Jewish Writing And The Deep Places Of The Imagination
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Jewish Writing and the Deep Places of the Imagination by Mark Krupnick Pdf
When he learned he had ALS and roughly two years to live, literary critic Mark Krupnick returned to the writers who had been his lifelong conversation partners and asked with renewed intensity: how do you live as a Jew, when, mostly, you live in your head? The evocative and sinuous essays collected here are the products of this inquiry. In his search for durable principles, Krupnick follows Lionel Trilling, Cynthia Ozick, Geoffrey Hartman, Philip Roth, Saul Bellow, and others into the elemental matters of life and death, sex and gender, power and vulnerability. The editors—Krupnick’s wife, Jean K. Carney, and literary critic Mark Shechner—have also included earlier essays and introductions that link Krupnick’s work with the “deep places” of his own imagination.
The New York Public Intellectuals and Beyond by Ethan Goffman,Daniel Morris Pdf
Here, a variety of distinguished scholars revisit and rethink the legacy of the New York intellectuals, showing how this small, predominantly Jewish group moved from communist and socialist roots to become a primary voice of liberal humanism and, in the case of a few, to launch a new conservative movement.
Edinburgh Companion to Modern Jewish Fiction by David Brauner Pdf
This book provides a critical overviews of the main writers and key themes of Anglophone Jewish fiction; highlighting the rich diversity of the field, identifying key themes, analysing the main trends in Anglophone Jewish fiction and situating them in a historical context.
Author : Elizabeth R. Baer Publisher : Wayne State University Press Page : 242 pages File Size : 42,8 Mb Release : 2012-04-15 Category : History ISBN : 9780814336274
Traces the history of the golem legend and its appropriations in German texts and film as well as in post-Holocaust Jewish-American fiction, comics, graphic novels, and television.
Humans have been uttering profane words and incurring the consequences for millennia. But contemporary events—from the violence in 2006 that followed Danish newspaper cartoons depicting the Prophet Mohammed to the 2012 furor over the Innocence of Muslims video—indicate that controversy concerning blasphemy has reemerged in explosive transnational form. In an age when electronic media transmit offense as rapidly as profane images and texts can be produced, blasphemy is bracingly relevant again. In this volume, a distinguished cast of international scholars examines the profound difficulties blasphemy raises for modern societies. Contributors examine how the sacred is formed and maintained, how sacrilegious expression is conceived and regulated, and how the resulting conflicts resist easy adjudication. Their studies range across art, history, politics, law, literature, and theology. Because of the global nature of the problem, the volume’s approach is comparative, examining blasphemy across cultural and geopolitical boundaries.
The Secular Rabbi is an intellectual biography of Philip Rahv, co-founder of Partisan Review, which T.S. Eliot called the best American literary periodical. It focuses on the ambivalent ties that Rahv, a Russian immigrant, retained to his Jewish cultural background. Drawing on letters Rahv wrote to her mother from 1928 to 1931, when he was still named Philip Greenberg, Doris Kadish delves into the complex and enigmatic character of a man admired by luminaries as diverse as George Orwell, Mary McCarthy, Saul Bellow, Elizabeth Hardwick, and William Styron. Textual analyses of Rahv’s works are woven together with other disparate materials: historical accounts, genealogical records, memoirs by Rahv’s colleagues, friends, and associates, interviews with persons who knew him, and the abundant body of secondary scholarship devoted to the New York intellectuals, the history of Partisan Review, and Jewish studies. Kadish positions herself in relation to Rahv in attempting to understand her own Jewish identity. In tracing Rahv’s personal, political, and literary evolution, Kadish sheds light on such literary movements as modernism, proletarian literature, and Jewish writing as well as movements that defined American political history in the 20th century: immigration, socialism, communism, fascism, the cold war, feminism, and the New Left.
The culmination of 30 years of writing about Philip Roth. This collection of essays, reviews, fulminations and daydreams, combines first impressions with conclusions that have been percolating for decades - the record of a restless reader coming to terms with a turbulent and mercurial writer.
An investigation into the transformation of publishing in the United States from a field in which Jews were systematically excluded to one in which they became ubiquitous "Readers with an interest in the industry will find plenty of insights."--Publishers Weekly "From the very first page, this book is funnier and more gripping than a book on publishing has any right to be. Anyone interested in America's intellectual or Jewish history must read this, and anyone looking for an engrossing story should."--Emily Tamkin, author of Bad Jews In the 1960s and 1970s, complaints about a "Jewish literary mafia" were everywhere. Although a conspiracy of Jews colluding to control publishing in the United States never actually existed, such accusations reflected a genuine transformation from an industry notorious for excluding Jews to one in which they arguably had become the most influential figures. Josh Lambert examines the dynamics between Jewish editors and Jewish writers; how Jewish women exposed the misogyny they faced from publishers; and how children of literary parents have struggled with and benefited from their inheritances. Drawing on interviews and tens of thousands of pages of letters and manuscripts, The Literary Mafia offers striking new discoveries about celebrated figures such as Lionel Trilling and Gordon Lish, and neglected fiction by writers including Ivan Gold, Ann Birstein, and Trudy Gertler. In the end, we learn how the success of one minority group has lessons for all who would like to see American literature become more equitable.
