Intermedialities

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Cinematic Intermedialities and Contemporary Holocaust Memory

Author : Victoria Grace Walden
Publisher : Springer
Page : 217 pages
File Size : 50,6 Mb
Release : 2019-04-11
Category : Performing Arts
ISBN : 9783030108779

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Cinematic Intermedialities and Contemporary Holocaust Memory by Victoria Grace Walden Pdf

This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory.

The Palgrave Handbook of Intermediality

Author : Jørgen Bruhn,Asun López-Varela Azcárate,Miriam de Paiva Vieira
Publisher : Springer Nature
Page : 1254 pages
File Size : 50,8 Mb
Release : 2024-01-02
Category : Literary Criticism
ISBN : 9783031283222

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The Palgrave Handbook of Intermediality by Jørgen Bruhn,Asun López-Varela Azcárate,Miriam de Paiva Vieira Pdf

This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II and III then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes in Section IV with an emphasis on urgent societal issues that an intermedial perspective might help understand.

Intermedialities

Author : Henk Oosterling,Ewa Płonowska Ziarek
Publisher : TEXTURES: Philosophy / Literature / Culture
Page : 248 pages
File Size : 40,6 Mb
Release : 2011
Category : Art
ISBN : UCSD:31822036588705

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Intermedialities by Henk Oosterling,Ewa Płonowska Ziarek Pdf

As an alternative to universalism and particularism, Intermedialities: Philosophy, Arts, Politics proposes "intermedialities" as a new model of social relations and intercultural dialogue. The concept of "intermedialities" stresses the necessity of situating debates concerning social relations in the divergent contexts of new media and avant-garde artistic practices as well as feminist, political, and philosophical analyses.

Travels in Intermedia[lity]

Author : Bernd Herzogenrath
Publisher : UPNE
Page : 290 pages
File Size : 41,7 Mb
Release : 2012
Category : Social Science
ISBN : 9781611682618

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Travels in Intermedia[lity] by Bernd Herzogenrath Pdf

The cooperation and collaboration between media, art forms, and cultural studies

Intermediality in Theatre and Performance

Author : Freda Chapple,Chiel Kattenbelt
Publisher : Rodopi
Page : 280 pages
File Size : 47,9 Mb
Release : 2006
Category : Art
ISBN : 9042016299

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Intermediality in Theatre and Performance by Freda Chapple,Chiel Kattenbelt Pdf

Intermediality: the incorporation of digital technology into theatre practice, and the presence of film, television and digital media in contemporary theatre is a significant feature of twentieth-century performance. Presented here for the first time is a major collection of essays, written by the Theatre and Intermediality Research Group of the International Federation for Theatre Research, which assesses intermediality in theatre and performance. The book draws on the history of ideas to present a concept of intermediality as an integration of thoughts and medial processes, and it locates intermediality at the inter-sections situated in-between the performers, the observers and the confluence of media, medial spaces and art forms involved in performance at a particular moment in time. Referencing examples from contemporary theatre, cinema, television, opera, dance and puppet theatre, the book puts forward a thesis that the intermedial is a space where the boundaries soften and we are in-between and within a mixing of space, media and realities, with theatre providing the staging space for intermediality. The book places theatre and performance at the heart of the 'new media' debate and will be of keen interest to students, with clear relevance to undergraduates and post-graduates in Theatre Studies and Film and Media Studies, as well as the theatre research community.

Intermedialities

Author : Henk Oosterling,Ewa Plonowska Ziarek
Publisher : Lexington Books
Page : 243 pages
File Size : 42,7 Mb
Release : 2012-07-10
Category : Philosophy
ISBN : 9780739146552

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Intermedialities by Henk Oosterling,Ewa Plonowska Ziarek Pdf

