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Joy of Liberace by W. Michael Feder,Karan Feder Pdf
This retro cookbook is so totally Liberace. It is the step-by-step guide to Bling Cooking, food with all the panache of the glitziest pianist that ever tinkled a Steinway. It is filled with over 80 recipes that made America swoon in the 50s, including such delights as Salami Bouquet, Tchaikovsky Would Love This Salad, Poofy Spuds and As a Matter of Fact, I am Chopped Liver Pate. These are the culinary classics that kept viewers tuned in to The Liberace Show, pulled together with the Bling Cooking panache that was the signature of the world's greatest entertainer.
The late Liberace swings his closet door open in order to coach readers on the fine art of extraordinary dressing. Not only can readers enjoy dazzling photographs of Liberace in the most outrageous of outfits, but they can also punch these photos out to play with the included paper dolls.
Liberace Extravaganza! by Connie Furr Soloman,Jan Jewett Pdf
Known for his spectacular performances, the magnificent Wladziu Valentino Liberace was a world-renowned star in the entertainment industry for more than four decades, and his dazzling, often outrageous costumes are what made him most memorable. In Liberace Extravaganza! the entertainer's sequined, bejeweled, and rhinestone-studded outfits, as well as his extravagant collection of furs, feather capes, sparkling bow ties, and custom-made shoes are exhibited in book form for the very first time. These mesmerizing costumes grew from Liberace's humble beginnings when, as a young man, he would perform in his brother's hand-me-downs. From there, his suits, worth as much as twenty-four thousand dollars, featured layers of silk and satin ruffles, Swarovski crystal rhinestones, and fourteen-karat white-gold, diamond-encrusted buttons, culminating in his "electric" costumes with four thousand light bulbs weighing more than twenty-five pounds. Michael Travis, Liberace's principal designer, has written the foreword for this breathtaking volume. Jim Lapidus, another of Liberace's designers, furrier Anna Nateece, and Ray Arnett, his producer, have contributed original sketches used to design Liberace's costumes. The result is a book that is one of a kind: a celebration of the legendary performer and a visual feast of the most extraordinary costumes ever created. With more than 260 full-color photographs
More people watched his nationally syndicated television show between 1953 and 1955 than followed I Love Lucy. Even a decade after his death, the attendance records he set at Madison Square Garden, the Hollywood Bowl, and Radio City Music Hall still stand. Arguably the most popular entertainer of the twentieth century, this very public figure nonetheless kept more than a few secrets. Darden Asbury Pyron, author of the acclaimed and bestselling Southern Daughter: The Life of Margaret Mitchell, leads us through the life of America's foremost showman with his fresh, provocative, and definitive portrait of Liberace, an American boy. Liberace's career follows the trajectory of the classic American dream. Born in the Midwest to Polish-Italian immigrant parents, he was a child prodigy who, by the age of twenty, had performed with the Chicago Symphony Orchestra. Abandoning the concert stage for the lucrative and glittery world of nightclubs, celebrities, and television, Liberace became America's most popular entertainer. While wildly successful and good natured outwardly, Liberace, Pyron reveals, was a complicated man whose political, social, and religious conservativism existed side-by-side with a lifetime of secretive homosexuality. Even so, his swishy persona belied an inner life of ferocious aggression and ambition. Pyron relates this private man to his public persona and places this remarkable life in the rapidly changing cultural landscape of twentieth-century America. Pyron presents Liberace's life as a metaphor, for both good and ill, of American culture, with its shopping malls and insatiable hunger for celebrity. In this fascinating biography, Pyron complicates and celebrates our image of the man for whom the streets were paved with gold lamé. "An entertaining and rewarding biography of the pianist and entertainer whose fans' adoration was equaled only by his critics' loathing. . . . [Pyron] persuasively argues that Liberace, thoroughly and rigorously trained, was a genuine musician as well as a brilliant showman. . . . [A]n immensely entertaining story that should be fascinating and pleasurable to anyone with an interest in American popular culture."—Kirkus Reviews "This is a wonderful book, what biography ought to be and so seldom is."—Kathryn Hughes, Daily Telegraph "[A]bsorbing and insightful. . . . Pyron's interests are far-ranging and illuminating-from the influence of a Roman Catholic sensibility on Liberace and gay culture to the aesthetics of television and the social importance of self-improvement books in the 1950s. Finally, he achieves what many readers might consider impossible: a persuasive case for Liberace's life and times as the embodiment of an important cultural moment."—Publishers Weekly "Liberace, coming on top of his amazing life of Margaret Mitchell, Southern Daughter, puts Darden Pyron in the very first rank of American biographers. His books are as exciting as the lives of his subjects."—Tom Wolfe "Fascinating, thoughtful, exhaustive, and well-written, this book will serve as the standard biography of a complex icon of American popular culture."—Library Journal
