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"Inventing the Sacred" analyzes the Spanish Inquisition's campaign to ferret out "false saints and scandalous impostors" whose claims of divinely inspired visions and revelations threatened the Catholic church's efforts to monopolize access to the supernatural.
The Invention of Sacred Tradition by James R. Lewis,Olav Hammer Pdf
The dictionary definition of tradition refers to beliefs and practices that have been transmitted from generation to generation, however, 'tradition' can rest simply on the claim that certain cultural elements are rooted in the past. Claim and documented historical reality need not overlap. In the domain of religion, historically verifiable traditions coexist with recent innovations whose origins are spuriously projected back into time. This book examines the phenomenon of 'invented traditions' in religions ranging in time from Zoroastrianism to Scientology, and geographically from Tibet to North America and Europe. The various contributions, together with an introduction that surveys the field, use individual case studies to address questions such as the rationale for creating historical tradition for one's doctrines and rituals; the mechanisms by which hitherto unknown texts can enter an existing corpus; and issues of acceptance and scepticism in the reception of dubious texts.
"At the heart of the book is a detailed account of four major events that significantly shaped the history of Venice, the formation of the Holy League (the coalition that brought the republic into conflict with the Ottoman Empire): the victory of that League against the Turkish fleet at the battle of Lepanto; the ceremonial arrangements that were made to welcome Henry III of France to the city in 1574; and the devasting plague of 1575-7." "This central part is frame by two others. The first concentrates on St. Mark's Square, the buildings that surround it and the social and religious life that used it as a backdrop. This involves reconstruction of the historical and mythical events that gradually led to the elaboration, by Jacopo Sansovino and others, of a monumental civic arena invested with layers of meaning that were fundamental to a sense of Venetian identity. The final section considers how the major events of the 1570s, and above all the victory at Lepanto, were metabolized in Venetian history and reconfigured in the realms of memory and myth. Important factors in this process were the role of the printing press (Venice lay at the heart of the Italian booktrade) in disseminating accounts of current events and reworking them into a further elaborator of the Myth of Venice, and the ritual and other transformations that took place (such as the construction of Palladio's church of the Redentore), and their connection to the religious matrix that provides the key to the civic ethos of the city in the late sixteenth century. Venice had become the City of God."--Rabat de la jaquette
Minority Religions and Fraud by Dr Amanda van Eck Duymaer van Twist Pdf
Analysing both fraud and religion as social constructs with different functions and meanings attributed to them, this book raises issues that are central to debates about the limits of religious toleration in diverse societies, and the possible harm that religious organisations can inflict upon society and individuals. With a focus on minority religions, the book offers a comparative overview of the concept of religious fraud by bringing together analyses of different types of fraud or deception.
Memory and Medieval Tomb by Elizabeth Valdez Del Alamo,Carol Stamatis Pendergast Pdf
This title was first published in 2000: Reverent memorial for the dead was the inspiration for the production of a significant category of artworks during the Middle Ages - artworks aimed as much at the laity as at the clergy, and intended to maintain, symbolically, the presence of the dead. Memoria, the term that describes the formal, liturgical memory of the dead, also includes artworks intended to house and honour the deceased. This book explores the ways in which medieval Christians sought to memorialize the deceased: with tombs, cenotaphs, altars and other furnishings connected to a real or symbolic burial site. A dozen essays analyze strategies for commemoration from the 4th to the 15th century: the means by which human memory could be activated or manipulated through the interaction between monuments, their setting, and the visitor. Building upon from the growing body of literature on memory in the Middle Ages, the collection focuses on the tomb monument and its context as a complex to define what is to be remembered, to fix memory, and to facilitate recollection. Remembering depended upon the emotionally charged interaction between the visitor, the funerary monument, strategically placed images or inscriptions, the liturgy and its participants. Commemorative artworks may consolidate social bonds as well as individual memory, as put forth in this volume. Parallels are drawn between mnemonic devices utilized in the Middle Ages, the design of monuments and contemporary scientific research in cognitive neuropsychology. The papers were originally presented at the 1994 meetings of the College Art Association and the International Congresses of Medieval Studies at Western Michigan University, Kalamazoo, and the University of Leeds, England, in 1995.
Inventing the Language to Tell It by George Hart Pdf
From 1920 until his death in 1962, consciousness and its effect on the natural world was Robinson Jeffers’s obsession. Understanding and explaining the biological basis of mind is one of the towering challenges of modern science to this day, and Jeffers’s poetic experiment is an important contribution to American literary history—no other twentieth-century poet attempted such a thorough engagement with a crucial scientific problem. Jeffers invented a sacramental poetics that accommodates a modern scientific account of consciousness, thereby integrating an essentially religious sensibility with science in order to discover the sacramentality of natural process and reveal a divine cosmos. There is no other study of Jeffers or sacramental nature poetry like this one. It proposes that Jeffers’s sacramentalism emerged out of his scientifically informed understanding of material nature. Drawing on ecocriticism, religious studies, and neuroscience, Inventing the Language to Tell It shows how Jeffers produced the most compelling sacramental nature poetry of the twentieth century.
