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Inferno, Alone, and Other Writings by August Strindberg Pdf
"Fleeing Sweden after the breakup of his first marriage, August Strindberg moved across Europe from 1892 to 1897, making Paris and Berlin his main bases of operation... Strindberg's circle...included scientists (for he was seriously, if briefly, a chemist), writers and artists- particularly Paul Gauguin and Edvard Munch, friends who marked and were marked by Strindberg's ideas on art, developed in his own painting. Through these years, Strindberg's troubles with censors and women and his private demons grew parallel to his increasing artistic power and religious temper. Both developments may be seen in this volume of writings from the period"--from page [4] of cover.
Encyclopedia of Life Writing by Margaretta Jolly Pdf
First published in 2001. This is the first substantial reference work in English on the various forms that constitute "life writing." As this term suggests, the Encyclopedia explores not only autobiography and biography proper, but also letters, diaries, memoirs, family histories, case histories, and other ways in which individual lives have been recorded and structured. It includes entries on genres and subgenres, national and regional traditions from around the world, and important auto-biographical writers, as well as articles on related areas such as oral history, anthropology, testimonies, and the representation of life stories in non-verbal art forms.
An International Annotated Bibliography of Strindberg Studies 1870-2005: Autobiographies, novels, poetry, letters, historical works, natural history and science, lingiustics, painting and the other arts, politics, psychopathology, biography, miscellaneous, dissertations by Michael Robinson Pdf
This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg and his works in various countries and during different periods. It is thus very much a study in reception as well as a bibliographical record of published material. It traces the developing image of Strindberg and his writing both during his lifetime and in subsequent years, and with frequent cross reference offers a comprehensive overview of a literary and existential project that has rarely been matched for its multifaceted diversity. The bibliography is published in three parts. Volume 1, General Studies (978-0-947623-81-4) and Volume 2, The Plays (978-0-947623-82-1) are also now available. Michael Robinson is Emeritus Professor of Drama and Scandinavian Studies at the University of East Anglia, Norwich.
The Roofing Ceremony & the Silver Lake by August Strindberg Pdf
The Roofing Ceremony is a powerful, ultimately hopeful short novel that will revise the narrow view of August Strindberg as merely a misogynist and the gloomiest of Scandinavian writers. This novel has an inwardness, irreducibly and complexly human, that looks back to Tolstoy's The Death of Ivan Ilyich and forward to Samuel Beckett's Krapp's Last Tape. Published in Sweden in 1906 and never before translated into English, The Roofing Ceremony (Taklags”l) anticipates in its turbulent intensity the chamber plays Strindberg was soon to write. It is about a dying man, once an explorer but now a museum curator, who reviews his tumultuous life aloud as he drifts in and out of a morphine-induced sleep. Sometimes fragmentary, sometimes episodic, this impressionistic monologue builds up a vivid and nuanced portrait of the curator and his estranged wife, chronicling passionately but also humorously the descent of their marriage from island idyll into bitter comedy into tragic estrangement. Strindberg anticipated in this work the modern psychological novel and the technique of stream-of-consciousness. A curious, brief narrative Strindberg meant to incorporate into The Roofing Ceremony but never did is also included in this book, as well as a story called The Silver Lake written in 1898, which also appears in English for the first time. A museum curator, summering on a Baltic island, seeks out a forbidden lake and shares its enchantment with his wife and children. But his marriage is doomed, and when he returns to the lake alone, its mystery turns sinister.
In 1897 August Strindberg, almost fifty years old, embarked on one of the great comebacks in the history of literature. For six years he had lived as an exile in Germany, Austria, and France. Though more than twenty years earlier he had earned a place in Scandinavian literature, the general view in Sweden was that he was finished, his career over. Then, with the publication of Inferno, the novel that described some of the most harrowing experiences of his exile years, he returned swiftly to the center of Swedish literary life. In Out of Inferno Harry G. Carlson analyzes the reasons for Strindberg’s collapse and subsequent reemergence as an influential modern writer. Strindberg’s early success was as a realist, or Naturalist, writer in the 1870s and 1880s. Astute and politically conscious, Strindberg emphasized social relevance in his art. At the same time, however, he instinctively trusted his highly inventive "visions." The tensions and contradictions between realist and dreamer ultimately helped precipitate the collapse of his career in the Inferno years. Carlson explores Strindberg’s struggle to redefine both his art and himself as an artist, and the influence on him of various intellectual trends in fin de siècle Berlin and Paris—occultism, alchemy, Orientalism, medievalism. After declaring himself finished with drama and fiction, Strindberg turned to an old love, painting, and sought out friends in avant-garde circles, among them Munch and Gauguin. His renewed interest in painting and in experiments in the powers of the visual imagination laid the groundwork for the radical experimentation of his later drama. In the extraordinary atmosphere of artistic ferment in Berlin and Paris, Strindberg’s always sensitive visual imagination became recharged with energy, and the writer was inspired to return to work. The results in plays like To Damascus, A Dream Play, The Dance of Death, Erik XIV, and The Ghost Sonata amounted to a vision of drama that helped change the course of the modern theatre.
