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J M Synge the Passionate Playwright by Dr. Vayala Vasudevan Pillai Pdf
The book is an attempt at intensely evaluating the works of J.M Synge, the Irish Literary revivalist and experimental dramatist. The author Dr Vayala has meticulously appraised the entire dramatic and poetic content of Synge`s writings and marvels at his innovative stage craft. ( Please refer for more details to the author`s preface of the work)
This collection of criticism is on four of the most-studied plays of J.M. Synge. Along with W.B. Yeats and Lady Gregory he created the Irish literary movement and the Abbey theatre. The playwright is acknowledged to be in the forefront of modernist literature. Major critics include William Empson to Hugh Kenner and writers from George Moore to Frank O'Connor.
DigiCat Publishing presents to you this special edition of "In the Shadow of the Glen" by J. M. Synge. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Performance, Modernity and the Plays of J. M. Synge by Hélène Lecossois Pdf
Explores concepts of performance, modernity and progress by combining performance studies and historical research with contextualised readings of Synge's plays.
DigiCat Publishing presents to you this special edition of "In Wicklow and West Kerry" by J. M. Synge. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Complete Works of J.M. Synge by John Millington Synge Pdf
Collects all of Synge's published plays, including The Playboy of The Western World, along with his Poetry and Translations, and the prose works that detail his travels in The Aran Islands, In Wicklow, In Kerry and In Connemara.
This volume includes the complete texts of all the plays by J.M. Synge. Produced at the Abbey Theater which Synge founded. Represents one of the major dramatic achievements of the 20th century.
Critical Essays on John Millington Synge by Daniel J. Casey Pdf
An introduction by the editor precedes 17 essays--some previously published, others commissioned for the series--on the writer best known for Playboy of the Western World. Annotation copyright by Book News, Inc., Portland, OR
Synge was born into an evangelical Protestant world that was increasingly at odds with the mainstream of Irish society. He himself became an agnostic and a Darwinian at an early age. Nonetheless he retained an interest in the occult and the mystical that was to stand him in good stead as a writer. Additionally, Synge was intensely musical. Indeed, his original intention was to make a career as a professional musician and he studied in Germany to that end. In time, he abandoned music for literature, but his greatest plays sing with a unique musical language quite unlike the work of any other dramatist. He was a passionate man, one who watched everything, missed nothing, and assembled apparently insignificant details into building blocks of great art. His three great plays, In the Shadow of the Glen, Riders to the Sea, and The Playboy of the Western World, established modern Irish drama and gave it its central position in the Irish literary revival. But the author of these remarkable works was a dying man. For years Synge had battled Hodgkin's disease and in 1909 he succumbed to it at the age of thirty-eight. This outstanding biography, written with great verve and assurance, will reestablish Synge in the hearts of a new generation.
Performing the Body in Irish Theatre by B. Sweeney Pdf
This title examines the representation of the body in Irish theatre alongside the specific circumstances within which Irish theatre is performed, incorporating issues of gender and embodiment, and the performance of Irishness and tradition. The author contextualizes the body in Irish theatre, and includes in-depth analysis of five key productions.