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Author : Konstantin S. Stanislavski
Publisher : Unknown
Page : 0 pages
File Size : 51,8 Mb
Release : 1965
Category : Electronic
ISBN : OCLC:57983690
Author : Anonim
Publisher : Unknown
Page : 308 pages
File Size : 40,6 Mb
Release : 1965
Category : Actors
ISBN : NYPL:33433091198956
Author : Konstantin Sergeevich Stanislavsky
Publisher : Unknown
Page : 295 pages
File Size : 44,9 Mb
Release : 2024-06-17
Category : Electronic
ISBN : OCLC:1050019043
Author : Anonim
Publisher : Unknown
Page : 308 pages
File Size : 51,9 Mb
Release : 1965
Category : Actors
ISBN : UOM:39015051115247
Author : Konstantin Stanislavski
Publisher : Routledge
Page : 444 pages
File Size : 54,7 Mb
Release : 2018-05-08
Category : Performing Arts
ISBN : 9781317832720
Konstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov's The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin's Soviet Union. Before writing his classic manual on acting, Stanislavski began writing an autobiography that he hoped would both chronicle his rich and tumultuous life and serve as a justification of his aesthetic philosophy. But when the project grew to 'impossible' lengths, his publisher (Little, Brown) insisted on many cuts and changes to keep it to its deadline and to a manageable length. The result was a version published in English in 1924, which Stanislavski hated and completely revised for a Soviet edition that came out in 1926. Now, for the first time, translator Jean Benedetti brings us Stanislavski's complete unabridged autobiography as the author himself wanted it – from the re-edited 1926 version. The text, in clear and lively English, is supplemented by a wealth of photos and illustrations, many previously unpublished.
Author : Stefan Aquilina
Publisher : Bloomsbury Publishing
Page : 241 pages
File Size : 47,9 Mb
Release : 2020-07-09
Category : Performing Arts
ISBN : 9781350066090
What did modern theatre in Russia look like and how did it foreground tradition building and transmission processes? The book challenges conventional historiographical approaches by weaving contemporary theories on cultural transmission into its historical narrative. It argues that processes of transmission – training spaces, acting manuals, photographic evidence, newspaper reports, international networking, informal encounters, cultural memories – contribute to the formation and consolidation of theatre traditions. Through English translations of rare Russian sources, the book expounds on: *side-lined material on Stanislavsky, including his relationship with German actor Ludwig Barnay, use of improvisation at the First Studio, and rehearsal practices for Artists and Admirers (1933); *Valentin Smyshlaev's acting manual The Technique to Process Stage Performance and the creation of hybrid practices; *proletarian theatre as an amateur-professional combination and force in the transformation of everyday life, as seen in the Proletkult's volume Art at the Workers' Clubs; *Meyerhold's Borodin Studio as an early example of Practice as Research, his European tour of 1930, and international persona as depicted in newspapers published in the West; and *Asja Lacis's work with children, which contributes to current efforts to address the gender imbalance that is often characteristic of modernism. This historical-theoretical investigation is combined with practical exercises that provide a more experiential understanding of the modern performance realities involved. In this way, the book speaks not only to theatre scholars and historians, but also to students and practitioners engaged in practical work.
Author : Min Tian
Publisher : Taylor & Francis
Page : 282 pages
File Size : 52,7 Mb
Release : 2022-10-25
Category : Performing Arts
ISBN : 9781000737837
This book interrogates anew the phenomenon of tradition in a dialogical debate with a host of Western thinkers and critical minds. In contrast to the predominantly Western approaches, which look at traditions (Western and non-Western) from a predominantly (Western) modernist perspective, this book interrogates, from an intercultural perspective, the transnational and transcultural consecration, translation, (re)invention, and displacement of traditions (theatrical and cultural) in the aesthetic-political movement of twentieth-century theatre and performance, as exemplified in the case studies of this book. It looks at the question of traditions and modernities at the centre of this aesthetic-political space, as modernities interculturally evoke and are haunted by traditions, and as traditions are interculturally refracted, reconstituted, refunctioned, and reinvented. It also looks at the applicability of its intercultural perspective on tradition to the historical avant-garde in general, postmodern, postcolonial, and postdramatic theatre and performance and to the twentieth-century "classical" intercultural theatre and the twenty-first-century "new interculturalisms" in theatre and performance. To conclude, it looks at the future of tradition in the ecology of our globalized theatrum mundi and considers two important interrelated concepts, future tradition and intercultural tradition. This book will be of great interest to students and scholars in performance studies.
