Irish Film

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Irish Film

Author : Martin McLoone
Publisher : Bloomsbury Publishing
Page : 264 pages
File Size : 52,6 Mb
Release : 2019-07-25
Category : Juvenile Nonfiction
ISBN : 9781838716431

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Irish Film by Martin McLoone Pdf

This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.

Irish National Cinema

Author : Ruth Barton
Publisher : Psychology Press
Page : 228 pages
File Size : 43,8 Mb
Release : 2004
Category : Motion pictures
ISBN : 0415278953

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Irish National Cinema by Ruth Barton Pdf

Ruth Barton argues that in order to understand the position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the Irish diaspora and engage with its cinema.

Irish English as Represented in Film

Author : Shane Walshe
Publisher : Peter Lang
Page : 454 pages
File Size : 40,7 Mb
Release : 2009
Category : Dialogue in motion pictures
ISBN : 3631586825

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Irish English as Represented in Film by Shane Walshe Pdf

This study is the first of its kind to analyse the representation of Irish English in film. Using a corpus of 50 films, ranging from John Ford's The Informer (1935) to Lenny Abrahamson's Garage (2007), the author examines the extent to which Irish English grammatical, discourse and lexical features are present in the films and provides a qualitative analysis of the accents in these works. The authenticity of the language is called into question and discussed in relation to the phenomenon of the Stage Irishman.

Irish Film Censorship

Author : Kevin Rockett
Publisher : Four Courts Press
Page : 552 pages
File Size : 50,8 Mb
Release : 2004
Category : History
ISBN : UOM:39015059205081

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Irish Film Censorship by Kevin Rockett Pdf

This book maps the history of Irish film censorship from its origins in the 1910s, through to the all-encompassing Censorship of Films Act 1923, the more liberal implementation of screening policies from the late 1960s onwards, and present-day concerns about media proliferation and distribution. Its main focus is on the 1920-70 period, when Irish film censors banned 3,000 films and cut an additional 10,000. The role of political censorship and its effect on television and cinema is examined, as are the more contemporary issues of video classification and debates around the internet and child pornography. Through the examination of over 18,000 of the censors decisions, Kevin Rockett provides an invaluable insight into the cultural geography of Ireland. - Choice Outstanding Academic Title 2005

Historical Dictionary of Irish Cinema

Author : Roderick Flynn,Patrick Brereton
Publisher : Scarecrow Press
Page : 432 pages
File Size : 42,7 Mb
Release : 2007-07-30
Category : History
ISBN : 0810864355

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Historical Dictionary of Irish Cinema by Roderick Flynn,Patrick Brereton Pdf

In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.

A Companion to British and Irish Cinema

Author : John Hill
Publisher : John Wiley & Sons
Page : 608 pages
File Size : 53,8 Mb
Release : 2019-05-07
Category : Performing Arts
ISBN : 9781118482902

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A Companion to British and Irish Cinema by John Hill Pdf

A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.

Men and Masculinities in Irish Cinema

Author : D. Ging
Publisher : Springer
Page : 252 pages
File Size : 43,6 Mb
Release : 2012-12-03
Category : Performing Arts
ISBN : 9781137291936

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Men and Masculinities in Irish Cinema by D. Ging Pdf

Spanning a broad trajectory, from the New Gaelic Man of post-independence Ireland to the slick urban gangsters of contemporary productions, this study traces a significant shift from idealistic images of Irish manhood to a much more diverse and gender-politically ambiguous range of male identities on the Irish screen.

Contemporary Irish Cinema

Author : James MacKillop
Publisher : Syracuse University Press
Page : 314 pages
File Size : 50,8 Mb
Release : 1999-08-01
Category : Performing Arts
ISBN : 0815605684

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Contemporary Irish Cinema by James MacKillop Pdf

At a time when national cinemas in France and Japan have been marginalized on world screens, movies from and about Ireland have attracted huge audiences and captured top international prizes (The Crying Game), including an Academy Award (My Left Foot). In Contemporary Irish Cinema, James MacKillop takes a variety of approaches in the treatment of films and film makers. Essayists, like Harlan Kennedy, John Hill, Martin McLoon, and Brian Mcilroy, represent leading journalists and critics; other contributors include young scholars well grounded in current cinematic and literary theory. The authors probe cinema's rewriting of Irish history, from the controversial Michael Collins and In the Name of the Father to playwright Stewart Parker's overlooked miniseries on Ulster sectarianism, Lost Belongings. Jim Loter brings the writings of Martin Heidegger to bear on Cathal Black's dark comedy, Pigs. Attitudes toward the institutional church are revealed in Pamela Dolan's analysis of Playboys.

The Myth of an Irish Cinema

Author : Michael Patrick Gillespie
Publisher : Syracuse University Press
Page : 304 pages
File Size : 43,5 Mb
Release : 2009-01-19
Category : Performing Arts
ISBN : 0815631936

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The Myth of an Irish Cinema by Michael Patrick Gillespie Pdf

For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.

