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Indian Baskets of the Southwest by Clara Lee Tanner Pdf
With the same clarity and attention to detail for which she has become known throughout the world as an authority on Indian craft arts, Tanner now reveals the wide range of Southwest Indian basketry in this handsome volume.
American Indian Baskets by William A. Turnbaugh,Sarah Peabody Turnbaugh Pdf
Over 750 color photographs illustrate this long-awaited guide for collectors of vintage Native American basketry. Decades of basketry research inform the text, guiding basket lovers to a better understanding of these woven treasures. Clear images and concise descriptions, presented in an extended gallery showcasing hundreds of baskets, delineate specific tribal styles within Native North America's nine basketry regions: Southwest, Great Basin, California, Plateau, Northwest Coast, Arctic and Subarctic, Plains, Southeast, and Northeast. Unique to this book is an in-depth comparison of imported baskets being passed off as American Indian work. The cultural and historical background as well as the influence of the "Indian basket craze" are also examined. Valuable guidance on buying, selling, and caring for baskets includes a frank discussion of legal issues impacting basket collectors. Rounding out this essential reference are comprehensive regional bibliographies, Internet resource listings, and a directory of American museums exhibiting Native American baskets.
Author : Susan Brown McGreevy Publisher : School for Advanced Research Press Page : 104 pages File Size : 51,6 Mb Release : 2001 Category : Art ISBN : IND:30000079175695
Indian Basketry Artists of the Southwest by Susan Brown McGreevy Pdf
Since then, baskets have evolved into a vast array of ritual, utilitarian, and decorative forms, still in use in Native American homes and increasingly appearing in art galleries, museums, and private collections. This volume celebrates the contemporary florescence of this ancient art form."--BOOK JACKET.
Indian Basket Weaving by Navajo School of Indian Basketry Pdf
The methods of Indian basket weaving explained in this excellent manual are the very ones employed by native practitioners of the craft. members of the Navajo School of Basketry have set down their secrets in clear and simple language, enabling even the beginner to create work that can rival theirs in grace, design, and usefulness. Beginning with basic techniques, choice of materials, preparation of the reed, splicing, the introduction of color, principles and methods of design, shaping the basket and weaves from many cultures, such as Lazy Squaw, Mariposa, Taos, Samoan, Klikitat, and Shilo, each accompanied by specific instructions. There are suggestions for the weaving of shells, beads, feathers, fan palms, date palms, and even pine needles, and recipes for the preparation of dyes. Examples of each type of basket are illustrated by photographs, often taken from more than one angle so that the bottom can be seen as well as the top and sides. Close-up photography of the various types of stitching, especially at the crucial stage of beginning the basket, is an invaluable aid to the weaver. In addition, the authors have provided line drawings which are exceptionally clear magnifications of the various weave patterns. Anyone who follows the lessons contained in this book will have a knowledge of basketry unattainable in any other way. They are so lucid and complete that the amateur as well as the experienced weaver will be able to manufacture baskets distinguishable from authentic native articles only in that they were not woven by Indians. For those who merely seek a broader knowledge of American Indian arts, the book provides a comprehensive introduction to the subject of basketry.
Woven from the Center presents breathtaking basketry from some of the greatest weavers in the Greater Southwest. Each sandal and mat fragment, each bowl and jar, every water bottle and whimsy is infused with layers of aesthetic, cultural, and historical meanings. This book offers stunning photos and descriptions of woven works from Indigenous communities across the U.S. Southwest and Northwest Mexico.
Everything there is to know about traditional Native American basket weaving. Native American basket weaving is an intricate and powerful art, representative of the legends and ceremonies of the Indian nations and their cultures. George Wharton James’s Indian Basketry is an invaluable aid for the artist, designer, craftsman, or beginner who wants to recreate authentic and often extinct basket forms and decorative motifs of the Native American peoples. Filled with 355 illustrations and photographs of Native American basket weavers taken at the turn of the twentieth century, this pioneering study—first published in 1901—provides in-depth information about specific aspects of Indian basketry, including: • Its role in legend and ceremony • The origins of forms and designs • Materials and colors used • Weaves and stitches • The symbolism and poetry woven into each basket • Preservation • Tips for the collector • And much more! From Yolo ceremonial baskets to Oraibi sacred trays, Indian Basketry traces the origin, development, and fundamental principles of the basket designs of the major Indian tribes of the southwestern United States and Pacific Coast, along with comments on the basket weaving of a number of other North American tribes.
