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Jane and Louisa Will Soon Come Home by Erna Brodber Pdf
Often referred to as a prose-poem, this book reflects an internal sociological perspective. At first, readers are outsiders, but soon they are invited into the narrative that is best understood in its totality and in the context of Jamaican history. The author breaks up the life story of Nellie, the primary narrator, into nonchronological vignettes that explore dimensions of the difficulties of the protagonist's childhood, sexuality, and search for identity under the circumstances of Jamaica's tumultuous past and colonial legacy.--Publisher's description.
Jamaican-born novelist and sociologist Erna Brodber describes Myal as “an exploration of the links between the way of life forged by the people of two points of the black diaspora—the Afro-Americans and the Afro-Jamaicans.” Operating on many literary levels—thematically, linguistically, stylistically—it is the story of women’s cultural and spiritual struggle in colonial Jamaica. The novel opens at the beginning of the 20th century with a community gathering to heal the mysterious illness of a young woman, Ella, who has returned to Jamaica after an unsuccessful marriage abroad. The Afro-Jamaican religion myal, which asserts that good has the power to conquer all, is invoked to heal Ella, who has been left "zombified” and devoid of any black soul. Ella, who is light skinned enough to pass for white, has suffered a breakdown after her white American husband produced a black-face minstrel show based on the stories of her village and childhood. This cultural appropriation is one of a series Ella encountered in her life, and parallels the ongoing theft of the labor and culture of colonized peoples for imperial gain and pleasure. The novel‘s rich, vivid language and vital characters earned it the Commonwealth Writers’ Prize for Canada and the Caribbean. The novel links nicely with Brodber’s coming-of-age story, Jane & Louisa Will Soon Come Home, also from Waveland Press, for its similar images, themes, and specific Jamaican cultural references to colonialism, religion, slavery, gender, and identity. Both novels are Brodber’s way of telling stories outside of published history to point out the whitewashing and distortion of black history through religion and colonialism.
Jane and Louisa Will Soon Come Home by Erna Brodber Pdf
Jamaican-born Erna Brodber, a respected sociologist and critically acclaimed novelist, fuses the literary genres of fiction and nonfiction in this nontraditional, highly imaginative coming-of-age story laced with political and cultural messages. Often referred to as a prose-poem, Jane & Louisa Will Soon Come Home reflects an internal sociological perspective. At first, readers are outsiders, but soon they are invited into the narrative that is best understood in its totality and in the context of Jamaican history. Brodber breaks up the life story of Nellie, the primary narrator, into nonchronological vignettes that explore dimensions of the difficulties of the protagonist’s childhood, sexuality, and search for identity under the circumstances of Jamaica’s tumultuous past and colonial legacy. Brodber does not dwell on race or history but mixes each into Nellie’s process of identity formation: Nellie is not merely aware of how she is seen by others but how she, herself, constructs her own identity—examining her reflection in the looking glass of others’ perceptions of her. In the end, she initiates her own recovery of her past traumas and rewrites her story.
This is the first American publication of Brodber's eagerly awaited third novel. In Louisiana: A Novel she explores her continuing fascination with the power of the past to live in the present. Here, Ella Townsend, a young African American anthropologist whose roots are Caribbean, researches Louisiana folklife and discovers not only the world of voodoo and carnival but also the mystical connection of the living and the dead. With her tape recorder she explores the rich heritage of Creole Louisiana, but Mammy, Ella's primary informant, dies during the project. Then from beyond the grave she continues to transmit messages. Although the academically minded Ella is dubious about the authenticity of the medium, gradually, as she confronts her prejudices, the tapes convey enriching mysteries about the past lives of Mammy and her friend Lowly. From this supernatural experience, Ella learns much about herself and her background. Louisiana celebrates the magico-religious culture of hoodoo, conjure, obeah, and myal. Like Brodber's previous works, Myal: A Novel and Jane and Louisa Will Soon Come Home, Louisiana reveals the author's fascinating gift of myth-making. The Louisiana of her title represents two places sharing the same name—the American state and Brodber's native parish in Jamaica. Through this blending of localities, Brodber shows how elements from the African diaspora are kept alive in the Creole culture of the Americas.