Irish and African American Cinema

Author : Maria Pramaggiore
Publisher : State University of New York Press
Page : 258 pages
File Size : 41,6 Mb
Release : 2012-02-01
Category : Social Science
ISBN : 9780791480076

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Irish and African American Cinema by Maria Pramaggiore Pdf

How these two cinemas portray complex and changing notions of national and racial identity.

Irish National Cinema

Author : Ruth Barton
Publisher : Routledge
Page : 232 pages
File Size : 48,9 Mb
Release : 2004-07-31
Category : Performing Arts
ISBN : 9781134468195

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Irish National Cinema by Ruth Barton Pdf

From the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores questions of nationalism, gender identities, the representation of the Troubles and of Irish history as well as cinema's response to the so-called Celtic Tiger and its aftermath. Irish National Cinema argues that in order to understand the unique position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the so-called Irish diaspora and engage with its cinema. An invaluable resource for students of world cinema.

The Oxford Handbook of Modern Irish History

Author : Alvin Jackson
Publisher : OUP Oxford
Page : 640 pages
File Size : 54,9 Mb
Release : 2014-03-27
Category : History
ISBN : 9780191667602

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The Oxford Handbook of Modern Irish History by Alvin Jackson Pdf

The study of Irish history, once riven and constricted, has recently enjoyed a resurgence, with new practitioners, new approaches, and new methods of investigation. The Oxford Handbook of Modern Irish History represents the diversity of this emerging talent and achievement by bringing together 36 leading scholars of modern Ireland and embracing 400 years of Irish history, uniting early and late modernists as well as contemporary historians. The Handbook offers a set of scholarly perspectives drawn from numerous disciplines, including history, political science, literature, geography, and the Irish language. It looks at the Irish at home as well as in their migrant and diasporic communities. The Handbook combines sets of wide thematic and interpretative essays, with more detailed investigations of particular periods. Each of the contributors offers a summation of the state of scholarship within their subject area, linking their own research insights with assessments of future directions within the discipline. In its breadth and depth and diversity, The Oxford Handbook of Modern Irish History offers an authoritative and vibrant portrayal of the history of modern Ireland.

The Field Day Anthology of Irish Writing

Author : Seamus Deane,Andrew Carpenter,Angela Bourke,Jonathan Williams
Publisher : NYU Press
Page : 1756 pages
File Size : 53,9 Mb
Release : 1991
Category : English literature
ISBN : 0814799078

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The Field Day Anthology of Irish Writing by Seamus Deane,Andrew Carpenter,Angela Bourke,Jonathan Williams Pdf

New Irish Storytellers

Author : Díóg O'Connell
Publisher : Intellect Books
Page : 202 pages
File Size : 55,6 Mb
Release : 2010-04-15
Category : Performing Arts
ISBN : 9781841502762

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New Irish Storytellers by Díóg O'Connell Pdf

With the success of such films as the Oscar winner Once, Irish film has been getting well-deserved international attention recently. New Irish Storytellers examines storytelling techniques and narrative strategies in contemporary Irish film. Revealing defining patterns within recent Irish cinema, this book explores connections between Irish cinematic storytellers and their British and American colleagues. Díóg O’Connell traces the creative output of Irish filmmakers today back to 1993, the year the Irish Film Board was reactivated, reinvigorating film production after a hiatus of seven years. Reflecting on this key and distinctive era in Irish cinema, this book explores how film gave expression to tensions and fissures in the new Ireland.

Everything Irish

Author : Lelia Ruckenstein,James O'Malley
Publisher : Ballantine Books
Page : 482 pages
File Size : 52,8 Mb
Release : 2013-11-20
Category : History
ISBN : 9780307484451

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Everything Irish by Lelia Ruckenstein,James O'Malley Pdf

Here, in one complete volume, is the depth and breadth of the great island nation and its people represented in an easily browsed, friendly format. From the Abbey Theatre to the Dublin storyteller Zozimus; from the origin of the Troubles to the origin of the limerick; from the stunning beauty of Connemara to the shattering tragedy of Bloody Sunday; from the greatest writers of the English language to the “confrontational television” of Gay Byrne’s The Late Late Show–every aspect of Irish culture, geography, and history is collected and annotated in more than 900 entries from A to Z. Readers will encounter heroes and terrorists, poets and politicians, all of Ireland’s counties, ancient myths, and pivotal events–all expertly and succinctly described and explained. With entries written by some of the world’s leading authorities on Ireland, Everything Irish is perfect for everyone, from the inquiring reader to the serious student. You can spend a few minutes learning about the much-maligned Travelers and then move on to the equally contentious (in its time) medieval tithe. Visit the majestic Cliffs of Moher and then delve into an analysis of paramilitary groups like the Irish Republican Army and the Ulster Volunteer Force. Explore the ruins of a Romanesque castle or experience the piercing light of the winter solstice inside prehistoric Newgrange, a passage grave older than the pyramids. Across centuries and across counties, the rich landscape of Irish life and heritage springs to life in these pages. An indispensable source of fascinating information and captivating anecdote, this is one book that will never be far from the hands of those with curious minds or an adventurous spirit.