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Author : Heinrich Schenker,Felix Salzer
Publisher : Courier Corporation
Page : 66 pages
File Size : 51,8 Mb
Release : 1969-01-01
Category : Music
ISBN : 9780486222943
Published originally by the David Mannes Music School, New York, in 1933 under the German title.
Author : Heinrich Schenker
Publisher : Courier Corporation
Page : 64 pages
File Size : 47,5 Mb
Release : 2013-04-15
Category : Music
ISBN : 9780486317069
Five analytical sketches by a great theorist offer highly developed examples of an influential method of musical structural analysis: a J. S. Bach chorale and prelude, a section of a Haydn sonata, and two Chopin ètudes.
Author : Heinrich Schenker
Publisher : Unknown
Page : 46 pages
File Size : 43,5 Mb
Release : 1932
Category : Piano music
ISBN : 0486222942
Author : Heinrich Schenker
Publisher : Courier Corporation
Page : 162 pages
File Size : 44,6 Mb
Release : 2014-11-19
Category : Music
ISBN : 9780486780030
The three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr. William Drabkin and his translators offer additional insights. This volume features a major essay on Mozart's Symphony No. 40 in G minor; studies of Bach keyboard and solo cello pieces; works by Haydn and Reger; theoretical writings on sonata form and fugue; and many examples of Schenkerian theory. Volume One includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven, and Handel and solo violin music by Bach, along with studies of other works. Volume Three's contents include Schenker's celebrated analysis of Beethoven's "Eroica" Symphony and other works.
Author : Carl Schachter
Publisher : Oxford University Press, USA
Page : 303 pages
File Size : 44,9 Mb
Release : 1999
Category : Electronic books
ISBN : 9780195125900
Introduction: A Dialogue between Author and Editor I: Rhythm and Linear Analysis.
Author : Eric Wen
Publisher : Rowman & Littlefield
Page : 390 pages
File Size : 55,9 Mb
Release : 2019-02-14
Category : Music
ISBN : 9781538104675
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
Author : David Temperley
Publisher : MIT Press
Page : 432 pages
File Size : 41,8 Mb
Release : 2004-08-20
Category : Music
ISBN : 0262701057
In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules. After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension.
Author : L. R. Foulds
Publisher : Springer Science & Business Media
Page : 512 pages
File Size : 40,5 Mb
Release : 2012-12-06
Category : Science
ISBN : 9781461394587
Optimization is the process by which the optimal solution to a problem, or optimum, is produced. The word optimum has come from the Latin word optimus, meaning best. And since the beginning of his existence Man has strived for that which is best. There has been a host of contributions, from Archimedes to the present day, scattered across many disciplines. Many of the earlier ideas, although interesting from a theoretical point of view, were originally of little practical use, as they involved a daunting amount of com putational effort. Now modern computers perform calculations, whose time was once estimated in man-years, in the figurative blink of an eye. Thus it has been worthwhile to resurrect many of these earlier methods. The advent of the computer has helped bring about the unification of optimization theory into a rapidly growing branch of applied mathematics. The major objective of this book is to provide an introduction to the main optimization tech niques which are at present in use. It has been written for final year undergrad uates or first year graduates studying mathematics, engineering, business, or the physical or social sciences. The book does not assume much mathemati cal knowledge. It has an appendix containing the necessary linear algebra and basic calculus, making it virtually self-contained. This text evolved out of the experience of teaching the material to finishing undergraduates and beginning graduates.
Author : L. R. Foulds
Publisher : Springer Science & Business Media
Page : 236 pages
File Size : 49,7 Mb
Release : 2012-12-06
Category : Mathematics
ISBN : 9781461395119
The major purpose of this book is to introduce the main concepts of discrete optimization problems which have a finite number of feasible solutions. Following common practice, we term this topic combinatorial optimization. There are now a number of excellent graduate-level textbooks on combina torial optimization. However, there does not seem to exist an undergraduate text in this area. This book is designed to fill this need. The book is intended for undergraduates in mathematics, engineering, business, or the physical or social sciences. It may also be useful as a reference text for practising engineers and scientists. The writing of this book was inspired through the experience of the author in teaching the material to undergraduate students in operations research, engineering, business, and mathematics at the University of Canterbury, New Zealand. This experience has confirmed the suspicion that it is often wise to adopt the following approach when teaching material of the nature contained in this book. When introducing a new topic, begin with a numerical problem which the students can readily understand; develop a solution technique by using it on this problem; then go on to general problems. This philosophy has been adopted throughout the book. The emphasis is on plausibility and clarity rather than rigor, although rigorous arguments have been used when they contribute to the understanding of the mechanics of an algorithm.