In this powerful and moving novel, Myriam Warner-Vieyra sensitively portrays the complexities of cross-cultural relationships and, in particular, the female predicament. When Helene, a self-reliant career woman, is packing her belongings for a move and imminent marriage for which she is reluctant, she unearths a faded old book. It is the diary of young Juletane, a confused, sheltered West Indian woman struggling to find herself. Written over three weeks, it records her short life: childhood in France, marriage to an African student, and an eager return with him to Africa, the land of her ancestors. It is Juletane’s diary that brings her and Helene together. Juletane does not fit into her husband’s traditional African family, especially the Muslim cultural demands of polygamy. Full of gentle ironies, Juletane is a story about alienation, madness, shattered dreams: the disillusioned West Indian outsider’s disenchantment with Africa. Myriam Warner-Vieyra looks at women’s lives, at the paths they have taken, at the possibilities open to women in the Caribbean, in Africa, in life. She forces readers, through the double narrative of Juletane and Helene, to reexamine easy assumptions, to look again at safe generalizations. Includes valuable Introduction 2014 by the translator.
Nothing?s Mat is told by a black British teenager ? ?every black girl? ? for she has no name until the very last chapters when she is teasingly called ?Princess? by her husband. Somewhere in the 1950s London-based Princess is allowed to complete her sixthform final exams by writing a long paper on the West Indian family instead of sitting an exam. She thinks this a godsend and that all she has to do is to interview her parents. Her father tries to help her with his side but they both find that their kin will not fit into the standard anthropological template. Her father thinks it a good time for her to go to Jamaica and meet her grandparents, who can better help her with her study.In Jamaica, much as her middle-class black Jamaican grandparents and her parents in England might not have liked it, Princess meets and spends time with her obscure cousin Nothing, called Conut. Conut introduces Princess to a plant that obeys certain divine principles and is available to humans to make artefacts for their comfort. Accordingly, they begin to make a mat and as they twist straw and bend it into intricate shapes, Conut tells her the family history so that their creation becomes for her a mat of anthropological template. The resulting shape presented to her teacher earns her an A and the comment that she has managed to project the West Indian family as a fractal rather than fractured as the published literature sees it.Her studies and subsequent academic career take her to London University and then back to Jamaica, but understimulated by the academy, she chooses to continue the family study from high school and to do so by crafting the information into the mat, which becomes for her a shield against spiritual and physical evil. Making the mat of ancestors takes her into myriad histories of young Englishmen in Jamaica, of Jamaican women in Panama, and of African Americans in Virginia, among others.This work is at once a fictional family history and a comment on anthropological methodology and African systems of thought.
Depicts in fiction the spirit of the past by exploring how the formerly enslaved of Jamaica handle their freedom and arrive at understandings of issues and processes concerning their settlement and diaspora.
Erna Brodber and Velma Pollard by Violet Harrington Bryan Pdf
Erna Brodber and Velma Pollard, two sister-writers born and raised in Jamaica, re-create imagined and lived homelands in their literature by commemorating the history, culture, and religion of the Caribbean. Velma Pollard was born in St. Catherine, Jamaica. By the time she was three, her parents had moved to Woodside, St. Mary, in northeast Jamaica, where her sister, Erna, was born. Even though they both travel widely and often, the sisters both still live in Jamaica. The sisters write about their homeland as a series of memories and stories in their many works of fiction, nonfiction, and poetry. They center on their home village of Woodside in St. Mary Parish, Jamaica, occasionally moving the settings of their fiction and poetry to other regions of Jamaica and various Caribbean islands, as well as other parts of the diaspora in the United States, Canada, and England. The role of women in the patriarchal society of Jamaica and much of the Caribbean is also a subject of the sisters’ writing. Growing up in what Brodber calls the kumbla, the protective but restrictive environment of many women in the Anglo-Caribbean, is an important theme in their fiction. In her fiction, Pollard discusses the gender gaps in employment and the demands of marriage and the special contributions of women to family and community. Many scholars have also explored the significance of spirit in Brodber’s work, including the topics of “spirit theft,” “spirit possession,” and spirits existing through time, from Africa to the present. Brodber’s narratives also show communication between the living and the dead, from Jane and Louisa (1980) to Nothing’s Mat (2014). Yet, few scholars have examined Brodber’s work on par with her sister’s writing. Drawing upon interviews with the authors, this is the first book to give Brodber and Pollard their due and study the sisters’ important contributions.
