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After years of indifference and neglect, John Clare (1793-1864) is now recognized as one of the greatest English Romantic poets. Clare was an impoverished agricultural laborer, whose genius was generally not appreciated by his contemporaries, and his later mental instability further contributed to his loss of critical esteem. But the extraordinary range of his poetical gifts has restored him to the company of contemporaries like Lord Byron, John Keats, and Percy Bysshe Shelley. This authoritative edition brings together a generous selection of Clare's poetry and prose, including autobiographical writings and letters and illustrates all aspects of his talent. It contains poems from all stages of his career, including love poetry and bird and nature poems. Written in his native Northamptonshire, Clare's work provides a fascinating reflection of rural society, often underscored by his own sense of isolation and despair. Clare's writings are presented with the minimum of editorial interference, and with a new introduction by the poet and scholar Tom Paulin.
It is 1841. Patty is married to John Clare: peasant poet, genius and madman. Travelling home one day, Patty finds her husband sitting, footsore, at the side of the road, having absconded from a lunatic asylum over eighty miles away. Hopeful that his condition has improved, she takes his hands in delight but he fails to recognize her. She is devastated to discover that he has not returned home to find her, but to search for his childhood sweetheart, Mary Joyce, to whom he believes he is married. Patty still loves John deeply, but he seems lost to her, obsessed with the idealised image of a woman that she cannot possibly match. Plagued by jealousy, she seeks strength in memories: their whirlwind courtship, the poems John wrote for her, their shared affinity for the land. She must try to heal John's turbulent, unhappy soul and restore him to the man she married. But as John descends further into delusion and his behaviour becomes increasingly volatile, hope seems to be fading. Will she ever be able to conquer her own anger and hurt and reconcile with this man she now barely knows?
In Edge of the Orison the visionary Iain Sinclair walks in the steps of poet John Clare In 1841 the poet John Clare fled an asylum in Epping Forest and walked eighty miles to his home in Northborough. He was searching for his lost love, Mary Joyce - a woman three years dead ... In 2000 Iain Sinclair set out to recreate Clare's walk away from madness. He wanted to understand his bond with the poet and escape the gravity of his London obsessions. Accompanied on this journey by his wife Anna (who shares a connection with Clare), the artist Brian Catling and magus Alan Moore - as well as a host of literary ghosts, both visionary and romantic - Sinclair's quest for Clare becomes an investigation into madness, sanity and the nature of the poet's muse. 'Brilliant . . . amusing, alarming and poignant. An elegy for an already lost English landscape. Magnificent and urgent'Robert Macfarlane, Times Literary Supplement 'A sensitive,beautifully rendered portrait . . . a feast, a riddle, a slowly unravelling conundrum . . . a love-letter to British Romanticism'Independent 'Sinclair walks every inch of his wonderful novels and psychogeographies, pacing out huge word-courses like an architect laying out a city on an empty plain'J. G. Ballard, Observer Iain Sinclair is the author of Downriver (winner of the James Tait Black Memorial Prize and the Encore Award); Landor's Tower; White Chappell, Scarlet Tracings; Lights Out for the Territory; Lud Heat; Rodinsky's Room (with Rachel Lichtenstein); Radon Daughters; London Orbital, Dining on Stones, Hackney, that Rose-Red Empire and Ghost Milk. He is also the editor of London: City of Disappearances.
John Clare is one of the foremost "peasant poets" of the English language. His fascination with the countryside, with nature and with the seasons and their changing moods marks a departure from the formal pastoral verse of the 18th century.
This book investigates what it is that makes John Clare’s poetic vision so unique, and asks how we use Clare for contemporary ends. It explores much of the criticism that has appeared in response to his life and work, and asks hard questions about the modes and motivations of critics and editors. Clare is increasingly regarded as having been an environmentalist long before the word appeared; this book investigates whether this ‘green’ rush to place him as a radical proto-ecologist does any disservice to his complex positions in relation to social class, work, agriculture, poverty and women. This book attempts to unlock Clare’s own theorisations and practices of what we might now call an ‘ecological consciousness’, and works out how his ‘ecocentric’ mode might relate to that of other Romantic poets. Finally, this book asks how we might treat Clare as our contemporary while still being attentive to the peculiarities of his unique historical circumstances.
Lunatic, lover, poet: this is the definitive biography of John Clare. John Clare was a great Romantic poet, with a name to rival that of Blake, Byron, Coleridge, Keats, Wordsworth or Shelley, and a life that was possibly the most extraordinary, and certainly the most moving, of them all. From rural Northamptonshire to literary London, from first love to delusions, depression and incarceration, Clare was haunted by ghosts from the past. In this, the first major biography of Clare, Jonathan Bate explores both the man and his madness, his work and his writing - poems, letters, even part of an autobiography - all of which show a mind plagued by demons and doubts, constantly questioning issues of identity, memory and, above all, loss.
John Clare, Politics and Poetry challenges the traditional portrait of 'poor John Clare', the helpless victim of personal and professional circumstance. Clare's career has been presented as a disaster of editorial heavy-handedness, condescension, a poor market, and conservative patronage. Yet Clare was not a passive victim. This study explores the sources of the 'poor Clare' tradition, and recovers Clare's agency, revealing a writer fully engaged in his own professional life and in the social and political questions of the day.
John Clare and the Place of Poetry by Mina Gorji Pdf
Traditional accounts of Romantic poetry have depicted John Clare as a peripheral figure, an original genius whose talents removed him from the mainstream. This volume helps to show that far from being brilliant yet isolated, Clare was deeply involved in the rich cultural life of both his village and the larger metropolis. Offering an account of Clare’s poems as they relate to the literary culture and burgeoning literary history of his day, Mina Gorji defines the context in which Clare’s work can best be understood: in relation to eighteenth-century traditions as they persisted and developed in the Romantic period.