Witchcraft and Inquisition in Early Modern Venice by Jonathan Seitz Pdf
In early modern Europe, ideas about nature, God, demons and occult forces were inextricably connected and much ink and blood was spilled in arguments over the characteristics and boundaries of nature and the supernatural. Seitz uses records of Inquisition witchcraft trials in Venice to uncover how individuals across society, from servants to aristocrats, understood these two fundamental categories. Others have examined this issue from the points of view of religious history, the history of science and medicine, or the history of witchcraft alone, but this work brings these sub-fields together to illuminate comprehensively the complex forces shaping early modern beliefs.
The Hidden Church of the Holy Graal by Arthur Edward Waite Pdf
In the 13th century, over a few decades, a huge literature emerged around an unlikely tale. Survivors of the core of early Christianity make a perilous journey to Western Europe. They begin a hidden bloodline, preserve immensely powerful relics of the crucifixion, and carry a secret which, if revealed, would turn the established church on its head. A.E. Waite gets to the core of the Grail legend, an interwoven mass of narratives which started with seeds of pagan folklore and grew into a massive allegorical Christian epic.
Consider the woven integrated complexity of a living cell after 3.8 billion years of evolution. Is it more awe-inspiring to suppose that a transcendent God fashioned the cell, or to consider that the living organism was created by the evolving biosphere? As the eminent complexity theorist Stuart Kauffman explains in this ambitious and groundbreaking new book, people who do not believe in God have largely lost their sense of the sacred and the deep human legitimacy of our inherited spirituality. For those who believe in a Creator God, no science will ever disprove that belief. In Reinventing the Sacred, Kauffman argues that the science of complexity provides a way to move beyond reductionist science to something new: a unified culture where we see God in the creativity of the universe, biosphere, and humanity. Kauffman explains that the ceaseless natural creativity of the world can be a profound source of meaning, wonder, and further grounding of our place in the universe. His theory carries with it a new ethic for an emerging civilization and a reinterpretation of the divine. He asserts that we are impelled by the imperative of life itself to live with faith and courage-and the fact that we do so is indeed sublime. Reinventing the Sacred will change the way we all think about the evolution of humanity, the universe, faith, and reason.
Between Court and Confessional by Kimberly Lynn Pdf
Between Court and Confessional explores the lives of Spanish inquisitors, closely examining the careers and writings of five sixteenth- and seventeenth-century inquisitors. Kimberly Lynn considers what shaped particular inquisitors, what kinds of official experience each accumulated, and to what ends each directed his acquired knowledge and experience. The case studies examine the complex interplay of careerism and ideological commitments evident in inquisitorial activities. Whereas many studies of the Spanish Inquisition tend to depict inquisitors as faceless and interchangeable, Lynn probes the lives of individual inquisitors to show how inquisitors' operations in their social, political, religious and intellectual worlds set the Inquisition in motion. By focusing on specific individuals, this study explains how the theory and regulations of the Inquisition were rooted in local conditions, particular disputes and individual experiences.
Invention of Tradition and Syncretism in Contemporary Religions by Stefania Palmisano,Nicola Pannofino Pdf
This book explores manifestations of creativity in the religious domain. Specifically, the contributions focus on the nexus of the sacred and the creative, and the mechanisms of syncretism and (re)invention of tradition by which this manifestations occur. The text is divided into two sections. In the first, empirical cases of spirituality characterized by syncretistic processes are highlighted; in the second, examples which can be traced back to forms of the (re)invention of tradition are examined. The authors document possible forms of adaptations and religious enculturation. In the second, the authors demonstrate that spiritual traditions, whether ancient or historically fictitious, are suitable for reframing in the context of critical interpretative frameworks related to cultural expectations which challenge them and call their continuity into question.
Key Concepts in Classical Social Theory by Alex Law Pdf
"I think this will prove to be a very useful text for undergraduate students. Alex Law has produced a comprehensive list of key classical social theory concepts and provides an accessible account of the meaning of central terms, their place in the work of the classical analysts considered and the contemporary significance of their ideas. In addition he has offered useful additional reading guidance from which students will derive considerable benefit." - Barry Smart, University of Portsmouth This book′s individual entries introduce, explain and contextualise the key topics within classical social theory. Definitions, summaries and key words are developed throughout with careful cross-referencing allowing students to move effortlessly between core ideas and themes. Each entry provides: clear definitions lucid accounts of key issues up-to-date suggestions for further reading informative cross-referencing. Relevant, focused and accessible this book will provide students across the social sciences with an indispensible guide to the central concepts of classical social theory.
Inventing Peace revolves around the question of how we look at the world, but do not see it when there is so much war, injustice, suffering and violence. What are the ethical and moral consequences of looking, but not seeing, and, most of all, what has become of the notion of peace in all this? In the form of a written dialogue, Wim Wenders and Mary Zournazi consider this question as one of the fundamental issues of our times as well as the need to reinvent a visual and moral language for peace. Inspired by various cinematic, philosophical, literary and artistic examples, Wenders and Zournazi reflect on the need for a change of perception in the everyday as well as in the creation of images. In its unique style and method, Inventing Peace demonstrates an approach to peace through sacred, ethical and spiritual means, to provide an alternative to the inhumanity of war and violence. Their book might help to make peace visible and tangible in new and unforeseen ways.
