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Inside the Hollywood Closet--A Book of Quotes by Boze Hadleigh Pdf
Join legendary Hollywood scribe Boze Hadleigh in this journey back in time as he examines what it was like to be gay in Hollywood during Tinseltown’s heyday, as well as how things have changed and what the future of gay Hollywood looks like. Today. Hadleigh examines both the obvious and hidden costs of being queer I Hollywood from both the inside looking out, and the outside looking in. Hadleigh brings us quotes and statements from such stars as Rock Hudson, Truman Capote, Cary Grant, Neil Patrick Harris, kd Lang, Ellen DeGeneres, Jodie Foster, Queen Latifah, Little Naz, Oscar Wilde, Sammy Davis Jr., Ellen Page, Rosie O’Donnell, Ian McKellan, Bea Arthur, Buttlerfy McQueen, Chaz Bono, Elton John, Remi Malek, Wanda Sykes, among others.
Is Elvis the most charismatic star ever? What else accounts for his continuing global appeal and media presence, his allure to music lovers of all ages and to fans whose pilgrimages to Graceland make it the most-visited private residence in the USA? Presley's estate now earns more annually than when Elvis was alive. He died at 42, close on half a century ago, but new generations keep discovering him. He rocks and rolls on and on, not necessarily as a movie star—he was the first to dismiss his 31-film output—but as the top-selling singer in history, a pop-culture icon, an ageless sex symbol and a mythic figure who inspires intense, even fanatical devotion (e.g., the First Presbyterian Church of Elvis the Divine). When Elvis died there were some 170 Elvis imitators. A quarter-century later there were an estimated 85,000 Elvis "tribute artists," including a popular Chinese Elvis in London and a gay Mexican American, El Vez, whose re-tooled song performances include "You Ain't Nothin' But a Chihuahua." There are even Elvis performances in "heaven"—some years ago two groups of skydiving impersonators, the Flying Elvises and the Flying Elvis, sued each other in federal court. Elvis Forever offers possibly the most revealing and rounded close-up look yet at the King. The frank, often bold, sometimes shocking or surprising quotes from insiders and outsiders, peers, costars, friends, employees and famous fans took over two decades to collect and cover every phase of the life and legacy of the magnetic man from Memphis.
"Fans of Hollywood's golden age will find this collection of interviews conducted over many years revealing...an enlightening picture emerges of Tinseltown, different from that presented in the fanzines." ¬Publishers Weekly "The book is more than it seems because these women are great talkers." ¬Booklist "I was curious about 'Hollywood Lesbians.' I have now read the book. I am still stunned." ¬ Bea Arthur of "The Golden Girls" "Riveting!...an eye opener!!" ¬Ellen DeGeneres Hollywood Lesbians: From Garbo to Foster is the companion volume to Boze Hadleigh’s classic Hollywood Gays. In this rare and no-holds-barred collection of exclusive interviews with Hollywood icons from the Golden Age of movies and TV—Dame Judith Anderson, Barbara Stanwyck, Capucine, Ann B. Davis, Nancy Kulp, Sandy Dennis, Agnes Moorehead, Edith Head, Patsy Kelly — among others—renowned entertainment journalist and historian Boze Hadleigh goes straight to the source and opens the film world’s closet door into the past, and brings this volume full circle to the present with new material.
Kiss the Blood Off My Hands by Robert Miklitsch Pdf
Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In Kiss the Blood Off My Hands: On Classic Film Noir, Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. Contributors analyze the oft-overlooked female detective and little-examined aspects of filmmaking like love songs and radio aesthetics, discuss the significance of the producer and women's pulp fiction, and investigate topics as disparate as Disney noir and the Fifties heist film, B-movie back projection and blacklisted British directors. At the same time the writers' collective reconsideration shows the impact of race and gender, history and sexuality, technology and transnationality on the genre. As bracing as a stiff drink, Kiss the Blood Off My Hands writes the future of noir scholarship in lipstick and chalk lines for film fans and scholars alike. Contributors: Krin Gabbard, Philippa Gates, Julie Grossman, Robert Miklitsch, Robert Murphy, Mark Osteen, Vivian Sobchack, Andrew Spicer, J. P. Telotte, and Neil Verma.
'You'll laugh like a drain' Stylist Dear Girls is Ali Wong's collection of heartfelt and hilarious letters to her daughters covering everything they need to know in life, like the unpleasant details of dating, how to be a working mum in a male-dominated profession and how she trapped their dad. She shares the wisdom she’s learned from a life in comedy and reveals stories from her life off stage, including the brutal single life in New York (and the inevitable confrontation with erectile dysfunction), reconnecting with her roots (and drinking snake blood) in Vietnam and parenting war stories. Ali Wong’s letters are absurdly funny, surprisingly moving and enlightening (and gross) for all.