The Wonderful Private World of Liberace by Liberace Pdf
For decades, Liberace was known for his music, candelabra, charisma, diamonds and dazzle. Over the years Liberace acquired an astounding array of prestigious awards, including: Instrumentalist of the Year, Best Dressed Entertainer and Entertainer of the Year. He also earned two Emmy Awards, six gold albums, two stars on the Hollywood Walk of Fame. He is listed in the Guinness Book of World Records as the world's highest paid musician and pianist. Best of all, he was known and loved throughout the world as Mr. Showmanship."" Relive The Wonderful Private World of Liberace in the reprinting of his fourth publication. When I started this book, I couldn't keep help wondering if I was doing it the right way. After all, it was so very different from the other books. One afternoon, I ran into Shirley MacLaine in a florist shop in Malibu. She'd never seen my Malibu place, so I invited her over. While we were having a drink, I discovered she had just completed her book Dancing in the Light. ""What a coincidence,"" I said. ""I'm just starting to write my fourth book."" She described a private place she had up in Washington, where she liked to sit outside, particularly when it was raining. She would sit under an umbrella and jot down the material in longhand. The solace and quietude of the place were very inspiring to writing in this personal style. I told here I was doing mine in longhand, as well, just as if I was writing a letter to someone. She smiled encouragingly. ""But that's exactly how you should do it ""So here it is a very personal letter from me to you, sharing an intimate glimpse into The Wonderful Private World of Liberace.""
During Liberaces trial in the late fifties, Lee, as he was familiarly called, was critically reviewed by Cassandra (a former colonel in the British army) in his daily column in Londons Daily Mirror. Cassandra wrote, He is the summit of sex, the pinnacle of masculine, feminine, and neuter. Everything that he, she, and it can ever want. This deadly, winking, sniggering, snuggling, chromium-plated, scent-impregnated, luminous, quivering, giggling, fruit-flavored, mincing, ice-covered heap of mother love has had the biggest reception and impact on London since Charlie Chaplin arrived at the same station! At the same time, Liberace had recently completed his ABC seven-year contract that had gone viral via international and national television, but he recognized a new and very popular confidential magazine that was beginning to create unimaginable curiosity in 1950s America, suggesting that he was homosexual. Liberace died in February of 1987, but the story of his estate was not settled until long after. His attorney, Joel Strote, managed to stuff the estate for his own, and that forced a very ugly trial both between the Liberace family both in Los Angeles and Las Vegas, where Liberace made his home for tax benefits. The outcomes of the trials were in Strotes favor, though Ida Mae Liberace, Liberaces niece, claimed that there were hundreds of millions of dollars in the estate secreted in an account in Switzerland. Liberaces burial was in Forest Lawn overlooking Warner Brothers Studio and where Liberace filmed his disastrous film during the 1950s entitled Sincerely Yours.
A blue jay building a nest outside his window prompts John Berendt to find his camera and record the familiar, yet always fascinating sequence of events that will unfold, from eggs being laid to chicks emerging and trying to fly. Children and adults alike will be astonished at the adventurous spirit of one particularly curious young blue jay as he ventures into the world. The author of the best-selling Midnight in the Garden of Good and Evil brings his narrative skill to this up-close and delightfully informal account of an event that recurs each spring.
Star Wars(R) Punch Out and Play features iconic photos of your favorite Star Wars characters along with famous quotations from the films, but the fun doesn't end there: You can "punch out and play" with each character to create 12 paper dolls. Decorate your home, office, or any place in need of some intergalactic inspiration and transport yourself to a galaxy far, far away. . .
Folies Bergere in Las Vegas, The by Karan Feder Pdf
Debuting at the Tropicana Hotel on Christmas Eve, 1959, at a reported cost of one quarter-million dollars (over two million in today's dollars), the Folies Bergere stage show featured a cast of "eighty stars" and promised an elegant evening of sensual entertainment complete with sensational song and dance numbers, curious novelty acts, and exquisite leggy showgirls. Imported directly from Paris, the iconic French production, famed for its elegant and chic legacy, was a mainstay on the Las Vegas Strip for nearly half a century. A 1959 Las Vegas Sun newspaper article portends the significant role that the Folies Bergere would play in the city's history: "From beginning to end this is the most dazzling entertainment which any city has been privileged to see. It's saucy, piquant and racy in the splendidly provocative French way. Las Vegas, the entertainment capital of the world, is now no idle boast."
