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Introduction to Soapstone Sculpting by Lynn A. Bartlett,Tasha Unninayer Pdf
Learn the art of sculpting soapstone. The softness of the material makes it easy to work with using basic, simple tools. Soapstone also produces beautiful colorful results when polished. Carve a rabbit or a snail. Sculpt a flower, a heart, or a butterfly. Make a bowl. With 737 color images, patterns to guide you, and step-by-step directions, sculptors of any age and skill level can easily accomplish these 11 fun projects. Chapters include sculpting techniques, how to select the right piece of soapstone, and tips on how to handle bruising and chipping of the stone. Artists of all trades, especially woodworkers, will be enamored with this art form once they see how easy it is.
"Human faces are carved in surprising ways into Garrity's work, suggesting the threads that connect myth, past and present, and even forces of nature." (c)2000 Boston Neighborhood News 'Introduction to Stone Carving, ' is a step by step illustrated guide to the art of direct stone sculpture by award winning artist, DJ Garrity. Developed during his tenure as Sculptor-In-Residence of Mount Rushmore National Memorial, the artist introduces the 'process aesthetic, ' a subtle approach that allows a likeness and essence of personality to emerge from within the ancient patina and natural contours of stone. The techniques and illustrations presented are derived from a sculpture created by the artist at The Berry Botanic Garden of Portland, Oregon, and serve as a creative template for workshops and seminars at botanic gardens, museums and art associations across America and Ireland.
An Introduction to Anglo-Saxon Church Architecture & Anglo-Scandinavian Stone Sculpture by Guy Points Pdf
This book is for readers who wish to learn more about Anglo-Saxon church architecture and Anglo-Saxon and Anglo-Scandinavian stone sculpture. Intended for the student and non-specialist alike, as well as readers who already have some knowledge of the subjects covered, it bridges the divide between an academic approach and that of the interested general public. The aim is to provide an informed introduction to the subjects so that the reader will be able to confidently recognise Anglo- Saxon church architectural features and Anglo-Saxon and Anglo-Scandinavian stone sculpture. The contents, including illustrations and photographs, all meticulously checked on site, are drawn from the authorÕs extensive research and travels over many years. Especially useful is the gazetteer section offering a selection of sites providing excellent examples of the features described in the main body of the book.
Corpus of Anglo-Saxon Stone Sculpture in England by Rosemary Cramp Pdf
This analytical catalogue of sculpture from the historic counties of Devon, Dorset, Somerset and Wiltshire provides a new perspective on the artistic achievement of the late Saxon kingdom. The volume includes individual pieces of the highest quality such as the Bradford-on-Avon and Winterbourne Steepleton angels or the newly discovered figures from Congresbury. Most of the monuments were carved at a time when Wessex art was at its zenith in the tenth and eleventh centuries, a formative period for English cultural identity. This volume sets the sculpture within an historical, topographical and art-historical context, highlighting the close links with contemporary styles in manuscripts and metalwork. Full photographic records of each monument present many new illustrations unique to this volume. An indispensable research tool for all those interested in the early medieval world, this volume is also an authoritative aid for local historians.
Corpus of Anglo-Saxon Stone Sculpture, Volume VI: Northern Yorkshire by James Lang Pdf
The visual heritage of Northern Yorkshire in the pre-Conquest period is revealed in this addition to the Corpus series. This volume surveys the sculpture in the historic North Riding of Yorkshire (excluding those parts covered in Volume three).
History of Early Stone Sculpture at Mathura by Sonya Rhie Quintanilla Pdf
This volume provides the first comprehensive chronology of the earliest known stone sculptures from the north Indian city of Mathura. It includes new evidence for the reattribution of objects, emergence of the anthropomorphic Buddha image, and predominance of a heterodox sect of Jainism.
ANTHROPOMORPHIC PALEOLITHIC SCULPTURE by Pietro Gaietto Pdf
n The image of Man in paleolithic sculpture, his fourth book in the series Shapes in Evolution, Pietro Gaietto introduces his readers to paleolithic anthropomorphic stone sculpture unlocking a world that is not well known because it has been outshined by
This book is a complete "how to" guide to sculpting in soft stone (Alabaster & soapstone). The author begins with a detailed yet comprehensive introduction to carving tools & the wide variety of stones available. The author then leads the reader through the total process of soft stone sculpting. The various steps involved in roughing out, shaping, & finishing are illustrated & thoroughly explained in this inexpensive volume. Three-dimensional design principles are introduced & many photographic examples are provided to aid the beginner. This book is designed as a basic textbook for beginning sculpture classes, & is a must for every sculptor. Paul Cummings is a long-time sculptor & instructor & his work is represented in many private collections.
