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In Our Own Image by George Zarkadakis,Giōrgos Zarkadakēs Pdf
A timely and important book that explores the history and future, as well as the societal and ethical implications, of Artificial Intelligence as we approach the cusp of a fourth industrial revolution
In Our Image brilliantly illuminates who we are as humans by demonstrating the surprisingly deep parallels between our motivations to replicate ourselves through computer technology and our emerging understanding of ourselves as relational beings created in God's image. This book is required reading for anyone--Christian or non-Christian--intrigued by the possibility of artificial intelligence.
'TIMELY AND IMPORTANT' JIM AL-KHALILI In Our Own Image by Dr George Zarkadakis explores one of humankind’s oldest love–hate relationships – our ties with Artificial Intelligence or AI. Zarkadakis traces AI’s origins in ancient myth, through literary classics such as Frankenstein, to today’s sci-fi blockbusters, arguing that a fascination with AI is hardwired into the human psyche. He explains AI’s history, technology and potential; its manifestations in intelligent machines; its connections to neurology and consciousness, as well as – perhaps most tellingly – what AI reveals about us as human beings. In Our Own Image argues that we are on the brink of a fourth industrial revolution – poised to enter the age of Artificial Intelligence as science fiction becomes science fact. Ultimately, Zarkadakis observes, the fate of AI has profound implications for the future of science and humanity itself...
Acclaimed Maori filmmaker Barry Barclay’s Our Own Image relates the experiences of making his documentaries and his critically acclaimed feature-length film Ngati (1987), widely credited as the first fiction feature by a member of an indigenous community. Barclay details his views on the process of filmmaking within his own Maori community and discusses how his work differed from popular cinema, advocating for indigenous control, participation, and perspectives in media. Our Own Image gives an in-depth depiction of the changes Barclay’s approach contributed to the field of documentaries, as well as displaying the respect for community Barclay brought to his filming technique. His insistence on letting people speak for themselves demonstrated authenticity to audiences, creating awareness of indigenous cinema in New Zealand and worldwide.
Creating Their Own Image by Lisa E. Farrington Pdf
Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds ofimportant works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch--in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature imagesnever before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meetLaura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration onthe famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their workwith a social and political agenda, and through the tumultuous, explosive years of the civil rights movement. Drawing on revealing interviews with numerous contemporary artists, such as Betye Saar, Faith Ringgold, Nanette Carter, Camille Billops, Xenobia Bailey, and many others, the second half ofCreating Their Own Image probes more recent stylistic developments, such as abstraction, conceptualism, and post-modernism, never losing sight of the struggles and challenges that have consistently influenced this body of work. Weaving together an expansive collection of artists, styles, andperiods, Farrington argues that for centuries African-American women artists have created an alternative vision of how women of color can, are, and might be represented in American culture. From utilitarian objects such as quilts and baskets to a wide array of fine arts, Creating Their Own Imageserves up compelling evidence of the fundamental human need to convey one's life, one's emotions, one's experiences, on a canvas of one's own making.
In Our Own Image by Patrick H. Bass,Karen Pugh Pdf
The first visual document of black social and cultural history in America from World War II to the present, In Our Own Image is also a fascinating scrapbook that recounts simple, eloquent stories about home life, family reunions, worship, weddings, funerals, barbeques, barbershops, beauty parlors, nightclubs, civic organizations, and celebrations. The unique recollections of African-Americans from a variety of backgrounds and age groups accompany more than 160 images from personal and archival collections, with such poignant ephemera as programs from cotillions and fashion shows, restaurant menus, movie posters, even ticket stubs. The authors have woven material from university and museum collections in Detroit, New Orleans, Washington, D.C., Los Angeles, and Atlanta into a narrative photo book that forms a warm, loving record of African-American community, traditions, and family life in the latter half of the twentieth century.
