category : Music
ISBN : 9781136187148

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The Improvisation Studies Reader by Ajay Heble,Rebecca Caines Pdf

Improvisation is a performance practice that animates and activates diverse energies of inspiration, critique, and invention. In recent years it has coalesced into an exciting and innovative new field of interdisciplinary scholarly inquiry, becoming a cornerstone of both practical and theoretical approaches to performance. The Improvisation Studies Reader draws together the works of key artists and thinkers from a range of disciplines, including theatre, music, literature, film, and dance. Divided by keywords into eight sections, this book bridges the gaps between these fields. The book includes case studies, exercises, graphic scores and poems in order to produce a teaching and research resource that identifies central themes in improvisation studies. The sections include: Listening Trust/Risk Flow Dissonance Responsibility Liveness Surprise Hope Each section of the Reader is introduced by a newly commissioned think piece by a key figure in the field, which opens up research questions reflecting on the keyword in question. By placing key theoretical and classic texts in conversation with cutting-edge research and artists’ statements, this book answers the urgent questions facing improvising artists and theorists in the mediatized Twenty-First Century.

The Routledge Introduction to American Modernism

Linda Wagner-Martin

Author : Linda Wagner-Martin
Publisher : Routledge
Page : 202 pages
File Size : 51,7 Mb
Release : 2016-02-12
Category : Literary Criticism
ISBN : 9781317538110

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The Routledge Introduction to American Modernism by Linda Wagner-Martin Pdf

The modernist period was crucial for American literature as it gave writers the chance to be truly innovative and create their own distinct identity. Starting slightly earlier than many guides to modernism this lucid and comprehensive guide introduces the reader to the essential history of the period including technology, religion, economy, class, gender and immigration. These contexts are woven of into discussions of many significant authors and texts from the period. Wagner-Martin brings her years of writing about American modernism to explicate poetry and drama as well as fiction and life-writing. Among the authors emphasized are Ernest Hemingway, William Faulkner, Zora Neale Hurston, Langston Hughes, F. Scott Fitzgerald, Gertrude Stein, Willa Cather, John Dos Passos, William Carlos Williams, Mike Gold, James T. Farrell, Clifford Odets, John Steinbeck and countless others. A clear and engaging introduction to an exciting period of literature, this is the ultimate guide for those seeking an overview of American Modernism.

Improvisation and Music Education

Ajay Heble,Mark Laver

Author : Ajay Heble,Mark Laver
Publisher : Routledge
Page : 294 pages
File Size : 52,5 Mb
Release : 2016-02-19
Category : Music
ISBN : 9781317569923

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Improvisation and Music Education by Ajay Heble,Mark Laver Pdf

This book offers compelling new perspectives on the revolutionary potential of improvisation pedagogy. Bringing together contributions from leading musicians, scholars, and teachers from around the world, the volume articulates how improvisation can breathe new life into old curricula; how it can help teachers and students to communicate more effectively; how it can break down damaging ideological boundaries between classrooms and communities; and how it can help students become more thoughtful, engaged, and activist global citizens. In the last two decades, a growing number of music educators, music education researchers, musicologists, cultural theorists, creative practitioners, and ethnomusicologists have suggested that a greater emphasis on improvisation in music performance, history, and theory classes offers enormous potential for pedagogical enrichment. This book will help educators realize that potential by exploring improvisation along a variety of trajectories. Essays offer readers both theoretical explorations of improvisation and music education from a wide array of vantage points, and practical explanations of how the theory can be implemented in real situations in communities and classrooms. It will therefore be of interest to teachers and students in numerous modes of pedagogy and fields of study, as well as students and faculty in the academic fields of music education, jazz studies, ethnomusicology, musicology, cultural studies, and popular culture studies.

The Routledge Handbook of Philosophy and Improvisation in the Arts

Alessandro Bertinetto,Marcello Ruta

Author : Alessandro Bertinetto,Marcello Ruta
Publisher : Routledge
Page : 1133 pages
File Size : 55,7 Mb
Release : 2021-07-22
Category : Philosophy
ISBN : 9781000397840

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The Routledge Handbook of Philosophy and Improvisation in the Arts by Alessandro Bertinetto,Marcello Ruta Pdf

