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Author : Benjamin McKay Ayotte
Publisher : Unknown
Page : 354 pages
File Size : 49,7 Mb
Release : 2008
Category : Musical analysis
ISBN : MSU:31293029566019
Author : Matthew Arndt
Publisher : Routledge
Page : 282 pages
File Size : 41,5 Mb
Release : 2017-09-11
Category : Music
ISBN : 9781351975797
This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that Schenker’s and Schoenberg’s inner musical lives are inseparable from their inner spiritual lives. Curiously, Schenker and Schoenberg start out in much the same musical-spiritual place, yet musically they split while spiritually they grow closer. The reception of Schenker’s and Schoenberg’s work has sidestepped this paradox of commonality and conflict, instead choosing to universalize and amplify their conflict. Bringing to light a trove of unpublished material, Arndt argues that Schenker’s and Schoenberg’s conflict is a reflection of tensions within their musical and spiritual ideas. They share a particular conception of the tone as an ideal sound realized in the spiritual eye of the genius. The tensions inherent in this largely psychological and material notion of the tone and this largely metaphysical notion of the genius shape both their musical divergence on the logical (technical) level in theory and composition, including their advocacy of the Ursatz versus twelvetone composition, and their spiritual convergence, including their embrace of Judaism. These findings shed new light on the musical and philosophical worlds of Schenker and Schoenberg and on the profound artistic and spiritual questions with which they grapple.
Author : Anonim
Publisher : Unknown
Page : 584 pages
File Size : 53,8 Mb
Release : 2008
Category : Dissertations, Academic
ISBN : STANFORD:36105132702494
Author : Heinrich Schenker
Publisher : Pendragon Press
Page : 196 pages
File Size : 47,6 Mb
Release : 2001
Category : Composition (Music)
ISBN : 1576470741
The first two volumes of Heinrich Schenker's masterwork Neue musikalische Theorien und Phantasien, Harmonielehren (1906), and Kontrapunkt (1910 and 1922), laid the foundations for the harmonic aspect of his theory. The specific voice-leading component was a later development, progressing with brilliance over the last 15 years of his life. It is in Free Composition (Freie Satz, 1935) that the idea of voice-leading receives its most detailed and precise formulation. Pendragon Press is honored to make this distinguished reprint available once again, with a new preface by Carl Schacter.
Author : Natasha Loges
Publisher : Boydell Press
Page : 0 pages
File Size : 54,5 Mb
Release : 2020-03-20
Category : Songs, German
ISBN : 1783275022
Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music. Johannes Brahms's much-loved solo songs continue to be enjoyed in recordings and on recital stages all over the world. This book provides a wealth of information on the poets whose words he set, many of whom are still unfamiliar.A substantial introduction explores the multiple meanings song-poetry held for Brahms and challenges the widely held opinion that he responded only to the general mood of a poem. It is followed by alphabetically organised essays on the forty-six poets whose verses he set. Each summarises the settings, Brahms's links to the poet, interconnections between the poets, and offers further context situating the poet within a wider literary, cultural and political landscape. The poets are revealed to be part of a deeply collegial cultural community of which Brahms was an active part. Covering Brahms's 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music. It is designed to be an essential reference tool for students and scholars of Johannes Brahms, as well as performers and lovers of his songs.
Author : Felix Salzer,Professor Felix Salzer
Publisher : Courier Corporation
Page : 687 pages
File Size : 54,7 Mb
Release : 1962-01-01
Category : Music
ISBN : 9780486222752
Written by a pupil of Heinrich Schenker, this outstanding work develops and extends Schenker's approach. More than 500 examples of music from the Middle Ages to the 20th century complement the detailed discussions and analyses.
