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A couple on an epicurean journey across Mexico are excited by the idea of a particular ingredient, suggested by ancient rituals of human sacrifice. Precariously balanced on his throne, a king is able only to listen to the sounds around him - sure that any deviation from their normal progression would mean the uprising of the conspirators that surround him. And three different men search desperately for the beguiling scents of lost women, from a Count visiting Madame Odile's perfumery, to a London drummer stepping over spent, naked bodies.
December 21, 2012 Will that fateful day destroy our world, or did the Mayans have something else in mind? Maya Delaney knows. Unfortunately. Maya Delaney is just an average sixteen-year-old. She's busy dealing with exams, her soon to be ex-boyfriend and fitting in. But Maya's got bigger problems. She's hiding a major secret from her dad and having strange visions she can't control. In her struggle to figure out who she is, she learns that she is meant to fulfill an ancient Mayan Prophesy and bring forth a New Age on earth. Will the spirit magic Maya wields be enough to defeat Toltec, an evil society bent on keeping her from her destiny? Or will that destiny itself destroy her?
“A prodigious work of unmatched interdisciplinary scholarship” on Maya astronomy and religion (Journal of Interdisciplinary History). Observations of the sun, moon, planets, and stars played a central role in ancient Maya lifeways, as they do today among contemporary Maya who maintain the traditional ways. This pathfinding book reconstructs ancient Maya astronomy and cosmology through the astronomical information encoded in Pre-Columbian Maya art and confirmed by the current practices of living Maya peoples. Susan Milbrath opens the book with a discussion of modern Maya beliefs about astronomy, along with essential information on naked-eye observation. She devotes subsequent chapters to Pre-Columbian astronomical imagery, which she traces back through time, starting from the Colonial and Postclassic eras. She delves into many aspects of the Maya astronomical images, including the major astronomical gods and their associated glyphs, astronomical almanacs in the Maya codices and changes in the imagery of the heavens over time. This investigation yields new data and a new synthesis of information about the specific astronomical events and cycles recorded in Maya art and architecture. Indeed, it constitutes the first major study of the relationship between art and astronomy in ancient Maya culture. “Milbrath has given us a comprehensive reference work that facilitates access to a very broad and varied body of literature spanning several disciplines.” ―Isis “Destined to become a standard reference work on Maya archeoastronomy . . . Utterly comprehensive.” —Andrea Stone, Professor of Art History, University of Wisconsin, Milwaukee
In Maya Political Science: Time, Astronomy, and the Cosmos, Prudence M. Rice proposed a new model of Maya political organization in which geopolitical seats of power rotated according to a 256-year calendar cycle known as the May. This fundamental connection between timekeeping and Maya political organization sparked Rice's interest in the origins of the two major calendars used by the ancient lowland Maya, one 260 days long, and the other having 365 days. In Maya Calendar Origins, she presents a provocative new thesis about the origins and development of the calendrical system. Integrating data from anthropology, archaeology, art history, astronomy, ethnohistory, myth, and linguistics, Rice argues that the Maya calendars developed about a millennium earlier than commonly thought, around 1200 BC, as an outgrowth of observations of the natural phenomena that scheduled the movements of late Archaic hunter-gatherer-collectors throughout what became Mesoamerica. She asserts that an understanding of the cycles of weather and celestial movements became the basis of power for early rulers, who could thereby claim "control" over supernatural cosmic forces. Rice shows how time became materialized—transformed into status objects such as monuments that encoded calendrical or temporal concerns—as well as politicized, becoming the foundation for societal order, political legitimization, and wealth. Rice's research also sheds new light on the origins of the Popol Vuh, which, Rice believes, encodes the history of the development of the Mesoamerican calendars. She also explores the connections between the Maya and early Olmec and Izapan cultures in the Isthmian region, who shared with the Maya the cosmovision and ideology incorporated into the calendrical systems.
The Cydonia Codex by George J. Haas,William R. Saunders Pdf
"The result of ten years of study and analysis of NASA photographs of the Face on Mars and its surrounding complex, The Cydonia Codex provides evidence for a terrestrial connection between Cydonia and Mesoamerica"--Provided by publisher.
