Jazz à La Creole

Author : Caroline Vézina
Publisher : Univ. Press of Mississippi
Page : 228 pages
File Size : 47,5 Mb
Release : 2022-11-29
Category : Music
ISBN : 9781496842459

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Jazz à la Creole by Caroline Vézina Pdf

During the formative years of jazz (1890–1917), the Creoles of Color—as they were then called—played a significant role in the development of jazz as teachers, bandleaders, instrumentalists, singers, and composers. Indeed, music penetrated all aspects of the life of this tight-knit community, proud of its French heritage and language. They played and/or sang classical, military, and dance music as well as popular songs and cantiques that incorporated African, European, and Caribbean elements decades before early jazz appeared. In Jazz à la Creole: French Creole Music and the Birth of Jazz, the author describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz. Caroline Vézina has compiled and analyzed a broad scope of primary sources found in diverse locations from New Orleans to Quebec City, Washington, DC, New York City, and Chicago. Two previously unpublished interviews add valuable insider knowledge about the music on French plantations and the danses Créoles held in Congo Square after the Civil War. Musical and textual analyses of cantiques provide new information about the process of their appropriation by the Creole Catholics as the French counterpart of the Negro spirituals. Finally, a closer look at their musical practices indicates that the Creoles sang and improvised music and/or lyrics of Creole songs, and that some were part of their professional repertoire. As such, they belong to the Black American and the Franco-American folk music traditions that reflect the rich cultural heritage of Louisiana.

Author : Caroline Vézina
Publisher : Unknown
Page : 0 pages
File Size : 49,7 Mb
Release : 2022
Category : Creoles
ISBN : 1496842413

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Jazz À la Creole by Caroline Vézina Pdf

"During the formative years of jazz (1890-1917), the Creoles of Color-as they were then called-played a significant role in the development of jazz as teachers, bandleaders, instrumentalists, singers, and composers. Indeed, music penetrated all aspects of the life of this tight-knit community, proud of its French heritage and language. They played and/or sang classical, military, and dance music as well as popular songs and cantiques that incorporated African, European, and Caribbean elements decades before early jazz appeared. In Jazz à la Creole: French Creole Music and the Birth of Jazz, the author describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz. Caroline Vézina has compiled and analyzed a broad scope of primary sources found in diverse locations from New Orleans to Quebec City, Washington, DC, New York City, and Chicago. Two previously unpublished interviews add valuable insider knowledge about the music on French plantations and the danses Créoles held in Congo Square after the Civil War. Musical and textual analyses of cantiques provide new information about the process of their appropriation by the Creole Catholics as the French counterpart of the Negro spirituals. Finally, a closer look at their musical practices indicates that the Creoles sang and improvised music and/or lyrics of Creole songs, and that some were part of their professional repertoire. As such, they belong to the Black American and the Franco-American folk music traditions that reflect the rich cultural heritage of Louisiana"--

Author : Fumi Tomita
Publisher : State University of New York Press
Page : 195 pages
File Size : 40,8 Mb
Release : 2024-02-01
Category : Music
ISBN : 9781438496399

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Early Jazz by Fumi Tomita Pdf

Early Jazz is an overview of the beginnings of jazz from its nineteenth-century roots through 1929, when elements of the Swing Era began to emerge. It is the first book on early jazz history in over fifty years and fills a compelling need for an update that reflects recent research. With a broad definition of jazz that encompasses the artistic and the commercial, the book's inclusive tone allows for a wide spectrum of musicians, including not only pioneering African American and white musicians but also those who are commonly skipped or skimmed over in jazz history textbooks—lesser-known sidemen, prominent instrumentalists, entertainers or novelty performers, women, vocalists, and American jazz musicians who introduced jazz on their travels around the world. Nineteen songs are analyzed in depth, but no musical knowledge is required to understand or to read Early Jazz. The book is written as an introduction for fans, students, musicians, historians, scholars, and anyone who is interested in this fascinating era of jazz history.

Author : James Reddan,Monika Herzig,Michael Kahr
Publisher : Taylor & Francis
Page : 696 pages
File Size : 40,5 Mb
Release : 2022-08-19
Category : Music
ISBN : 9781000591514

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The Routledge Companion to Jazz and Gender by James Reddan,Monika Herzig,Michael Kahr Pdf

The Routledge Companion to Jazz and Gender identifies, defines, and interrogates the construct of gender in all forms of jazz, jazz culture, and education, shaping and transforming the conversation in response to changing cultural and societal norms across the globe. Such interrogation requires consideration of gender from multiple viewpoints, from scholars and artists at various points in their careers. This edited collection of 38 essays gathers the diverse perspectives of contributors from four continents, exploring the nuanced (and at times controversial) construct of gender as it relates to jazz music, in the past and present, in four parts: Historical Perspectives Identity and Culture Society and Education Policy and Advocacy Acknowledging the art form’s troubled relationship with gender, contributors seek to define the construct to include all possible definitions—not only female and male—without binary limitations, contextualizing gender and jazz in both place and time. As gender identity becomes an increasingly important consideration in both education and scholarship, The Routledge Companion to Jazz and Gender provides a broad and inclusive resource of research for the academic community, addressing an urgent need to reconcile the construct of gender in jazz in all its forms.

