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Author : Sue Welsh Reed,Richard W. Wallace,Museum of Fine Arts, Boston
Publisher : Museum of Fine Arts Boston
Page : 302 pages
File Size : 42,8 Mb
Release : 1989
Category : Art
ISBN : 0878463062
Author : Sue Welsh Reed,Richard W. Wallace
Publisher : Museum of Fine Arts Boston
Page : 362 pages
File Size : 40,5 Mb
Release : 1989
Category : Art
ISBN : UOM:39015034705528
Author : Susan Dixon
Publisher : Lulu.com
Page : 94 pages
File Size : 49,6 Mb
Release : 2014
Category : Art
ISBN : 9780988999930
The essays in this volume complement the recent exhibition of Printmakers of the Baroque: 17th-Century Explorations of Space and Light at La Salle University Art Museum during winter 2013-2014. Co-curated by La Salle Associate Professor of Art History Dr. Susan Dixon, the exhibition also provided a foundation for a Baroque art history course taught in spring 2014. This catalogue includes essays and labels written by undergraduate students enrolled in the course, along with reproductions of all 40 artworks included in the exhibition.
Author : Gerald W. R. Ward
Publisher : Unknown
Page : 848 pages
File Size : 52,8 Mb
Release : 2008
Category : Art
ISBN : 9780195313918
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."
Author : Stacey Sell
Publisher : University of Virginia Press
Page : 212 pages
File Size : 41,7 Mb
Release : 1991
Category : Art
ISBN : UOM:39015022269511
The 250 year period of Renaissance and Baroque printmaking in Europe was as varied and innovative as those of its sister arts of painting and sculpture. From the mid-15th century through the 17th century Europe burgeoned with artistic activity. This diversity is well-represented in these collections of woodcuts, engravings, etchings, and drypoint etchings by 65 artists working north and south of the Alps, from Germany to Italy. Highlighted are works by Albrecht Durer, Titian, Schiavone, and other Mannerist artists, and Rembrandt van Rijn and other 17th century Dutch and Flemish artists.
Author : Ryan E. Gregg
Publisher : BRILL
Page : 440 pages
File Size : 48,7 Mb
Release : 2018-12-10
Category : Art
ISBN : 9789004386167
Ryan E. Gregg relates how the Holy Roman Emperor Charles V and Duke Cosimo I of Tuscany both employed city view artists such as Anton van den Wyngaerde and Giovanni Stradano to aid in constructing authority.
Author : Una Roman D'Elia
Publisher : McGill-Queen's Press - MQUP
Page : 417 pages
File Size : 43,7 Mb
Release : 2015
Category : Drawing, Italian
ISBN : 9780773546363
Essays on both newly discovered and famous drawings that reveal aspects of the Renaissance and how artists thought.
Author : Catherine Jenkins,Nadine M. Orenstein,Freyda Spira,Peter Fuhring,Donald J. La Rocca,Anne Varick Lauder,Christof Metzger,Femke Speelberg,Ad Stijnman,Pierre Terjanian,Julia Zaunbauer
Publisher : Metropolitan Museum of Art
Page : 311 pages
File Size : 53,5 Mb
Release : 2019-10-21
Category : Art
ISBN : 9781588396495
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author : Frans Laurentius,T. Laurentius
Publisher : BRILL
Page : 181 pages
File Size : 50,6 Mb
Release : 2016-06-15
Category : History
ISBN : 9789004310629
Italian Watermarks 1750-1860 offers x-rays and descriptions of ca. 300 Italian watermarks dating between 1750 and 1860.
Author : Anonim
Publisher : BRILL
Page : 278 pages
File Size : 53,8 Mb
Release : 2015-08-24
Category : Art
ISBN : 9789004290112
In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art.
Author : E. James Mundy,Elizabeth Ourusoff De Fernandez-Gimenez,Milwaukee Art Museum,National Academy of Design (U.S.)
Publisher : Unknown
Page : 315 pages
File Size : 51,6 Mb
Release : 1989
Category : Mannerism (Art)
ISBN : 0944110010
Author : Christopher S. Wood
Publisher : Reaktion Books
Page : 439 pages
File Size : 45,7 Mb
Release : 2013-07-15
Category : Art
ISBN : 9781780231150
In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape, Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus—the forest interior. This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations.
Author : Delia Gaze
Publisher : Routledge
Page : 786 pages
File Size : 40,5 Mb
Release : 2013-04-03
Category : Social Science
ISBN : 9781136599019
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
Author : Georgia Museum of Art
Publisher : University of Georgia Press
Page : 262 pages
File Size : 43,6 Mb
Release : 1995
Category : Art
ISBN : 0820316482
In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution. With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.
Author : Bernadine Barnes
Publisher : Routledge
Page : 336 pages
File Size : 43,8 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351558273
In seeing printed reproductions as a form of response to Michelangelo's work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences. Six essays set the reproductions in historical context, and consider the challenges presented by works in various media and with varying degrees of accessibility, while a seventh considers how published verbal descriptions competed with visual reproductions. Rather than concentrating on the intentions of the artist, Barnes treats the prints as important indicators of the use of, and public reaction to, Michelangelo's works. Emphasizing reception and the construction of history, her approach adds to the growing body of scholarship on print culture in the Renaissance. The volume includes a comprehensive checklist organized by the work reproduced.