Hollywood's Silent Closet provides a banquet of information about the pansexual intrigues of Hollywood between 1919 and 1926, compiled from eyewitness interviews with men and women, all of them insiders, who flourished in its midst. Not for the timid, it names names and doesn't spare the guilty. If you believe, like Truman Capote, that the literary treatment of gossip will become the literature of the 21st century, then you will love Hollywood's Silent Closet. Hollywood's Silent Closet is a vivid portrait of the decadent, homosexual, and gossipy world of pre-talkie Hollywood. It's an Info-Novel where 90% of everything in it is true. It represents the greatest collection of star-studded scandal ever assembled on the film stars of Hollywood's Silent Era. Valentino, Ramon Novarro, Charlie Chaplin, Fatty Arbuckle, Pola Negri, Nazimova, and many others figure into eyewitness accounts of the debauched excesses that went on behind closed doors. It also documents the often tragic endings of America's first screen idols, some of whom admitted to being more famous than the monarchs of England and Jesus Christ combined. Many of the interviews that went into the compilation of this book were conducted between 1940 and 1974, as the subjects were nearing the end of their lives and were willing, at last, to reveal scandals and insights that had previously been repressed by their own fears and by the media machines of the studio system. Marriages of convenience are the norm as intra-male peccadillos (and lots of lesbian love, too) are swept under the potted palms of the Edwardian age. The hero of this tale is the amiably cross-dressing Durango Jones, a wide-eyed neophyte from Kansas, circa 1919, who hits Hollywood during its Pre-Code excesses, and stays for a sexual feast wherein the banquet consists of many of the era's most flamboyant sex symbols. And although technically, this title has been formatted as a novel rather than a straight-line biography, there's the sometimes disturbing sense that this book is genuinely historical as well as being a jolly and rollicking piece of very savvy entertainment. This is high-testosterone Hollywood at its most compulsively readable. The 60s didn't invent sex-the stars of the Silent Screen did. --Cruiser. Who slept with Mary Pickford's three husbands, her two brothers-in-law, and even her brother? The hero of Hollywood's Silent Closet, that's who! --Trova Roma.
"From a bestselling fashion guru--a fascinating, meticulously researched history of Western fashion covering every topic from the history of the high heel to the origin of blue jeans.America's favorite fashion expert, New York Times bestselling author, beloved mentor on Project Runway, and a frequent guest on The Oprah Winfrey Show, Dr. Oz, The Biggest Loser, and others--Tim Gunn is also the chief creative officer of Liz Claiborne and a former faculty member and chair of fashion design at Parsons' New School for Design. Now he pours this undeniably impressive fashion knowledge into this category-killing tome, Tim Gunn's Fashion Bible. From togas to Crocs, beloved fashion guru Tim Gunn presents the fascinating and exhaustive history of every item of clothing and accessory ever worn. In his new, authoritative, witty Fashion Bible, he traces the origins of everything in your closet from its earliest incarnation to the present day, covering everything from the cultural history of the garment to current fads. From suits to sportswear, Gunn recounts the contributions made by revolutionary designers and surveys Western fashion, educating, enlightening, and entertaining us all! Marked by Tim's personable tone, this comprehensive volume not only informs, but reminds us that fashion is ultimately about innovation and fun!"--
Author : Harry M. Benshoff Publisher : Manchester University Press Page : 340 pages File Size : 42,8 Mb Release : 1997-11-15 Category : Performing Arts ISBN : 0719044731
Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.
Robert G. O'Meally,Brent Hayes Edwards,Farah Jasmine Griffin
Author : Robert G. O'Meally,Brent Hayes Edwards,Farah Jasmine Griffin Publisher : Columbia University Press Page : 455 pages File Size : 53,8 Mb Release : 2004 Category : History ISBN : 9780231123501
Uptown Conversation by Robert G. O'Meally,Brent Hayes Edwards,Farah Jasmine Griffin Pdf
'Uptown Conversation' asserts that jazz is not only a music to define, it is a culture. The essays illustrate how for more than a century jazz has initiated a call and response across art forms, geographies, and cultures, inspiring musicians, filmmakers,painters and poets.
From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War. Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen. There were few elements of cinematic production beyond Breen's reach he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era and an individual both feared and admired to vivid life.
This reference helps readers navigate the perilous odyssey those of an LGBTQ orientation had to face in an age less enlightened than our own, when an attraction to members of the same gender could lead to horrendous abuse. Just as American society has changed dramatically from decade to decade, so has queer cinema. Taking us from a time when LGBTQ characters were often represented as either caricatures or figures of farce, this lively yet authoritative reference explores the sea change ushered in by such stars as Greta Garbo and Marlene Dietrich in the 1930s and '40s, androgynous figures such as Montgomery Clift, James Dean, and Marlon Brando in the '50s, and closeted gay men such as Rock Hudson and Liberace, whose double lives were exposed by the scourge of AIDS. Included are alphabetically arranged entries on stars, directors, films, themes, and other topics related to queer cinema in America, including films and persons from outside the U.S. who nonetheless figured prominently in America popular culture. Entries cite works for further reading, sidebars provide snippets of interesting trivia, a timeline highlights key events, and a selected, general, end-of-work bibliography cites the most important major works on the topic.
NEW YORK TIMES BESTSELLER • The #1 New York Times bestselling author of World War Z is back with “the Bigfoot thriller you didn’t know you needed in your life, and one of the greatest horror novels I’ve ever read” (Blake Crouch, author of Dark Matter and Recursion). FINALIST FOR THE LOCUS AWARD As the ash and chaos from Mount Rainier’s eruption swirled and finally settled, the story of the Greenloop massacre has passed unnoticed, unexamined . . . until now. The journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and, inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before. Praise for Devolution “Delightful . . . [A] tale of supernatural mayhem that fans of King and Crichton alike will enjoy.”—Kirkus Reviews (starred review) “The story is told in such a compelling manner that horror fans will want to believe and, perhaps, take the warning to heart.”—Booklist (starred review)