Author : Lawrence Gushee
Publisher : Oxford University Press
Page : 400 pages
File Size : 55,8 Mb
Release : 2010-04-29
Category : Music
ISBN : 0199889791

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Pioneers of Jazz by Lawrence Gushee Pdf

Thanks to the pioneering tours of the Creole Band, jazz began to be heard nationwide on the vaudeville stages of America from 1914 to 1918. This seven-piece band toured the country, exporting for the first time the authentic jazz strains that had developed in New Orleans at the start of the 20th century. The band's vaudeville routines were deeply rooted in the minstrel shows and plantation cliches of American show business in the late 19th century, but its instrumental music was central to its performance and distinctive and entrancing to audiences and reviewers. Pioneers of Jazz reveals at long last the link between New Orleans music and the jazz phenomenon that swept America in the 1920s. While they were the first important band from New Orleans to attain national exposure, The Creole Band has not heretofore been recognized for its unique importance. But in his monumental, careful research, jazz scholar Lawrence Gushee firmly establishes the group's central role in jazz history. Gushee traces the troupe's activities and quotes the reaction of critics and audiences to their first encounters with this new musical phenomenon. While audiences often expected (and got) a kind of minstrel show, the group transcended expectations, taking pride in their music and facing down the theatrical establishment with courage. Although they played the West Coast and Canada, most of their touring centered in the heartland. Most towns of any size in Iowa, Illinois, and Indiana heard them, often repeatedly, and virtually all of their appearances were received with wild enthusiasm. After four years of nearly incessant traveling, members of the band founded or joined groups in Chicago's South Side cabaret scene, igniting the craze for hot New Orleans music for which the Windy City was renowned in the early 1920s. The best-known musicians in the group--cornetist Freddie Keppard, clarinetist Jimmy Noone and string bassist Bill Johnson--would play a significant role in jazz, becoming famous for recordings in the 1920s. Gushee effectively brings to life each member of the band and discusses their individual contributions, while analyzing the music with precision, skillful and exacting documentation. Including many never before published photos and interviews, the book also provides an invaluable and colorful look at show business, especially vaudeville, in the 1910s. While some of the first jazz historians were aware of the band's importance, attempts to locate and interview surviving members (three died before 1935) were sporadic and did little or nothing to correct the mostly erroneous accounts of the band's career. The jazz world has long known about Gushee's original work on this previously neglected subject, and the book represents an important event in jazz scholarship. Pioneers of Jazz brilliantly places this group's unique importance into a broad cultural and historical context, and provides the crucial link between jazz's origins in New Orleans and the beginning of its dissemination across the country.

Author : Colin Larkin
Publisher : Omnibus Press
Page : 1600 pages
File Size : 48,7 Mb
Release : 2011-05-27
Category : Music
ISBN : 9780857125958

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The Encyclopedia of Popular Music by Colin Larkin Pdf

This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.

Author : Lawrence Gushee
Publisher : Unknown
Page : 0 pages
File Size : 52,6 Mb
Release : 2023
Category : Jazz musicians
ISBN : 0197728839

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Pioneers of Jazz by Lawrence Gushee Pdf

The Creole Band, which existed from 1914-1918, was the first important jazz band, bringing jazz to the wider American public, from California to Massachusetts. This is a history of this important group, written by a renowned scholar of early jazz.

Author : Al Rose
Publisher : LSU Press
Page : 276 pages
File Size : 40,5 Mb
Release : 1999-03-01
Category : Music
ISBN : 0807125717

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I Remember Jazz by Al Rose Pdf

