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Author : Jeff Khonsary,Melanie O'Brian
Publisher : Fillip Editions
Page : 0 pages
File Size : 46,7 Mb
Release : 2010
Category : Art criticism
ISBN : 0973813369
This collection of essays and discussions examines the role of judgment in art writing within the context of a renewed interest in the efficacy and function of contemporary art criticism.
Author : James Elkins
Publisher : Prickly Paradigm
Page : 87 pages
File Size : 46,6 Mb
Release : 2003
Category : Art
ISBN : 0972819630
Art criticism was once passionate, polemical and judgmental: now critics are more often interested in ambiguity, neutrality, and nuanced description. And while art criticism is ubiquitous in newspapers, magazines, and exhibition brochures, it is also virtually absent from academic writing. Here, James Elkins surveys the last fifty years of art criticism, proposing some interesting explanations for these startling changes.
Author : Daniel Birnbaum
Publisher : Unknown
Page : 44 pages
File Size : 47,9 Mb
Release : 2010
Category : Aesthetics
ISBN : 1934105082
Author : James Elkins,Michael Newman
Publisher : Routledge
Page : 364 pages
File Size : 44,8 Mb
Release : 2007-11-13
Category : Art
ISBN : 9781135867591
Art criticism is spurned by universities, but widely produced and read. It is seldom theorized and its history has hardly been investigated. The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history and poses the question of whether criticism may become a university subject. Contributors include Dave Hickey, James Panero, Stephen Melville, Lynne Cook, Michael Newman, Whitney Davis, Irit Rogoff, Guy Brett and Boris Groys.
Author : Immanuel Kant
Publisher : Good Press
Page : 318 pages
File Size : 51,7 Mb
Release : 2024-01-09
Category : Philosophy
ISBN : EAN:8596547805052
The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The end result of Kant's Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior. Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth.
Author : Terry Barrett
Publisher : McGraw-Hill Humanities/Social Sciences/Languages
Page : 242 pages
File Size : 49,6 Mb
Release : 2000
Category : Art
ISBN : UOM:39015048832656
History of art criticism - Describing and interpreting art - Judging art - Writing and talking about art - Theory and art criticism.
Author : Noel Carroll
Publisher : Routledge
Page : 239 pages
File Size : 46,9 Mb
Release : 2009-06-02
Category : Philosophy
ISBN : 9781134221301
In a recent poll of practicing art critics, 75 percent reported that rendering judgments on artworks was the least significant aspect of their job. This is a troubling statistic for philosopher and critic Noel Carroll, who argues that that the proper task of the critic is not simply to describe, or to uncover hidden meanings or agendas, but instead to determine what is of value in art. Carroll argues for a humanistic conception of criticism which focuses on what the artist has achieved by creating or performing the work. Whilst a good critic should not neglect to contextualize and offer interpretations of a work of art, he argues that too much recent criticism has ignored the fundamental role of the artist's intentions. Including examples from visual, performance and literary arts, and the work of contemporary critics, Carroll provides a charming, erudite and persuasive argument that evaluation of art is an indispensable part of the conversation of life.
Author : Terry Barrett
Publisher : Oxford University Press, USA
Page : 0 pages
File Size : 46,8 Mb
Release : 2017
Category : Aesthetics, Modern
ISBN : 0190268840
Why is that art? Why is it in an art museum? Who says it's art? Why is it good? Why Is That Art?, Third Edition, introduces students to theories of art through the presentation of contemporary works that include abstract and representational painting, animated film, monumental sculpture, performance art, photographs, relational art, and video installations. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, this unique book provides students with a newfound appreciation for contemporary art, scholarship, and reasoned argumentation.
