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Joan Eardley's career lasted barely fifteen years: she died in 1963, aged just forty-two. During that time she concentrated on two very different themes: the extraordinarily candid paintings of children in the Townhead area of Glasgow; and paintings of the fishing village of Catterline, just south of Aberdeen, with its leaden skies and wild sea. These two contrasting strands are the focus of this book, which looks in detail at her working process
* Focuses on a much-loved artist* The first book to focus specifically on Eardley's time in Catterline* Brings to light significant new research* Published in 2021 to coincide with the 100th anniversary of Joan Eardley's birth* From the same author as the highly successful Joan Eardley: A Sense of Place, ISBN 9781911054023In 1951, Joan Eardley visited the coastal fishing village of Catterline in north-east Scotland for the first time. Her visit sparked a fascination that would last the rest of her life. She made the village her home and found inspiration in the dramatic light and rapidly changing weather. The gentle landscapes and wild rolling seascapes she painted of Catterline in wind, snow, rain and sun are among her best-loved works. Unpublished archival material and interviews with many of those who knew her shed new light on Eardley's life in Catterline. A vivid portrait is painted both of Eardley and of the village, showing the vital part Catterline played in her development as an artist. The story of her experiences on the wild Scottish coast is evocatively told and beautifully illustrated with some of her most remarkable drawings and paintings.
Joan Eardley (1921-63) is considered to be one of the most influential Scottish painters of her generation. Her paintings and drawings reflect urban and rural Scotland in an expressive visual language unlike any other artist's. This new, highly illustrated survey of her painting does renewed justice to the range, scale and power of her work.
A landmark publication celebrating over 5,000 years of creativity, The Story of Scottish Art explores Scotland’s cultural identity and artistic output through the ages. This is the fascinating story of how Scotland has defined itself through its art over the past 5,000 years, from the earliest enigmatic Neolithic symbols etched onto the landscape of Kilmartin Glen to Glasgow’s position as a center of artistic innovation today. BBC TV broadcaster and artist Lachlan Goudie passionately narrates the joys and struggles of artists striving to fulfill their vision and the dramatic transformations of Scottish society reflected in their art. The Story of Scottish Art is beautifully illustrated with diverse works from Scotland’s long tradition of bold creativity: Pictish carved stones and Celtic metalwork, Renaissance palaces and chapels, paintings of Scottish life and landscapes by Horatio McCulloch, David Wilkie, the Glasgow Boys, and Joan Eardley; designs by master architect Charles Rennie Mackintosh; and collage and sculpture by pop art pioneer Eduardo Paolozzi. Through Scotland’s remarkable artistic history, Goudie tells the story of a small country with an extraordinary creative output that influenced significant global movements, such as art nouveau and pop art, while constantly redefining its own practices.
This revelatory book concentrates on Scottish women painters and sculptors from 1885, when Fra Newbery became Director of the Glasgow School of Art, until 1965, the year of Anne Redpath's death. It explores the experience and context of the artists and their place in Scottish art history, in terms of training, professional opportunities and personal links within the Scottish art world. Celebrated painters including Joan Eardley, Margaret Macdonald Mackintosh and Phoebe Anna Traquair are examined alongside lesser-known figures such as Phyllis Bone, Dorothy Johnstone and Norah Neilson Gray, in order to look afresh at the achievements of Scottish women artists of the modern period.The book accompanies a show which will be held at the Scottish National Gallery of Modern Art Two in Edinburgh from 7 November 2015 to 26 June 2016.
A fascinating new account of the work and lives of Britain’s women artists in the twentieth century. In this revealing chronicle of a fascinating period of social change, artist Carolyn Trant examines the history of women artists in modern Britain, filling in the gaps in traditional art histories. Introducing the lives and works of a rich network of neglected women artists, Voyaging Out sets these alongside such renowned presences as Barbara Hepworth, Laura Knight, and Winifred Nicholson. In an era of radical activism and great social and political change, women forged new relationships with art and its institutions. Such change was not without its challenges, and with acerbic wit Trant delves into the gendered makeup of the avant-garde and the tyranny of artistic “isms.” In Virginia Woolf’s first novel The Voyage Out (1915) her female heroine strives toward a realization of her sense of self, asking what being a woman might mean. In the decades after women won the vote in Britain, the fortunes of women artists were shaped by war, domesticity, continued oppressions, and spirited resistance. Some succeeded in forging creative careers; others were thwarted by the odds stacked against them. Weaving devastating individual stories with spirited critique, Voyaging Out reveals this hidden history.
'An ode to the ocean, and the generations of women drawn to the waves or left waiting on the shore' Guardian In Salt On Your Tongue, Charlotte Runcie explores what the sea means to us, and particularly what it has meant to women through the ages. In mesmerising prose, she explores how the sea has inspired, fascinated and terrified us, and how she herself fell in love with the deep blue. This book is a walk on the beach with Turner, with Shakespeare, with the Romantic Poets and shanty-singers. It’s an ode to our oceans – to the sailors who brave their treacherous waters, to the women who lost their loved ones to the waves, to the creatures that dwell in their depths, to beachcombers, swimmers, seabirds and mermaids. Navigating through ancient Greek myths, poetry, shipwrecks and Scottish folktales, Salt On Your Tongue is about how the wild untameable waves can help us understand what it means to be human.
Scottish Art (Second) (World of Art) by Murdo MacDonald Pdf
Accessible, extensively researched, and beautifully illustrated, this updated volume by renowned scholar and author Murdo Macdonald sheds light on the history and cultural significance of Scottish art. At a time when issues of Scottish identity are the subject of fierce debate, Murdo Macdonald illuminates Scotland’s artistic past and present in this classic text in the World of Art series. Ranging from Neolithic standing stones and the art of the Picts and Gaels to Reformation and Enlightenment art and major figures in the contemporary art scene, Scottish Art explores the distinctive characteristics of Scottish art through the centuries. It examines the cultural heritage and intricate patterns of Celtic design, the importance of Highland and coastal landscapes, long-standing connections between French and Scottish artists, and how each of these factors influenced the development of art in Scotland. This new edition includes more than 200 full-color images of Scottish art from prehistoric times to the present. With masterpieces from artists such as Charles Rennie Mackintosh and Joan Eardley, this book is a thorough, authoritative, and accessible introduction to Scottish art.
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Christopher Neves classic book is a journey into the imagination through the English landscape. How is it that artists, by thinking in paint, have come to regard the landscape as representing states of mind? Painting, says Neve, is a process of finding out, and landscape can be its thesis. What he is writing is not precisely art history: it is about pictures, about landscape and about thought. Over the years, he was able to have discussions with many of the thirty or so artists he focuses on, the inspiration for the book having come from his talks with Ben Nicholson; and he has immersed himself in their work, their countryside, their ideas. Because he is a painter himself, and an expert on 20th-century art, Neve is well equipped for such a journey. Few writers have conveyed more vividly the mixture of motives, emotions, unconscious forces and contradictions which culminate in the creative act of painting. Each of the thirteen chapters has a theme and explores its significance for one or more of the artists. The problem of time, for instance, is considered in relation to Paul Nash, God in relation to David Jones, music to Ivon Hitchens, hysteria to Edward Burra, abstraction to Ben Nicholson, the spirit in the mass to David Bomberg. There are also chapters about painters ideas on specific types of country: about Eric Ravilious and the chalk landscape, Joan Eardley and the sea, and Cedric Morris and the garden.
