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John Keats and Romantic Scotland by Katie Garner,Nicholas Roe Pdf
Between 22 June and 18 August 1818, John Keats and his friend and collaborator Charles Armitage Brown embarked on an epic walking tour of the English Lake District, South West Scotland, Northern Ireland, the Ayrshire Burns Country, the Scottish Highlands and Western Isles, and the Great Glen north eastwards to Inverness, Beauly, the Black Isle, and Cromarty. During the tour, Keats and Brown both wrote extensive and detailed accounts of their experiences. The twelve new essays in this collection each explore the significance of the 1818 tour for understanding Keats's achievements, ranging across topics such as the contemporary Highland tour; Scottish literature, history, landscape and culture; Romantic responses to Robert Burns's life, works and places; and Keats's health and influence on Scottish artists.
John Keats and Romantic Scotland by Katie Garner,Nicholas Roe Pdf
An edited collection on the poet John Keats's encounter with, and response to, Scottish literature, history, landscape, and culture during his walking tour of 1818 with his friend Charles Armitage Brown.
Written in 1818 as a journal of his trip through Scotland and the Lake District, Keats's letters are edited with an introduction and notes by Jack Stillinger. Published in conjunction with the John Keats Bicentennial Exhibition held in 1995. Grolier Club Fine Printing, New Series No. 1. Designed by Jerry Kelly, printed by Daniel Keleher at Wild Carrot Letterpress on paper handmade specially for this book by the Cardinal Mill in the Czech Republic. Hand-bound by Judi Conant in navy silk cloth, tan leather spine label, in marbled board slipcase. 255 copies.
The Celtic Revival began more than a century before Yeats and the Irish Literary Renaissance. Keats and Romantic Celtism is the first book to consider the pervasive influence of period Celticism upon Keats's work, from the Druidism that underlies his unfinished epics to the Celtic-derived folklore that his poetry draws upon. Christine Gallant shows that more than two hundred and fifty traditional folklore motifs of the faerie fill his major poems, as well as minor epistolary ones that have been critically neglected.
This landmark biography of celebrated Romantic poet John Keats explodes entrenched conceptions of him as a delicate, overly sensitive, tragic figure. Instead, Nicholas Roe reveals the real flesh-and-blood poet: a passionate man driven by ambition but prey to doubt, suspicion, and jealousy; sure of his vocation while bitterly resentful of the obstacles that blighted his career; devoured by sexual desire and frustration; and in thrall to alcohol and opium. Through unparalleled original research, Roe arrives at a fascinating reassessment of Keats's entire life, from his early years at Keats's Livery Stables through his harrowing battle with tuberculosis and death at age 25. Zeroing in on crucial turning points, Roe finds in the locations of Keats's poems new keys to the nature of his imaginative quest. Roe is the first biographer to provide a full and fresh account of Keats's childhood in the City of London and how it shaped the would-be poet. The mysterious early death of Keats's father, his mother's too-swift remarriage, living in the shadow of the notorious madhouse Bedlam—all these affected Keats far more than has been previously understood. The author also sheds light on Keats's doomed passion for Fanny Brawne, his circle of brilliant friends, hitherto unknown City relatives, and much more. Filled with revelations and daring to ask new questions, this book now stands as the definitive volume on one of the most beloved poets of the English language.
“This is a celebratory meld of memoir, biography and travelogue, intensely personal and all the better for it.” —Eleanor Fitzsimons, author of Wilde’s Women John Keats is one of Britain’s best-known and most-loved poets. Despite dying in Rome in 1821, at the age of just twenty-five, his poems continue to inspire generations who reinterpret and reinvent the ways in which we consume his work. Apart from his long association with Hampstead, North London, he has not previously been known as a poet of ‘place’ in the way we associate Wordsworth with the Lake District, for example, and for many years readers considered Keats’s work remote from political and social context. Yet Keats was acutely aware of and influenced by his surroundings: Hampstead; Guy’s Hospital in London where he trained as a doctor; Teignmouth where he nursed his brother Tom; a walking tour of the Lake District and Scotland; the Isle of Wight; the area around Chichester and in Winchester, where his last great ode, “To Autumn,” was composed. Suzie Grogan takes the reader on a journey through Keats’s life and landscapes, introducing us to his best and most influential work. Utilizing primary sources such as Keats’s letters to friends and family and the very latest biographical and academic work, it offers an accessible way to see Keats through the lens of the places he visited and aims to spark a lasting interest in the real Keats—the poet and the man. “Warm and worthwhile observations on how places as varied as the Lake District and the Isle of Wight shaped Keats’s verse.” —Camden New Journal
Scotland, Ireland, and the Romantic Aesthetic by David Duff,Catherine Jones Pdf
The book offers an exciting new map of the cultural geography of the Romantic era, and establishes a dynamic methodology for future comparative work."--BOOK JACKET.
