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Author : Richard Cándida Smith Publisher : University of Pennsylvania Press Page : 352 pages File Size : 51,7 Mb Release : 2017-09-28 Category : History ISBN : 9780812249422
In Improvised Continent, Richard Cándida Smith synthesizes over seventy years of Pan-American cultural activity in the United States and shows how Latin American artists and writers challenged U.S. citizens about their place in the world and about the kind of global relations the country's interests could allow.
Author : Richard Cándida Smith Publisher : University of Pennsylvania Press Page : 351 pages File Size : 48,9 Mb Release : 2017-08-25 Category : History ISBN : 9780812294651
How does a country in the process of becoming a world power prepare its citizens for the responsibilities of global leadership? In Improvised Continent, Richard Cándida Smith answers this question by illuminating the forgotten story of how, over the course of the twentieth century, cultural exchange programs, some run by the government and others by philanthropies and major cultural institutions, brought many of the most important artists and writers of Latin America to live and work in the United States. Improvised Continent is the first book to focus on cultural exchange inside the United States and how Americans responded to Latin American writers and artists. Moving masterfully between the history of ideas, biography, institutional history and politics, and international relations, and engaging works in French, German, Spanish, and Portuguese, Cándida Smith synthesizes over seventy years of Pan-American cultural activity in the United States. The stories behind Diego Rivera's murals, the movies of Alejandro G. Iñárritu, the poetry of Gabriela Mistral, the photography of Genevieve Naylor, and the novels of Carlos Fuentes—these works and artists, along with many others, challenged U.S. citizens about their place in the world and about the kind of global relations the country's interests could allow. Improvised Continent provides a profoundly compassionate portrayal of the Latin American artists and writers who believed their practices might create a more humane world.
Author : United States. Army Medical Service Publisher : Unknown Page : 1140 pages File Size : 55,7 Mb Release : 1966 Category : Medical radiology ISBN : UIUC:30112038190119
Author : United States. Army Medical Service Publisher : Unknown Page : 424 pages File Size : 53,9 Mb Release : 1956 Category : Electronic ISBN : UCAL:B3725512
Lecturer in Latin American Christianity Pedro Feitoza
Author : Lecturer in Latin American Christianity Pedro Feitoza Publisher : Oxford University Press Page : 313 pages File Size : 45,7 Mb Release : 2024-07-02 Category : History ISBN : 9780197761779
Propagandists of the Book by Lecturer in Latin American Christianity Pedro Feitoza Pdf
Pedro Feitoza traces the history of Protestantism in Brazil through an analysis of the production and circulation of evangelical texts. Examining a wide range of periodicals, tracts, correspondence, and other archival records and delving into the ideology of religious thinkers and evangelists of the time, Feitoza considers how Protestant veneration of the written word led to a complex infrastructure for the distribution of religious texts and the fostering of literacy in Brazil in the late 19th and early 20th centuries.
Curating Art by Janet Marstine,Oscar Ho Hing Kay Pdf
Curating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums. Representing the plurality of theory and practice around the expanded field of relational curating, the book focuses on curating that prioritises the quality of relationships between people and objects, between institutions and people and among people. It has wide international breadth, with particularly strong representation in East and Southeast Asia, including four papers never before translated into English. This Asian cluster illuminates the globalisation of the field and challenges dichotomies of East and West while acknowledging distinctions within specific, but often transnational, cultural spheres. The compelling philosophical perspectives and case studies included within Curating Art will be of interest to students and researchers studying curating, exhibition development and art museums. The book will also inspire current and emerging curators to pose challenging but important questions about their own practice and the relationships that this work sustains.
