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Author : Linda Komaroff
Publisher : Unknown
Page : 128 pages
File Size : 52,8 Mb
Release : 2015-03-01
Category : Electronic
ISBN : 1943042004
Published in conjunction with the installationIslamic Art Now: Contemporary Art of theMiddle East at the Los Angeles County Museumof Art, Los Angeles, California (January 31,2015-February 14, 2016).Author: Linda Komaroff
Author : Wendy M. K. Shaw
Publisher : Cambridge University Press
Page : 387 pages
File Size : 50,8 Mb
Release : 2019-10-10
Category : History
ISBN : 9781108474658
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Author : Jonathan M. Bloom,Sheila S. Blair
Publisher : Yale University Press
Page : 348 pages
File Size : 52,9 Mb
Release : 2019-01-01
Category : Art
ISBN : 9780300243475
A group of renowned scholars, collectors, artists, and curators grapple with the challenging notion of defining "Islamic art."
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 344 pages
File Size : 48,9 Mb
Release : 1972
Category : Art
ISBN : 9780870991110
Author : Isabelle Gadoin
Publisher : Routledge
Page : 232 pages
File Size : 52,7 Mb
Release : 2021-09-09
Category : Art
ISBN : 9781000437003
This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.
Author : UNESCO
Publisher : UNESCO Publishing
Page : 926 pages
File Size : 44,6 Mb
Release : 2003-12-31
Category : Political Science
ISBN : 9789231039096
This publication examines art, the human sciences, science, philosophy, mysticism, language and literature. For this task, UNESCO has chosen scholars and experts from all over the world who belong to widely divergent cultural and religious backgrounds.--Publisher's description.
Author : Robert Hillenbrand
Publisher : Thames & Hudson
Page : 288 pages
File Size : 53,6 Mb
Release : 1999-01-01
Category : Architecture
ISBN : 0500203059
A guide to the architecture, calligraphy, ceramics, and other arts of Islam covers a thousand years of history and an area stretching from the Atlantic to the borders of India and China
Author : Metropolitan Museum of Art (New York, N.Y.),Maryam Ekhtiar
Publisher : Metropolitan Museum of Art
Page : 450 pages
File Size : 43,9 Mb
Release : 2011
Category : History
ISBN : 9781588394347
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
Author : Deborah S. Hutton,Rebecca M. Brown
Publisher : Taylor & Francis
Page : 286 pages
File Size : 43,6 Mb
Release : 2016-10-04
Category : Architecture
ISBN : 9781315456041
10 Useful but dangerous: photography and the Madras School of Art, 1850-73 -- 11 Temporal transformations: terracotta and trash -- Index
Author : Olivia Sand
Publisher : Skira Editore
Page : 800 pages
File Size : 54,7 Mb
Release : 2018-04
Category : Art, Asian
ISBN : 8857234762
Over the past twenty years, no other part of the world has undergone as many changes as the Asian and Islamic regions. Since 1997, the London based Asian Art Newspaper has been covering on a monthly basis the world of Asian and Islamic art. Each issue has been featuring an interview with a contemporary artist, providing the reader with the opportunity to discover an artist through his own words and not through the lens of a curator, an art historian or a dealer. The featured illustrations allow the reader to have a clear understanding of what the artist_s practice and vision are about whether dealing with painting, sculpture, installation, photography, performance, video, film or music. Contemporary Voices compiles some of these interviews, covering the Asian and Islamic contemporary art scene, including internationally acclaimed as well as emerging artists.
Author : Wijdan Ali
Publisher : Unknown
Page : 225 pages
File Size : 50,5 Mb
Release : 1997
Category : Art
ISBN : 081301526X
"The first monograph to successfully address the dual questions of the development of painting in the Islamic lands in the 19th and 20th centuries and the significance of an indigenous 20th-century artistic tradition . . . presents a lucid and objective discussion of provocative questions related to the evolution of contemporary painting from Islamic lands, including the role of colonial institutions, indigenous patronage, art education, and the formation of a national artistic identity."--Layla S. Diba, associate curator for Islamic art, Brooklyn Museum In this beautifully illustrated book, Wijdan Ali offers a historical survey of the development of modern painting in the Islamic world from the 19th century to the present. She provides background on dominant artistic traditions before 1900 as well as an evaluation of the loss of traditional aesthetics under the impress of Western culture. Ali also explores the persistence and reemergence of calligraphic art as an expression of national artistic identity, and hers is the first book to consider in depth the modern calligraphic school. Ali's account begins with a descriptive survey of the development of contemporary art in the heartland of Islam, from Morocco to Iran. Her discussion incorporates the historical, political, social, and economic factors that brought about artistic and aesthetic changes in the region. Building on this survey, she analyzes the factors behind the evolution of various styles of calligraphic art, their substyles and adherents, and their respective places within the contemporary calligraphic school. In an appendix, she provides biographical data on the most influential modern Islamic artists. More than 150 color and black-and-white photographs allow the reader to see and appreciate the beauty and importance of these works. While a few recent collection catalogs have hinted at the growing interest in the art of the Islamic world, Ali's study is by far the most comprehensive yet undertaken of Islamic art in the contemporary period. It will substantially expand the study and concept of "modern art" beyond the narrow province of American and western European schools and establish a broad foundation for future investigation of modern artistic movements in the Middle East. Wijdan Ali is a painter, art historian, and lecturer at the Institute of Diplomacy, Amman, Jordan. Her most recent publications are What Is Islamic Art? (1996) and Modern Art in Jordan (1996).