Dan Zanes' House Party! by Dan Zanes,Claudia Eliaza Pdf
In Dan Zanes' House Party!, the Grammy Award-winning children's artist presents a huge collection of folk songs along with inspiration to start your own family band. Too often, new parents eager to share their love of music with their young children feel their options are limited to cuddly singing dinosaurs and well-meaning humans whose understanding of children’s music starts with “Kumbaya” and ends with “Puff the Magic Dragon.” For many sane adults, these choices are more abrasive than the most aggro noise-rock of their college years. Dan Zanes has spent the past 20 years creating a truly compelling body of children's music that music-loving parents can also get behind. A former 1980s indie rocker, Zanes' 13 children's albums have gained wide praise for their authentic arrangements and preservation of America's folk traditions. In Dan Zanes' House Party!, the Grammy Award–winning Zanes has curated a rich selection of folk songs that comprise an essential musical cross-section of the American experience and its multicultural, immigrant underpinnings. The selections include the standard songs we all know and love, along with folk classics. Each song is accompanied by a brief narrative on its historical context, followed by lyrics, notation, and chords. Among the songs you'll learn to play: "Erie Canal," "Pay Me My Money Down," "Titanic," "Waltzing Matilda," "The Farmer Is the One," "Wabash Cannonball," "Sloop John B.," "Old Joe Clark," "Skip to My Lou," "King Kong Kitchie," and "We Shall Not Be Moved." Dan Zanes' House Party! also includes informational sidebars throughout to give families the basics needed to pick up instruments and learn to more fully enjoy music as a family band. And in the back of the book, you'll find chord charts for guitar, ukele, and mandolin. More than just a collection of songs, Dan Zanes’ House Party! is part music book, part history lesson, and a work that all families can enjoy—together.
John Quincy and Louisa Adams’s unexpected journey that changed everything. American Phoenix is the sweeping, riveting tale of a grand historic adventure across forbidding oceans and frozen tundra—from the bustling ports and towering birches of Boston to the remote reaches of pre-Soviet Russia, from an exile in arctic St. Petersburg to resurrection and reunion among the gardens of Paris. Upon these varied landscapes this Adams and his Eve must find a way to transform their banishment into America’s salvation. Author, historian, and national media commentator Jane Hampton Cook breathes life into once-obscure history, weaving a meticulously researched biographical tapestry that reads like a gripping novel. With the arc and intrigue of Shakespearean drama in a Jane Austen era, American Phoenix is a timely yet timeless addition to the recent renaissance of works on the founding Adams family, from patriarchs John and Abigail to the second-generation of John Quincy and Louisa and beyond. Cook has crafted not only a riveting narrative but also an easy-to-understand history filled with fly-on-the-wall vignettes from 1812 and its hardscrabble, freedom-hungry people. While unveiling vivid portrayals of each character—a colorful assortment of heroes and villains, patriots and pirates, rogues and rabble-rousers—she paints equally fresh, intimate portraits of both John Quincy and Louisa Adams. Cook artfully reveals John Quincy’s devastation after losing the job of his dreams, battle for America’s need to thrive economically, and sojourn to secure his homeland’s survival as a sovereign nation. She reserves her most detailed brushstrokes for the inner struggles of Louisa, using this quietly inspirational woman’s own words to amplify her fears, faith, and fortitude along a deeply personal, often heart-rending journey. Cook’s close-up perspective shows how this American couple’s Russian destination changed US destiny.