Notable writers—including UK poet laureate Simon Armitage, Julian Barnes, Margaret MacMillan, and Jenny Uglow—celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past What can a house tell us about the person who lives there? Do we shape the buildings we live in, or are we formed by the places we call home? And why are we especially fascinated by the houses of the famous and often long-dead? In Lives of Houses, notable biographers, historians, critics, and poets explores these questions and more through fascinating essays on the houses of great writers, artists, composers, and politicians of the past. Editors Kate Kennedy and Hermione Lee are joined by wide-ranging contributors, including Simon Armitage, Julian Barnes, David Cannadine, Roy Foster, Alexandra Harris, Daisy Hay, Margaret MacMillan, Alexander Masters, and Jenny Uglow. We encounter W. H. Auden, living in joyful squalor in New York's St. Mark's Place, and W. B. Yeats in his flood-prone tower in the windswept West of Ireland. We meet Benjamin Disraeli, struggling to keep up appearances, and track the lost houses of Virginia Woolf and Elizabeth Bowen. We visit Benjamin Britten in Aldeburgh, England, and Jean Sibelius at Ainola, Finland. But Lives of Houses also considers those who are unhoused, unwilling or unable to establish a home—from the bewildered poet John Clare wandering the byways of England to the exiled Zimbabwean writer Dambudzo Marechera living on the streets of London. With more than forty illustrations, Lives of Houses illuminates what houses mean to us and how we use them to connect to and think about the past. The result is a fresh and engaging look at house and home. Featuring Alexandra Harris on moving house ● Susan Walker on Morocco's ancient Roman House of Venus ● Hermione Lee on biographical quests for writers’ houses ● Margaret MacMillan on her mother's Toronto house ● a poem by Maura Dooley, "Visiting Orchard House, Concord, Massachusetts"—the house in which Louisa May Alcott wrote and set her novel Little Women ● Felicity James on William and Dorothy Wordsworth's Dove Cottage ● Robert Douglas-Fairhurst at home with Tennyson ● David Cannadine on Winston Churchill's dream house, Chartwell ● Jenny Uglow on Edward Lear at San Remo's Villa Emily ● Lucy Walker on Benjamin Britten at Aldeburgh, England ● Seamus Perry on W. H. Auden at 77 St. Mark's Place, New York City ● Rebecca Bullard on Samuel Johnson's houses ● a poem by Simon Armitage, "The Manor" ● Daisy Hay at home with the Disraelis ● Laura Marcus on H. G. Wells at Uppark ● Alexander Masters on the fear of houses ● Elleke Boehmer on sites associated with Zimbabwean writer Dambudzo Marechera ● Kate Kennedy on the mental asylums where World War I poet Ivor Gurney spent the last years of his life ● a poem by Bernard O'Donoghue, "Safe Houses" ● Roy Foster on W. B. Yeats and Thoor Ballylee ● Sandra Mayer on W. H. Auden's Austrian home ● Gillian Darley on John Soane and the autobiography of houses ● Julian Barnes on Jean Sibelius and Ainola
Walking North with Keats by Carol Kyros Walker Pdf
Capturing the landscapes, landmarks, poetry and letters of Keats's epic walk, Carol Kyros Walker retraced Keats's footsteps originally in 1978-1979 and again in the autumns of 2015 and 2016 allowing readers to 'walk' alongside him.
Author : Keith D. White Publisher : Rodopi Page : 224 pages File Size : 41,5 Mb Release : 1996 Category : Apollo (Greek deity) in literature ISBN : 9042000589
John Keats and the Loss of Romantic Innocence by Keith D. White Pdf
From his initial fondness for bower imagery and the pastoral voices of Spenser and Hunt, to the Neo-Platonism of his poems about art and imagination, to his ultimate rejection of romantic idealism, Keats and his Apollonian metaphor are rarely separated. The poet's dismissal of romantic idealism is ultimately a rejection of Blake's God, Coleridge's Germanism, Wordsworth's Nature, Byron's Hellenism, and Shelley's Supernaturalism. The young poet dies aware of the excesses of his empirically oriented "pleasant smotherings" and idealistic "realms of gold".