Over the last few decades, the notion of improvisation has enriched and dynamized research on traditional philosophies of music, theatre, dance, poetry, and even visual art. This Handbook offers readers an authoritative collection of accessible articles on the philosophy of improvisation, synthesizing and explaining various subjects and issues from the growing wave of journal articles and monographs in the field. Its 48 chapters, written specifically for this volume by an international team of scholars, are accessible for students and researchers alike. The volume is organized into four main sections: I Art and Improvisation: Theoretical Perspectives II Art and Improvisation: Aesthetical, Ethical, and Political Perspectives III Improvisation in Musical Practices IV Improvisation in the Visual, Narrative, Dramatic, and Interactive Arts Key Features: Treats improvisation not only as a stylistic feature, but also as an aesthetic property of artworks and performances as well as a core element of artistic creativity. Spells out multiple aspects of the concept of improvisation, emphasizing its relevance in understanding the nature of art. Covers improvisation in a wide spectrum of artistic domains, including unexpected ones such as literature, visual arts, games, and cooking. Addresses key questions, such as: - How can improvisation be defined and what is its role in different art forms? - Can improvisation be perceived as such, and how can it be aesthetically evaluated? - What is the relationship between improvisation and notions such as action, composition, expressivity, and authenticity? - What is the ethical and political significance of improvisation?

Litpop: Writing and Popular Music

Rachel Carroll,Adam Hansen

Author : Rachel Carroll,Adam Hansen
Publisher : Routledge
Page : 258 pages
File Size : 40,8 Mb
Release : 2016-05-13
Category : Music
ISBN : 9781317104209

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Litpop: Writing and Popular Music by Rachel Carroll,Adam Hansen Pdf

Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs ’literary’ writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers, organised in three themed sections. ’Making Litpop’ explores how hybrids of writing and popular music have been created by musicians and authors. ’Thinking Litpop’ considers what critical or intellectual frameworks help us to understand these hybrid cultural forms. Finally, ’Consuming Litpop’ examines how writers deal with music’s influence, how musicians engage with literary texts, and how audiences of music and writing understand their own role in making ’Litpop’ happen. Discussing a range of genres and periods of writing and popular music, this unique collection identifies, theorizes, and problematises connections between different forms of expression, making a vital contribution to popular musicology, and literary and cultural studies.

The Birth of the Imagination

Bruce Holsapple

Author : Bruce Holsapple
Publisher : University of New Mexico Press
Page : 456 pages
File Size : 47,7 Mb
Release : 2016-12-01
Category : Literary Criticism
ISBN : 9780826357618

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The Birth of the Imagination by Bruce Holsapple Pdf

William Carlos Williams first spoke to the issue of form shortly after the publication of “The Wanderer” in 1914—his move to vers libre—and didn’t stop talking about form until his death in 1963. His poetry shows, decade after decade, persistent formal innovation. Bruce Holsapple’s The Birth of the Imagination relates the form, structure, and content of Williams’s poetry to demonstrate how his formal concerns bear upon the content, namely, how form testifies to a vision that the style verifies. Tracing the development of Williams’s work from Poems in 1909 through The Wedge in 1944, Holsapple aligns emerging aesthetic concepts and procedures with shifts in Williams’s writing to disclose how meaning becomes refigured, affecting what the poems “say.” While focusing primarily on Williams’s experimental works, including the novellas, this innovative study charts how significant features in Williams’s poetry result from specific imaginative practices.

Martha Graham

Neil Baldwin

Author : Neil Baldwin
Publisher : Knopf
Page : 577 pages
File Size : 46,8 Mb
Release : 2022-10-25
Category : Biography & Autobiography
ISBN : 9780385352338

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Martha Graham by Neil Baldwin Pdf

A major biography—the first in three decades—of one of the most important artistic forces of the twentieth century, the legendary American dancer and choreographer who upended dance, propelling the art form into the modern age, and whose profound and pioneering influence is still being felt today. "Brings together all the elements of Graham’s colorful life...with wit, verve, critical discernment, and a powerful lyricism.”—Mary Dearborn, acclaimed author of Ernest Hemingway Time magazine called her “the Dancer of the Century.” Her technique, used by dance companies throughout the world, became the first long-lasting alternative to the idiom of classical ballet. Her pioneering movements—powerful, dynamic, jagged, edgy, forthright—combined with her distinctive system of training, were the epitome of American modernism, performance as art. Her work continued to astonish and inspire for more than sixty years as she choreographed more than 180 works. At the heart of Graham’s work: movement that could express inner feeling. Neil Baldwin, author of admired biographies of Man Ray (“Truly definitive . . . absolutely fascinating” —Patricia Bosworth) and Thomas Edison (“Absorbing, gripping, a major contribution to our understanding of a remarkable man and a remarkable era” —Robert Caro), gives us the artist and performer, the dance monument who led a cult of dance worshippers as well as the woman herself in all of her complexity. Here is Graham, from her nineteenth-century (born in 1894) Allegheny, Pennsylvania, childhood, to becoming the star of the Denishawn exotic ballets, and in 1926, at age thirty-two, founding her own company (now the longest-running dance company in America). Baldwin writes of how the company flourished during the artistic explosion of New York City’s midcentury cultural scene; of Erick Hawkins, in 1936, fresh from Balanchine’s School of American Ballet, a handsome Midwesterner fourteen years her junior, becoming Graham’s muse, lover, and eventual spouse. Graham, inspiring the next generation of dancers, choreographers, and teachers, among them: Merce Cunningham and Paul Taylor. Baldwin tells the story of this large, fiercely lived life, a life beset by conflict, competition, and loneliness—filled with fire and inspiration, drive, passion, dedication, and sacrifice in work and in dance creation.