Author : Annika Bender
Publisher : National Geographic Books
Page : 0 pages
File Size : 41,8 Mb
Release : 2017-09-08
Category : Art
ISBN : 9783956793479
“The idea behind Donnerstag was to insist on the difference between good art and bad art. I am aware of how anachronistic that sounds and how quickly it evokes the image of an old critic-pontiff wagging his authoritarian pointer finger. But even that image is founded in a misunderstanding: the caricaturesque exaggeration of the critic's voice as dictatorial. But it's really nothing more than that very voice. And it pronounces a judgment that is not juridical, but ideally worth nothing more than the argument at its core. It's far more authoritarian and antidemocratic to deny a public voice the act of judgment and concede to a postheroically styled art writer nothing more than the task of pointing at something. […] Whoever just leaves it at that has also parted ways with any hope of open rivalry between arguments.” —Annika Bender This book is an adaptation of Annika Bender's lecture “Jump! You Fuckers!” which was presented at Kunsthalle Bern in the context of a series on overproduction and ambivalence in contemporary art. Annika Bender was one of the pseudonyms of artists Dominic Osterried and Steffen Zillig, who wrote the blog Donnerstag (now discontinued) under her name. To make the criticism she proposed possible, and make public its conditions and inherent contradictions—as well as articulate the reasons for her disappearance—it proved necessary to confer Bender to the archive. Schriftenreihe by Kunsthalle Bern, ed. Valérie Knoll and Hannes Loichinger
Author : Sianne Ngai
Publisher : Harvard University Press
Page : 417 pages
File Size : 40,6 Mb
Release : 2020-06-16
Category : Philosophy
ISBN : 9780674984547
A provocative theory of the gimmick as an aesthetic category steeped in the anxieties of capitalism. Repulsive and yet strangely attractive, the gimmick is a form that can be found virtually everywhere in capitalism. It comes in many guises: a musical hook, a financial strategy, a striptease, a novel of ideas. Above all, acclaimed theorist Sianne Ngai argues, the gimmick strikes us both as working too little (a labor-saving trick) and as working too hard (a strained effort to get our attention). Focusing on this connection to work, Ngai draws a line from gimmicks to political economy. When we call something a gimmick, we are registering uncertainties about value bound to labor and time—misgivings that indicate broader anxieties about the measurement of wealth in capitalism. With wit and critical precision, Ngai explores the extravagantly impoverished gimmick across a range of examples: the fiction of Thomas Mann, Helen DeWitt, and Henry James; photographs by Torbjørn Rødland; the video art of Stan Douglas; the theoretical writings of Stanley Cavell and Theodor Adorno. Despite its status as cheap and compromised, the gimmick emerges as a surprisingly powerful tool in this formidable contribution to aesthetic theory.
Author : Arthur C. Danto,Gregg Horowitz,Tom Huhn,Saul Ostrow
Publisher : Routledge
Page : 221 pages
File Size : 48,7 Mb
Release : 2013-09-13
Category : Art
ISBN : 9781134395385
Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical elements in Danto's new- Hegelian art theory. In a provocative encounter, they employ themes from Kantian aesthetics to elucidate the continuing persistence of taste in shaping even this most sophisticated philosophy of art.
Author : Barry Schwabsky
Publisher : Unknown
Page : 260 pages
File Size : 41,7 Mb
Release : 2013
Category : Art
ISBN : UCSD:31822038994737
The 20 book reviews and essays in this new title from Barry Schwabsky, longtime
Author : Daniel A. Siedell
Publisher : Baker Academic
Page : 192 pages
File Size : 43,7 Mb
Release : 2008-10
Category : Art
ISBN : 9780801031847
An art historian develops a theological, philosophical, and historical framework within which to experience and interpret modern and contemporary art that is in dialogue with the Christian faith.
Author : A. O. Scott
Publisher : Penguin
Page : 304 pages
File Size : 55,8 Mb
Release : 2016-02-09
Category : Literary Criticism
ISBN : 9781101980866
The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."
Author : Jennifer Dasal
Publisher : Penguin
Page : 289 pages
File Size : 55,6 Mb
Release : 2020-09-15
Category : Art
ISBN : 9780525506409
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.