In sixteen essays, prominent art historians, sculptors, scientists, and conservators discuss ancient marble sculpture. The essays are based on a symposium held at the J. Paul Getty Museum in April 1988. Topics include the provenancing of marble, the detection of marble forgeries, scientific analysis and authentication of ancient marble, marble quarrying and trade in the ancient world, and the techniques used in ancient sculpture.
A step by step guide to the techniques, tricks and tips on how to carve soapstone. Includes sections on how to select stone, what tools are required and recommended, how to use the tools, safety guidelines, how to finish and display soapstone carvings. Each step is clearly explained via both text and photographs. Included in the book are links to on-line videos of the various techniques and stages. Intro: Whenever I display my work, I watch the people as they inspect the sculpture. Almost without exception, people are impelled to touch the stone, to stroke it with their fingertips. They are always surprised and fascinated by the silky texture, the smoothness and warmth of highly polished soapstone. Soapstone is almost unique in that fascination. Unlike metal or ceramic, soapstone calls out to the viewer, asking to be touched. Soapstone can be found all over the world, and has been used by many cultures through-out history, from ancient Egypt, to India, China and the far North. Soapstone artifacts have been found which date as far back as 5000 BC. Today though, much of the world most commonly associates soapstone with the peoples of the North, once referred to as Eskimo, now more properly known as Inuit, Yupik and Aleut. Historically, these peoples used soapstone for many things, including dishes, bowls, cooking utensils, and, the most recognized, for carving and sculpting. Common motifs include seals, bears, walrus and other sea life, and also images of mythical or mystical beings, their creatures of belief and religion. Hand carved, using bone tools, sanded smooth using sand and soapstone dust, these carvings have evoked the North for centuries. When working with soapstone, I continually feel that almost spiritual aura that surrounds soapstone and its history. To work in soapstone today, one must also respect the culture and beliefs of those who first worked with the stone. Having fallen in love with soapstone, and having carved for many years, I started giving introductory courses at the local collective which carries my artwork. Like my introductory course, this book shows you how to take a ragged block of uninteresting and dusty stone and turn it into a polished piece of art, something that calls to you, something you can touch, something you can be proud of. A piece of art that sings. I've chosen to make this book pictorial rather than wordy. I'm a firm believer that a picture speaks a thousand words, so I've tried to show, and only talked enough to lead you into what the picture depicts. I've also chosen the size of the book so I can fit in lots of pictures, while keeping the pictures big enough that you can see the detail shown without needing a magnifying glass. At several points through-out the book, I point you to on-line videos so you can see the process in motion. Lastly, I've focused on giving you an overall introduction to soapstone carving, in order to keep the price of the book down so it's affordable. I've deliberately left the more advanced and exotic techniques for a later book, so you don't have to spend a great deal to begin this, your first journey into soapstone carving. You don't have to be an expert to follow the steps in this book. You don't have to have any experience in carving, you simply need to have an interest, and a desire to create something. I will guide you through the process in eight easy-to-follow steps. You only need a few tools, though I show you other tools that can be useful. You can choose how much to invest and how many tools to buy. The basic tools can be purchased for twenty to forty dollars. The stone is reasonably easy to acquire and relatively inexpensive, usually no more than two to three dollars per pound, often less. Sound interesting? Well, if you haven't already done so, buy the book. Pick up a few tools if you don't already have them at home. Go buy a chunk of soapstone, follow along with the book and let's start carving.
Materials and Processes of Contemporary Sculpture by Mahmoud Farag Pdf
Creating a successful sculpture requires an imaginative concept and a sound design that utilize the potential and avoid the limitations of the material and the process used in making it. Prior to a few decades ago, most sculptors were restricted to carving stone and wood or casting plaster, ceramics and bronze for their creations. Contemporary sculptors, however, are no longer bound by the limitations of these traditional materials and processes, and can now create works in sizes, forms and textures that could not have been achieved previously. Many modern sculptures are now made from materials ranging from steel and aluminum to plastics and composites using processes ranging from welding and adhesive bonding to molding and 3D printing. To fully utilize the full potential of such new materials, the sculptor needs to understand their points of strength, their limitations, and the most effective way of shaping them to achieve a given design. Although this book is written by a materials engineer, the subject matter is presented from the point of view of the sculptor with emphasis on the strengths and weaknesses of different materials, their resistance to weather conditions, natural color and possible surface textures, possible methods of shaping and joining, tools and equipment needed, and safety measures to take. Whenever possible, case studies are used to illustrate the sequence of processes and the cost elements involved in shaping a given material to create an actual work of sculpture.
This volume is the result of an international conference organized by the South Asia Institute at the University of Texas. Patrick Olivelle has collected and edited the best papers to emerge from the conference. Part I of the book looks at what can be construed from archeological evidence. Part II concerns itself with the textual evidence for the period. Taken together, these essays offer an unprecedented look at Indian culture and society in this distant epoch.