Author : Juan Pablo Scarfi,David M. K. Sheinin Publisher : Routledge Page : 271 pages File Size : 48,6 Mb Release : 2022-03-16 Category : History ISBN : 9781000547320
The New Pan-Americanism and the Structuring of Inter-American Relations by Juan Pablo Scarfi,David M. K. Sheinin Pdf
What is Pan-Americanism? People have been struggling with that problem for over a century. Pan-Americanism is (and has been) an amalgam of diplomatic, political, economic, and cultural projects under the umbrella of hemispheric cooperation and housed institutionally in the Pan-American Union, and later the Organization of American States. But what made Pan-Americanism exceptional? The chapters in this volume suggest that Pan-Americanism played a central and lasting role in structuring inter-American relations, because of the ways in which the movement was reinvented over time, and because the actors who shaped it often redefined and redeployed the term. Through the twentieth century, new appropriations of Pan-Americanism structured, restructured, and redefined inter-American relations. Taken together, these chapters underscore two exciting new shifts in how scholars and others have come to understand Pan-Americanism and inter-American relations. First, Pan-Americanism is increasingly understood not simply as a diplomatic, commercial, and economic forum, but a movement that has included cultural exchange. Second, researchers, political leaders, and the media in several countries have traditionally conceived of Pan-Americanism as a mechanism of US expansionism. This volume reimagines Pan-Americanism as a movement built by actors from all corners of the Americas.
In 1959, the very year the Cuban Revolution amplified Cold War tensions in the Americas, museumgoers in the United States witnessed a sudden surge in major exhibitions of Latin American art. Surveying the 1960s boom of such exhibits, this book documents how art produced in regions considered susceptible to communist influence was staged on U.S. soil for U.S. audiences. Held in high-profile venues such as the Guggenheim Museum, the Walker Art Center, MoMA, and the Art Institute of Chicago, the exhibitions of the 1960s Latin American art boom did not define a single stylistic trend or the art of a single nation but rather attempted to frame Latin America as a unified whole for U.S. audiences. Delia Solomons calls attention to disruptive artworks that rebelled against the curatorial frames purporting to hold them and reveals these exhibitions to be complex contact zones in which competing voices collided. Ultimately, through multiple means—including choosing to exclude artworks with readily decipherable political messages and evading references to contemporary inter-American frictions—the U.S. curators who organized these shows crafted projections of Pan-American partnership and harmony, with the United States as leader, interpreter, and good neighbor, during an era of brutal U.S. interference across the Americas. Theoretically sophisticated and highly original, this survey of Cold War–era Latin American art exhibits sheds light on the midcentury history of major U.S. art museums and makes an important contribution to the fields of museum studies, art history, and Latin American modernist art.
"Border Witness offers a surprising catalogue of films dealing with the US-Mexico border and released during the past 100 years. It compares these screen visions with what was happening on the ground at the time in both countries. From revolution through to the present global crisis, the films are left to speak for themselves, but their stories are measured alongside the author's experience following decades of research, writing, and activism along the line. Taken together, this book outlines a unique Border Film genre just now entering its Golden Age. This book also comes with a message to both nations that they should learn more from borderlanders about how to conduct cross-border lives"--
Elizabeth Cady Stanton, Feminist as Thinker by Elizabeth Cady Stanton Pdf
More than one hundred years after her death, Elizabeth Cady Stanton still stands—along with her close friend Susan B. Anthony—as the major icon of the struggle for women’s suffrage. In spite of this celebrity, Stanton’s intellectual contributions have been largely overshadowed by the focus on her political activities, and she is yet to be recognized as one of the major thinkers of the nineteenth century. Here, at long last, is a single volume exploring and presenting Stanton’s thoughtful, original, lifelong inquiries into the nature, origins, range, and solutions of women’s subordination. Elizabeth Cady Stanton, Feminist as Thinker reintroduces, contextualizes, and critiques Stanton’s numerous contributions to modern thought. It juxtaposes a selection of Stanton’s own writings, many of them previously unavailable, with eight original essays by prominent historians and social theorists interrogating Stanton’s views on such pressing social issues as religion, marriage, race, the self and community, and her place among leading nineteenth century feminist thinkers. Taken together, these essays and documents reveal the different facets, enduring insights, and fascinating contradictions of the work of one of the great thinkers of the feminist tradition. Contributors: Barbara Caine, Richard Cándida Smith, Ellen Carol DuBois, Ann D. Gordon, Vivian Gornick, Kathi Kern, Michele Mitchell, and Christine Stansell.