"Someone once noted that God made us in His image, and ever since we have tried to do God a favor by making Him in our image." It’s easy to speak to others about the Jesus who cared for the poor, healed the sick, and preached love and justice for the least of these. But what about the God who tells the Israelites to wage war and kill entire people groups? Or threatens exile and then delivers? Or sends people to hell? Can these really be the same God? The simple answer is, yes. God in His Own Image takes you on a journey through the Bible exploring God’s true nature. You’ll study instances of great mercy and great severity, and by the end, you’ll begin to see why both God’s compassion and his wrath are necessary, important, and even beautiful. Get to know the God who is both Lion and Lamb, both Judge and Father, both kind and severe, and perfect in every way.
Fred Ritchin's" In Our Own Image is a comprehensive account of computer technology's impact on what we see and, ultimately, what we believe about the world. Both a history of photojournalism and a primer of computer technology, "In Our Own Image is a philosophy of vision and reality for the twenty-first century. Extensively revised and updated," In Our Own Image is sure to remain a staple of one of the most important debates for many years to come.
NEW YORK TIMES BESTSELLER • The bestselling author of Zealot and host of Believer explores humanity’s quest to make sense of the divine in this concise and fascinating history of our understanding of God. In Zealot, Reza Aslan replaced the staid, well-worn portrayal of Jesus of Nazareth with a startling new image of the man in all his contradictions. In his new book, Aslan takes on a subject even more immense: God, writ large. In layered prose and with thoughtful, accessible scholarship, Aslan narrates the history of religion as a remarkably cohesive attempt to understand the divine by giving it human traits and emotions. According to Aslan, this innate desire to humanize God is hardwired in our brains, making it a central feature of nearly every religious tradition. As Aslan writes, “Whether we are aware of it or not, and regardless of whether we’re believers or not, what the vast majority of us think about when we think about God is a divine version of ourselves.” But this projection is not without consequences. We bestow upon God not just all that is good in human nature—our compassion, our thirst for justice—but all that is bad in it: our greed, our bigotry, our penchant for violence. All these qualities inform our religions, cultures, and governments. More than just a history of our understanding of God, this book is an attempt to get to the root of this humanizing impulse in order to develop a more universal spirituality. Whether you believe in one God, many gods, or no god at all, God: A Human History will challenge the way you think about the divine and its role in our everyday lives. Praise for God “Timely, riveting, enlightening and necessary.”—HuffPost “Tantalizing . . . Driven by [Reza] Aslan’s grace and curiosity, God . . . helps us pan out from our troubled times, while asking us to consider a more expansive view of the divine in contemporary life.”—The Seattle Times “A fascinating exploration of the interaction of our humanity and God.”—Pittsburgh Post-Gazette “[Aslan’s] slim, yet ambitious book [is] the story of how humans have created God with a capital G, and it’s thoroughly mind-blowing.”—Los Angeles Review of Books “Aslan is a born storyteller, and there is much to enjoy in this intelligent survey.”—San Francisco Chronicle
Etching Our Own Image by Anan Ameri,Holly Arida Pdf
Etching Our Own Image: Voices From Within the Arab American Art Movement is a celebration of Arab American art and identity. In the wake of 9/11, the need for Arab Americans to define themselves, rather than be defined by others has galvanized an artistic movement. This collection of writers includes poets, musicians, playwrights, creative writers, painters, conceptual artists, comedians and scholars of the arts who have gathered to assert for themselves what it means to be Arab American and an artist. Arab American artists use their art both to resist and to embrace their past, present and future. Through their art they retain their origins, while creating something new. They collaborate and come together. The artists included here are above all artists and the artistic renderings in this collection demonstrate their commitment to craft, innovation, and expression. They take on the task of etching their own image willingly or unwillingly, consciously or unconsciously. By telling their own stories through their own artistic mediums, these voices from within the Arab American art movement reclaim their own image and tell the world who they are.
ccording to Scripture, humankind was created in the image of God. Hoekema discusses the implications of this theme, devoting several chapters to the biblical teaching on God's image, the teaching of philosophers and theologians through the ages, and his own theological analysis. Suitable for seminary-level anthropology courses, yet accessible to educated laypeople. Extensive bibliography, fully indexed.
Knafo, a feminist psychoanalyst and art critic, extends the discourse between feminism and art history, while revealing core psychological sensibilities involved in women's self-representation - the need for mirroring, the use of mask and masquerade, the drive for reparation, the presence of the uncanny, and the concept of female narcissism. --Publisher.