Author : Edward Klorman
Publisher : Cambridge University Press
Page : 359 pages
File Size : 47,7 Mb
Release : 2016-04-21
Category : Art
ISBN : 9781107093652
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Author : Johannes Brahms
Publisher : Unknown
Page : 916 pages
File Size : 52,5 Mb
Release : 1997
Category : Biography & Autobiography
ISBN : 0199247730
This book is the first comprehensive collection of the letters of Johannes Brahms ever to appear in English. Over 550 are included, virtually all uncut, and there are over a dozen published here for the first time in any language. Although he corresponded throughout his life with some of the great performers, composers, musicologists, writers, scientists, and artists of the day, and although thousands of his letters have survived, English readers have until now had scant opportunity to meet Brahms in person, through his words, and in his own voice. The letters in this volume range from 1848 to just before his death. They include most of Brahm's letters to Robert Schumann, over a hundred letters to Clara Schumann, and the complete Brahms-Wagner correspondence. They are joined by a running commentary to form an absorbing narrative, documented with scholarly care, provided with comprehensive notes, but written for the general music lover--the result is a lively biography. The work is generously illustrated, and contains several detailed appendices and an index.
Author : Heinrich Schenker
Publisher : Cambridge University Press
Page : 149 pages
File Size : 47,9 Mb
Release : 1996-04-04
Category : Music
ISBN : 0521455421
Heinrich Schenker is regarded as one of the leading music theorists of the twentieth century. The Masterwork in Music was written in three volumes between 1925 and 1930 and is distinguished from earlier writings by its depth of vision, demonstrated here both graphically and verbally. Although the concept of structural hierarchy is already present in Der Tonwille (1921-4), the idea of a network of layers becomes particularly prominent in Das Meisterwerk. This volume contains a major essay on Mozart's Symphony No. 40 in G minor and other studies of Bach keyboard and solo cello works, Haydn and Reger, as well as theoretical writings on sonata form and fugue and Schenkerian theory. These essays are translated by a team of specialists with ample editoral annotations including comparisons with earlier and later writings.
Author : Susan Youens
Publisher : Cambridge University Press
Page : 404 pages
File Size : 52,9 Mb
Release : 1999-10-28
Category : Biography & Autobiography
ISBN : 052177862X
A re-examination of the life and work of four poets and Schubert's settings of their verse.
Author : Carl Schachter
Publisher : Oxford University Press, USA
Page : 303 pages
File Size : 52,9 Mb
Release : 1999
Category : Electronic books
ISBN : 9780195125900
Introduction: A Dialogue between Author and Editor I: Rhythm and Linear Analysis.
Author : Heinrich Schenker
Publisher : Unknown
Page : 0 pages
File Size : 54,5 Mb
Release : 2001
Category : Counterpoint
ISBN : 0967809908
Author : Heinrich Schenker,Felix Salzer
Publisher : Courier Corporation
Page : 66 pages
File Size : 45,6 Mb
Release : 1969-01-01
Category : Music
ISBN : 9780486222943
Published originally by the David Mannes Music School, New York, in 1933 under the German title.
Author : Adele T. Katz
Publisher : Franklin Classics Trade Press
Page : 448 pages
File Size : 53,6 Mb
Release : 2018-11-10
Category : History
ISBN : 0353180610
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Deborah Stein,Robert Spillman
Publisher : Oxford University Press
Page : 433 pages
File Size : 45,7 Mb
Release : 2010-06-10
Category : Language Arts & Disciplines
ISBN : 9780199754304
When Franz Schubert put Goethe's poem "Gretchen am Spinnrade" to music in 1814, he created a musical form that has captivated audiences ever since. In Poetry into Song, Deborah Stein and Robert Spillman challenge readers to seek a richer, more imaginative understanding of Lied - the nineteenth-century German art song. Written for students of voice, piano, and theory and for all singers and accompanists, Poetry into Song establishes a framework for the analysis of song based on a process of performing, listening, analyzing, and performing again. This unique approach emphasizes the reciprocal interaction between performance and analysis. Focusing on the masterworks, Poetry into Song features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, and end of chapter questions reinforce concepts and encourage directed analysis. While numerous books have been written on Lieder and German Romantic poetry, Poetry into Song is the first to combine performance, musical analysis, textual analysis, and the interrelation between poetry and music in a truly systematic, thorough way.