Strindberg and the Poetry of Myth by Harry G. Carlson Pdf
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
Paradox informs the narrative sequence, images, and rhetorical tactics contrived by skilled dramatists and novelists. Their literary languages depict not only a war between rivals but also simultaneous affirmation and negation voiced by a tragic individual. They reveal the treason, flux, and duplicity brought into play by an unrelenting drive for respect. Their patterns of speech, action, and image project a convergence of polarities, the convergence of integrity and radical change, of constancy and infidelity. A fanatical drive to fulfill a traditional code of masculine conduct produces the ironic consequence of de-forming that code—the tragic paradox. Tragic literature exploits irony. In Athenian and Shakespearean tragedy, self-righteous male or female aristocrats instigate their own disgrace, shame, and guilt, an un-expected diminishment. They are victimized by a magnificent obsession, a fantasy of un-alloyed authority or virtue, a dream of perfect self-sufficiency or trust. The authors of tragedy revised the concept of “nobility” to reflect the strange fact that grandeur elicits its own annulment. “Strengths by strengths do fail,” Shakespeare wrote in Coriolanus. The playwrights made this paradoxical predicament concrete with a narrative format that equates self-assertion with self-detraction, images that revolve between incredible reversals and provisional reinstatements, and speech that sounds impressively weighty but masks deception, disloyalty, cynicism, and insecurity. Three heroic philosophers, Plato, Hegel, and Nietzsche, contributed invaluable but contrasting accounts of these literary languages (Aristotle's Poetics will be discussed in connection with Plato's attitude toward poetry). Their divergent descriptions can be reconciled to show that invalidations as well as affirmations—the transmission of contraries—are essential for tragic composition. An equivocal rhetoric, a mutable imagery, and an ironic progression convey the tortuous pursuit of personal preeminence or (in later tragic works by Kafka and Strindberg) family solidarity and communal safety. I am trying to integrate the disparate arguments offered by several notable theorists with technical procedures fashioned by the Athenian dramatists and recast by Shakespeare and other writers, procedures that articulate the tragic paradox.
In this groundbreaking and comprehensive study, Julian Murphet examines how dramatists and prose writers at the turn of the twentieth century experimented with new forms of modern character. Old truisms of character such as consistency, depth, and verisimilitude are eschewed in favour of inconsistency, bad faith, and fragmentation.
Performing Science and the Virtual by Sue-Ellen Case Pdf
This impressive new book from Sue-Ellen Case looks at how science has been performed throughout history, tracing a line from nineteenth century alchemy to the twenty-first century virtual avatar. In this bold and wide-ranging book that is written using a crossbreed of styles, we encounter a glance of Edison in his laboratory, enter the soundscape of John Cage and raid tombs with Lara Croft. Case looks at the intersection of science and performance, the academic treatment of classical plays and internet-like bytes on contemporary issues and experiments where the array of performances include: electronic music Sun Ra, the jazz musician the recursive play of tape from Samuel Beckett to Pauline Oliveros Performing Science and the Virtual reviews how well these performances borrow from spiritualist notions of transcendence, as well as the social codes of race, gender and economic exchange. This book will appeal to academics and graduates studying theatre and performance studies, cultural studies and philosophy.
Utopian Literature and Science by Patrick Parrinder Pdf
Scientific progress is usually seen as a precondition of modern utopias, but science and utopia are frequently at odds. Ranging from Galileo's observations with the telescope to current ideas of the post-human and the human-animal boundary, this study brings a fresh perspective to the paradoxes of utopian thinking since Plato.
Author : Anna Westerstahl Stenport Publisher : University of Toronto Press Page : 225 pages File Size : 55,6 Mb Release : 2010-11-01 Category : History ISBN : 9781442660403
Locating August Strindberg's Prose by Anna Westerstahl Stenport Pdf
The setting of a novel is more than just an anonymous, interchangeable backdrop. In Locating August Strindberg's Prose, Anna Westerståhl Stenport argues that spatial setting is a key - though often neglected - tool for exploring the fundamentals of European literary modernism. Stenport examines the importance of location by exploring the prose of Swedish exile August Strindberg (1849-1912), challenging previous studies of the author that have focused on identity and subject formation. Strindberg wrote in both Swedish and French, situating his stories in various places across Europe - from Berlin to the French countryside, the Austrian Alps, and Stockholm - to purposely destabilize concepts of national belonging, language, and literary history. Close readings of Strindberg's prose find that his boundary-challenging narratives redefine and rewrite the meaning of a marginal literary identity. By contextualizing Strindberg against other early modernists, including Kafka, Conrad, Rilke, and Breton, Stenport emphasizes the burgeoning transnationality of literature at the turn of the last century.
Ricorso and Revelation traces the impact on Modernism of the archaeological discoveries of the Palace of Knossos, the Royal Cemetery of Ur, and the Tomb of Tutankhamen, and the artifacts recovered from these sites, showing how they entered the narrative strategies of the Modernist movement. The author also develops a new argument about the four myth configurations - the maze, alchemy, the Great Goddess, and the Apocalypse - which were of central importance to the literature of European Modernism between 1895 and 1946, studying their appearances in a wide range of European modernist writers and in the paintings of Picasso and the films of Jean Cocteau. Drawing from a variety of theories on myth, Smith suggests that each of these four myths represents a creative return to the origins (ricorso), a reduction of the raw materials of daily life to the fundamental elements of creation (revelation), followed by a recreation of the world (cosmogenesis), of the poet (ontogenesis), and of the text (poesis/I>).