Bringing together an international and interdisciplinary group of scholars, Intermedialities: Philosophy, Arts, Politics is a comprehensive collection devoted to the new field of research called 'intermedialities.' The concept of intermedialities stresses the necessity of situating philosophical and political debates on social relations in the divergent contexts of media theories, avant-garde artistic practices, continental philosophy, feminism, and political theory. The 'intermedial' approach to social relations does not focus on the shared identity but instead on the epistemological, ethical, and political status of inter (being-in-between). At stake here are the political analyses of new modes of being in common that transcend national boundaries, the critique of the new forms of domination that accompany them, and the search for new emancipatory possibilities. Opening a new approach to social relations, intermedialities investigates not only engagements between already constituted positions but even more the interval, antagonism, and differences that form and decenter these positions. Consequently, in opposition to the resurgence of cultural and ethnic particularisms and to the leveling of difference produced by globalization, the political and ethical analysis of the 'in-between' enables a conception of community based on difference, exposure, and interaction with others rather than on an identification with a shared identity. Investigations of 'in-betweenness,' both as medium specific and between heterogeneous 'sites' of inquiry, range here from philosophical conceptuality to artistic practices, from the political circulation of money and power to the operation of new technologies. They inevitably invoke the crucial role of embodiment in creative thought and collective acting. As a mediating instance between the psyche and society, matter and spirit, nature and culture, and biology and technology, the body is another interval forming and informed by socio-linguistic relations. As these complex intersections between media, materiality, art, and the philosophy and politics of the in-between suggest, the project of intermedialities provides new ways of rethinking relations among arts, politics, and science.

Handbook of Intermediality

Author : Gabriele Rippl
Publisher : Walter de Gruyter GmbH & Co KG
Page : 701 pages
File Size : 52,8 Mb
Release : 2015-07-24
Category : Literary Criticism
ISBN : 9783110393781

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Handbook of Intermediality by Gabriele Rippl Pdf

This handbook offers students and researchers compact orientation in their study of intermedial phenomena in Anglophone literary texts and cultures by introducing them to current academic debates, theoretical concepts and methodologies. By combining theory with text analysis and contextual anchoring, it introduces students and scholars alike to a vast field of research which encompasses concepts such as intermediality, multi- and plurimediality, intermedial reference, transmediality, ekphrasis, as well as related concepts such as visual culture, remediation, adaptation, and multimodality, which are all discussed in connection with literary examples. Hence each of the 30 contributions spans both a theoretical approach and concrete analysis of literary texts from different centuries and different Anglophone cultures.

Mapping Intermediality in Performance

Author : Sarah Bay-Cheng,Chiel Kattenbelt,Andy Lavender
Publisher : Amsterdam University Press
Page : 305 pages
File Size : 50,8 Mb
Release : 2010
Category : Performing Arts
ISBN : 9789089642554

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Mapping Intermediality in Performance by Sarah Bay-Cheng,Chiel Kattenbelt,Andy Lavender Pdf

This insightful book explores the relationship between theater and digital culture. The authors show that the marriage of traditional performance with new technologies leads to an upheaval of the implicit “live” quality of theatre by introducing media interfaces and Internet protocols, all the while blurring the barriers between theater-makers and their audience.

Literary Intermediality

Author : Maddalena Pennacchia Punzi
Publisher : Peter Lang
Page : 264 pages
File Size : 40,6 Mb
Release : 2007
Category : Drama
ISBN : 3039112236

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Literary Intermediality by Maddalena Pennacchia Punzi Pdf

The increasing transfer of literary texts and of related writing/reading processes from the printed page to analog and digital media (and vice versa) is the phenomenon under investigation in this book, for which the term 'literary intermediality' has been coined. Literature is 'in transit', i.e. travelling incessantly through mass-media, personal-media, and the internet, with crucial effects both on the ways it is perceived by younger generations of users and on the ways it is devised by contemporary authors. The literary text far from being restricted to printed media keeps moving across the whole media circuit, thus acquiring at any stage a new, temporary identity. Based on the seminar «Intermediality and Literary Practices» at the 7th ESSE Conference in 2004, the essays of this collection by scholars from both sides of the Atlantic focus on the seminar's common topics - cinema, theatre, postmodernism, and new critical issues.