Author : David Beach
Publisher : Routledge
Page : 338 pages
File Size : 43,7 Mb
Release : 2013-06-19
Category : Music
ISBN : 9781136334443
Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form is a textbook for students with some background in Schenkerian theory. It begins with an overview of Schenker's theories, then progresses systematically from the phrase and their various combinations to longer and more complex works. Unlike other texts on this subject, Advanced Schenkerian Analysis combines the study of multi-level pitch organization with that of phrase rhythm (the interaction of phrase and hypermeter), motivic repetition at different structural levels, and form. It also contains analytic graphs of several extended movements, separate works, and songs. A separate Instructor’s Manual provides additional advice and solutions (graphs) of all recommended assignments.
Author : Peter D. Grünwald
Publisher : MIT Press
Page : 736 pages
File Size : 41,5 Mb
Release : 2007
Category : Minimum description length (Information theory).
ISBN : 9780262072816
This introduction to the MDL Principle provides a reference accessible to graduate students and researchers in statistics, pattern classification, machine learning, and data mining, to philosophers interested in the foundations of statistics, and to researchers in other applied sciences that involve model selection.
Author : Ian Bent
Publisher : Cambridge University Press
Page : 319 pages
File Size : 49,8 Mb
Release : 1994-08-25
Category : Music
ISBN : 0521461839
In this second volume of nineteenth-century music analyses, Ian Bent provides a further selection of newly translated writings of nineteenth-century music critics and theorists, including composers such as Wagner, Schumann and Berlioz, and critics such as A. B. Marx and E. T. A. Hoffmann. Where Volume I, on Fugue, Form and Style, presented nineteen analyses of a technical nature, all the writing here involves a metaphorical style of verbalised description, some pure examples, and others hybrid forms mixed with technical analysis. The music analysed is amongst the best-known in the repertoire: Wagner writes on Beethoven's Ninth Symphony, E. T. A. Hoffmann on the Fifth, Schumann writes on Berlioz, and Berlioz on Meyerbeer. Professor Bent presents each analysis with its own detailed introduction and each is amplified by supporting information in footnotes.
Author : Elaine King
Publisher : Routledge
Page : 264 pages
File Size : 55,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557801
This volume showcases key theoretical ideas and practical considerations in the growing area of scholarship on musical gesture. The book constructs and explores the relations between music and gesture from a range of differing perspectives, identifying theoretical approaches and examining the nature of certain types of gesture in musical performance. The twelve chapters in this volume are organized into a heuristic progression from theory to practice, from essay to case study. Theoretical considerations about the interpretation of musical gestures are identified and phrased in terms of semiotics, the mimetic hypothesis, concepts of musical force, immanence, quotation and topic, and the work of musical gestures. The lives of musical gestures in performance are revealed through engaging with their rhythmic properties as well as inquiring into the breathing of pianists, the nature of clarinettists' bodily movements, and the physical acts and personae of individual artists, specifically Keith Jarrett and Robbie Williams. The reader is encouraged to listen to the various resonances and tensions between the chapters, including the importance given to bodies, processes, motions, expressions, and interpretations of musical gesture. The book will be of significance to musicologists, theorists, semioticians, analysts, composers and performers, as well as scholars working in different research communities with an interest in the study of gesture.
Author : Bob Snyder
Publisher : MIT Press
Page : 324 pages
File Size : 50,7 Mb
Release : 2000
Category : Music
ISBN : 0262692376
Divided into two parts, this book shows how human memory influences the organization of music. The first part presents ideas about memory and perception from cognitive psychology and the second part of the book shows how these concepts are exemplified in music.
Author : Harold Barlow,Sam Morgenstern
Publisher : Unknown
Page : 642 pages
File Size : 40,6 Mb
Release : 1983
Category : Electronic
ISBN : OCLC:630781721
Contient plus de 10 000 thèmes classiques, classés par ordre alphabétique de compositeurs et renvoyant à des index alphabétique et solfégique