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11 essays which attempt to combine contemporary literary theory and sound practical criticism from a range of literary approaches. The contributors cover the poetry of John Donne, the theology and impact of The Book of Common Prayer, the politics of Jacobean theatre and other themes.
Donne and the Politics of Conscience in Early Modern England by Meg Lota Brown Pdf
Donne and the Politics of Conscience in Early Modern England examines the responses of John Donne and his contemporaries to post-Reformation debate about authority and interpretation. It argues that the legal and epistemological principles, as well as the narrative practices, of casuistry provided an important resource for those caught in the welter of conflicting laws and religions. The first two chapters explore the political, historical, and theological contexts of casuistry, locating Donne in debates about the limits of reason and the relativity of law and ethics. Chapter three addresses Donne's concern with problems of moral decision and action, of knowledge and definition, in five of his prose works. Chapter four examines ways in which his verse assimilates and wittily subverts casuists' responses to epistemological and linguistic uncertainty. The study is particularly useful for literary critics, intellectual historians, and theologians.
Originally published in 1982. The Poetics of Jacobean Drama argues for a rediscovered approach to the study of Renaissance drama. Coburn Freer observes that most modern criticism of this drama treats the plays as if they were written in prose, thus overlooking whole areas of dramatic meaning that were understood in the past. Such an understanding, he asserts, was common among writers, actors, audiences, and readers of the Elizabethan and Jacobean eras, and a knowledge of it is essential to a full appreciation of the characterization and dramatic structures in these plays. Freer explores the evolution of the modern reluctance to approach Renaissance drama as one would dramatic poetry—from the standpoint of a listener. Blank verse, the author shows, provided Jacobean dramatists with a poetic form against which they could work the pressures of experience within their characters. The writers' ability to work with and against this form provided infinite resources for delineating character and creating significant coherences in the structure of a play. The Poetics of Jacobean Drama offers insights into what the Renaissance writer, actor, and playgoer would have regarded as the domain of poetry in drama. Topics discussed include the conditions of stage performance and the style of acting, Elizabethan education, the rise of printed texts and collected editions, and the comments of Elizabethan audiences and readers. Freer's commentary and theoretical explanations suggest both why and how we should pay closer attention to the poetry of Renaissance drama.
A collection of essays on the poets of the Jacobean era. Edmund Gosse provides insights into the works of John Donne, Ben Jonson, Thomas Carew, and other notable poets of the time. This book is a must-read for students and scholars of English literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Poetry and Drama-I (English Literature Book) B.A First Sem UOR NEP-2020 by Dr. Smriti Pareek,Dr. Vipula Mathur Pdf
Buy Latest ( English Literature ) Poetry and Drama-I Book in English Language for B.A 1st Semester University of Rajasthan, Jaipur NEP-2020 By Thakur publication.
Engaging with histories of the book and of reading, as well as with studies of material culture, this volume explores ’popularity’ in early modern English writings. Is ’popular’ best described as a theoretical or an empirical category in this period? How can we account for the gap between modern canonicity and early modern print popularity? How might we weight the evidence of popularity from citations, serial editions, print runs, reworkings, or extant copies? Is something that sells a lot always popular, even where the readership for print is only a small proportion of the population, or does popular need to carry something of its etymological sense of the public, the people? Four initial chapters sketch out the conceptual and evidential issues, while the second part of the book consists of ten short chapters-a ’hit parade’- in which eminent scholars take a genre or a single exemplar - play, romance, sermon, or almanac, among other categories-as a means to articulate more general issues. Throughout, the aim is to unpack and interrogate assumptions about the popular, and to decentre canonical narratives about, for example, the sermons of Donne or Andrewes over Smith, or the plays of Shakespeare over Mucedorus. Revisiting Elizabethan literary culture through the lenses of popularity, this collection allows us to view the subject from an unfamiliar angle-in which almanacs are more popular than sonnets and proclamations more numerous than plays, and in which authors familiar to us are displaced by names now often forgotten.
History of English Literature from "Beowulf" to Swinburne by Andrew Lang Pdf
The book 'History of English Literature from "Beowulf" to Swinburne' is written by Andrew Lang. Lang was a Scottish writer and literary critic who is best known as a collector of folk and fairy tales. His academic interests extended beyond the literary and he was a noted contributor to the fields of anthropology, folklore, psychical research, history, and classic scholarship, as well as the inspiration for the University of St. Andrew's lectures. A prolific author, Lang published more than 100 works during his career, including twelve fairy books, in which he compiled folk and fairy tales from around the world. Excerpt: "The literature of every modern country is made up of many elements, contributed by various races; and has been modified at different times by foreign influences. Thus, among the ancient Celtic inhabitants of our islands, the peoples whom the Romans found here, the Welsh have given us the materials of the famous romances of King Arthur, and from the Gaelic tribes of Ireland and Scotland come the romances of heroes less universally known, Finn, Diarmaid, Cuchulain, and the rest. But the main stock of our earliest poetry and prose, like the main stock of our language, is Anglo-Saxon. The Anglo-Saxon tribes who invaded Britain, and after the departure of the Romans (411) conquered the greater part of the island, must have had a literature of their own, and must have brought it with them over sea."
Iberian Chivalric Romance by Leticia Alvarez Recio Pdf
"This collection of original essays examines the publication and reception history of sixteenth-century Iberian books of chivalry in English translation and explores the impact of that literary corpus on Elizabethan culture as well as its connections with other contemporary genres such as native English fiction, chronicle, and epistolary writing. The essays focus mainly on Anthony Munday's work as the leading translator as well as the two main Spanish sixteenth-century cycles-Le., Amadis and Palmerin-from a variety of critical approaches, including cultural studies, book history and reception, material history, translation, post-colonial criticism, and early modern Qender studies."--