Cinema and Intermediality

Author : Ágnes Pethő
Publisher : Cambridge Scholars Publishing
Page : 525 pages
File Size : 55,6 Mb
Release : 2011-05-25
Category : Performing Arts
ISBN : 9781443830348

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Cinema and Intermediality by Ágnes Pethő Pdf

Within the last two decades “intermediality” has emerged as one of the most challenging concepts in media theory with no shortage of various taxonomies and definitions. What prompted the writing of the essays gathered in this volume, however, was not a desire for more classifications applied to the world of moving pictures, but a strong urge to investigate what the “inter-” implied by the idea of “intermediality” stands for, and what it actually entails in the cinema. The book offers in each of the individual chapters a cross-section view of specific instances in which cinema seems to consciously position itself “in-between” media and arts, employing techniques that tap into the multimedial complexity of cinema, and bring into play the tensions generated by media differences. The introductory theoretical writings deal with the historiography of approaching intermedial phenomena in cinema presenting at the same time some of the possible “gateways” that can open up the cinematic image towards the perceptual frames of other media and arts. The book also contains essays that examine more closely specific paradigms in the poetics of cinematic intermediality, like the allure of painting in Hitchcock’s films, the exquisite ways of framing and un-framing haptical imagery in Antonioni’s works, the narrative allegories of media differences, the word and image plays and ekphrastic techniques in Jean-Luc Godard’s “total” cinema, the flâneuristic intermedial gallery of moving images created by José Luis Guerín, or the types of intermedial metalepses in Agnès Varda’s “cinécriture.” From a theoretical vantage point these essays break with the tradition of thinking of intermediality in analogy with intertextuality and attempt a phenomenological (re)definition of intermedial relations. Moreover, some of the analyses target films that expose the coexistence of the hypermediated experience of intermediality and the illusion of reality, connecting the questions of intermediality both to the indexical nature of cinematic representation and to the specific ideological and cultural context of the films, thus offering insights into a few questions regarding the “politics” of intermediality as well.

Cinema and Intermediality (Second, Enlarged Edition)

Author : Ágnes Pethő
Publisher : Cambridge Scholars Publishing
Page : 499 pages
File Size : 52,9 Mb
Release : 2020-08-24
Category : Art
ISBN : 9781527558656

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Cinema and Intermediality (Second, Enlarged Edition) by Ágnes Pethő Pdf

One of the most comprehensive books to focus on the relationship between cinema and the other arts, this volume explores types and stylistic devices of intermediality through a wide range of case studies. It addresses major theoretical issues and highlights the relevance of intermedial relations in film history, mapping the theoretical field by outlining its main concepts and the research avenues pursued in the study of cinematic intermediality, including the most recent approaches and methodologies. It also presents some major templates of intermediality through various examples from world cinema, including closer looks at films by auteurs like Alfred Hitchcock, Michelangelo Antonioni, Jean-Luc Godard, and Agnès Varda. Supplemented by three new chapters dealing with phenomena which came into view since its first publication, the revised and enlarged edition of this ground-breaking volume will serve as a useful handbook to clarify key ideas and to offer insightful analyses.

Intermediality and Storytelling

Author : Marina Grishakova,Marie-Laure Ryan
Publisher : Walter de Gruyter
Page : 360 pages
File Size : 45,7 Mb
Release : 2010
Category : Computers
ISBN : 9783110237733

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Intermediality and Storytelling by Marina Grishakova,Marie-Laure Ryan Pdf

The 'narrative turn' in the humanities, which expanded the study of narrative to various disciplines, has found a correlate in the 'medial turn' in narratology. Long restricted to language-based literary fiction, narratology has found new life in the recognition that storytelling can take place in a variety of media, and often combines signs belonging to different semiotic categories: visual, auditory, linguistic and perhaps even tactile. The essays gathered in this volume apply the newly gained awareness of the expressive power of media to particular texts, demonstrating the productivity of a medium-aware analysis. Through the examination of a wide variety of different media, ranging from widely studied, such as literature and film, to new, neglected, or non-standard ones, such as graphic novels, photography, television, musicals, computer games and advertising, they address some of the most fundamental questions raised by the medial turn in narratology: how can narrative meaning be created in media other than language; how do different types of signs collaborate with each other in so-called 'multi-modal works', and what new forms of narrativity are made possible by the emergence of digital media.