Who’s Not Who by Bea Fogelman is a creative work that presents the author’s presentation of performers, agents, producers and a wide array of the people behind the curtain who create the World of Celebrity Impersonations./p Closely following her original books of CopyCats, this sequel, Who’s Not Who answers the demand of their fans who have sought to learn more enlightening facts about this aspect of show business. How the performers came to emulate a particular star and how their talents are used on stage, movies and television. This book introduces the people who present the Celebrity Impersonator to their audiences; they are the agents, producers, musicians, promotion and others behind the curtain. She provides an accessible glimpse into the lives of these talented individuals including a diverse assortment of photographs, offering a rich overview of a distinctive subject. If you have ever seen a show with Celebrity Impersonators, you will love this book.
“I wanted to tell the secret stories that my great-grandmother Blanche whispered to me on summer nights in a featherbed in Iowa. I was eight and she was eighty . . .” At the age of four, a little girl stands on a cold, windy railroad platform in Wichita, Kansas, watching a train take her mother away. For the rest of her life, her mother will be an only occasional—and always troubled—visitor who denies her the love she longs for. Linda Joy Myers’s compassionate, gripping, and soul-searching memoir tells the story of three generations of daughters who, though determined to be different from their absent mothers, ultimately follow in their footsteps, recreating a pattern that they yearn to break. Accompany Linda as she uncovers family secrets, seeks solace in music, and begins her healing journey—ultimately transcending the prison of her childhood and finding forgiveness for her family and herself. This edition includes a new afterword in which Myers confronts her family’s legacy and comes full circle with her daughter and grandchildren, seeding a new path for them.
By the bestselling author of Fabulosa! and Outrageous!, this reappraisal of camp across time and in all its glorious forms shows how this inescapable part of popular culture has also played an important role in equality movements as a form of protest or resistance. 'The following things have seemed impossibly camp to me at one point or another: a doll whose body acts as a cover for a toilet roll, a peacock chair, a wig being pulled off and flushed down the toilet, a tantrum over wire coat hangers, a toppled-over Christmas tree, a 1950s muscle magazine featuring a photo of a young man dressed as a gladiator, a rat underneath a silver serving platter, and an estate agent wearing tiger face paint.' Fabulously unrestrained and ever-evolving, camp has captured the cultural imagination for at least 150 years. The term possibly derives from the French se camper, meaning to pose in a bold, provocative or exaggerated fashion. Frequently used to define or deride young heterosexual men, the upper classes, Black people, older women and gay men, camp has also played a key role in equality movements. Paul Baker's highly anticipated reappraisal of camp surveys its touchstones across history and the changing ways that it has been understood. He traces the history of camp from the courts of Louis XIV and trials of Oscar Wilde to the archetypical dandy Beau Brummell and the celebrated playwright Noel Coward; from The Valley of the Dolls, Harlem's drag balls and Brazilian telenovelas through to the modern day divas of Donna Summer, Madonna and Britney Spears. Celebrating camp as an aesthetic, a sensibility and a way of life, this essential dive into an often-derided phenomenon, shows how camp has been a place of refuge and renewal, of heroism and hedonism, and how it is more powerful than ever.
Dave's Not Here, Man But America's favorite stoner comedian, Tommy Chong, is back and funnier than ever as he takes us on a nostalgic trip through his career with partner Richard "Cheech" Marin. Over the course of their decades-long partnership, Cheech and Chong performed to sold-out crowds across the country, made nine hit albums, starred in eight blockbuster movies, and created memorable and iconic characters that still resonate with fans today. But the good life didn't just appear in a haze of smoke. It all started during the late 1960s in a strip club in the fragile heart of Vancouver's Chinatown, where Tommy was winding down his career as a Motown recording artist and starting an improv comedy troupe, and Cheech was a draft-dodging, pottery-throwing, underground music reviewer. Together they came to define the hippie-era counterculture, and theircelebrated movie debut, Up in Smoke, remains one of the highest-grossing Warner Bros. films ever. In his very own unauthorized autobiography, New York Times bestselling author and pop culture hero Chong reveals his unique relationship with Cheech and recalls the inspiration for their most beloved bits. He introduces famous guest stars like Peter Sellers, John Belushi, Jimi Hendrix, Dan Aykroyd, John Lennon, Diana Ross, and Jack Nicholson, and examines the influences that had the greatest impact on his comedy -- from R&B musicians and Redd Foxx to Lenny Bruce and (of course) marijuana. Finally, with keen insight and utter candor, he explores the rift that has separated the legendary comedy team for more than twenty years. From pot smoking to politics to the universe at large, Cheech & Chong: The Unauthorized Autobiography is the closestyou'll ever get to sitting in a van made entirely of marijuana, trading stories with an unlikely legend, and feeling...well...funny.
Christmas wouldn't be the same without the "things". This book examines why the trees, cards, wrapping paper, toy villages and Macy's holiday parade play such an important role in the festivities. Through the medium of mass culture, Christmas is here primarily defined as a secular celebration.