Seventeen-year-old Louisa Cosgrove longs to break free from her respectable life as a Victorian doctor's daughter. But her dreams become a nightmare when Louisa is sent to Wildthorn Hall: labelled a lunatic, deprived of her liberty and even her real name. As she unravels the betrayals that led to her incarceration, she realizes there are many kinds of prison. She must be honest with herself - and others - in order to be set free. And love may be the key . . .
Erna Brodber and Velma Pollard by Violet Harrington Bryan Pdf
Erna Brodber and Velma Pollard, two sister-writers born and raised in Jamaica, re-create imagined and lived homelands in their literature by commemorating the history, culture, and religion of the Caribbean. Velma Pollard was born in St. Catherine, Jamaica. By the time she was three, her parents had moved to Woodside, St. Mary, in northeast Jamaica, where her sister, Erna, was born. Even though they both travel widely and often, the sisters both still live in Jamaica. The sisters write about their homeland as a series of memories and stories in their many works of fiction, nonfiction, and poetry. They center on their home village of Woodside in St. Mary Parish, Jamaica, occasionally moving the settings of their fiction and poetry to other regions of Jamaica and various Caribbean islands, as well as other parts of the diaspora in the United States, Canada, and England. The role of women in the patriarchal society of Jamaica and much of the Caribbean is also a subject of the sisters’ writing. Growing up in what Brodber calls the kumbla, the protective but restrictive environment of many women in the Anglo-Caribbean, is an important theme in their fiction. In her fiction, Pollard discusses the gender gaps in employment and the demands of marriage and the special contributions of women to family and community. Many scholars have also explored the significance of spirit in Brodber’s work, including the topics of “spirit theft,” “spirit possession,” and spirits existing through time, from Africa to the present. Brodber’s narratives also show communication between the living and the dead, from Jane and Louisa (1980) to Nothing’s Mat (2014). Yet, few scholars have examined Brodber’s work on par with her sister’s writing. Drawing upon interviews with the authors, this is the first book to give Brodber and Pollard their due and study the sisters’ important contributions.
'Everything is Now' brings together in one volume all of the short fiction of Jamaican born author Michelle Cliff. The stories examine the dualities of the modern world - black and white; America and the third world; past and present; femininity and masculinity and colonialism and revolution.
If I Could Write this in Fire by Michelle Cliff Pdf
In her first book-length collection of nonfiction, Cliff interweaves reflections on her life in Jamaica, England, and the United States with a powerful and sustained critique of racism, homophobia, and social injustice. If I Could Write This in Fire begins by tracing her transatlantic journey from Jamaica to England, coalescing around a graceful, elliptical account of her childhood friendship with Zoe, who is dark-skinned and from an impoverished, rural background; the divergent life courses that each is forced to take; and the class and color tensions that shape their lives as adults. In other essays and poems, Cliff writes about the discovery of her distinctive, diasporic literary voice, recalls her wild colonial girlhood and sexual awakening, and recounts traveling through an American landscape of racism, colonialism, and genocide - a history of violence embodied in seemingly innocuous souvenirs and tourist sites.
'One of a kind. Utterly fantastic.' Eoin Colfer on Tin David and Penny's strange new home is surrounded by forest. It's the childhood home of their mother, who's recently died. But other creatures live here ... magical creatures, like tiny, hairy Pog. He's one of the First Folk, protecting the boundary between the worlds. As the children explore, they discover monsters slipping through from the place on the other side of the cellar door. Meanwhile, David is drawn into the woods by something darker, which insists there's a way he can bring his mother back ...