Media Borders, Multimodality and Intermediality

Author : L. Elleström
Publisher : Springer
Page : 270 pages
File Size : 55,9 Mb
Release : 2010-02-12
Category : Social Science
ISBN : 9780230275201

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Media Borders, Multimodality and Intermediality by L. Elleström Pdf

A groundbreaking collection of essays looking at the concepts of 'intermediality' and 'multimodality' - the relationship between various forms of art and new media - and including case studies ranging from music, film and architecture to medieval ballads, biopoetry and Lettrism.

Intermediality and Spectatorship in the Theatre Work of Robert Lepage

Author : Aristita I. Albacan
Publisher : Cambridge Scholars Publishing
Page : 343 pages
File Size : 48,7 Mb
Release : 2016-09-23
Category : Performing Arts
ISBN : 9781443812894

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Intermediality and Spectatorship in the Theatre Work of Robert Lepage by Aristita I. Albacan Pdf

Robert Lepage has imposed himself in the past three decades as a Wunderkind of contemporary theatre, with eagerly awaited and widely acclaimed productions at the most prestigious theatre festivals and venues around the world. Soon after his international breakthrough with The Dragon’s Trilogy (1984), Lepage’s work became an object of particular scrutiny for critics and scholars, and continues to be subject to media exposure, inspiring cultural critique, academic study and the admiration of audiences across the world. A recurrent fascination with the formal novelty of his theatrical approach imbues most, if not all, critical considerations. However, in spite of the wide interest provoked, little space has been devoted to the quintessential impact of his work on spectatorship, and, most importantly, to connecting the dots between his creative practice and its substantial impact on audiences. Intermediality and Spectatorship in the Theatre Work of Robert Lepage bridges this gap by exploring the notion that intermediality – observed both as a mise-en-scene strategy and a perceptual effect in performance – is situated at the core of the director’s approach. This approach is situated in direct relation to the evolving expectations and medial competencies of spectators, demonstrating an in-depth understanding of the ways in which different media can be engaged in the creative process in a holistic way in order to alter the regime of spectatorship, to enhance its creative and cognitive potential. Lepage’s work and theatre making process are analysed here from an interdisciplinary perspective that combines theatre, media and cultural studies, and which is applied to his solo shows, namely Vinci (1986), Needles and Opium (1991), Elsinore (1995), Far Side of the Moon (2000) and Project Andersen (2005). In bringing to the forefront interconnecting notions of intermediality and contemporary spectatorship, the book highlights the director’s preoccupation with an ongoing dialogue with audiences across the world, and their particular involvement in the development of one of the most innovative practices of the Western theatre landscape.

Intermediality in European Avant-garde Cinema

Author : Loukia Kostopoulou
Publisher : Taylor & Francis
Page : 90 pages
File Size : 55,9 Mb
Release : 2023-06-15
Category : Language Arts & Disciplines
ISBN : 9781000880199

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Intermediality in European Avant-garde Cinema by Loukia Kostopoulou Pdf

The book proposes a new perspective on avant-garde cinema, utilising approaches from intermediality to explore how the spirit of experimentation, a hallmark of historical avant-garde and post-war artistic movements, is still present in contemporary filmmaking today. The volume explores how contemporary avant-garde filmmakers have brought innovation to modern cinema. Filmmakers, such as, Jean-Luc Godard, Lars von Trier, and Alexander Sokurov and their contemporary works will be analyzed, reflecting on their experimentation with cinematic techniques and the mixing of the film medium with other media, such as literature, theatre, and painting. Important research questions considered throughout the book include: How do intermedial experiments convey meaning in films? What is the impact on the spectator of the mixing of various media forms in cinema? And how are the contemporary films of Jean-Luc Godard, Lars von Trier, and Alexander Sokurov innovative and experimental? The book is devoted to all these themes and provides a thorough analysis of contemporary films examined through an intermedial perspective. Providing a comprehensive analysis of contemporary avant-garde filmmaking from an intermedial perspective, this book will be of interest to graduate students and scholars working in intermedial studies, film and media studies, and cultural studies.