Author : Navina Najat Haidar,Marika Sardar
Publisher : Metropolitan Museum of Art
Page : 386 pages
File Size : 47,9 Mb
Release : 2015-04-13
Category : Architecture
ISBN : 9780300211108
The vast Deccan plateau of south-central India stretches from the Arabian Sea to the Bay of Bengal. In the sixteenth and seventeenth centuries, the region was home to several major Muslim kingdoms and became a nexus of international trade — most notably in diamonds and textiles, through which the sultanates attained remarkable wealth. The opulent art of the Deccan courts, invigorated by cultural connections to the Middle East, Africa, and Europe, developed an otherworldly character distinct from that of the contemporary Mughal north: in painting, a poetic lyricism and audacious use of color; in the decorative arts, lively creations of inlaid metalware and painted and dyed textiles; and in architecture, a somber grandeur still visible today in breathtaking monuments throughout the plateau. The first book to fully explore the history and legacy of these kingdoms, Sultans of Deccan India elucidates the predominant themes in Deccani art—the region’s diverse spiritual traditions, its exchanges with the outside world, and the powerful styles of expression that evolved under court patronage—with fresh insights and new scholarship. Alongside the discussion of the art, lively, engaging essays by some of the field’s leading scholars offer perspectives on the cycles of victory and conquest as dynasties competed with one another, vied with Vijayanagara, a great empire to the south, and finally succumbed to the Mughals from the north. Featuring some 200 of the finest works from the Deccan sultanates, as well as spectacular site photographs and informative maps, this magnificently illustrated catalogue provides the most comprehensive examination of this world to date and constitutes a pioneering resource for specialists and general readers alike.
Author : Zürcher Kunstgesellschaft
Publisher : Unknown
Page : 0 pages
File Size : 50,7 Mb
Release : 2023-03
Category : Art
ISBN : 3777441228
A wide variety of works explore the relationship between Islamic art and modernism in Western Europe. The art and architecture of the Islamic world strongly influenced the development of Western modernism. Re-Orientations reflects the diversity of this fascinating cultural exchange by showcasing a rich variety of works from the mid-nineteenth century to the present day, including drawings, watercolors, paintings, photographs, ceramics, textiles, videos, installations, and more. During the nineteenth century European collectors caught in Orientalism and "Islamophilia" began to acquire Islamic art. With the advent of modernism, avant-garde artists and those working in the applied arts sought inspiration in the forms and colors of Islamic art. The catalog, which accompanies a 2023 exhibit at the Kunsthaus Zürich, delves into this historical context and more to examine the relationships between the featured works. Re-Orientations showcases art by Hélène Adant, Anila Quayyum Agha, Marwan Bassiouni, Edmond Bénard, Henriette Browne, Karl Gerstner, Jean-Léon Gérôme, Jaʿfar ibn Najaf ʿAli, Elisabeth Jerichau-Baumann, Wassily Kandinsky, Gülsün Karamustafa, Bouchra Khalili, Paul Klee, J. & L. Lobmeyr, Henri Matisse, Gabriele Münter, MuhammadʿAli Ashraf, Muhammad Jaʿfar, Muhammad Yusuf, Osman Hamdi Bey, Lotte Reiniger, Charles Claude Rudhardt, and Salah al-Din, as well as historic pieces by unknown artists from Algeria, Egypt, India, Iran, Iraq, Morocco, Spain, Syria, Tunisia, Turkey, and Uzbekistan.
Author : Oleg Grabar
Publisher : BRILL
Page : 180 pages
File Size : 42,8 Mb
Release : 1985-06-01
Category : Art
ISBN : 9004076115
Oleg Grabar, On Catalogues, Exhibitions, and Complete Works; Jonathan M. Bloom, The Mosque of the Qarafa in Cairo; Leonor Fernandes, The Foundation of Baybars al-Jashankir: Its Waqf, History, and Architecture; Howard Crane, Some Archaeological Notes on Turkish Sardis; Nancy Shatzman Steinhardt, Siyah Qalem and Gong Kai: An Istanbul Album Painter and a Chinese Painter of the Mongolian Period; Do?gan Kuban, The Style of Sinan's Domed Structures; Yasser Tabbaa, Bronze Shapes in Iranian Ceramics of the Twelfth and Thirteenth Centuries; Mehrdad Shokoohy and Natalie H. Shokoohy, The Architecture of Baha al-Din Tughrul in the Region of Bayana, Rajasthan; Glenn D. Lowry, Humayun's Tomb: Form, Function, and Meaning in Early Mughal Architecture; Peter Alford Andrews, The Generous Heart or the Mass of Clouds: The Court Tents of Shah Jahan; Priscilla P. Soucek, Persian Artists in Mughal India: Influences and Transformations; A.J. Lee, Islamic Star Patterns;
Author : Oleg Grabar
Publisher : Yale University Press
Page : 342 pages
File Size : 51,8 Mb
Release : 1987-01-01
Category : Art
ISBN : 0300040466
This classic work on the nature of early Islamic art has now been brought up to date in order to take into consideration material that has recently come to light. In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic art, tightens its chronology, and discusses its implications for the contemporary art of the Muslim world. Reviews of the first edition: "Grabar examines the possible ramifications of sociological, economic, historical, psychological, ecological, and archaeological influences upon the art of Islam. . . [He] explains that Islamic art is woven from the threads of an Eastern, Oriental tradition and the hardy, surviving strands of Classical style, and [he] illustrates this web by means of a variety of convincing and well-chosen examples."--Art Bulletin "A book of absorbing interest and immense erudition. . . All Islamic archaeologists and scholars will thank Professor Grabar for a profound and original study of an immense and complex field, which may provoke controversy but must impress by its mastery and charm by its modesty."--Times Literary Supplement "Oleg Grabar, in this book of exceptional subtlety and taste, surveys and extends his own important contributions to the study of early Islamic art history and works out an original and imaginative approach to the elusive and complex problems of understanding Islamic art."--American Historical Review