Author : Laurence Senelick
Publisher : Rowman & Littlefield
Page : 693 pages
File Size : 52,7 Mb
Release : 2015-08-13
Category : Performing Arts
ISBN : 9781442249271
This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
Author : Nick Worrall
Publisher : Routledge
Page : 256 pages
File Size : 46,6 Mb
Release : 2003-08-29
Category : Performing Arts
ISBN : 9781134935871
Unprecedented in its comprehensiveness, The Moscow Art Theatre fills a large gap in our knowledge of Stanislavsky and his theatre. Worrall focuses in particular detail on four of The Moscow Art Theatre's best-known productions: * Tolstoy's Tsar Fedor Ioannovich * Gorky's The Lower Depths * Chekov's The Cherry Orchard * Turgenev's A Month in the Country
Author : Andrew Barratt,Robert Russell
Publisher : Springer
Page : 282 pages
File Size : 43,7 Mb
Release : 1990-06-14
Category : Literary Criticism
ISBN : 9781349207497
Author : Mario Thomas Vassallo,Andre P. Debattista
Publisher : Taylor & Francis
Page : 240 pages
File Size : 41,8 Mb
Release : 2023-12-22
Category : Political Science
ISBN : 9781003817109
This book highlights the linkages between politics and governance and the arts. The essays in the volume show how visual and performative arts have challenged those in power — or conversely patronised by them — been used for propaganda, stir up national fervour and found themselves at the receiving end of political censure. They focus on the tension and symbiosis between the politician and the artist foregrounding how they have always tried to influence, challenge, and, in some cases, undermine one another. This volume will serve as an indispensable source for researchers and academics in political science, the humanities and performing arts.
Author : David Krasner
Publisher : Bloomsbury Publishing
Page : 224 pages
File Size : 44,5 Mb
Release : 2017-09-16
Category : Performing Arts
ISBN : 9780230357723
This inspirational guide for advanced acting students brings together multiple ways of creating excellence in performance. David Krasner provides tried and tested exercises, a history of actor training and explores the complex relationships between acting theories and teachers. Drawing on examples from personal experience as an actor, director and teacher, An Actor's Craft begins with the building blocks of mind, body and voice, moving through emotional triggers and improvisation, to a final section bringing these techniques together in approaching a role. Each chapter contains accompanying exercises that the actor should practice daily. Combining theory and practice, this thought-provoking and challenging study of acting techniques and theories is for actors who have grasped the basics and now want to develop their knowledge and training further.
Author : Peta Tait
Publisher : Routledge
Page : 211 pages
File Size : 48,5 Mb
Release : 2017-07-05
Category : Literary Criticism
ISBN : 9781351912105
In Performing Emotions, Peta Tait's central argument is that performing emotions in realism is also performing gender identity. Emotions are phenomena that are performable by bodies, which have cultural identities. In turn, these create cultural spaces of emotions. This study integrates scholarship on realist drama, theatre and approaches to acting, with interdisciplinary theories of emotion, phenomenology and gender theory. With chapters devoted to masculinity and femininity specifically, as well as to emotions generally, it investigates social beliefs about emotions through Chekhov's four major plays in translation, and English language commentaries on Constantin Stanislavski's direction (of the play's first productions) and his approaches to acting, and Olga Knipper's acting of the central women characters. Emotions exists as social relationships; they are imagined and embodied as gendered. Tait demonstrates how theatrical emotions are predicated on social performances and vice versa. In Chekhov's plays, which came to dominate a twentieth century theatre of emotions, characters interpret their emotions intertextually in relation to other theatrical and fictional narratives of emotions. Tait here interrogates these plays as sustained explorations of the inherent theatricality of characters expressing emotions from their phenomenological awareness. A theatrical language of gendered interiority is produced in the acting of emotions in Stanislavski's early realistic theatre. Alternatively, remapping the performances of emotional bodies can destabilise the culturally constructed boundary separating an inner, private self and an outer, social self in culturally produced geographies of emotions. As Tait shows, emotions can be performed as indivisible spatialities. Performing Emotions integrates theories of theatre, gender identity and emotion to investigate how sexual difference impacts on the representations of emotions. The book develops an accumulative analysis of the meanings of emotions in twentieth century realist drama, theatre and acting.
Author : New York Public Library. Research Libraries
Publisher : Unknown
Page : 770 pages
File Size : 48,7 Mb
Release : 1967
Category : Drama
ISBN : UOM:39015079870484
Author : Anonim
Publisher : Unknown
Page : 668 pages
File Size : 51,6 Mb
Release : 1964
Category : American literature
ISBN : UCSC:32106021029852