Al Rose has known virtually every noteworthy jazz musician of this century. For many of them he has organized concerts, composed songs that they later played or sang, and promoted their acts. He has, when called upon, bailed them out of jail, straightened out their finances, stood up for them at their weddings, and eulogized them at their funerals. He has caroused with them in bars and clubs from New Orleans to New York, from Paris to Singapore -- and survived to tell the story. The result has been a lifetime of friendship with some of the music world's most engaging and rambunctious personalities. In I Remember Jazz, Rose draws on this unparallelled experience to recall, through brief but poignant vignettes, the greats and the near-greats of jazz. In a style that is always entertaining, unabashedly idiosyncratic, and frequently irreverent, he writes about Jelly Roll Morton and Bunny Berigan, Eubie Blake and Bobby Hackett, Earl Hines and Louis Armstrong, and more than fifty others. Rose was only twenty-two when he was first introduced to Jelly Roll Morton. He quickly discovered that they had more in common than a love of music. Something of a peacock at that age, Rose was dressed in a "polychromatic, green-striped suit, pink shirt with a detachable white collar, dubonnet tie, buttonhole, and handkerchief" -- and so was Jelly Roll. About Eubie Blake, Rose notes that he was not only a superb musician but also a notorious ladies' man. Rose recalls asking the noted pianist when he was ninety-seven, "How old do you have to be before the sex drive goes?" Blake's reply: "You'll have to ask someone older than me." Once in 1947, Rose was asked to assemble a group of musicians to play at a reception to be hosted by President Truman at Blair House in Washington, D.C. The musicians included Muggsy Spanier, George Brunies, Pee Wee Russell, Pops Foster, and Baby DOdds. But the hit of the evening was President Truman himself, who joined the group on the piano to play "Kansas City Kitty" and the "Missouri Waltz." I Remember Jazz is replete with such amusing and affectionate anecdotes -- vignettes that will delight all fans of the music. Al Rose does indeed remember jazz. And for that we can all be grateful.

Author : Bryan Wagner
Publisher : Bloomsbury Publishing USA
Page : 145 pages
File Size : 44,7 Mb
Release : 2019-10-31
Category : Music
ISBN : 9781501333385

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The Wild Tchoupitoulas’ The Wild Tchoupitoulas by Bryan Wagner Pdf

The Wild Tchoupitoulas is a definitive expression of the modern New Orleans sound. From "Hey Pocky A-Way" to "Big Chief Got a Golden Crown," the album draws on carnival traditions stretching back a century, adapting songs from the Mardi Gras Indians. Music chanted in the streets with tambourines and makeshift percussion is transformed throughout the album into electric rhythm and blues accented funk, calypso, and reggae. The album bridges not only genres but generations, linking the improvised flow from group leader George Landry, better known as Big Chief Jolly, to the stacked harmony vocals by his nephews Aaron, Art, Charles, and Cyril--the core members of the soon-to-be-formed Neville Brothers, playing together here for the first time. With production from Allen Toussaint and support from The Meters, the city's preeminent funk ensemble, The Wild Tchoupitoulas brings an all-star brigade, pressing these old anthems into new arrangements that have since become carnival standards. In the process, the album helped to establish the terms by which processional second-line music in New Orleans would be commercialized through the record industry and the tourist trade, setting into motion a process that has raised more questions than it has answered about autonomy, authenticity, and appropriation under the conditions of a new cultural economy.

Author : Howard Mitcham
Publisher : Da Capo Press, Incorporated
Page : 296 pages
File Size : 53,5 Mb
Release : 1978-01-21
Category : Cooking
ISBN : UOM:39015091634348

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Creole Gumbo Jazz by Howard Mitcham Pdf

Author : Howard Mitcham
Publisher : Perseus Books
Page : 271 pages
File Size : 40,9 Mb
Release : 1986-03
Category : Cookery (Seafood)
ISBN : 0201055856

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Creole Gumbo and All That Jazz by Howard Mitcham Pdf

Gathers New Orleans style recipes for gumbo, jambalaya, soups, stews, shrimp, crab, oysters, crayfish, fish, frogs, turtles, and alligators

Author : Geoffrey Wheeler
Publisher : Unknown
Page : 524 pages
File Size : 49,8 Mb
Release : 1999
Category : Music
ISBN : STANFORD:36105111622259

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Jazz by Mail by Geoffrey Wheeler Pdf

Discusses the history and activities of the Jazztone record club and label ; Provides comprehensive discographies and catalog listings for a number of record labels ; provides historical profiles on muscians, events, and recordings.

Author : Andy Fry
Publisher : University of Chicago Press
Page : 291 pages
File Size : 54,7 Mb
Release : 2014-07-04
Category : Social Science
ISBN : 9780226138954

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Paris Blues by Andy Fry Pdf

The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France’s complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons—such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others—what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation—reinvention—in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.

Author : Frederic Ramsey,Charles Edward Smith
Publisher : Houghton Mifflin Harcourt P
Page : 420 pages
File Size : 48,6 Mb
Release : 1977
Category : Biography & Autobiography
ISBN : UOM:49015000726340

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Jazzmen by Frederic Ramsey,Charles Edward Smith Pdf

Author : Luca Cerchiari,Laurent Cugny,Franz Kerschbaumer
Publisher : UPNE
Page : 957 pages
File Size : 50,7 Mb
Release : 2012
Category : Music
ISBN : 9781611682984

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Eurojazzland by Luca Cerchiari,Laurent Cugny,Franz Kerschbaumer Pdf

The critical role of Europe in the music, personalities, and analysis of jazz