The Monroe Doctrine and United States National Security in the Early Twentieth Century by Alex Bryne Pdf
This book demonstrates that during the early twentieth century, the Monroe Doctrine served the role of a national security framework that justified new directions in United States foreign relations when the nation emerged as one of the world’s leading imperial powers. As the United States’ overseas empire expanded in the wake of the Spanish-American War, the nation’s decision-makers engaged in a protracted debate over the meaning and application of the doctrine, aligning it to two antithetical core values simultaneously: regional hegemony in the Western Hemisphere on the one hand, and Pan-Americanism on the other. The doctrine’s fractured meaning reflected the divisions that existed among domestic perceptions of the nation’s new role on the world stage and directed the nation’s approach to key historical events such as the acquisition of the Philippines, the Mexican Revolution, the construction of the Panama Canal, the First World War, and the debate over the League of Nations.
The essays in this collection explore the history of tourism and its promotion and development throughout Latin American and the Caribbean in the twentieth century.
Culture as Soft Power by Elisabet Carbó-Catalan,Diana Roig Sanz Pdf
This book contributes to bridge the gap between different scholarly communities interested in the entanglements of culture and politics in the international arena. It sheds light on existing connections in their parallel evolution with a thorough literature review, complemented by several case studies showing the fruitful character of their interdisciplinary mobilisation. Through the notions of cultural relations, intellectual cooperation and cultural diplomacy, the book draws on a soft power perspective to offer a shared, novel, and interdisciplinary theoretical framework to approach cultural institutions and organisations that have been previously examined as isolated objects: for example, cultural institutes, international organisations, literary magazines, and literary contests. The interdisciplinary nature of this volume justifies the relevance of its content for scholars working in the history of international relations, international cultural relations and intellectual history, comparative literature, sociology of literature and global literary studies.
Author : Carol A. Hess Publisher : University of Illinois Press Page : 245 pages File Size : 53,7 Mb Release : 2023-06-06 Category : Music ISBN : 9780252054006
Aaron Copland in Latin America by Carol A. Hess Pdf
Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad. Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland’s diaries inform Carol A. Hess’s in-depth examination of the composer’s approach to cultural diplomacy. As Hess shows, Copland’s tours facilitated an exchange of music and ideas with Latin American composers while capturing the tenor of United States diplomatic efforts at various points in history. In Latin America, Copland’s introduced works by U.S. composers (including himself) through lectures, radio broadcasts, live performance, and conversations. Back at home, he used his celebrity to draw attention to regional composers he admired. Hess’s focus on Latin America’s reception of Copland provides a variety of outside perspectives on the composer and his mission. She also teases out the broader meanings behind reviews of Copland and examines his critics in the context of their backgrounds, training, aesthetics, and politics.
The Invention of Latin American Music by Pablo Palomino Pdf
The ethnically and geographically heterogeneous countries that comprise Latin America have each produced music in unique styles and genres - but how and why have these disparate musical streams come to fall under the single category of "Latin American music"? Reconstructing how this category came to be, author Pablo Palomino tells the dynamic history of the modernization of musical practices in Latin America. He focuses on the intellectual, commercial, musicological, and diplomatic actors that spurred these changes in the region between the 1920s and the 1960s, offering a transnational story based on primary sources from countries in and outside of Latin America. The Invention of Latin American Music portrays music as the field where, for the first time, the cultural idea of Latin America disseminated through and beyond the region, connecting the culture and music of the region to the wider, global culture, promoting the now-established notion of Latin America as a single musical market. Palomino explores multiple interconnected narratives throughout, pairing popular and specialist traveling musicians, commercial investments and repertoires, unionization and musicology, and music pedagogy and Pan American diplomacy. Uncovering remarkable transnational networks far from a Western cultural center, The Invention of Latin American Music firmly asserts that the democratic legitimacy and massive reach of Latin American identity and modernization explain the spread and success of Latin American music.
