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Author : Samuel Johnson
Publisher : Unknown
Page : 28 pages
File Size : 49,5 Mb
Release : 1923
Category : Literary Criticism
ISBN : IND:32000011254101
Author : Samuel Johnson
Publisher : Unknown
Page : 8 pages
File Size : 47,5 Mb
Release : 1982
Category : Electronic
ISBN : OCLC:433887498
Author : James T. Boulton
Publisher : Routledge
Page : 426 pages
File Size : 44,9 Mb
Release : 2002-06-01
Category : Literary Criticism
ISBN : 9781134782499
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.
Author : Margaret Jane Kidnie,Sonia Massai
Publisher : Cambridge University Press
Page : 128 pages
File Size : 54,8 Mb
Release : 2015-11-12
Category : Literary Criticism
ISBN : 9781316351888
Shakespeare and Textual Studies gathers contributions from the leading specialists in the fields of manuscript and textual studies, book history, editing, and digital humanities to provide a comprehensive reassessment of how manuscript, print and digital practices have shaped the body of works that we now call 'Shakespeare'. This cutting-edge collection identifies the legacies of previous theories and places special emphasis on the most recent developments in the editing of Shakespeare since the 'turn to materialism' in the late twentieth century. Providing a wide-ranging overview of current approaches and debates, the book explores Shakespeare's poems and plays in light of new evidence, engaging scholars, editors, and book historians in conversations about the recovery of early composition and publication, and the ongoing appropriation and transmission of Shakespeare's works through new technologies.
Author : Irvin Leigh Matus
Publisher : Courier Corporation
Page : 336 pages
File Size : 52,7 Mb
Release : 2013-09-05
Category : Drama
ISBN : 9780486320793
Virtuoso presentation of available evidence of the Bard's life. "Written with wit and panache, this erudite tome dismantles the arguments claiming that someone other than Shakespeare wrote his plays." — Publishers Weekly.
Author : Philip Smallwood
Publisher : Taylor & Francis
Page : 191 pages
File Size : 41,7 Mb
Release : 2017-07-05
Category : Literary Criticism
ISBN : 9781351924924
Samuel Johnson remains one of the most frequently discussed and cited of the eighteenth-century critics; but historians of criticism have invariably interpreted his work within conventions that have allowed for little evaluative commerce between the needs of the critical present and the voices of the critical past. Smallwood's argument is that Johnson's alienation from the modern critical scene stems in part from historians' tendency to tell the story of criticism as a narrative of improvement. The image of Johnson conceived by his antagonists in the eighteenth century has been perpetuated by romanticism, by nineteenth-century representational routines and mediated to the present day, most recently, by varieties of 'radical theory'. In Johnson's Critical Presence Smallwood offers a new account of Johnson's major critical writings conceived according to a different kind of historical potential. He suggests that the historicization of eighteenth-century criticism can best be understood in the light of the 'dialogic' and 'translational' historiographies of Collingwood, Gadamer and Ricoeur, and that the explanatory contexts of Johnson's criticism must include poetry in addition to theory; in this his study seeks to displace both the history of ideas as the leading paradigm for the history of criticism and to question the developmental narrative on which it relies. By in-depth analysis of Johnson's response to Shakespeare's plays and to the poetry of Abraham Cowley, Smallwood constructs a non-reductive context of emotional experience for Johnson's criticism. This embraces the dynamic satirical caricatures by James Gillray of Johnson as critic, the irony of Johnson's critical affinities with the major romantics, and is set against twentieth-century responses to the literary 'canon'. Smallwood argues that not only Johnson's emotional sensitivities, but also the ironic voices within the critical text itself, must be fully appreciated before Johnson's current relevance, or even his historical value, can be grasped.
Author : James Edward Tobin
Publisher : Biblo & Tannen Publishers
Page : 204 pages
File Size : 46,9 Mb
Release : 1967
Category : Literary Criticism
ISBN : 0819601888
Author : George Watson,Ian Roy Willison
Publisher : Cambridge University Press
Page : 1322 pages
File Size : 44,5 Mb
Release : 1974-08-29
Category : Language Arts & Disciplines
ISBN : 0521200040
More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Author : Robert Stagg,Robert (Leverhulme Research Fellow Stagg, Shakespeare Institute Stratford-upon-Avon and Associate Senior Member St Anne's College University of Oxford)
Publisher : Oxford University Press
Page : 241 pages
File Size : 44,5 Mb
Release : 2022-10-06
Category : Blank verse, English
ISBN : 9780192863270
Shakespeare's Blank Verse: An Alternative History is a study both of Shakespeare's versification and of its place in the history of early modern blank verse (unrhymed iambic pentameter). It ranges from the continental precursors of English blank verse in the early sixteenth century through thedrama and poetry of Shakespeare's contemporaries to the editing of blank verse in the eighteenth century and beyond.Alternative in its argumentation as well as its arguments, Shakespeare's Blank Verse tries out fresh ways of thinking about meter--by shunning doctrinaire methods of apprehending a writer's versification, and by reconnecting meter to the fundamental literary, dramatic, historical, and socialquestions that animate Shakespeare's drama.