A National Book Critics Circle finalist • One of Vogue's Best Books of the Year A dazzling biography of one of the twentieth century's most respected painters, Helen Frankenthaler, as she came of age as an artist in postwar New York “The magic of Alexander Nemerov's portrait of Helen Frankenthaler in Fierce Poise is that it reads like one of Helen's paintings. His poetic descriptions of her work and his rich insights into the years when Helen made her first artistic breakthroughs are both light and lush, seemingly easy and yet profound. His book is an ode to a truly great artist who, some seventy years after this story begins, we are only now beginning to understand.” ―Mary Gabriel, author of Ninth Street Women At the dawn of the 1950s, a promising and dedicated young painter named Helen Frankenthaler, fresh out of college, moved back home to New York City to make her name. By the decade's end, she had succeeded in establishing herself as an important American artist of the postwar period. In the years in between, she made some of the most daring, head-turning paintings of her day and also came into her own as a woman: traveling the world, falling in and out of love, and engaging in an ongoing artistic education. She also experienced anew―and left her mark on―the city in which she had been raised in privilege as the daughter of a judge, even as she left the security of that world to pursue her artistic ambitions. Brought to vivid life by acclaimed art historian Alexander Nemerov, these defining moments--from her first awed encounter with Jackson Pollock's drip paintings to her first solo gallery show to her tumultuous breakup with eminent art critic Clement Greenberg―comprise a portrait as bold and distinctive as the painter herself. Inspired by Pollock and the other male titans of abstract expressionism but committed to charting her own course, Frankenthaler was an artist whose talent was matched only by her unapologetic determination to distinguish herself in a man's world. Fierce Poise is an exhilarating ride through New York's 1950s art scene and a brilliant portrait of a young artist through the moments that shaped her.
The Edward Lewis Wallant Award was founded by the family of Dr. Irving and Fran Waltman in 1963 and is supported by the University of Hartford’s Maurice Greenberg Center for Judaic Studies. It is given annually to an American writer, preferably early in his or her career, whose fiction is considered significant for American Jews. In The New Diaspora: The Changing Landscape of American Jewish Fiction, editors Victoria Aarons, Avinoam J. Patt, and Mark Shechner, who have all served as judges for the award, present vital, original, and wide-ranging fiction by writers whose work has been considered or selected for the award. The resulting collection highlights the exemplary place of the Wallant Award in Jewish literature. With a mix of stories and novel chapters, The New Diaspora reprints selections of short fiction from such well-known writers as Rebecca Goldstein, Nathan Englander, Jonathan Safran Foer, Dara Horn, Julie Orringer, and Nicole Krauss. The first half of the anthology presents pieces by winners of the Wallant award, focusing on the best work of recent winners. The New Diaspora’s second half reflects the evolving landscape of American Jewish fiction over the last fifty years, as many authors working in America are not American by birth, and their fiction has become more experimental in nature. Pieces in this section represent authors with roots all over the world—including Russia (Maxim Shrayer, Nadia Kalman, and Lara Vapnyar), Latvia (David Bezmozgis), South Africa (Tony Eprile), Canada (Robert Majzels), and Israel (Avner Mandelman, who now lives in Canada). This collection offers an expanded canon of Jewish writing in North America and foregrounds a vision of its variety, its uniqueness, its cosmopolitanism, and its evolving perspectives on Jewish life. It celebrates the continuing vitality and fresh visions of contemporary Jewish writing, even as it highlights its debt to history and embrace of collective memory. Readers of contemporary American fiction and Jewish cultural history will find The New Diaspora enlightening and deeply engaging.
Philip Roth and World Literature: Transatlantic Perspectives and Uneasy Passages by Velichka D. Ivanova Pdf
A book like this is long overdue because not many are aware of the numerous intersections between Philip Roth's fiction and world literature. In highlighting these intersections and uneasy passages, this comparative approach offers an important contribution to Philip Roth studies as well as to comparative literary study in general. The fourteen chapters on this book summon Roth's intertextual links to authors ranging from the anonymous writer of the medieval play Everyman, through Thoreau, Hawthorne, Crane, Ellison, Coover, and the New York intellectuals in the United States, to Swift, Chekhov, Svevo, Kafka, Schulz, Gombrowicz, Camus, and Klíma in Europe, and on to Coetzee in South Africa. The book does not deal with all the works in Roth's canon, but it offers a selection of works representing the different stages of Roth's development as a writer. By offering new readings of both well-studied and lesser-studied works, sometimes in unexpected company, the book discloses the critical difference that comparative scholarship can affect. The uneasy passages the book opens will not exhaust the numerous intersections between Roth and the work of other writers. The book's contribution is to place Roth's fiction firmly in a larger transnational context. Far from insular, Roth's work appears as deeply rooted in the American canon while at the same time showing a remarkable openness, a persistent need for contact with his European forebears, and true engagement with contemporary world literature. The transnational perspective of the book makes it important for the rapidly growing field of transatlantic and transnational American studies. The book will be value to collections in American literature and Jewish studies, comparative literature and criticism, and transatlantic and transnational American studies.