Stay Black and Die

I. Augustus Durham

Author : I. Augustus Durham
Publisher : Duke University Press
Page : 193 pages
File Size : 40,9 Mb
Release : 2023-11-17
Category : Social Science
ISBN : 9781478027652

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Stay Black and Die by I. Augustus Durham Pdf

In Stay Black and Die, I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.

The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror

Brian Flota

Author : Brian Flota
Publisher : Routledge
Page : 232 pages
File Size : 50,7 Mb
Release : 2016-02-24
Category : Social Science
ISBN : 9781317020264

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The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror by Brian Flota Pdf

Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks”U2, Toby Keith, The Dixie Chicks, Bruce Springsteen”this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played”or have refused to play”in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes 'political music,' The Politics of Post-9/11 Music covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960s political activism.

Theory for Ethnomusicology

Harris M. Berger,Ruth M. Stone

Author : Harris M. Berger,Ruth M. Stone
Publisher : Routledge
Page : 397 pages
File Size : 46,8 Mb
Release : 2019-05-31
Category : Music
ISBN : 9781315408569

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Theory for Ethnomusicology by Harris M. Berger,Ruth M. Stone Pdf

Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline’s past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008. A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field’s relevance and pointing the way toward new horizons of research. New to this edition: Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements.

People Get Ready

Ajay Heble,Rob Wallace

Author : Ajay Heble,Rob Wallace
Publisher : Duke University Press
Page : 325 pages
File Size : 49,9 Mb
Release : 2013-05-17
Category : Music
ISBN : 9780822354253

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People Get Ready by Ajay Heble,Rob Wallace Pdf

In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Other pieces revise standard accounts of well-known jazz figures, such as Duke Ellington, and lesser-known musicians, including Jeanne Lee; delve into how money, class, space, and economics affect the performance of experimental music; and take up the question of how digital technology influences improvisation. People Get Ready offers a vision for the future of jazz based on an appreciation of the complexity of its past and the abundance of innovation in the present. Contributors. Tamar Barzel, John Brackett, Douglas Ewart, Ajay Heble, Vijay Iyer, Thomas King, Tracy McMullen, Paul D. Miller/DJ Spooky, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Aldon Lynn Nielsen, Eric Porter, Marc Ribot, Matana Roberts, Jaribu Shahid, Julie Dawn Smith, Wadada Leo Smith, Alan Stanbridge, John Szwed, Greg Tate, Scott Thomson, Rob Wallace, Ellen Waterman, Corey Wilkes

Improvisation And The Making Of American Literary Modernism

Improvisation and the Making of American Literary Modernism by Rob Wallace Pdf

Improvisation and the Making of American Literary Modernism by Robert Neil Andrew Wallace Pdf

The Oxford Handbook of Critical Improvisation Studies by George E. Lewis,Benjamin Piekut Pdf

The Oxford Handbook of Critical Improvisation Studies by George Lewis,Benjamin Piekut Pdf

The Improvisation Studies Reader by Ajay Heble,Rebecca Caines Pdf

The Routledge Introduction to American Modernism by Linda Wagner-Martin Pdf

Improvisation and Music Education by Ajay Heble,Mark Laver Pdf

The Routledge Handbook of Philosophy and Improvisation in the Arts by Alessandro Bertinetto,Marcello Ruta Pdf

Litpop: Writing and Popular Music by Rachel Carroll,Adam Hansen Pdf

The Birth of the Imagination by Bruce Holsapple Pdf

Martha Graham by Neil Baldwin Pdf

Stay Black and Die by I. Augustus Durham Pdf

The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror by Brian Flota Pdf

Theory for Ethnomusicology by Harris M. Berger,Ruth M. Stone Pdf

People Get Ready by Ajay Heble,Rob Wallace Pdf

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