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Poems of Nazim Hikmet Revised and Expanded Edition by Nazim Hikmet Pdf
The definitive selection by the first and foremost modern Turkish poet. A centennial volume, with previously unavailable poems, by Turkey's greatest poet. Published in celebration of the poet's one hundredth birthday, this exciting edition of the poems of the Nazim Hikmet (1902-1963) collects work from his four previous selected volumes and adds more than twenty poems never before available in English. The Blasing/Konuk translations, acclaimed for the past quarter-century for their accuracy and grace, convey Hikmet's compassionate, accessible voice with the subtle music, innovative form, and emotional directness of the originals.
Nazim Hikmet (1902-1963), the greatest modern Turkish poet was a political prisoner in Turkey for eighteen years and spent the last thirteen years of his life in exile. Banned in his own country for thirty years, his poetry has been translated into more than fifty languages, and today he is recognized world-wide as one of the twentieth century's great international poets. This revised and enlarged selection of his finest work enables us at last to hear, in a single volume, the full range of his distinctive voice in the highly acclaimed versions that have made him an influential presence in contemporary poetry.
Zena el Khalil, a young Beirut-based female artist, writer, and activist who had an unconventional but worldly upbringing growing up in Lagos, Nigeria and attending art school in New York, returns after 9/11 to her familial home of Beirut and its mountains, beaches, food, music and drugs. Beirut, I Love You, spanning from 1994 to the present day, brings Beirut to life in all its glory and contradictions and is filled with personal anecdotes of Zena's life there: a place where, in spite of the pervasive desire for hope and the resilience of its people, still bears deep scars from the Lebanese Civil War and the Israeli invasion of 2006—a place where plastic surgery and AK 47s live side by side and nightclubs are situated on rooftops in order to avoid car bombs. Yet Zena and her friends, in particular her fellow rebel Maya, refuse to accept the extreme poles of Beirut, the militias and gender restrictions on one side, hedonism and materialism on the other. And although Zena experiences tragedy and loss, her story is a testament to the power of love and friendship, and the beauty of her city and its inhabitants. Written with an honest, profound simplicity, Zena is intoxicated by the country’s contradictions—“Lebanon was, and always will be, schizophrenic”—and attempts to come to terms with her role among her friends, family, and city.
A Brave New Quest by Talat S. Halman,Jayne L. Warner Pdf
This anthology features a wide variety of poems about social justice, love, evocations of history, humanitarian concerns, and other themes. It contains stirring examples of the revolutionary romanticism of Nazi m Hikmet; the passionate wisdom of Fazil Hüsnü Daglarca; the wry and captivating humor of Orhan Veli Kanik; the intellectual complexity of Oktay Rifat and Melih Cevdet Anday; the modern mythology of Ilhan Berk; the subtle brilliance of Behçet Necatigil; the rebellious spirit of the socialist realists; the lyric flow of the neoromantics; and the diverse explorations of younger poets. These poems are infused with their own unique flavors while speaking in an unmistakably universal style.
The Turkish Muse: Views and Reviews, 1960s-1990s, collects Talat S. Halman’s book reviews written in English and, read chronologically, provides a unique perspective on the development of Turkish literature and criticism during the formative and later years of the Turkish Republic. The new genres adopted from Europe and, to a lesser extent, from the United States include the novel, the short story, the stage play, and the essay. The reviews collected in this volume reflect the way in which these genres developed and matured within their new milieu of Turkish letters. Establishing each book in its literary, social, and cultural Turkish context, Halman then addresses the work’s more international or universal importance. Written over a period of four decades, these reviews illuminate the careers of many writers from their early work to their rise as leading Turkish poets, novelists, and dramatists—Ilhan Berk, Melih Cevdet Anday, Güngör Dilmen, Fazil Husnu Daglarca, and Yasar Kemal, to name just a few. More recent reviews discuss the work of such important figures as Hilmi Yavuz and Orhan Pamuk.
From her cell in a women's prison, Aziza decides to create a golden chariot to take her to heaven, where her wishes and dreams can be fulfilled. As she muses on who to take with her, she tells the life stories of her fellow prisoners and decides in her heart which ones deserve a free ride to paradise. Aziza's cruelly frank comments about her friends and their various crimes including murder, theft, and drug-dealing weave these tales together into a contemporary Arabian Nights. Salwa Bakr takes a wry and cynical look at how women from widely differing backgrounds, some innocent and some guilty, come together in a single prison ward. Salwa Bakr's writing depicts life at the grassroots of Egypt's culture, admiring its resilience in the face of poverty and inequality. With a strong distrust of imported kitsch, western consumerism is contrasted with the indigenous culture. In The Golden Chariot, Salwa Bakr opens a magical door, through which we are able to see the injustices of a society in transition. Beyond these stories of crime, we glimpse the yearning and longing for a better life, and the problems of not being able to realize these dreams by honest means.
Selected Poetry by Nâzım Hikmet,Mutlu Konuk Blasing Pdf
"Such a poet as Hikmet is beyond our hopes in this country. He is pure feeling. He writes our most private thoughts with a zest and love that makes us treasure them in ourselves. We learn to love ourselves through love of him, a poet who bestrides the world of man ever joyfully, even in dwelling upon his sorrows."--David Ignatow.
Mustafa Kemal Atatürk is hailed as one of the most charismatic political leaders of the twentieth century, but little is known today about his one and only wife, Latife Hanim. A multilingual intellectual educated at the Sorbonne, Latife's marriage to Atatürk in 1923 set her apart from her contemporaries, raising her to the pinnacle of political power. She played a central role in the creation of a modern and secular Turkey and campaigned tirelessly for women's right to vote. Throughout her marriage, Latife stood beside her husband and acted as his interpreter, promoter and diplomatic aide. She even twice risked her own life to save his. However, after only two years of marriage, Atatürk divorced Latife and she soon disappeared from public life. She was shunned, blamed for the failure of the marriage and portrayed as a sharp-tongued, quarrelsome woman who had strained Atatürk's nerves. Latife spent the rest of her life in seclusion. In the first biography to be written on Latife Hanim, Ipek Çalislar recounts the life of an exceptional and courageous woman, well ahead of her time, who lived through a remarkable period in Turkish history. 'Rich, surprising and profound' Orhan Pamuk 'A daring biography' Independent 'A unique account of the life and times of an exceptional woman' Moris Farhi, author of Young Turk
“Istanbul, Istanbul turns on the tension between the confines of a prison cell and the vastness of the imagination; between the vulnerable borders of the body and the unassailable depths of the mind. This is a harrowing, riveting novel, as unforgettable as it is inescapable.” —Dale Peck, author of Visions and Revisions “A wrenching love poem to Istanbul told between torture sessions by four prisoners in their cell beneath the city. An ode to pain in which Dostoevsky meets The Decameron.” —John Ralston Saul, author of On Equilibrium; former president, PEN International “Istanbul is a city of a million cells, and every cell is an Istanbul unto itself.” Below the ancient streets of Istanbul, four prisoners—Demirtay the student, the doctor, Kamo the barber, and Uncle Küheylan—sit, awaiting their turn at the hands of their wardens. When they are not subject to unimaginable violence, the condemned tell one another stories about the city, shaded with love and humor, to pass the time. Quiet laughter is the prisoners’ balm, delivered through parables and riddles. Gradually, the underground narrative turns into a narrative of the above-ground. Initially centered around people, the book comes to focus on the city itself. And we discover there is as much suffering and hope in the Istanbul above ground as there is in the cells underground. Despite its apparently bleak setting, this novel—translated into seventeen languages—is about creation, compassion, and the ultimate triumph of the imagination.