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Irish Literature and the First World War by Terry Phillips Pdf
This book analyses poetry and prose written by combatant and non-combatant Irish writers during the First World War, and goes on to look at how the war was remembered in the two decades that followed. It concludes with a discussion of recent Irish literature about the conflict, focusing on the role of memory and the narrative of nationhood.
Ireland and the Great War by Adrian Gregory,Senia Paseta Pdf
This volume brings together new research whilst re-evaluating older assumptions about the immediate and continuing impact of World War I on Ireland. It explores some lesser-known aspects of Ireland’s war years as well as including studies of more traditional areas. Individual articles cover military, social, cultural, political, and economic aspects of the Great War, as well as reflecting on continuity and change within Irish historiography. In doing so, they analyze how the experience and memory of the War have contributed to identity formation and the legitimization of political violence.
The Theatre of War surveys more than two hundred plays about the First World War written, published and/or performed in Britain and Ireland between 1909 and 1998. Perspectives discussed include: subject matter, technique and evaluation. The result is an understanding of the First World War as a watershed in international history.
The First World War in Irish Poetry by Jim Haughey Pdf
Revising his 1996 doctoral dissertation for the University of South Carolina, Haughey seeks out the response of Irish poets to the Great War, which he finds to have been cast into deep critical shadow by the dazzle of English poetry about that war, and the glare of poetry on the contemporary Irish independence movement. Annotation copyrighted by Book News, Inc., Portland, OR
OLD GOD'S TIME (MARCH 2023), SEBASTIAN BARRY'S STUNNING NEW NOVEL, AVAILABLE TO PRE-ORDER NOW One of the most vivid and realised characters of recent fiction, Willie Dunne is the innocent hero of Sebastian Barry's highly acclaimed novel. Leaving Dublin to fight for the Allied cause as a member of the Royal Dublin Fusiliers, he finds himself caught between the war playing out on foreign fields and that festering at home, waiting to erupt with the Easter Rising. Profoundly moving, intimate and epic, A Long Long Way charts and evokes a terrible coming of age, one too often written out of history.
Taking seriously Ireland’s euphemism for World War II, “the Emergency,” Anna Teekell’s Emergency Writing asks both what happens to literature written during a state of emergency and what it means for writing to be a response to an emergency. Anchored in close textual analysis of works by Samuel Beckett, Elizabeth Bowen, Flann O’Brien, Louis MacNeice, Denis Devlin, and Patrick Kavanagh, and supported by archival material and historical research, Emergency Writing shows how Irish late modernism was a response to the sociopolitical conditions of a newly independent Irish Free State and to a fully emerged modernism in literature and art. What emerges in Irish writing in the wake of Independence, of the Gaelic Revival, of Yeats and of Joyce, is a body of work that invokes modernism as a set of discursive practices with which to counter the Free State’s political pieties. Emergency Writing provides a new approach to literary modernism and to the literature of conflict, considering the ethical dilemma of performing neutrality—emotionally, politically, and rhetorically—in a world at war.
Of the countries that remained neutral during the Second World War, none was more controversial than Ireland, with accusations of betrayal and hypocrisy poisoning the media. Whereas previous histories of Ireland in the war years have focused on high politics, That Neutral Island brings to life the atmosphere of a country forced to live under rationing, heavy censorship and the threat of invasion. It unearths the motivations of those thousands who left Ireland to fight in the British forces and shows how ordinary people tried to make sense of the Nazi threat through the lens of antagonism towards Britain.
This pioneering study, originally published in 1992, remains the definitive history of the 16th (Irish) Division in the First World War. This year, the centenary of the outbreak of the war, sees its timely re-issue as the Irishmen who fought in that war re-enter the national memory after decades of indifference and hostility. Nearly 135,000 Irishmen volunteered and no less than three Irish divisions - the 10th (Irish), 16th (Irish) and 36th (Ulster) - were formed from Irishmen, Catholic and Protestant, who responded to Lord Kitchener's call to arms. An estimated 35,000 Irish-born soldiers were killed before the armistice came in November 1918. Over 4,000 of those died with the 16th (Irish) Division. In Ireland's Unknown Soldiers Terence Denman tells the powerful story of the Irish Division whose largely Catholic, nationalist composition encapsulated the complexities that surrounded Irish involvement in First World War. Denman recalls the sombre, compelling story of the lesser-known 16th (Irish) Division on the Western Front: gassed at Hulluch, victorious at Ginchy and Guillemont, the Division suffered heavy casualties in the carnage at the Somme, Messines Ridge and Passchendaele, before its final destruction in March 1918. Denman brings to life the extraordinary resilience and camaraderie of the men in the trenches and the tragedy of the thousands who made the ultimate sacrifice. This was the last chapter in the long history of the Catholic Irish soldier's contribution to the British army.
Irish Women and the Great War by Fionnuala Walsh Pdf
The first full-length study to explore the impact of the Great War on the lives of women in Ireland. Fionnuala Walsh examines women's mobilisation for the war effort, and the impact of the war on their employment opportunities, family and domestic life, social morality and politicisation.
