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In the Shadow of the Big Top by Maureen Brunsdale Pdf
"The first-ever biography of Art Concello, one of the world's greatest trapeze artists and circus businessmen, this book goes beyond the showmanship displayed in the ring to reveal the inner workings of the circus that could both thrill a crowd and make incredible money"--
This first balanced picture of circus king John Ringling North explored the remarkable career of the man who ran Ringling Bros. and Barnum & Baily for thirty years. David Lewis Hammarstrom details how North guided the circus through adversities ranging from depressions and wars to crippling labor strikes and rapidly changing trends in American entertainment. Hammarstrom interviewed a host of circus figures including North himself; his formers, directors, and department heads who were involved with the circus when North owned and operated it.
Under the Big Top examines the immensely popular big tent revivals of turn-of-the-twentieth-century America and develops a new framework for understanding Protestantism in this transformative period of the nation's history. Contemporary critics of the revivalists often depicted them as anxious and outdated religious opponents of a modern, urban nation. Early historical accounts likewise portrayed tent revivalists as Victorian hold-outs, bent on re-establishing nineteenth-century values and religion in a new America. In this revisionist work, Josh McMullen argues that, contrary to these stereotypes, big tent revivalists actually participated in the shift away from Victorianism and helped in the construction of a new consumer culture in the United States. How did the United States became the most consumer-driven and yet one of the most religious societies in the western world? McMullen shows that revivalists and their audiences reconciled the Protestant ethic of salvation with the emerging consumer ethos by cautiously unlinking Christianity from Victorianism and joining it to the new, emerging consumer culture. Under the Big Top helps to explain the continued appeal of both the therapeutic and the salvific worldview to many Americans as well as the ambivalence that accompanies this combination.
“Les Standiford takes us under the big top and behind the curtain in this richly researched and thoroughly engaging narrative that captures all of the entrepreneurial intrigue and spirit of the American circus.” —Gilbert King, Pulitzer Prize–winning author of Devil in the Grove Millions have sat under the “big top,” watching as trapeze artists glide and clowns entertain, but few know the captivating stories behind the men whose creativity, ingenuity, and determination created one of our country’s most beloved pastimes. In Battle for the Big Top, New York Times–bestselling author Les Standiford brings to life a remarkable era when three circus kings—James Bailey, P. T. Barnum, and John Ringling—all vied for control of the vastly profitable and influential American Circus. Ultimately, the rivalry of these three men resulted in the creation of an institution that would surpass all intentions and, for 147 years, hold a nation spellbound. Filled with details of their ever-evolving showmanship, business acumen, and personal magnetism, this Ragtime-like narrative will delight and enchant circus-lovers and anyone fascinated by the American experience.
Big Top Burning investigates the 1944 Hartford circus fire and invites readers to take part in a critical evaluation of the evidence The fire broke out at 2:40 p.m. Thousands of men, women, and children were crowded under Ringling Brothers and Barnum & Bailey's big top watching the Flying Wallendas begin their death-defying high-wire act. Suddenly someone screamed "Fire!" and the panic began. By 2:50 the tent had burned to the ground. Not everyone had made it out alive. With primary source documents and survivor interviews, Big Top Burning recounts the true story of the 1944 Hartford circus fire—one of the worst fire disasters in U.S. history. Its remarkable characters include Robert Segee, a 15-year-old circus roustabout and known pyromaniac, and the Cook children, Donald, Eleanor, and Edward, who were in the audience when the circus tent caught fire. Guiding readers through the investigations of the mysteries that make this moment in history so fascinating, this book asks: Was the unidentified body of a little girl nicknamed "Little Miss 1565" Eleanor Cook? Was the fire itself an act of arson—and did Robert Segee set it? Big Top Burning combines a gripping disaster story, an ongoing detective and forensics saga, and World War II–era American history, inviting middle-grades readers to take part in a critical evaluation of the evidence and draw their own conclusions.
The Big Top on the Big Screen by Teresa Cutler-Broyles Pdf
Circuses and film are a natural pairing, and the new essays making up this volume begin the exploration of how these two forms of entertainment have often worked together to create a spectacle of onscreen alchemy. The films discussed herein are an eclectic group, ranging from early silent comedies to animated, 21st century examples, in which circuses serve as liminal or carnivalesque spaces wherein characters--and by extension audience members--can confront issues as far-reaching as labor relations, sensuality, identity, ethics, and more. The circus as discussed in these essays encompasses the big top, the midway, the sideshow and the freak show; it becomes backdrop, character, catalyst and setting; and it is welcoming, malicious or terrifying. Circus performers are family, friends, foe or all of the above. And film is the medium that brings it all together. This volume starts the conversation about how circuses and film can combine to form productive, exciting spaces where almost anything can happen.
Fall of the Big Top by David Lewis Hammarstrom Pdf
Once an eagerly awaited spectacle, the traveling circus—that miracle of red wagons, trumpeting elephants and spangled trapeze artists that slipped into town at dawn and disappeared by midnight—has all but vanished from the American landscape. This work explores circus history from 1793 to the present and addresses the forces of modern culture (such as the popularity of Cirque du Soleil, and pressure from the animal rights movement) that are pushing big top shows toward what the author calls “circus ballet.” Numerous photographs and in-depth interviews conducted with show owners, performers and directors enrich the narrative. Overall, the book reveals a sobering contrast between circuses of yesterday and today, even as it honors the outstanding performers who created, and have sustained, the enduring appeal of the circus.
This is this story of Eamon, a little boy growing up in Northern Ireland in the sixties, before he succumbed to Leukaemia, a few months short of his seventh birthday. The book describes specific aspects of his short but remarkable life, all written from his perspective. Each chapter has a footnote which charts the history of the conquest of childhood leukaemia which commenced during his lifetime. The book is based around actual events and things which Eamon said and did which have been passed down. Eamon has the benefit of perspective, so he can describe events that have yet to happen which have a bearing on the life of his family.
In a volume containing 14 original plays – including three shadow-play adaptions of Gogol, Morton and Runyon classics – the author resurrects a sadly neglected theatre genre – the shadow play combining traditional shadow techniques with normal acting to create ‘full-bodied’ mainstream plays.
An engaging biography of a dedicated artist and political activist who followed her heart and her ideals and burned out early, leaving a legacy of unforgettable photographs.
In writing 'Tales of Bernard', I have tried to provide the reader and all dog lovers with a taste of what it is like to be homeless. Through reading about the exploits of our hero, Bernard, alongside those of Boxer and his pack of stray-pedigree hounds, the story as a whole can be productively used as a 'discussion starter' in both home and classroom for the child reader. 'Tales of Bernard' can be enjoyed by any dog lover, whether they be child or adult as the central themes covered in the story embrace the many problems to be found in any society that experiences, abandonment, desertion, bullying and homelessness. Each of the dog characters in the book will be readily identified with by some child readers as they display behaviour and traits which are common to many growing children. The overall theme of the book is that whether it is bullying, homelessness or indeed any other problem of social and environmental conditioning, we all need to pull together to help each other win through.