Journal Of The Franklin Institute Of The State Of Pennsylvania For The Promotion Of The Mechanic Arts
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Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Park, Independence Day, Men in Black, and The Matrix, is just the latest advance in the evolution of special effects. Even as special effects have been marveled at by millions, this is the first investigation of their broader cultural reception. Moving from an exploration of nineteenth-century popular science and magic to the Hollywood science fiction cinema of our time, Special Effects examines the history, advancements, and connoisseurship of special effects, asking what makes certain types of cinematic effects special, why this matters, and for whom. Michele Pierson shows how popular science magazines, genre filmzines, and computer lifestyle magazines have articulated an aesthetic criticism of this emerging art form and have helped shape how these hugely popular on-screen technological wonders have been viewed by moviegoers.
Journal of the Franklin Institute of the State of Pennsylvania, for the Promotion of the Mechanic Arts, 1858, Vol. 36 by John F. Frazer Pdf
Excerpt from Journal of the Franklin Institute of the State of Pennsylvania, for the Promotion of the Mechanic Arts, 1858, Vol. 36: Devoted to Mechanical and Physical Science, Civil Engineering, the Arts and Manufactures, and the Recording of American and Other Patent Inventions; Whole No. Vol. LXVI Some points in this official document are well worthy of the notice of the engineering readers of our Journal. This great work (now nearly completed) will stretch in a continu ous line and with unbroken gauge, (5% feet, ) from Port Sarnia, at the outlet of Lake Huron, to the Harbor of Portland, in the State of Maine, forming with its Quebec branch, a connected railway of 1112 miles in length, all under an undivided management, and worked by a single corporation, with an investment already exceeding fifty millions of dollars. We now invite attention to a few interesting items of detail. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Journal of the Franklin Institute of the State of Pennsylvania, for the Promotion of the Mechanic Arts, Vol. 76 by John F. Frazer Pdf
Excerpt from Journal of the Franklin Institute of the State of Pennsylvania, for the Promotion of the Mechanic Arts, Vol. 76: Devoted to Mechanical and Physical Science, Civil Engineering, the Arts and Manufactures; July-December 1863 Prevention of Decay in Timber for Shipbuilding and other Purposes. From the Journal of the Society of Arts, No. 519. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author : George E. Thomas Publisher : University of Pennsylvania Press Page : 312 pages File Size : 49,8 Mb Release : 2018-02-27 Category : Architecture ISBN : 9780812294835
Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world. In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia's modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness's major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus. Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness's projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way—from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.
This work presents a view of the history of American railroads in the nineteenth century from a somewhat different perspective. The maturation of the railroad is traced through an exposition of the railroad technology that was developed and applied during the period. Throughout the nineteenth century, a symbiotic relationship existed between railroading and technology, each dependent upon the state and progress of the other to a large degree. A great deal of new technology was created for the railroad, and the railroad, in turn, applied new technology as it became available. Volume four is about bridges and tunnels, and signals. An exposition of the various types of bridges, their foundations, and the materials of which they were made is included. Tunnels and marine railroad operations are treated also. The development of signal systems is an area that has been overlooked or neglected in the general literature but is fully covered here. The text of this volume is accompanied by 145 illustrations and accurate drawings of the equipment and appliances, many of which have not been published before outside of old technical journals. Anthony J. Bianculli is a mechanical engineer with extensive and varied experience in a Fortune 500 company.
Journal of the Franklin Institute of the State of Pennsylvania, for the Promotion of the Mechanic Arts, Vol. 44 by John F. Frazer Pdf
Excerpt from Journal of the Franklin Institute of the State of Pennsylvania, for the Promotion of the Mechanic Arts, Vol. 44: Devoted to Mechanical and Physical Science, Civil Engineering, the Arts and Manufacture This table shows that, of the three systems of draft indicated, according to the hypotheses, and with the same numerical data nearly approximating to the circumstances which may present themselves in practice, that in which the air drawn out is heated on the level Of each story, will cause, for the same expenditure of heat, a rather greater velocity for the basement, about the same for the first story, and a little less for the second story, than that in which the draft is pro duced from below. As to the system in which the furnace is placed above the stories to be ventilated, it will cause, as was to be expected, velocities in all the cases rather less than the other two systems. The system of draft from the level appears therefore to be the most advantageous of the three: its superiority and that Of the draft from below over that of the draft from above is to be entirely attributed to the fact that in the two first systems, the heights Of the discharge chimneys permit more advantage to be taken Of the specific levity given to the air: but it must not be forgotten that, as the walls Of the chimney cool the air which passes through them, the velocity may thus be diminished and the advantage of this arrangement somewhat reduced. However this may be, it appears to me to result from this discussion that the system of draft from the level ought to be preferred to the two other systems; its introduction presents no difficulties Of construe tion, and according to the examination Of the proposals for the offices Of the Northern Railroad, it appears to be both more economical in cost Of construction and of daily expenditure: the great height Of the chimneys must also give great stability to the effects. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.