The origins of basketry are lost in the mists of prehistory, but making baskets is certainly one of the oldest and most nearly universal crafts of mankind. In the Americas, basket artifacts found in caves in Utah have been dated at 7000 B.C., while twined baskets said to be at least 5,000 years old have been uncovered in Peru. In the American Southwest, an entire Indian culture (ca. 100–700 A.D.) is known as "Basket Maker" because of the distinctive baskets it produced. This exhaustive survey (two volumes in one) of American Indian basketry, perhaps the finest book ever published on the subject, documents basketmaking throughout the Americas — in Eastern North America, Alaska and the Pacific Northwest, Western Canada, Oregon, California and the Interior Basin, as well as Mexico, Central and South America. Spanning a wide range of indigenous cultures (Aleutian, Tlinkit, Shoshonean, Athapascam, etc.), the detailed, carefully researched discussions in this book offer a wealth of information about woven and coiled basketry, watertight basketry, materials, basketmaking techniques and preparation, ornamentation and symbolism, as well as the uses of baskets as receptacles, in preparing and serving food, for gleaning and milling, in mortuary customs, in religion and social life, in trapping, carrying water, and in many other areas of Indian life. An interesting and informative chapter on collectors and collections and the preservation of baskets, followed by a helpful biography, rounds out the book. In addition, the author, once Curator of Ethnology at the U.S. National Museum (part of the Smithsonian Institution), enhanced this encyclopedic study with over 450 excellent photographs and illustrations. For collectors, preservationists, anthropologists, students of crafts and culture, modern basketmakers, this is an indispensable reference — a massively rich source of information about baskets, the peoples who made them, how they were made, and their role in native American life and culture.
California Indian Baskets is lavishly illustrated in full color with rare baskets from the magnificent collections of the University of California, Harvard University, Smithsonian Institution, The British Museum, Madrid's Museo de America, Royal Museum of Scotland, Santa Barbara Museum of Natural History, Southwest Museum and many other world-class museums and private collections. The vast majority of these rare baskets have never appeared in print before. Made possible in part through the support and vision of three California Indian tribes, this remarkable book is the result of decades of research by noted basketry scholar Ralph Shanks. Expertly researched and well written, California Indian Baskets honors the achievements of the First Californians. The book illuminates Native American art, history, technology, population movements, cultural interactions, and native plant uses. The book demonstrates basketry studies can rank with archeology, linguistics and DNA research in understanding and appreciating Native American culture and history. This is especially true in California where baskets were central to daily life. It was through basketry that the most populous and linguistically diverse Native American population in the United States was able to create a highly productive economy and vibrant cultural life with no agriculture and very limited use of pottery. Native California was not "pre-agricultural," but rather a land where basketry was combined with native plant resources so successfully that agriculture was not needed.
Author : Clara Lee Tanner Publisher : University of Arizona Press Page : 217 pages File Size : 46,9 Mb Release : 1982-10 Category : Art ISBN : 9780816507788
Indian Basketry of the Northeastern Woodlands by Sarah Peabody Turnbaugh,William A. Turnbaugh Pdf
With hundreds of vivid and detailed color photographs and an easy narrative style enlivened by historical vignettes and images, the authors bring overdue appreciation to a centuries-old Native American basketmaking tradition in the Northeast. Explore the full range of vintage Indian woodsplint and sweetgrass basketry in the Northeastern U.S. and Canada, from practical "work" baskets made for domestic use to whimsical "fancy" wares that appealed to Victorian tourists. Basket collectors may compare four regional styles: Southern New England and Long Island, Northern New England and Canadian Maritimes, Upper New York State, and the Great Lakes. Learn of the craft's key role in supporting many Eastern Algonquian and Iroquoian peoples through generations of turmoil and change. Discover how today's creative young artisans are building upon their legacy. The book's "Resources" section guides readers to relevant websites and publications as well as northeastern Indian basketry collections in more than 30 public museums.