The Great War in Irish Poetry by Fran Brearton Pdf
The Great War in Irish Poetry explores the impact of the First World War on the work of W. B. Yeats, Robert Graves, and Louis MacNeice in the period 1914-45, and on three contemporary Northern Irish poets, Derek Mahon, Seamus Heaney, and Michael Longley. Its concern is to place their work, andmemory of the Great War, in the context of Irish politics and culture in the twentieth century. The historical background to Irish involvement in the Great War is explained, as are the ways in which issues raised in 1912-20 still reverberate in the politics of remembrance in Northern Ireland,particularly through such events as the Home Rule cause, the loss of the Titanic, the Battle of the Somme, the Easter Rising. While the Great War is perceived as central to English culture, and its literature holds a privileged position in the English literary canon, the centrality of the Great War to Irish writing has seldom been recognised. This book shows first, that despite complications in Irish domestic politicswhich led to the repression of memory of the Great War, Irish poets have been drawn throughout the century to the events and images of 1914-18. This engagement is particularly true of those writing in the 'troubled' Northern Ireland of the last thirty years. The second main concern is the extent towhich recognition of the importance of the Great War in Irish writing has itself become a casualty of competing versions of the literary canon.
Re-Imagining the First World War by Anna Branach-Kallas,Nelly Strehlau Pdf
In the Preface to his ground-breaking The Great War and Modern Memory (1975), Paul Fussell claimed that “the dynamics and iconography of the Great War have proved crucial political, rhetorical, and artistic determinants on subsequent life.” Forty years after the publication of Fussell’s study, the contributors to this volume reconsider whether the myth generated by World War I is still “part of the fiber of [people’s] lives” in English-speaking countries. What is the place of the First World War in cultural memory today? How have the literary means for remembering the war changed since the war? Can anything new be learned from the effort to re-imagine the First World War after other bloody conflicts of the 20th century? A variety of answers to these questions are provided in Re-Imagining the First World War: New Perspectives in Anglophone Literature and Culture, which explores the Great War in British, Irish, Canadian, Australian, and (post)colonial contexts. The contributors to this collection write about the war from a literary perspective, reinterpreting poetry, fiction, letters, and essays created during or shortly after the war, exploring contemporary discourses of commemoration, and presenting in-depth studies of complex conceptual issues, such as gender and citizenship. Re-Imagining the First World War also includes historical, philosophical and sociological investigations of the first industrialised conflict of the 20th century, which focus on responses to the Great War in political discourse, life writing, music, and film: from the experience of missionaries isolated during the war in the Arctic and Asia, through colonial encounters, exploring the role of Irish, Chinese and Canadian First Nations soldiers during the war, to the representation of war in the world-famous series Downton Abbey and the 2013 album released by contemporary Scottish rock singer Fish. The variety of themes covered by the essays here not only confirms the significance of the First World War in memory today, but also illustrates the necessity of developing new approaches to the first global conflict, and of commemorating “new” victims and agents of war. If modes of remembrance have changed with the postmodern ethical shift in historiography and cultural studies, which encourages the exploration of “other” subjectivities in war, so-far concealed affinities and reverberations are still being discovered, on the macro- and micro-historical levels, the Western and other fronts, the battlefield, and the home front. Although it has been a hundred years since the outbreak of hostilities, there is a need for increased sensitivity to the tension between commemoration and contestation, and to re-member, re-conceptualise and re-imagine the Great War.
Irish American Fiction from World War II to JFK by Beth O’Leary Anish Pdf
Irish American Fiction from World War II to JFK addresses the concerns of Irish America in the post-war era by studying its fiction and the authors who brought the communities of their youth to life on the page. With few exceptions, the novels studied here are lesser-known works, with little written about them to date. Mining these tremendous resources for the details of Irish American life, this book looks back to the beginning of the twentieth century, when the authors' immigrant grandparents were central to their communities. It also points forward to the twenty-first century, as the concerns these authors had for the future of Irish America have become a legacy we must grapple with in the present.
Irish Women in the First World War Era by Jennifer Redmond,Elaine Farrell Pdf
This book is the first collection of essays to focus exclusively on Irish women’s experiences in the First World War period, 1914-18, across the island of Ireland, contextualising the wartime realities of women’s lives in a changing political landscape. The essays consider experiences ranging from the everyday realities of poverty and deprivation, to the contributions made to the war effort by women through philanthropy and by working directly with refugees. Gendered norms and assumptions about women’s behaviour are critically analysed, from the rhetoric surrounding ‘separation women’ and their use of alcohol, to the navigation of public spaces and the attempts to deter women from perceived immoral behaviour. Political life is also examined by leading scholars in the field, including accounts from women on both sides of the ‘Irish question’ and the impact the war had on their activism and ambitions. Finally, new light is shed on the experiences of women working in munitions factories around Ireland and the complexity of this work in the Irish context is explored. Throughout, it is asserted that while there were many commonalities in women’s experiences throughout the British and Irish Isles at this time, the particular political context of Ireland added a different, and in many respects an unexamined, dimension. This book was originally published as a special issue of Women’s History Review.