Keats. The name is synonymous with great romantic poetry and great romantic poets. A short life but a legacy of works that few, if any, can rival. John Keats was born October 31st, 1795, in London, England, the eldest of four childrenKeats was 8 when his father, trampled by a horse, died. His mother remarried but lost much of the family's assets. When that marriage fell apart she abandoned the family, returning only in 1810 to die of tuberculosis. At Enfield Academy, where he started to study, shortly before his father's death, Keats was a voracious reader. In the fall of 1810, Keats left Enfield to become a surgeon. After studying in a London hospital he became a licensed apothecary in 1816. Even as he studied medicine, Keats' appetite for literature never wavered. Through a friend, he met the publisher, Leigh Hunt of The Examiner. Hunt's radical views and biting pen had seen him incarcerated in 1813 for libelling the Prince Regent. But he had an eye for talent and was quick to recognise the quality of Keats's poetry and became his publisher. He introduced him to other poets, including Percy Bysshe Shelley and William Wordsworth. In 1817 his first volume was published; 'Poems'. In April, 1818, came 'Endymion, ' a four-thousand line epic based on the Greek myth. It was savaged by England's two most respected publications, Blackwood's Magazine and the Quarterly Review. Keats now departed on a walking tour to the North of England and Scotland. Word that his brother, Tom, had contracted tuberculosis saw him return home to help care for him. With his brother's passing, Keats finally returned to work only in late 1819, rewriting an unfinished work that now became, 'The Fall of Hyperion, '. 'To Autumn, ' a sensuous work published in 1820 superbly demonstrated the style Keats had now constructed. Surprisingly Keats only published 3 volumes of poetry in his lifetime and they sold a mere 200 copies between them. For Keats, his end was to be tragically romantic. In 1819 he was returning one night to his home in Hampstead when he coughed. He coughed a single drop of blue blood upon his hand and said 'I know the colour of that blood, it is arterial blood, it is my death warrant, I must die'. And so it was that tuberculosis took its slow, devastating hold. He moved to Rome, in November 1820, hoping the warmer climate would help and for a few weeks it did, but the end was inevitable. John Keats died, at the age 25, in the Eternal City on February 23rd 1821.
A Companion to European Romanticism by Michael Ferber Pdf
This companion is the first book of its kind to focus on the whole of European Romanticism. Describes the way in which the Romantic Movement swept across Europe in the early nineteenth century. Covers the national literatures of France, Germany, Italy, Poland, Russia and Spain. Addresses common themes that cross national borders, such as orientalism, Napoleon, night, nature, and the prestige of the fragment. Includes cross-disciplinary essays on literature and music, literature and painting, and the general system of Romantic arts. Features 35 essays in all, from leading scholars in America, Australia, Britain, France, Italy, and Switzerland.
Show Excerpt _La Belle Dame Sans Merci_, and nearly all his famous odes. Troubles however beset him. His friend Haydon was in difficulties and tormenting him, poor as he was, to lend him money; the state of his throat gave serious cause for alarm; and, above all, he was consumed by an unsatisfying passion for the daughter of a neighbour, Mrs. Brawne. She had rented Brown's house whilst they were in Scotland, and had now moved to a street near by. Miss Fanny Brawne returned his love, but she seems never to have understood his nature or his needs. High-spirited and fond of pleasure she did not apparently allow the thought of her invalid lover to interfere much with her enjoyment of life. She would not, however, abandon her engagement, and she probably gave him all which it was in her nature to give. Ill-health made him, on the other hand, morbidly dissatisfied and suspicious; and, as a result of his illness and her limitations, his love throughout brought him restlessness and torment rather than peace and comfort.
The Lore of Scotland by Sophia Kingshill,The Estate of Jennifer Westwood Pdf
Scotland's rich past and varied landscape have inspired an extraordinary array of legends and beliefs, and in The Lore of Scotland Jennifer Westwood and Sophia Kingshill bring together many of the finest and most intriguing: stories of heroes and bloody feuds, tales of giants, fairies, and witches, and accounts of local customs and traditions. Their range extends right across the country, from the Borders with their haunting ballads, via Glasgow, site of St Mungo's miracles, to the fateful battlefield of Culloden, and finally to the Shetlands, home of the seal-people. More than simply retelling these stories, The Lore of Scotland explores their origins, showing how and when they arose and investigating what basis - if any - they have in historical fact. In the process, it uncovers the events that inspired Shakespeare's Macbeth, probes the claim that Mary King's Close is the most haunted street in Edinburgh, and examines the surprising truth behind the fame of the MacCrimmons, Skye's unsurpassed bagpipers. Moreover, it reveals how generations of Picts, Vikings, Celtic saints and Presbyterian reformers shaped the myriad tales that still circulate, and, from across the country, it gathers together legends of such renowned figures as Sir William Wallace, St Columba, and the great warrior Fingal. The result is a thrilling journey through Scotland's legendary past and an endlessly fascinating account of the traditions and beliefs that play such an important role in its heritage.
John Keats and the Ideas of the Enlightenment by Porscha Fermanis Pdf
John Keats is generally considered to be the least intellectually sophisticated of all the major Romantic poets, but he was a more serious thinker than either his contemporaries or later scholars have acknowledged. This book provides a major reassessment of Keats's intellectual life by considering his engagement with a formidable body of eighteenth-century thought from the work of Voltaire, Robertson, and Gibbon to Hutcheson, Hume, and Smith.The book re-examines some of Keats's most important poems, including The Eve of St Agnes, Hyperion, Lamia, and Ode to Psyche, in the light of a range of Enlightenment ideas and contexts from literary history and cultural progress to anthropology, political economy, and moral philosophy. By demonstrating that the language and ideas of the Enlightenment played a key role in establishing his poetic agenda, Keats's poetry is shown to be less the expression of an intuitive young genius than the product of the cultural and intellectual contexts of his time.