The Venus Calendar Observatory at Aztec New Mexico by Allan III.. MacGillivray,Allan III Macgillivray Pdf
Between the 10th and 14th century's AD a grand civilization developed in what are now the 4 corners of the USA, encompassing approximately 10,000 square miles. Many scholars have studied this "Chaco Phenomena" and have ascertained that there was great influence from cultures of the South in what is now Mexico and Guatemala. Parrots, Macaws, cacao certain iconography and burial effects found in the Chaco Domain are consistent with materials mentioned in the Mayan Popol Vuh describing specific attributes of Ahauship (kingship) in Meso-America. These items have been found within the Chaco Domain. Implicit in the above is the use of Meso-American calendrics, which eluded scholars until recently. MacGillivray has rediscovered the use of the Hubbard site by analysis of original site interpolated with Mexica, Mayan and Zapotec; cosmological records of the Dresden Codex interfaced with the Tzolkin, showing a astronomical continuum in architecture and "day keeping traditions" for millenniums which is expressed in the Chacoan Tzolkin. The Aztec ruins in N.M. are of paramount importance in this ancient American tradition. Although having been "backfilled" years ago, the Hubbard tri-wall at Aztec, N.M. through archaeological documentation and new research proves itself to be a Venus calendar. Venus is very important in Indigenous cosmology as it represents Quetzalcoatl / Sacred Plumed Serpent, harbinger of the sun. The knowledge of Venus cycles shows advanced astronomical knowledge at Aztec suggesting that a specialized group of Shaman/Priests did live there, "the day keeper's and diviners" of the later Chaco Domain. The Hubbard Venus Calendar and Chacoan Tzolkin gives us a glimpse of what cosmology future scholars will find embodied in the two unexcavated tri-walls at Aztec on the Animas and else where in the Chaco Domain and Pan America.
From the #1 bestselling, award-winning author of The Golden Spruce and The Tiger: a rich, gripping literary thriller in the spirit of The Constant Gardener that showcases the narrative power for which John Vaillant is internationally acclaimed. Hector, a young Zapotec fleeing Mexico for a better life in the US with his friend Cesar, a biotech researcher, pays to be smuggled across the border by unscrupulous "coyotes," concealed in the tightly sealed, empty tank of a water truck packed with illegal migrants. Abandoned by the smugglers in the desert, they are left to die, their only lifeline Cesar's phone. When Cesar slips into unconsciousness, Hector reaches out to the one name with an American code--AnniMac--that becomes his lifeline to the world as he reveals what has brought him to this place, taking us back to an older Mexico; to the lives of his Zapotec grandparents and the ancient, mythic traditions, to the mystery behind the jaguar icon left to him by a mysterious archeologist, and the power of the corn myth. As legends fuse with the terrifying present, the dangers Cesar is fleeing become grippingly apparent: his research was threatening to expose the country's largest manufacturer of genetically modified corn, set to impose economic and cultural genocide on the native population. Finding the courage to survive is critical, even as hope dwindles.
Comprehensive and cross-referenced, this informative volume is a rich introduction to the world of nature as experienced by ancient peoples around the globe. 51 halftones.
Time and the Ancestors by Maarten Jansen,Gabina Aurora Pérez Jiménez Pdf
Time and the Ancestors: Aztec and Mixtec Ritual Art combines iconographical analysis with archaeological, historical and ethnographic studies and offers new interpretations of enigmatic masterpieces from ancient Mexico, focusing specifically on the symbols and values of the religious heritage of indigenous peoples.
At the time of his death, Italo Calvino was internationally regarded as one of Italy's greatest twentieth century writers. His approach to literature was remarkably adventurous, and he produced a thought-provoking oeuvre. It invited readers to engage themselves with radical thoughts and philosophies, an approach lamentably scarce in contemporary global culture. This book examines Calvino's works of fiction in the context of the philosophical ideas he advanced in his theoretical and critical works. His was an extraordinarily versatile mind, keen on experimenting with a dazzling variety of both fiction and nonfiction forms.