Author : Kevin L. Cope
Publisher : Rutgers University Press
Page : 323 pages
File Size : 50,7 Mb
Release : 2020-02-14
Category : Literary Criticism
ISBN : 9781684481736
Volume 25 of 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era investigates the local textures that make up the whole cloth of the Enlightenment. Ranging from China to Cheltenham and from Spinoza to civil insurrection, volume 25 celebrates the emergence of long-eighteenth-century culture from particularities and prodigies. Unfurling in the folds of this volume is a special feature on playwright, critic, and literary theorist John Dennis. Edited by Claude Willan, the feature returns a major player in eighteenth-century literary culture to his proper role at the center of eighteenth-century politics, art, publishing, and dramaturgy. This celebration of John Dennis mingles with a full company of essays in the character of revealing case studies. Essays on a veritable world of topics—on Enlightenment philosophy in China; on riots as epitomes of Anglo-French relations; on domestic animals as observers; on gothic landscapes; and on prominent literati such as Jonathan Swift, Arthur Murphy, and Samuel Johnson—unveil eye-opening perspectives on a “long” century that prized diversity and that looked for transformative events anywhere, everywhere, all the time. Topping it all off is a full portfolio of reviews evaluating the best books on the literature, philosophy, and the arts of this abundant era. About the annual journal 1650-1850 1650-1850 publishes essays and reviews from and about a wide range of academic disciplines—literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for “special features” that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850 is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors. First published in 1994, 1650-1850 is currently in its 25th volume. ISSN 1065-3112. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author : René Wellek
Publisher : CUP Archive
Page : 376 pages
File Size : 45,7 Mb
Release : 1981-08-13
Category : Literary Criticism
ISBN : 0521282950
Vol. 2 is missing from the series.
Author : Karl Young
Publisher : Unknown
Page : 98 pages
File Size : 55,6 Mb
Release : 1923
Category : Electronic
ISBN : UIUC:30112010600465
Author : Alan Galey
Publisher : Cambridge University Press
Page : 349 pages
File Size : 53,8 Mb
Release : 2014-10-23
Category : Business & Economics
ISBN : 9781107040649
Galey explores the entwined histories of Shakespearean texts and archival technologies over the past four centuries.
Author : A. Horgan
Publisher : Springer
Page : 226 pages
File Size : 51,5 Mb
Release : 1994-10-03
Category : Language Arts & Disciplines
ISBN : 9780230373440
In a systematic presentation of Johnson's views on language, Johnson on Language: An Introduction addresses the problems inherent in the formation of style, as Johnson saw them, but also contains a detailed discussion of his opinions concerning the proper responsibilities of the lexicographer. The wide-ranging discussion takes in the linguistic controversies of classical antiquity, the resumption and elaboration of various classical ideas in the Renaissance period, and the way in which Johnson's own ideas have been shaped by his reading of important documents of these eras.
Author : Trevor Thornton Ross
Publisher : McGill-Queen's Press - MQUP
Page : 412 pages
File Size : 46,9 Mb
Release : 1998
Category : Literary Criticism
ISBN : 0773520805
It is widely accepted among literary scholars that canon-formation began in the eighteenth century when scholarly editions and critical treatments of older works, designed to educate readers about the national literary heritage, appeared for the first time. In The Making of the English Literary Canon Trevor Ross challenges this assumption, arguing that canon-formation was going on well before the eighteenth century but was based on a very different set of literary and cultural values. Covering a period that extends from the Middle Ages to the institutionalisation of literature in the eighteenth century, Ross's comprehensive history traces the evolution of cultural attitudes toward literature in English society, highlighting the diverse interests and assumptions that defined and shaped the literary canon. An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicise their work and favour literary production in the vernacular. Ross places these early gestures toward canon-making in the context of the highly rhetorical habits of thought that dominated medieval and Renaissance culture, habits that were gradually displaced by an emergent rationalist understanding of literary value. He shows that, beginning in the late seventeenth century, canon-makers became less concerned with how English literature was produced than with how it was read and received. By showing that canon-formation has served different functions in the past, The Making of the English Literary Canon is relevant not only to current debates over the canon but also as an important corrective to prevailing views of early modern English literature and of how it was first evaluated, promoted, and preserved. It is widely accepted among literary scholars that canon-formation began in the eighteenth century when scholarly editions and critical treatments of older works, designed to educate readers about the national literary heritage, appeared for the first time. In The Making of the English Literary Canon Trevor Ross challenges this assumption, arguing that canon- formation was going on well before the eighteenth century but was based on a very different set of literary and cultural values. Covering a period that extends from the Middle Ages to the institutionalisation of literature in the eighteenth century, Ross's comprehensive history traces the evolution of cultural attitudes toward literature in English society, highlighting the diverse interests and assumptions that defined and shaped the literary canon. An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicise their work and favour literary production in the vernacular. Ross places these early gestures toward canon-making in the context of the highly rhetorical habits of thought that dominated medieval and Renaissance culture, habits that were gradually displaced by an emergent rationalist understanding of literary value. He shows that, beginning in the late seventeenth century, canon-makers became less concerned with how English literature was produced than with how it was read and received. By showing that canon-formation has served different functions in the past, The Making of the English Literary Canon is relevant not only to current debates over the canon but also as an important corrective to prevailing views of early modern English literature and of how it was first evaluated, promoted, and preserved.
